by Paul Auster
She performed ably in The Prop Man, doing all that Hector asked of her and even contributing some clever flourishes of her own, but when he tried to sign her up for his next film, she demurred. She had been offered the main role in an Allan Dwan feature, and the opportunity was simply too great for her to turn it down. Hector, who was supposed to have the magic touch with women, was getting nowhere with her. He couldn’t find the words to express himself in English, and every time he was on the point of declaring his intentions to her, he would draw back at the last moment. If the words came out wrong, he felt that he would scare her off and ruin his chances forever. Meanwhile, he continued spending several nights a week at Brigid’s apartment, and because he had made no promises to her, because he was free to love any person he wanted, he said nothing to her about Saint John. When shooting on The Prop Man wrapped in late June, Saint John went off on location to the Tehachapi Mountains. She worked on the Dwan film for four weeks, and during that time Hector wrote her sixty-seven letters. What he hadn’t been able to say to her in person, he finally found the courage to put down on paper. He said it again and again, and even though he said it differently each time he wrote, the message was always the same. At first, Saint John was puzzled. Then she was flattered. Then she began to look forward to the letters, and by the end she realized that she couldn’t live without them. When she returned to Los Angeles at the beginning of August, she told Hector that the answer was yes. Yes, she loved him. Yes, she would become his wife.
No date was set for the wedding, but they were talking about January or February—time enough for Hector to have fulfilled his contract with Hunt and to have worked out his next move. The moment had come to talk to Brigid, but he kept putting it off, could never quite get around to doing it. He was working late with Blaustein and Murphy, he said, he was in the editing room, he was on a location scout, he was under the weather. Between the beginning of August and the middle of October, he invented dozens of excuses for not seeing her, but still he couldn’t bring himself to break it off entirely. Even in the throes of his infatuation with Saint John, he went on visiting Brigid once or twice a week, and every time he walked through the door of the apartment, he slipped back into the same old cozy setup. One could accuse him of being a coward, of course, but one could just as easily assert that he was a man in conflict. Perhaps he was having second thoughts about marrying Saint John. Perhaps he wasn’t ready to give up O’Fallon. Perhaps he was torn between the two women and felt that he needed them both. Guilt can cause a man to act against his own best interests, but desire can do that as well, and when guilt and desire are mixed up equally in a man’s heart, that man is apt to do strange things.
O’Fallon suspected nothing. In September, when Hector engaged Saint John to play the role of his wife in Mr. Nobody, she congratulated him on the intelligence of his choice. Even when rumors filtered back from the set that there was a special closeness between Hector and his leading lady, she wasn’t unduly alarmed. Hector liked to flirt. He always fell for the actresses he worked with, but once the shooting was finished and everyone went home, he quickly forgot about them. In this case, however, the stories persisted. Hector had already moved on to Double or Nothing, his last picture at Kaleidoscope, and Gordon Fly was whispering in his column that wedding bells were about to ring for a certain long-haired siren and her mustachioed, funny-man beau. It was mid-October by then, and O’Fallon, who hadn’t heard from Hector in five or six days, called the editing room and asked him to come to her apartment that night. She had never asked him to do anything like that before, and so he canceled his dinner plans with Dolores and went to Brigid’s place instead. And there, confronted by the question he had put off answering for the past two months, he finally told her the truth.
Hector had been praying for something decisive, an eruption of female fury that would send him staggering out onto the street and end things once and for all, but Brigid merely looked at him when he broke the news to her, took a deep breath, and said that it wasn’t possible for him to love Saint John. It wasn’t possible because he loved her. Yes, Hector said, he did love her, he would always love her, but the fact was that he was going to marry Saint John. Brigid started to cry then, but still she didn’t accuse him of betrayal, didn’t argue for herself or shout out in anger about how terribly he had wronged her. He was wrong about himself, she said, and once he realized that no one would ever love him as she loved him, he would come back to her. Dolores Saint John was a thing, she said, not a person. She was a luminous and intoxicating thing, but underneath her skin she was coarse and shallow and stupid, and she didn’t deserve to be his wife. Hector should have said something to her at that point. The occasion demanded that he deliver some brutal, piercing remark that would destroy her hope forever, but Brigid’s grief was too strong for him, her devotion was too strong for him, and as he listened to her speak in those small, gasping sentences of hers, he couldn’t bring himself to say the words. You’re right, he answered. It probably won’t last more than a year or two. But I have to go through with it. I have to have her, and once I do, everything else will take care of itself.
He wound up spending the night in Brigid’s apartment. Not because he thought it would do them any good, but because she begged him to stay there one last time, and he couldn’t say no to her. The next morning, he slipped out before she woke up, and from that moment on, things began to change for him. The contract with Hunt ended; he started working on Dot and Dash with Blaustein; his wedding plans took shape. After two and a half months, he still hadn’t heard from Brigid. He found her silence a little troublesome, but the truth was that he was too preoccupied with Saint John to give the matter much thought. If Brigid had disappeared, it could only be because she was a person of her word and was too proud to stand in his way. Now that he had made his intentions clear, she had backed off to let him sink or swim on his own. If he swam, he probably wouldn’t see her again. If he sank, she would probably turn up at the last minute and try to pull him out of the water.
It must have soothed Hector’s conscience to think these things about O’Fallon, to turn her into a form of superior being who felt no pain when knives were stuck into her body, who didn’t bleed when she was wounded. But in the absence of any verifiable facts, why not indulge in a little wishful thinking? He wanted to believe that she was doing well, that she was carrying on boldly with her life. He noticed that her articles had stopped appearing in Photoplay, but that could have meant that she was out of town or that she had taken another job somewhere else, and for the moment he refused to look at any of the darker possibilities. It wasn’t until she finally surfaced again (by slipping a letter under his door on New Year’s Eve) that he learned how miserably he had fooled himself. Two days after he had walked out on her in October, she had slit her wrists in the bathtub. If not for the water that had dripped down into the apartment below, the landlady never would have unlocked the door, and Brigid wouldn’t have been found until it was too late. An ambulance took her to the hospital. She pulled through after a couple of days, but her mind had crumbled, she wrote, she was incoherent and weeping all the time, and the doctors decided to hold her for observation. That led to a two-month stay in the mental ward. She was prepared to spend the rest of her life there, but that was only because her one purpose in life now was to find a way to kill herself, and it made no difference where she was. Then, just as she was gearing up for her next attempt, a miracle happened. Or rather, she discovered that a miracle had already happened and that she had been living under its spell for the past two months. Once the doctors confirmed that it was a real event and not something she had imagined, she no longer wanted to die. She had lost her faith years ago, she continued. She hadn’t been to confession since high school, but when the nurse came in that morning to give her the results of the test, she felt as if God had put his mouth against her mouth and breathed life into her again. She was pregnant. It had happened in the fall, on the last night they had spent together, and
now she was carrying Hector’s baby inside her.
After they discharged her from the hospital, she had moved out of her apartment. She had a little money saved up, but not enough to go on paying the rent without returning to work—and she couldn’t do that now, since she had already quit her job at the magazine. She had found a cheap room somewhere, the letter went on, a place with an iron bedstead and a wooden cross on the wall and a colony of mice living under the floorboards, but she wasn’t going to tell him the name of the hotel or even what town it was in. It would be useless for him to go out looking for her. She was registered under a false name, and she meant to lie low until her pregnancy was a little further along, when it would no longer be possible for him to try to talk her into having an abortion. She had made up her mind to let the baby live, and whether Hector was willing to marry her or not, she was determined to become the mother of his child. Her letter concluded: Fate has brought us together, my darling, and wherever I am now, you will always be with me.
Then more silence. Another two weeks went by, and Brigid stuck to her promise and kept herself hidden. Hector said nothing to Saint John about O’Fallon’s letter, but he knew that his chances of marrying her were probably dead. He couldn’t think about their future life together without also thinking about Brigid, without tormenting himself with images of his pregnant ex-lover lying in a fleabag hotel in some derelict neighborhood, slowly pushing herself into madness as his child grew within her. He didn’t want to give up Saint John. He didn’t want to let go of the dream of crawling into her bed every night and feeling that smooth, electric body against his naked skin, but men were responsible for their actions, and if the child was going to be born, then there was no escape from what he had done. Hunt killed himself on January eleventh, but Hector was no longer thinking about Hunt, and when he heard the news on January twelfth, he felt nothing. The past was of no importance. Only the future mattered to him, and the future was suddenly in doubt. He was going to have to break off his engagement with Dolores, but he couldn’t do that until Brigid surfaced again, and because he didn’t know where to find her, he couldn’t move, couldn’t budge from the spot where the present had stranded him. As time went on, he began to feel like a man whose feet had been nailed to the floor.
On the night of January fourteenth, he knocked off work with Blaustein at seven o’clock. Saint John was expecting him for dinner at her house in Topanga Canyon at eight. Hector would have been there well before then, but he had car trouble along the way, and by the time he finished changing the tire on his blue DeSoto, he had lost three-quarters of an hour. If not for that flat tire, the event that altered the course of his life might never have happened, for it was precisely then, as he crouched down in the darkness just off La Cienega Boulevard and began jacking up the front end of his car, that Brigid O’Fallon knocked on the door of Dolores Saint John’s house, and by the time Hector had completed his little task and was back behind the wheel of the car, Saint John had accidentally fired a thirty-two-caliber bullet into O’Fallon’s left eye.
That was what she said, in any case, and from the stunned and horrified look that greeted him when he walked through the front door, Hector saw no reason to doubt her. She hadn’t known the gun was loaded, she said. Her agent had given it to her when she moved into this isolated house in the canyon three months ago. It was supposed to be for protection, and after Brigid started saying all those crazy things to her, ranting on about Hector’s baby and her slit wrists and the bars on the windows of madhouses and the blood from Christ’s wounds, Dolores had become frightened and asked her to leave. But Brigid wouldn’t go, and a few minutes later she was accusing Dolores of having stolen her man, threatening her with wild ultimatums and calling her a devil, a tramp, and a low-down lousy slut. Just six months ago, Brigid had been that sweet reporter from Photoplay with the pretty smile and the sharp sense of humor, but now she was out of her mind, she was dangerous, she was lurching around the room and weeping at the top of her lungs, and Dolores didn’t want her there anymore. That was when she thought of the revolver. It was in the middle drawer of the rolltop desk in the living room, less than ten feet from where she was standing, and so she walked over to the desk and opened the middle drawer. She hadn’t meant to pull the trigger. Her only thought was that maybe the sight of the gun would be enough to scare off Brigid and get her to leave. But once she took it out of the drawer and pointed it across the room, the thing went off in her hand. There hadn’t been much of a sound. Just a kind of small pop, she said, and then Brigid let out a mysterious grunt and fell to the floor.
Dolores wouldn’t go into the living room with him (It’s too horrible, she said, I can’t look at her), and so he went in alone. Brigid was lying facedown on the rug in front of the sofa. Her body was warm, and blood was still leaking from the back of her skull. Hector turned her over, and when he looked into her destroyed face and saw the hole where her left eye had been, he suddenly stopped breathing. He couldn’t look at her and breathe at the same time. In order to start breathing again, he had to look away, and once he did that, he couldn’t bring himself to look at her anymore. Everything gone. Everything crushed to pieces. And the unborn baby inside her, dead and gone as well. Eventually, he stood up and went into the hall, where he found a blanket in the closet. When he returned to the living room, he looked at her one last time, felt the breath clutch inside him again, and then opened the blanket and spread it over her small, tragic body.
His first impulse was to go to the police, but Dolores was afraid. What would her story sound like when they questioned her about the gun, she said, when they forced her to walk through the improbable sequence of events for the twelfth time and made her explain why a twenty-four-year-old pregnant woman was lying dead on the living room floor? Even if they believed her, even if they were willing to accept that the gun had gone off accidentally, the scandal would ruin her. Her career would be finished, and Hector’s career, too, for that matter, and why should they suffer for something that wasn’t their fault? They should call Reggie, she said—meaning Reginald Dawes, her agent, the same fool who had given her the gun—and let him handle it. Reggie was smart, he knew all the angles. If they listened to Reggie, he would figure out a way to save their necks.
But Hector knew that he was already past saving. It was scandal and public humiliation if they talked; it was even worse trouble if they didn’t. They could be charged with murder, and once the case was presented in court, not a soul on earth would believe that Brigid’s death had been an accident. Choose your poison. Hector had to decide. He had to decide for both of them, and there was no right decision to be made. Forget about Reggie, he said to her. If Dawes got wind of what she had done, he would own her. She would be groveling before him on bloody knees for the rest of her life. There couldn’t be anyone else. It was either get on the phone and talk to the cops, or it was talk to no one. And if it was no one, then they would have to take care of the body themselves.
He knew that he would burn in hell for saying that, and he also knew that he would never see Dolores again, but he said it anyway, and then they went ahead and did it. It wasn’t a question of good and evil anymore. It was about doing the least harm under the circumstances, about not ruining yet another life for no purpose. They took Dolores’s Chrysler sedan and drove up into the mountains about an hour north of Malibu with Brigid’s body in the trunk. The corpse was still in the blanket, which in turn was wrapped in the rug, and there was a shovel in the trunk as well. Hector had found it in the garden shed behind Dolores’s house, and that was what he used to dig the hole with. If nothing else, he figured he owed her that much. He had betrayed her, after all, and the remarkable thing about it was that she had gone on trusting him. Brigid’s stories had had no effect on her. She had dismissed them as ravings, as lunatic lies told by a jealous, unhinged woman, and even when the evidence had been pushed up flat against her beautiful nose, she had refused to accept it. It could have been vanity, of course, a monstrous v
anity that saw nothing of the world except what it wanted to see, but at the same time it could have been real love, a love so blind that Hector could scarcely even imagine what he was about to lose. Needless to say, he never learned which one it had been. After they returned from their hideous errand in the hills that night, he drove back to his house in his own car, and he never saw her again.
That was when he disappeared. Except for the clothes on his back and the cash in his wallet, he left everything behind, and by ten o’clock the next morning he was heading north on a train to Seattle. He was fully expecting to be caught. Once Brigid was reported missing, it wouldn’t be long before someone made a connection between the two disappearances. The police would want to question him, and at that point they would begin looking for him in earnest. But Hector was wrong about that, just as he had been wrong about everything else. He was the one who was missing, and for the time being no one even knew that Brigid was gone. She had no job anymore, no permanent address, and when she failed to return to her room at the Fitzwilliam Arms in downtown Los Angeles for the rest of that week in early 1929, the desk clerk had her belongings carried down to the basement and rented her room to someone else. There was nothing unusual about that. People disappeared all the time, and you couldn’t leave a room empty when a new tenant was willing to pay for it. Even if the desk clerk had felt concerned enough to contact the police, there was nothing they could have done about it anyway. Brigid was registered under a false name, and how could you look for someone who didn’t exist?
