ALSO NOT A CHAPTER
At this point, the history of the Baudelaire orphans reverts to its sequential format, and if you are interested in finishing the story, you should read the chapters in the order in which they appear, although I dearly hope you are not interested in finishing the story, any more than the story is interested in finishing you.
CHAPTER Seven
Quite a few things happened that day after the clock struck three and each Wrong! echoed throughout the immense and perplexing world of the Hotel Denouement. On the ninth story, a woman was suddenly recognized by a chemist, into a walkie-talkie. On the sixth story, one of the was reported by an ambidextrous man who spoke and the two of them had a fit of giggles. In the basement, a strange sight housekeepers removed a disguise, and drilled a hole behind an ornamental vase in order to examine the cables that held one of the elevators in place, while listening to the faint sound of a very annoying song coming from a room just above her. In Room 296, a volunteer suddenly realized that the Hebrew language is read from right to left rather than left to right, which meant that it should be read from left to right rather than right to left in the mirror, and in the coffee shop, located in Room 178, a villain requested sugar in his coffee, was immediately thrown to the floor so a waitress could see if he had a tattoo on his ankle, and then received an apology and a free slice of rhubarb pie for all his trouble. In Room 174, a banker picked up the phone only to find no one on the line, and in Room 594, a family sat unnoticed among tanks of tropical fish, with only a suitcase of dirty laundry for company, unaware that underneath a cushion of a sofa in the lobby was the doily for which they had been searching for more than nine years. Just outside the hotel, a taxi driver gazed down at the funnel spouting steam into the sky, and wondered if a certain man with an unusually shaped back would ever return and claim the suitcases that still lay in the trunk, and on the other side of the hotel, a woman in a diving helmet and a shiny suit shone a flashlight through the water and tried to see to the murky bottom of the sea. At the opposite end of the city, a long, black automobile took a woman away from a man she loved, and in another city, miles and miles from the Baudelaires, four children played at the beach, unaware that they were about to receive some very dreadful news, and in yet another city, neither the one where the Baudelaires lived nor the one I just mentioned, someone else learned something and there was some sort of fuss, or so I have been led to believe. With each Wrong! of the clock, as the afternoon slipped into evening, countless things happened, not only in the immense and perplexing world of the Hotel Denouement, but also in the immense and perplexing world that lay outside its brick walls, but the Baudelaire orphans did not think of any of these things. Curiously, their errands as concierges kept them in the lobby for the rest of the afternoon, so they had no more occasion to venture into the small elevators and observe anything further as flaneurs, and spent the hours fetching things back and forth across the lobby, but the siblings did not think of the objects they were fetching, or the guests who were waiting for them, or even the tall, skinny figure of either Frank or Ernest, who would occasionally rush by them on errands of his own. As evening approached, and the bells behind their desk rang less and less frequently, Violet, Klaus, and Sunny thought only of the things that had happened to them. They thought only of what each of them had observed, and they wondered what in the world it all might mean.
Finally, just as either Frank or Ernest had predicted, night arrived and the hotel grew very quiet, and the three siblings gathered behind the large, wooden desk to talk, leaning their backs against the wall and stretching out their legs until their feet almost touched the bells. Violet told the story of Esme Squalor, Carmelita Spats, and Geraldine Julienne in the rooftop sunbathing salon, and either Frank or Ernest in the lobby. Klaus told the story of Sir and Charles in Room 674, and either Frank or Ernest in the sauna. And Sunny told the story of Vice Principal Nero, Mr. Remora, and Mrs. Bass in Room 371, and either Frank or Ernest, and Hal in the Indian restaurant in Room 954. Klaus took careful note of everything in his commonplace book, giving the book to Violet when it was his turn to speak, and all three Baudelaires interrupted each other with questions and ideas, but when all the stories had been told, and the children looked at the countless details inked onto the paper, everything that happened to them was as mysterious as it had been that morning.
"It just doesn't make any sense," Violet said. "Why is Esme Squalor planning a party? Why did Carmelita Spats request a harpoon gun?"
"Why are Sir and Charles here?" Klaus asked. "Why is there birdpaper hanging out of the window of the sauna?"
"Why Nero?" Sunny asked. "Why Remora? Why Bass? Why Hal?"
"Who is J. S.?" Violet asked. "Is he a man lurking in the basement, or is she a woman watching the skies?"
"Where is Count Olaf?" Klaus asked. "Why has he invited so many of our former guardians here to the hotel?"
"Frankernest," Sunny said, and this was perhaps the most mysterious question of all. Violet, Klaus, and Sunny had each encountered one of the managers just moments before the clock struck three. Kit Snicket had told them that if they observed everyone they saw, they could tell the villains from the volunteers, but the Baudelaires did not know which sibling hadencountered which manager, and they simply could not imagine how two people could be in three places at once. The Baudelaires pondered their situation in a silence broken only by a strange, repetitive sound that seemed to be coming from outside. For a moment, this sound was yet another mystery, but the siblings soon realized it was the croaking of frogs. The pond must have had thousands of frogs living in its depths, and now that night had arrived, the frogs had come to the surface and were communicating with one another in the guttural sound of their species. It was an unfathomable sound, as if even the natural world were a code the Baudelaires could not decipher.
"Kit said that all would not go well," Violet said. "She said our errands may be noble, but that we would not succeed."
"That's true," agreed Klaus. "She said all our hopes would go up in smoke, and maybe she was right. We each observed a different story, but none of the stories makes any sense."
"Elephant," Sunny said.
Violet and Klaus looked at their sister curiously.
"Poem," she said. "Father."
Violet and Klaus looked at one another in puzzlement.
"Elephant," Sunny insisted, but this was one of the rare occasions that Violet and Klaus did not understand what their sister was saying. The brow furrowed on Sunny's little forehead as she struggled to remember something that might help make herself clear to her siblings. Finally, she looked up at Violet and Klaus. "John Godfrey Saxe," she said, and all three Baudelaires smiled.
The name John Godfrey Saxe is not likely to mean anything to you, unless you are a fan of American humorist poets of the nineteenth century. There are not many such people in the world, but the Baudelaires' father was one of them, and had several poems committed to memory. From time to time he would get into a whimsical mood-the word "whimsical," as you probably know, means "odd and impulsive"-and would grab the nearest Baudelaire child, bounce him or her up and down on his lap, and recite a poem by John Godfrey Saxe about an elephant. In the poem, six blind men encountered an elephant for the first time and were unable to agree on what the animal was like. The first man felt the tall, smooth side of the elephant, and concluded that an elephant was like a wall. The second man felt the tusk of the elephant, and decided that an elephant resembled a spear. The third man felt the trunk of the elephant, and the fourth felt one of the elephant's legs, and so on and so on, with all of the blind men bickering over what an elephant is like. As with many children, Violet and Klaus had grown old enough to find their father's whimsical moods a little embarrassing, so Sunny had become the primary audience for Mr. Baudelaire's poetry recital, and remembered the poem best.
"That poem could have been written about us," Violet said. "We've each observed one tiny part of the puzzle, but none of us has seen the entire t
hing."
"Nobody could see the entire thing," Klaus said. "There's a mystery behind every door at the Hotel Denouement, and nobody can be everywhere at once, observing all the volunteers and all the villains."
"We've still got to try," Violet said. "Kit said that the sugar bowl was on its way to this hotel. We have to stop it from falling into the hands of the impostor."
"But the sugar bowl could be hidden anywhere," Klaus said, "and the impostor could be anyone. Everyone we observed was talking about J. S., but we still don't know who he or she is."
"'Each was partly in the right,'" Sunny recited, from the penultimate verse of the elephant poem.
Her siblings smiled, and chimed in to finish the line. "'And all were in the wrong,'" they said together, but the last word was drowned out by another sound, or perhaps it would be more proper to say that the last "wrong" was drowned out by another. Wrong! called the clock of the Hotel Denouement. Wrong! Wrong! Wrong! Wrong! Wrong! Wrong! Wrong! Wrong! Wrong! Wrong! Wrong!
"It's late," Klaus said, as the twelfth Wrong! faded. "I hadn't realized we'd been talking for so long." He and his sisters stood up and stretched, and saw that the lobby had grown empty and silent. The lid of the grand piano was closed. The cascading fountain had been turned off. Even the reception desk was empty, as if the Hotel Denouement was not expecting any more guests until the morning. The light from the frog-shaped lamp, and of course the Baudelaires themselves, were the only signs of life underneath the enormous domed ceiling.
"I guess the guests are asleep," Violet said, "or they're staying up all night reading, like Frank said."
"Or Ernest," Sunny reminded her.
"Maybe we should try to sleep as well," Klaus said. "We have one more day to solve these mysteries, and we should be well-rested when that day arrives."
"I suppose there won't be much to observe after dark," Violet said.
"Tired," Sunny yawned.
The siblings nodded, but all three orphans just stood there. It did not seem right to sleep when so many enemies were lurking around the hotel, hatching sinister plots. But such events go on every night, not just in the Hotel Denouement but all over the world, and even the noblest of volunteers needs to get a little shut-eye, a phrase which here means "lie down behind a large, wooden desk and hope that nobody rings for the concierge until morning." The children would have preferred more comfortable sleeping circumstances, of course, but it had been a very long time since such circumstances were available, and so without any further discussion they bid one another good night, and Klaus reached up and turned off the frog-shaped lamp. For a moment the three children lay there in the darkness, listening to the croaking coming from the pond outside.
"It's dark," Sunny said. The youngest Baudelaire was not particularly afraid of the dark, but just felt like mentioning it, in case her siblings were nervous.
"It is dark," Violet agreed, with a yawn. "With my sunglasses on, it's as dark as-what did Kit Snicket say?-as dark as a crow flying through a pitch black night."
"That's it," Klaus said suddenly. His sisters heard him stand up in the dark, and then he turned the frog lamp back on, making them both blink behind their sunglasses.
"What's it?" Violet said. "I thought we were going to sleep."
"How can we sleep," Klaus asked, "when the sugar bowl is being delivered to the hotel this very night?"
"What?" Sunny asked. "How?"
Klaus pulled his commonplace book out of his pocket and flipped to the notes he had taken on what the Baudelaires had observed. "By crow," he said.
"Crow?" Violet said.
"It wouldn't be the first time crows have carried something important," Klaus said, reminding his sisters of the crows in the Village of Fowl Devotees, who had brought the Baudelaires messages from the Quagmires. "That's what Esme Squalor has been watching for with her Vision Furthering Device."
"J. S. too," Sunny said, remembering what either Frank or Ernest had said about watching the skies.
"And that's why Carmelita Spats had me fetch a harpoon gun," Violet said thoughtfully. "To shoot down the crows, so V.F.D. can never get the sugar bowl."
"And that's why either Frank or Ernest had me hang birdpaper outside the window of the sauna," Klaus said. "If the crows are hit with the harpoon gun, they'll fall onto the birdpaper, and he'll know that the delivery had been unsuccessful."
"But was it Frank who had you lay out the birdpaper," Violet asked, "or Ernest? If it was Frank, then the birdpaper will serve as a signal to volunteers that they have been defeated. And if it was Ernest, then the birdpaper will serve as a signal to villains that they have triumphed."
"And what about the sugar bowl?" Klaus asked. "The crows will drop the sugar bowl if the harpoon hits them." He frowned at a page of his commonplace book. "If the crows drop a heavy object like that," he said, "it will fall straight down into the pond."
"Maybe no," Sunny said.
"Where else could it land?" Violet said.
"Spynsickle," Sunny said, which was her way of saying "laundry room."
"How would it get into the laundry room?" Klaus asked.
"The funnel," Sunny said. "Frank said. Or Ernest."
"So they had you place a lock on the laundry room door," Violet said, "so that nobody could get to the sugar bowl."
"But did Frank have Sunny activate the lock," Klaus asked, "or Ernest? If it was Frank, then the sugar bowl is locked away from any villains who want to get their hands on it. But if it was Ernest, then the sugar bowl is locked away from any volunteers who ought to get their hands on it."
"J. S.," Sunny said.
"J. S. is the key to the entire mystery," Violet agreed. "Esme Squalor thinks J. S. is spoiling the party. Sir thinks J. S. is hosting the party. Hal thinks J. S. might be here to help. Kit thinks J. S. might be an enemy. And we still don't even know if J. S. is a man or a woman!"
"Like blind men," Sunny said, "with elephant."
"We have to find J. S.," Klaus agreed, "but how? Trying to locate one guest in an enormous hotel is like finding one book in a library."
"A library without a catalog," Violet said quietly, and the three Baudelaires exchanged sad glances by the light of the frog-shaped lamp. The children had uncovered countless secrets in libraries under the most desperate of circumstances. They had decoded a message in a library while a hurricane raged outside, and had found important information while a sinister person chased them around a library in wicked shoes. They had discovered crucial facts in a library that held only three books, and obtained a vital map in a library that was only a pile of papers hidden underneath a table. The Baudelaires had even found the answers they were looking for in a library that had burned down, leaving only a few scraps of paper and a motto etched on an iron archway. Violet, Klaus, and Sunny stood for a moment at the concierge desk and thought of all the libraries they had seen, and wondered if any of the secrets they had uncovered would help them find what they were looking for in the perplexing library of the Hotel Denouement.
"The world is quiet here," Sunny said, reciting the motto her siblings had found, and as her words echoed in the lobby, they heard a noise above them, a quiet shuffling from the enormous dome, scarcely audible over the sound of the croaking frogs. The shuffling grew louder, but the Baudelaires could not see anything in the blackness over their heads, which was as dark as a crow flying through a pitch black night. Finally, Violet lifted the frog-shaped lamp as far as its cord would allow, and all three children removed their sunglasses. Faintly, they could see a shadowy shape lowering itself from the machinery of the clock using what looked like a thick rope. It was an eerie sight, like a spider lowering itself to the center of a web, but the Baudelaires could not help but admire the skill with which it was done. With only a slight shuffle, the shape drew closer and closer, until at last the children could see it was a man, tall and skinny, with his legs and arms sticking out at odd angles, as if he were made of drinking straws instead of flesh and bone. The man was climbing down a
rope he was unraveling at the same time, which is an activity I do not recommend unless you've had the proper training, and unfortunately the best trainer has been forced to go into hiding ever since a certain mountain headquarters was destroyed by arson, and he now earns his living doing spider imitations in a traveling show. Finally, the man was quite close to the ground, and with an elegant flourish he let go of the rope and landed silently on the floor. Then he strode toward the Baudelaires, pausing only to brush a speck of dust off the word MANAGER which was printed in fancy script over one of the pockets of his coat.
"Good evening, Baudelaires," the man said. "Forgive me for not revealing myself earlier, but I had to be sure that you were who I thought you were. It must have been very confusing to wander around this hotel without a catalog to help you."
"So there is a catalog?" Klaus asked.
"Of course there's a catalog," the man said. "You don't think I'd organize this entire building according to the Dewey Decimal System and then neglect to add a catalog, do you?"
"But where is the catalog?" Violet asked.
The man smiled. "Come outside," he said, "and I'll show you."
"Trap," Sunny murmured to her siblings, who nodded in agreement. "We're not following you," Violet said, "until we know that you're someone we can trust."
The man smiled. "I don't blame you for being suspicious," he said. "When I used to meet your father, Baudelaires, we would recite the work of an American humorist poet of the nineteenth century, so we could recognize one another in our disguises." He stopped in the middle of the lobby, and with a gesture from one of his odd, skinny arms, he began to recite a poem:
The Penultimate Peril Page 8
