THE
VIEW
FROM
THE
SEVENTH
LAYER
CONTENTS
Title Page
Dedication
A Fable Ending in the Sound of a Thousand Parakeets
The View from the Seventh Layer
The Lives of the Philosophers
The Year of Silence
A Fable with a Photograph of a Glass Mobile on the Wall
Father John Melby and the Ghost of Amy Elizabeth
The Human Soul as a Rube Goldberg Device: A Choose-Your-Own-Adventure Story
The Lady with the Pet Tribble
A Fable Containing a Reflection the Size of a Match Head in Its Pupil
Home Videos
The Air Is Full of Little Holes
Andrea Is Changing Her Name
A Fable with Slips of White Paper Spilling from the Pockets
Acknowledgments
A Note About the Author
Also by Kevin Brockmeier
Copyright
In memory of my grandfather,
William Sirico, and his last words:
“Well, I'm dying now. It was a pleasure to know you.”
A FABLE ENDING IN THE SOUND
OF A THOUSAND PARAKEETS
Once there was a city where everyone had the gift of song. Gardeners sang as they clipped their flowers. Husbands and wives sang each other to sleep at night. Groups of children waiting for the school bell to ring raced through the verses of the latest pop songs to get to the pure spun sugar of the choruses. Old friends who had not seen one another in many years met at wakes and retirement parties to sing the melodies they remembered from the days when they believed there was nothing else in the world that would ever grip their spirits so and take them out of their bodies. Life was carried along on a thousand little currents of music, and it was not unusual to hear a tune drifting out from behind the closed door of an office as you passed, or even from the small back room of the art museum, which was almost but never quite empty. The people of the city did not always sing with great skill, but they sang clearly and with a simplicity of feeling that made their voices beautiful to hear. And because they loved what they sang, no matter how painful or melancholy, a note of indomitable happiness ran through their voices like a fine silver thread.
In this city there lived a mute, the only person who was unable to lend his voice to the great chorus of song that filled the air. The mute had spent his entire life in the city, and everyone from the members of the school board to the stock boys at the grocery store knew who he was. In some communities there is a man who sells whistles by the courthouse or paper kites down by the river. In others there is a woman who decorates her home with multicolored lights and streamers every holiday. Usually these people are no more than small figures at the periphery of everyone's attention, but when they die, it can be more surprising than the death of a prominent leader or a renowned artist, because no one has ever regarded them carefully enough to consider what their absence might mean.
The mute was of that age where his hair had turned white and his shoes no longer seemed to fit him properly. Some of his neighbors believed he was deaf—an understandable mistake. He was not deaf, though, only mute, and from time to time he liked to sit in a chair on his front porch and listen to the people around him chatting with one another as they took their afternoon walks. They would say things like “I'm telling you, buddy, the second my pension kicks in, it's off to the tropics for me.” And “Peter asked me out for dinner tonight, dear thing. I think he's finally going to pop the question.” And “That's the deaf man, Sarah. He can't hear you, but that's no reason you can't be friends with him. Why don't you go wave hello?” It comforted him to listen to these conversations. He had never married or fathered children, and behind the door of his house, there was only the quiet tapping of his footsteps and the endless chirping and fluttering of the parakeets.
The mute had gotten his first pair of birds when he was still a young man, purchasing them from a pet vendor he met in the city park. One morning he had seen them preening and tilting their heads in the sunlight, and that was all it took. The color of their feathers seemed to call out to him: the jewel-like greens and yellows of their wings, the shaded blue around their necks, but most of all the lovely soft purple above their beaks. It was not until he released the parakeets into his living room and watched them hop from the back of the chair onto the curtain rod, and from the curtain rod onto the shelf beside the mirror, that he felt something slipping loose inside him and realized how much he had needed their companionship.
One of the parakeets turned out to be a male, and the other a female, and soon he had five birds to take care of. The next year he bought two more from the pet vendor and watched another three hatch from their eggs. It wasn't long before he had so many birds that he knew he had to do something. He hauled the good furniture out of the parlor and attached dozens of little swings, perches, ladders, and mirrors to the walls. He put a wooden gate in the doorway. He even installed a pair of recessed skylights in the ceiling so that the birds could watch the shadows of the clouds move across the floor. In the end he believed he had managed to create the kind of space a parakeet might enjoy.
He loved each and every one of his birds, and over the years, as the flock grew in size, he learned various tricks to distinguish them from one another. It was only from a distance, he realized, that their bodies seemed to blur together into a single shifting net of brightly colored wings and tails. When you looked more carefully, you noticed that one of the birds had a particular way of tucking her head under her wing while she ate. Another liked to stand by the window after the sun went down, pecking at her reflection in the glass. Another wore a set of markings on his back that looked like two-day-old snow, with dapples of wet grass beginning to show through. Every bird was unique.
He enjoyed watching their lives play out inside the walls of his house, and he took tremendous satisfaction in being able to feed and take care of them. It felt good to be needed by something with a working voice and a beating heart. He often wondered if the other people in the city knew how much happiness a creature so small could bring.
When did he first start giving the birds away as presents? No one could remember, least of all the mute. But a time came when he might be expected to turn up at any public celebration with a bamboo cage in his hands and a bag of fresh seed in his pocket, smiling and nodding in that richly communicative way of his. He became a fixture at birthday parties, baptisms, inaugurations, and weddings. There was always singing on such occasions, of course, a boundless wave of pop songs and old standards. As he listened to all the love and sorrow wrapped up inside the harmonies, he wished more than anything that he could join in, but the only thing he had to offer was his parakeets.
With every bird he gave away, he included a set of instructions that ended with the sentence “Parakeets are natural mimics, and if you treat your bird as you would a human being, it is likely that he or she will learn how to talk.” Some of the people who accepted the birds from him were busy or practical-minded sorts who had little interest in keeping a pet, but were too polite to tell him so. They stowed the parakeets away in a dimly lit corner of their spare bedroom, or even set them loose in the woods at the edge of town. Others appreciated the birds as no more than a spectacle or a diversion, something to feed every morning and take out whenever they happened to grow bored. Only a few cherished them as much as the mute did. Still, most of the people who kept the birds were able to teach them such simple phrases as “Good morning,” “What's your name?,” and “I love you.” A number of the birds were clever enough to learn a more complicat
ed set of expressions: “It's a cruel, cruel world,” for instance, and “How about this weather we're having?” One man successfully showed his parakeet how to say “I prefer the music of Brahms” whenever anyone turned on the radio. Another taught his bird to say “Hubba-hubba” every time a redheaded woman came into the room.
There was one particular bird who was able to reproduce almost any sound he heard, but when his owner coached him to repeat the phrase “I don't understand the words they're making me say,” he refused to utter so much as a syllable.
For every parakeet the mute gave away, two more were born into his parlor. Some of the birds died of illness or old age, but there were always new birds to replace them, and the flock showed no sign of diminishing. It began to seem to the mute that the rules of time had been suspended inside the aviary—or if not suspended, then at least reshaped. When he brought his first pair of birds home from the city park, they had not been much older than children, he now realized—and neither, for that matter, had he. Then something changed, and he began to settle into the rhythm of his days and nights. His grandparents died, and later his parents. The long history of a lifetime fell into place behind him. And the birds, it seemed to him, were still not much older than children.
Sometimes he stood at the gate watching them flit about between their perches and allowed his mind to wander. He couldn't help thinking of his childhood, particularly those times when he would sit at the back of his classroom during choir practice. He remembered what it was like to listen to everybody singing, to feel the music scaling and building inside him, higher and higher, climbing toward the open air, until it became so powerful that he was almost sure it would not give way this time, though invariably it did. He used to shut his eyes and sway back and forth behind his desk. Anyone could see what was happening to him. The truth was that he, too, had the gift of song—it was just that he could not make use of it. One of his teachers had the idea of giving him a tambourine to shake, and that helped for a while, but the rattling sound it made was not quite what he was looking for. Later he thought about learning to play a real instrument—a flute, maybe, or a clarinet—but as it turned out, he did not have the talent for it.
The mute gazed at the birds until his memory faded away. Then he went to the front porch to wait for his neighbors to take their afternoon walks.
No one who has ever lived closely with a flock of birds and come to know their eccentricities could say that they are not intelligent. The parakeets were curious about this man who never spoke, who filled their seed dishes every morning and fed them sweet corn, grapes, and chopped carrots in the evening. Sometimes he stood behind the bars of their cage with a faraway look in his eyes and made a sound like the wind puffing through a long concrete pipe. Sometimes he fluttered his fingers at them, making a friendly chook-chook-chook noise with the tip of his tongue. What did these activities mean?
The birds studied the mute as though he were a puzzle. And because they had always understood the world best by participating in it, after a while they began to imitate him. They mimicked the clang that went echoing down the hall when he dropped a pot in the kitchen. They jingled like a pair of silver bells when his alarm clock went off in the morning. They duplicated the sound of his footsteps tapping across the wooden floor, the sigh that came from his chair when he sank into the upholstery, and even the small back-and-forth sawing noise of his breathing as he drifted off to sleep.
The mute noticed the various sounds the birds were making, and occasionally he said to himself, That was me popping my knuckles just now, or That was me slicing this apple in half, but generally speaking the thought did not occur to him. He had never listened as carefully to himself as he had to other people. He began to imagine that the reason the birds were raising such a commotion was because they were restless or unhappy, and eventually he decided to move the aviary's gate to the end of the hall so that they would have more room to spread their wings. A few weeks later he moved the gate again, this time into the entrance of the dining room, and a few weeks after that he installed it in the area between his study and the master bedroom. Finally, the only spaces he had left for himself were the kitchen, the bathroom, and the sitting room by the front door, where he managed to squeeze not only his lamp and his bed, but also the smallest of his dressers.
He never would have believed that a houseful of birds might be enough for him one day, and yet here he was, an old man, and though he had longed for many things over the years, and had sometimes, like everyone else, felt an overwhelming sadness he could not explain, he had also experienced periods of great calm and radiant joy, and he did not believe that his life had been empty.
One morning he was cleaning the dishes when his heart gave out. There was no pain, just a sudden flooding sensation in his arms and legs that made him feel curiously light-headed. What was this? he wondered. What was happening to him? He sat down on the floor, lifted his hand for a moment, and then he closed his eyes.
Perhaps it was later that day, at the banquet in honor of the mayor's wedding anniversary, or perhaps it was the next afternoon, when the butcher's son finally graduated from law school, but it did not take long before the people of the city began to ask themselves where he had gone. They had grown accustomed to seeing him at one social occasion or another, making his way through the crowd with a handmade bamboo cage and the chattering little bundle of a parakeet. A few people thought to wonder if he was all right. They told a few others, who told a few more, and soon they all gathered together and set off down the road toward his house. They knocked on the door. When he did not answer, one of them said, “He probably doesn't hear you, remember? The man's always been deaf as a post,” and so they tested the knob and found it unlocked.
None of them had ever been inside the house before. How could they have guessed how many parakeets there would be, or how their voices, calling out in mourning or celebration, would fill the air? In a thousand different tones, a thousand different inflections, they reproduced all the sounds of the mute's daily life, from the steady beat of his footsteps to the whistle of his coffeepot to the slow, spreading note of his final breath. It sounded for all the world like a symphony.
THE VIEW FROM THE SEVENTH LAYER
The island was so small that Olivia could hear the ocean no matter where she went. She lived in a little red garden cottage with thin wooden walls, and sometimes, when her pills didn't work, she would wake in the middle of the night to the hissing of the waves and the washboardlike croaking of the herons. Her house was nestled behind a two-story villa with a high collar of hibiscus bushes. At least once a week a spider or a bumblebee would find its way into the villa, and the widow Lorenzen would summon Olivia to get rid of it for her. “Here, smash it with this,” she would say, handing her a magazine or a scuba flipper. “Kill it! Kill it!” Her fingers were stiff with arthritis. Her hair was the color of water in a swimming pool. Olivia always tried to escort the insects outside without harming them. The rhythm of the waves raking the beach reminded her of a song whose lyrics she could never quite remember. She spent whole hours some days narrowly failing to bring it to mind. She felt as though she were standing at the most remote border of her consciousness, far away from the light and warmth of the fire, peering out into the darkness like an aboriginal priestess.
During tourist season, she worked as a map vendor at the marina, operating a stand that also carried umbrellas, candy, and prophylactics. She sold more prophylactics than she did maps, and more candy than she did prophylactics, and more umbrellas than she did either. The rain came every day, starting at 3:15. It was as though someone hovering behind the clouds had opened up a spill valve. The water fell in coin-size drops that knocked against the masts of the boats with a sound like a bamboo wind ornament, and then, at exactly 3:45, it stopped. The sun was so clean and welcoming as it shone on the docks that it was easy for the tourists to imagine it would never rain again. They took their shirts off and put their sunglasses on, rolling their shoulders
as though they had just woken up from a long nap. Dozens of half-closed umbrellas lay discarded over the glistening brown boards, their handles glowing in the flawless white light. The local children collected them like flowers.
There was a bug that arrived for a few weeks in May each year and chewed the wild roses to tatters. The bug was a thick cream color at first, but its wings burned red as soon as the summer settled in. The islanders called it the “tourist bug.” At the end of the season, when the tourists left, the island's teenagers took their place, walking along the docks with their hands in each other's pockets. They bought ice-cream cones, T-shirts, and phone cards, but never maps. Sometimes Olivia thought that the rain which fell from 3:15 to 3:45 every summer afternoon was a message. She was convinced that she knew who had sent it.
Her father lived on the seaward tip of the island, in a colonial house with a wrought-iron balcony from which he could watch the gulls soaring out toward the open water. He owned the map-vending stand where Olivia worked in the summer, and the garden cottage where she lived when she was not working at all, and it was not unusual for her to find him sitting at her kitchen table when she got home. “You don't happen to have any gin here, I suppose?” he would ask, or “What do you say I hire somebody to give this place a good scrubbing down?” When she was a girl, some thirty years ago, he used to call her his little baby marshmallow puff. She had always liked the soft cap of foam that marshmallows formed in mugs of hot chocolate. She owned only two keys, to only two doors, and she never knew when she would find her father waiting for her behind one or the other. Her mother, on the other hand, lived in São Paulo, Brazil, with her second husband, Graciliano. She and Olivia spoke once a month on the telephone, and when the conversation died away, as it invariably did, her mother always asked her what book she was reading, and Olivia always named the last book she had actually been able to finish, Paris Stories by Mavis Gallant, and her mother always said, “Ooh, I've been wanting to read that one. Are you enjoying it?” It had been five years since the Entity had taken Olivia into the sky, whispering to her with a tremendous musical breathing sound that was like the striking of every key on a harmonium. She still felt the singe where it had touched the hollow of her neck.
The View From the Seventh Layer Page 1
