by Graeme Davis
The old man was fairly off on his favourite subject, and it was some time before I could get away. As it was, he followed me to the door, and I only escaped because the old clerk hobbled up at that moment, and claimed his attention.
The following morning I went for the keys for the third and last time. I had decided to leave early the next day. I was tired of Wet Waste, and a certain gloom seemed to my fancy to be gathering over the place. There was a sensation of trouble in the air, as if, although the day was bright and clear, a storm were coming.
This morning, to my astonishment, the keys were refused to me when I asked for them. I did not, however, take the refusal as final—I make it a rule never to take a refusal as final—and after a short delay I was shown into the room where, as usual, the clergyman was sitting, or rather, on this occasion, was walking up and down.
“My son,” he said with vehemence, “I know wherefore you have come, but it is of no avail. I cannot lend the keys again.”
I replied that, on the contrary, I hoped he would give them to me at once.
“It is impossible,” he repeated. “I did wrong, exceeding wrong. I will never part with them again.”
“Why not?”
He hesitated, and then said slowly:
“The old clerk, Abraham Kelly, died last night.” He paused, and then went on: “The doctor has just been here to tell me of that which is a mystery to him. I do not wish the people of the place to know it, and only to me he has mentioned it, but he has discovered plainly on the throat of the old man, and also, but more faintly on the child’s, marks as of strangulation. None but he has observed it, and he is at a loss how to account for it. I, alas! can account for it but in one way, but in one way!”
I did not see what all this had to do with the crypt, but to humour the old man, I asked what that way was.
“It is a long story, and, haply, to a stranger it may appear but foolishness, but I will even tell it; for I perceive that unless I furnish a reason for withholding the keys, you will not cease to entreat me for them.
“I told you at first when you inquired of me concerning the crypt, that it had been closed these thirty years, and so it was. Thirty years ago a certain Sir Roger Despard departed this life, even the Lord of the manor of Wet Waste and Dyke Fens, the last of his family, which is now, thank the Lord, extinct. He was a man of a vile life, neither fearing God nor regarding man, nor having compassion on innocence, and the Lord appeared to have given him over to the tormentors even in this world, for he suffered many things of his vices, more especially from drunkenness, in which seasons, and they were many, he was as one possessed by seven devils, being an abomination to his household and a root of bitterness to all, both high and low.
“And, at last, the cup of his iniquity being full to the brim, he came to die, and I went to exhort him on his death-bed; for I heard that terror had come upon him, and that evil imaginations encompassed him so thick on every side, that few of them that were with him could abide in his presence. But when I saw him I perceived that there was no place of repentance left for him, and he scoffed at me and my superstition, even as he lay dying, and swore there was no God and no angel, and all were damned even as he was. And the next day, towards evening, the pains of death came upon him, and he raved the more exceedingly, inasmuch as he said he was being strangled by the Evil One. Now on his table was his hunting knife, and with his last strength he crept and laid hold upon it, no man withstanding him, and swore a great oath that if he went down to burn in hell, he would leave one of his hands behind on earth, and that it would never rest until it had drawn blood from the throat of another and strangled him, even as he himself was being strangled. And he cut off his own right hand at the wrist, and no man dared go near him to stop him, and the blood went through the floor, even down to the ceiling of the room below, and thereupon he died.
“And they called me in the night, and told me of his oath, and I counselled that no man should speak of it, and I took the dead hand, which none had ventured to touch, and I laid it beside him in his coffin; for I thought it better he should take it with him, so that he might have it, if haply some day after much tribulation he should perchance be moved to stretch forth his hands towards God. But the story got spread about, and the people were affrighted, so, when he came to be buried in the place of his fathers, he being the last of his family, and the crypt likewise full, I had it closed, and kept the keys myself, and suffered no man to enter therein any more; for truly he was a man of an evil life, and the devil is not yet wholly overcome, nor cast chained into the lake of fire. So in time the story died out, for in thirty years much is forgotten. And when you came and asked me for the keys, I was at the first minded to withhold them; but I thought it was a vain superstition, and I perceived that you do but ask a second time for what is first refused; so I let you have them, seeing it was not an idle curiosity, but a desire to improve the talent committed to you, that led you to require them.”
The old man stopped, and I remained silent, wondering what would be the best way to get them just once more.
“Surely, sir,” I said at last, “one so cultivated and deeply read as yourself cannot be biased by an idle superstition.”
“I trust not,” he replied, “and yet—it is a strange thing that since the crypt was opened two people have died, and the mark is plain upon the throat of the old man and visible on the young child. No blood was drawn, but the second time the grip was stronger than the first. The third time, perchance—”
“Superstition such as that,” I said with authority, “is an entire want of faith in God. You once said so yourself.”
I took a high moral tone which is often efficacious with conscientious, humble-minded people.
He agreed, and accused himself of not having faith as a grain of mustard seed; but even when I had got him so far as that, I had a severe struggle for the keys. It was only when I finally explained to him that if any malign influence had been let loose the first day, at any rate, it was out now for good or evil, and no further going or coming of mine could make any difference, that I finally gained my point. I was young, and he was old; and, being much shaken by what had occurred, he gave way at last, and I wrested the keys from him.
I will not deny that I went down the steps that day with a vague, indefinable repugnance, which was only accentuated by the closing of the two doors behind me. I remembered then, for the first time, the faint jangling of the key and other sounds which I had noticed the first day, and how one of the skulls had fallen. I went to the place where it still lay. I have already said these walls of skulls were built up so high as to be within a few inches of the top of the low archways that led into more distant portions of the vault. The displacement of the skull in question had left a small hole just large enough for me to put my hand through. I noticed for the first time, over the archway above it, a carved coat-of-arms, and the name, now almost obliterated, of Despard. This, no doubt, was the Despard vault. I could not resist moving a few more skulls and looking in, holding my candle as near the aperture as I could. The vault was full. Piled high, one upon another, were old coffins, and remnants of coffins, and strewn bones. I attribute my present determination to be cremated to the painful impression produced on me by this spectacle. The coffin nearest the archway alone was intact, save for a large crack across the lid. I could not get a ray from my candle to fall on the brass plates, but I felt no doubt this was the coffin of the wicked Sir Roger. I put back the skulls, including the one which had rolled down, and carefully finished my work. I was not there much more than an hour, but I was glad to get away.
If I could have left Wet Waste at once I should have done so, for I had a totally unreasonable longing to leave the place; but I found that only one train stopped during the day at the station from which I had come, and that it would not be possible to be in time for it that day.
Accordingly I submitted to the inevitable, and wandered about with Brian for the remainder of the afternoon and until late in
the evening, sketching and smoking. The day was oppressively hot, and even after the sun had set across the burnt stretches of the wolds, it seemed to grow very little cooler. Not a breath stirred. In the evening, when I was tired of loitering in the lanes, I went up to my own room, and after contemplating afresh my finished study of the fresco, I suddenly set to work to write the part of my paper bearing upon it. As a rule, I write with difficulty, but that evening words came to me with winged speed, and with them a hovering impression that I must make haste, that I was much pressed for time. I wrote and wrote, until my candles guttered out and left me trying to finish by the moonlight, which, until I endeavoured to write by it, seemed as clear as day.
I had to put away my MS., and, feeling it was too early to go to bed, for the church clock was just counting out ten, I sat down by the open window and leaned out to try and catch a breath of air. It was a night of exceptional beauty; and as I looked out my nervous haste and hurry of mind were allayed. The moon, a perfect circle, was—if so poetic an expression be permissible—as it were, sailing across a calm sky. Every detail of the little village was as clearly illuminated by its beams as if it were broad day; so, also, was the adjacent church with its primeval yews, while even the wolds beyond were dimly indicated, as if through tracing paper.
I sat a long time leaning against the window-sill. The heat was still intense. I am not, as a rule, easily elated or readily cast down; but as I sat that light in the lonely village on the moors, with Brian’s head against my knee, how, or why, I know not, a great depression gradually came upon me.
My mind went back to the crypt and the countless dead who had been laid there. The sight of the goal to which all human life, and strength, and beauty, travel in the end, had not affected me at the time, but now the very air about me seemed heavy with death.
What was the good, I asked myself, of working and toiling, and grinding down my heart and youth in the mill of long and strenuous effort, seeing that in the grave folly and talent, idleness and labour lie together, and are alike forgotten? Labour seemed to stretch before me till my heart ached to think of it, to stretch before me even to the end of life, and then came, as the recompense of my labour—the grave. Even if I succeeded, if, after wearing my life threadbare with toil, I succeeded, what remained to me in the end? The grave. A little sooner, while the hands and eyes were still strong to labour, or a little later, when all power and vision had been taken from them; sooner or later only—the grave.
I do not apologise for the excessively morbid tenor of these reflections, as I hold that they were caused by the lunar effects which I have endeavoured to transcribe. The moon in its various quarterings has always exerted a marked influence on what I may call the sub-dominant, namely, the poetic side of my nature.
I roused myself at last, when the moon came to look in upon me where I sat, and, leaving the window open, I pulled myself together and went to bed.
I fell asleep almost immediately, but I do not fancy I could have been asleep very long when I was wakened by Brian. He was growling in a low, muffled tone, as he sometimes did in his sleep, when his nose was buried in his rug. I called out to him to shut up; and as he did not do so, turned in bed to find my match box or something to throw at him. The moonlight was still in the room, and as I looked at him I saw him raise his head and evidently wake up. I admonished him, and was just on the point of falling asleep when he began to growl again in a low, savage manner that waked me most effectually. Presently he shook himself and got up, and began prowling about the room. I sat up in bed and called to him, but he paid no attention. Suddenly I saw him stop short in the moonlight; he showed his teeth, and crouched down, his eyes following something in the air. I looked at him in horror. Was he going mad? His eyes were glaring, and his head moved slightly as if he were following the rapid movements of an enemy. Then, with a furious snarl, he suddenly sprang from the ground, and rushed in great leaps across the room towards me, dashing himself against the furniture, his eyes rolling, snatching and tearing wildly in the air with his teeth. I saw he had gone mad. I leaped out of bed, and rushing at him, caught him by the throat. The moon had gone behind a cloud; but in the darkness I felt him turn upon me, felt him rise up, and his teeth close in my throat. I was being strangled. With all the strength of despair, I kept my grip of his neck, and, dragging him across the room, tried to crush in his head against the iron rail of my bedstead. It was my only chance. I felt the blood running down my neck. I was suffocating. After one moment of frightful struggle, I beat his head against the bar and heard his skull give way. I felt him give one strong shudder, a groan, and then I fainted away.
When I came to myself I was lying on the floor, surrounded by the people of the house, my reddened hands still clutching Brian’s throat. Someone was holding a candle towards me, and the draught from the window made it flare and waver. I looked at Brian. He was stone dead. The blood from his battered head was trickling slowly over my hands. His great jaw was fixed in something that—in the uncertain light—I could not see.
They turned the light a little.
“Oh, God!” I shrieked. “There! Look! Look!”
“He’s off his head,” said some one, and I fainted again.
I was ill for about a fortnight without regaining consciousness, a waste of time of which even now I cannot think without poignant regret. When I did recover consciousness, I found I was being carefully nursed by the old clergyman and the people of the house. I have often heard the unkindness of the world in general inveighed against, but for my part I can honestly say that I have received many more kindnesses than I have time to repay. Country people especially are remarkably attentive to strangers in illness.
I could not rest until I had seen the doctor who attended me, and had received his assurance that I should be equal to reading my paper on the appointed day. This pressing anxiety removed, I told him of what I had seen before I fainted the second time. He listened attentively, and then assured me, in a manner that was intended to be soothing, that I was suffering from an hallucination, due, no doubt, to the shock of my dog’s sudden madness.
“Did you see the dog after it was dead?” I asked.
He said he did. The whole jaw was covered with blood and foam; the teeth certainly seemed convulsively fixed, but the case being evidently one of extraordinarily virulent hydrophobia, owing to the intense heat, he had had the body buried immediately.
My companion stopped speaking as we reached our lodgings, and went upstairs. Then, lighting a candle, he slowly turned down his collar.
“You see I have the marks still,” he said, “but I have no fear of dying of hydrophobia. I am told such peculiar scars could not have been made by the teeth of a dog. If you look closely you see the pressure of the five fingers. That is the reason why I wear high collars.”
*A local term for hill country.
†A period word, meaning “care.”
THE CAVE OF THE ECHOES
by Helena Blavatsky
1892
Helena Blavatsky is best known today as one of the founders of the Theosophical Society and the leading architect of its mystical religion, which blended Western esotericism with Hinduism and Buddhism. She was a controversial figure in her lifetime, alternately revered as an enlightened guru and reviled as a charlatan. Even more controversially, it has been claimed that her writings of secret masters and the Aryan race inspired some aspects of Nazi occultism after her death.
It is not widely known that, in addition to her extensive writings on Theosophy and other esoteric matters, Madame Blavatsky wrote supernatural fiction. Perhaps more remarkably, her horror fiction is completely independent of her esoteric researches, and does not promote Theosophical teachings. Some stories, such as “A Witch’s Den” (1920), are clearly inspired by her extensive travels, but others are straightforward ghost and horror tales, typical of their time.
“The Cave of the Echoes” (subtitled “A Strange but True Story”) is one such tale. The details of its Russ
ian setting, which lend the tale such rich and authentic atmosphere, clearly owe much to Madame Blavatsky’s extensive childhood travels around the pre-revolutionary Russian Empire, but the tale itself is one of the classic ghost narratives, in which a murder victim reappears to accuse the guilty. It first appeared in Nightmare Tales, Madame Blavatsky’s only collection of fiction, which was published in 1892 by the Theosophical Publishing Society.
This story is given from the narrative of an eye-witness, a Russian gentleman, very pious, and fully trustworthy. Moreover, the facts are copied from the police records of P——. The eyewitness in question attributes it, of course, partly to divine interference and partly to the Evil One.—H. P. B.
In one of the distant governments of the Russian empire, in a small town on the borders of Siberia, a mysterious tragedy occurred more than thirty years ago. About six versts from the little town of P——, famous for the wild beauty of its scenery, and for the wealth of its inhabitants—generally proprietors of mines and of iron foundries—stood an aristocratic mansion. Its household consisted of the master, a rich old bachelor and his brother, who was a widower and the father of two sons and three daughters. It was known that the proprietor, Mr. Izvertzoff, had adopted his brother’s children, and, having formed an especial attachment for his eldest nephew, Nicolas, he had made him the sole heir of his numerous estates.
Time rolled on. The uncle was getting old, the nephew was coming of age. Days and years had passed in monotonous serenity, when, on the hitherto clear horizon of the quiet family, appeared a cloud. On an unlucky day one of the nieces took it into her head to study the zither. The instrument being of purely Teutonic origin, and no teacher of it residing in the neighborhood, the indulgent uncle sent to St. Petersburg for both. After diligent search only one Professor could be found willing to trust himself in such close proximity to Siberia. It was an old German artist, who, sharing his affections equally between his instrument and a pretty blonde daughter, would part with neither. And thus it came to pass that one fine morning the old Professor arrived at the mansion, with his music box under one arm and his fair Munchen leaning on the other.
