by Jane Fallon
Jane Fallon
* * *
TELL ME A SECRET
Contents
Prologue
Part One Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Part Two Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Part Three Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Acknowledgements
Follow Penguin
Dedicated to Paws2Rescue for their amazing work with street dogs in Romania.
www.paws2rescue.com
Prologue
Everyone is staring at me.
This is my worst nightmare. And I don’t just mean I’m uncomfortable with the focus all coming my way. Although there is that too. But this is an actual nightmare that I have regularly: I’m fucking up and everyone is watching. Except that this time I’m awake and it’s really happening.
I am fucking up and everyone is watching.
I have no idea what went wrong. I had everything planned right down to the last second. It was my first real chance to make a big impression in my new position. My first opportunity to prove to Glen that he was right to promote me. To prove to myself that I’m up to the task.
Except that it seems I’m not.
All my old insecurities come flooding back. I’m not good enough, skilled enough, confident enough. But this time I know this isn’t down to me. I know I did everything right.
And I also know exactly who must have undone it all.
Part One
* * *
1
I hear a pop and then a cheer. Seconds later a glass of Prosecco – more fizz than drink – is thrust into my hand and Glen is leading everyone in a toast. To me. I still can’t quite take in what’s happening.
‘To Holly,’ they all chorus and I hate myself for blushing. And then of course I blush some more because I’m feeling self-conscious about it. Hardly a move designed to instil confidence in my new-found authority. I take a swig far too quickly and cough as the foam hits the back of my throat.
‘Thank you,’ I manage to say.
I look round at them all, glasses raised, big grins on their faces. Juliet, of course, is nowhere to be seen. She claimed a sudden doctor’s appointment and headed for the door as soon as it became apparent she might be expected to congratulate me. But the other members of my department are all there: assistant Emma brandishing a glass of water because bubbles make her sneeze; short, stocky Lorraine almost as wide as she’s high; Joe leaning back in his chair beaming his open smile; Glen holding his glass aloft, but with one eye on his phone, knowing he should be here but wondering how soon he can politely get away; and finally Roz, my desk mate for the past three years, my ally, my campaign manager in my fight for promotion. I hold my glass higher in her direction, ready for her excitement to mirror my own.
I would never have got this promotion without Roz. There’s no one I want to celebrate with more. She’s standing there in between Emma and Lorraine, six inches taller than both of them. Glass raised. Grinning from ear to ear. Peroxide-blonde hair spiked up. White teeth held hostage by vivid magenta lips. Canary-yellow top. Red skinny trousers. Heels. She looks like someone turned the lights on.
‘I always knew you’d get it,’ she says. She knocks back her fizz, leaving a lipstick mark on the glass.
The others are filling up their flutes again, happy to be having a sanctioned skive. Happy for me. I think. In a contest between me, Juliet or a random outsider I’m pretty sure they were all in my corner.
Glen taps his glass to get everyone’s attention. Ready to make a speech. Roz rolls her eyes at me and I stifle a laugh. Glen loves the sound of his own voice.
He coughs. ‘So, I’d like to formally congratulate Holly …’
‘I dare you to interrupt and ask him if he’s been working out,’ Roz whispers in my ear and I snort. I try to turn it into a cough. Glen and his vanity is one of our favourite topics.
‘Let’s have a quick one after work,’ I mutter to Roz as he drones on. ‘Just me and you.’
‘I can’t.’ She pulls a face. ‘We’ve got a dinner.’ Roz and her husband Hugh have a social life – mainly courtesy of his job – that leaves me exhausted just thinking about it. It sounds fabulous, don’t get me wrong, but I find myself worrying about when she gets to have a night at home slobbing around in her PJs. Of course, I’m the opposite. Pyjama-clad nights in beat glamorous nights out by about 364 to 1. The one being the work Christmas party. And trust me, that’s not up to much. The last one was held in the studio where the series we all work on is filmed, in amongst all the regular standing sets, although I don’t imagine they’ll do that again this year, because someone peed in a prop vase that has been in our central family’s living room for years and is supposed to contain the ashes of their fictional dead grandfather.
Listening to Roz’s tales sometimes makes me glad that ours is a typical work friendship. Our socializing is always tacked on to the end of a working day. A drink or two in one of the local pubs. A debrief. But outside of that we have very different ideas of what constitutes a good time. Of course, I lap up all her stories. I just would rather have an early night than feature in them.
Glen seems to have reached the point where everyone is about to raise their glasses again in another toast. I have no idea what he’s said about me but I assume it’s all good. People are smiling anyway. Everyone clinks my glass.
‘Well deserved,’ Glen says when it’s his turn.
‘Thanks,’ I say. ‘I really do appreciate it.’
Roz reaches to the back of her chair for her jacket. Picks up her bag. Pulls her fingers through her short blonde hair.
I see Glen look over. It’s only twenty to six and it’s pretty much frowned on for anyone to leave before the hour.
‘What?’ she says, flashing everyone a smile. ‘You’re all only going to be boozing anyway. I couldn’t get any work done if I wanted to.’
She drops a kiss on my head as she passes. ‘See you tomorrow.’
By ten past I’m on my way too, teetering gingerly on the icy pavements, slightly tipsy after three glasses of Prosecco. I wrap my scarf over my nose and mouth, pull my coat tight round me and head for the station. I’m still glowing from the news. Or maybe it’s the drink. I didn’t expect to get the job. I thought I was the outsider. That Juliet had the experience, the more impressive CV. I wonder if she’ll resign now that her ambitions have been thwarted.
Lorraine and Joe were all for us moving on to the pub but I managed to convince both myself and them that starting my first day as script executive with a raging hangover wouldn’t give the best impression. So it’s home to a microwave M&S lasagne and an early night. I know how to let my hair down.
On paper I am
the sad middle-aged lady living alone with only a cat for company. That’s me. The butt of a million jokes. I realize that makes me sound like I’m tragic. I’m not. I love my basement flat. And the being alone bit is only temporary till I find a lodger. Plus we all know fifty is the new thirty, and I’m only forty-three so that makes me positively youthful. And I didn’t always live on my own. I have a daughter, Ashley, who’s twenty-two. Father unknown. Or, at least, I know who he is; I just never kept in touch. She’s living with her boyfriend in Bristol where they were both at uni until last June.
She’s just found out she’s pregnant.
I’m not going to lie: I cried when I found out. And not through joy either. She’s too young. She barely even knows who she is yet. I know what it’s like. I’ve been there. And, even though I can’t imagine my life without my daughter, I don’t think I would choose to go there again. The one – big – difference is that she’s not on her own. I know that she and Ryan thought long and hard before they decided to keep the baby and I’m proud of them that they dealt with it head on. They’re in it together. But do I wish it hadn’t happened? Is it terrible to admit that I do?
It was Ashley’s pregnancy that persuaded me to let her room – the spare room as we’re now trying to get used to calling it – out for some extra cash. Once I heard about the baby – Ashley and Ryan both came to stay and they tearfully broke the news – I knew that I couldn’t let them struggle like I had. Having to choose between buying teabags or baby wipes. (Teabags won out every time. Sorry, Ashley.) Between paying for a haircut or a school trip (I don’t think a pair of scissors even touched my hair for fifteen years). If nothing else I can offer to help out financially. Just till they get on their feet. Although God only knows how much I’m dreading sharing my kitchen with a stranger. Possibly a psychopath. Or, even worse, someone who wants to be friends. Since Ashley moved to Bristol three and a half years ago I’ve got used to my own company. I like it.
After years of single mumdom I finally put myself – and my career – first when Ashley left for uni. Before that work was a means to an end. A way to keep us afloat but still leave me enough time to cook dinner every evening and attend every parents’ meeting, netball match, play or concert. Oh, and take a day off at a moment’s notice whenever my daughter was sick, along with every single holiday and inset day. Climbing a corporate ladder was out of the question. I know people do it. Of course they do, millions of them. But it was a choice I made. It was the way I wanted to do things. Suddenly, though, I was on my own, a mother without a child to look after. I wanted to carve out a new identity for myself. I’d made a lot of connections through the part-time script-reading work I’d been doing for years for various theatres and TV companies to make a bit of extra cash. So I always got to hear when jobs cropped up. With Churchill Road I think I was just in the right place at the right time. And, let’s face it, they were probably desperate.
Anyway, that’s why this promotion means so much to me. It’s a milestone. I want to shout it from my rooftop but instead I settle for calling Ashley, who insists that she always knew I was going to get it, and my best mate Dee, who squeals so loudly her boyfriend (or partner as she always refers to him, insisting ‘boyfriend’ makes her sound as if she thinks she’s sixteen, whereas I think ‘partner’ gives the impression they run a law firm together) comes running in from the next room to see what’s wrong.
‘Shall we come over? Are you celebrating?’ Dee always wants an excuse to party. I imagine ‘partner’ Gavin rolling his eyes at her, the prospect of a night vegging on the sofa ebbing away.
‘No. I have work tomorrow and I’m already a bit pissed. Let’s do it at the weekend.’
‘Definitely,’ she says. ‘Don’t think you’re getting away with it.’
I potter round the kitchen getting myself something to eat. Fighting the anti-climax. Wishing I was in the pub with Roz celebrating my good fortune, making it feel real.
‘Holly Cooper, Script Executive,’ I say out loud, trying out my new title for size. Smokey slinks in through the cat flap. Looks round as if he wonders who I’m talking to.
‘I got the job,’ I say to him as I spoon food into his bowl. ‘Really, though, I got the fucking job.’
2
There are a lot of hangovers kicking about in the office next morning, none of them mine. Lorraine and Joe flop about like a pair of beached fish occasionally gasping for water. Roz is also looking a bit green around the gills.
‘Are you OK?’ I say as soon as I’ve hung my coat up. She’s in before me, which is an occasion in itself.
‘Too much to drink,’ she mouths.
‘Tell me all about it. Let me live vicariously through you.’
Roz never needs much encouragement. We spend far more time gossiping than working, although somehow everything always gets done. Maybe that’ll have to stop now. Maybe I’ll have to assume a new, serious work persona and start tutting when I think people are shirking.
‘Just Le Gavroche,’ she says, leaning over her desk. We sit opposite each other, a thin line of pen holders, Post-it notes and other bits and pieces – scripts, face wipes, boxes of paper clips, lip gloss – marking the boundary. Juliet and Joe sit in a similar arrangement across the room, although her side is devoid of all personal touches. Pens lined up in perfect rows. Scripts in neat piles, corners lining up. Mine and Roz’s look like two matching Leaning Towers of Pisa. Emma has a small desk near the door with room for just her desktop and a phone. Lorraine is at a makeshift table up against the wall.
‘Just’ and ‘Le Gavroche’ are words that should never be in the same sentence if you ask me. It’s a bit like saying ‘Oh, this? It’s only platinum’.
‘Wow,’ I say. ‘Who with?’
She names an actual film star, a client of Hugh’s. ‘And her husband.’
‘Oh my God!’ I say. ‘What was she like?’
Roz shrugs. ‘Nice. Bit up herself. And she basically pushed a lettuce leaf round her plate all evening. I thought she was going to start crying when the waiter offered her bread.’
I snort a laugh. One of the things I love most about Roz is that for all her name-dropping she’s fundamentally unimpressed by stardom.
‘Was the food amazing?’ I ask. I really should get on with some work.
‘Incredible,’ she says. ‘I’ve been there before though. I always have the turbot. It’s to die for.’
‘Your life is ridiculous,’ I say.
‘Anyway.’ She leans down and digs in her bag, pulls out a Paperchase carrier. I actually gasp. No one understands my stationery obsession like Roz. ‘I got you a little thing. To say well done. It’s only tiny …’
I practically grab it out of her hand. Inside are two of the most fabulous fat notebooks I’ve ever seen. A big one and a little one. Both hardback and decorated with identical Siamese cats.
‘Oh my God, I love them …’
‘I thought now you’re going to be the boss you’d actually have a reason to write lists. Although obviously most normal human beings would do them on their phone …’
‘Not the boss. A boss. I’m still pretty low down on the pecking order.’
‘If you say so, ma’am,’ she says in her best Victorian street urchin voice.
‘Well, I couldn’t have done it without you. And I love my notebooks. In fact I’m going to make a list now. What can I make a list about?’
‘You –’ she turns her attention to her computer and, presumably, work ‘– are very weird.’
I’m in a strange kind of no man’s land where my new position won’t officially start for a couple of weeks, until my contract is finalized (like I’m going to argue about anything. I would happily sign on the dotted line now for the title and ten pounds a week less) but everyone knows about it thanks to Glen’s announcement last night. Not to mention the fact that I’m on three months’ probation. I’m management but I’m not. So the dynamic in my little department has shifted. Just a fraction. When Lorraine start
s relating a story about how she has just sent an email to the wrong person because the three double vodkas on top of three glasses of fizz last night have clouded her brain, I notice Joe give her a subtle head shake and she swiftly changes the subject. Even Emma, always diligent, seems more deferential than usual. Mid-morning when Glen comes over and tells me I might as well move into the small glass office vacated by my predecessor sooner rather than later I’m tempted to say no. I’m so used to being one of ‘us’ I’m not sure I’m ready to become one of ‘them’. But I remind myself this is what I’ve been working towards.
‘I’d be in there like a shot,’ Roz says once he’s gone. ‘Pictures on the wall, feet up. Shouting at one of the underlings to make me a coffee.’
I laugh. She’s right. I should be enjoying this. ‘Will you help me?’
‘Of course,’ she says, standing up. ‘Anything to get out of doing actual work.’
‘Did Juliet say well done yet?’ Roz asks once we’re inside my little cube, door shut. I look through the glass. It’s like watching my co-workers in a zoo. I suddenly feel really nervous about being singled out from the pack. I’m making it seem as if I’ve been picked for an elite mission or that I’m going to be making life-and-death decisions. The truth is I’m going to have a new title, my tiny see-through office and a bit of responsibility for other peoples’ fuck-ups, not just my own. That’s all.
Glen is the big boss. The series producer. He reports to the channel, takes all the flak, and generally steers the whole ship. He took over two years ago and he swept through the place like a whirlwind, killing off characters he thought were dull (or the actors playing them too demanding), reshuffling departments and shaving off any dead wood. Some people can’t stand him, but I think he’s just what the show needs. Fay and Jeremy are the producers who oversee every aspect of each batch of episodes from the scheduling to the editing; Roz, Joe and Juliet are script editors (as was I till yesterday), responsible for coming up with storylines, guiding the writers through the scripts, and making sure the plot flows seamlessly from one episode to another. Lorraine is the trainee editor who helps us all out by checking for inconsistencies and timing the scripts as well as doing any research necessary (such as for the ongoing story of one of the main characters’ battles with Parkinson’s), and Emma is the department assistant. I am now the bridge between the two worlds: the producers and the script editors. Basically, if one of the papers runs a story about how the quality of storylines has taken a turn for the worse, that’ll be my fault.
