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by Kirk Alex




  LUSTMORD:

  Anatomy of a Serial Butcher

  Book One (of Two)

  BY KIRK ALEX

  Who knew the minister next door

  was also a sadistic predator?

  Cecil Omar Biggs is not your average man of the cloth. By day, he appears to be a hardworking preacher, but once night descends upon the quiet Southern California neighborhood where Biggs resides, his darker self emerges. Living a double life as a sex fiend and brutal murderer, he enjoys luring innocent victims into his basement lair by any means possible.

  Converting an old house into a church, Biggs becomes the perfect wolf in sheep’s clothing, which also puts him in the ideal position to attract his unsuspecting prey. He lives to satisfy his sinister appetites without remorse or limits, indulging in his more violent tendencies as soon as the sun goes down by torturing and killing the women he abducts in his dungeon of doom.

  But how long can Biggs keep up the nice-guy-next-door pretense while secretly living as a homicidal maniac? And what happens when the locals start suspecting that there’s more to this seemingly harmless Bible-thumper than meets the eye?

  http://www.kirkalex.com

  THE CRITICS LOVE

  KIRK ALEX

  Praise for :

  Ziggy Popper At Large: 14 Tales of General Degeneracy,

  of Mayhem & Debauchery – for the Morally Conflicted

  & Borderline Criminal

  “This hilarious, graphic, and raunchy compilation certainly delivers for the 18+ crowd. You’ll find yourself on a roller coaster of sex, violence, and disgust in this compilation from Kirk Alex. Definitely not for the faint of heart or morally superior readers out there.”

  —NetGalley

  Praise For:

  nonentity

  -A Rant For Those Who Can’t-

  Presented as a Novel

  “This is a quick read and engrossing. I found myself wanting to know what happened. Many of the situations were funny in the way they were presented. Fast, easy read. Thanks Net galley for the opportunity to read this book in return for my honest review.”

  —NetGalley

  “You can digest this book in two hours — it will stay with you forever.”

  —Steven Rosen, Curled Up With A Good Book

  “This is another well done, honest and heartfelt piece of writing from Kirk Alex. It’s short, easy to read, and well worth the reader’s time.”

  —Paul Lappen, Dead Trees Review

  Praise for: ZOOK

  “Strange twisted story. But great read.”

  —NetGalley

  Praise for:

  Working the Hard Side of the Street —

  Selected Stories / Poems / Screams

  “. . . this is a nicely put together piece of work.”

  —BookLore

  “This book is excellent. It’s full of honest, heartfelt writing that certainly shows a very different view of Hollywood.”

  — Paul Lappen, DEAD TREES REVIEW

  “WORKING THE HARD SIDE OF THE STREET— Selected Stories / Poems / Screams is an anthology of powerful, caustic, original tales and poems by Kirk Alex about the ups, downs, and hard knocks of Hollywood’s seamy underbelly. The perspective of a “fly- on-the-wall” cab driver provides a piercing realism and insight into the vicious clashes and personal struggles that lie hidden underneath the entertainment capital’s glossy, photo-touched exterior. WORKING THE HARD SIDE OF THE STREET is recommended as a gut-wrenching read for both its candor and bravado.”

  —THE MIDWEST BOOK REVIEW

  Praise for:

  BLOOD, SWEAT and CHUMP CHANGE —

  TaxiTales & Vignettes

  “It’s all here: Hate, poetry, sadness, hope and the ache of an aloneness that never goes away. Belly up!”

  —Dan Fante, author of Spitting Off Tall Buildings

  BY KIRK ALEX

  Lustmord: Anatomy of a Serial Butcher

  Zook

  Throwback — Book One (of Two) — Love, Lust & Murder Series

  Backlash — Book Two (of Two) — Love, Lust & Murder Series

  Fifty Shades of Tinsel

  nonentity

  Working the Hard Side of the Street

  Selected Stories/Poems/Screams

  Blood, Sweat & Chump Change — Taxi Tales & Vignettes

  Ziggy Popper at Large — Story Collection

  Hush-Hush — Holiday #1

  Hubba-Hubba — Holiday #2

  Hard Noir — Holiday #3

  Table of Contents

  A WORD OF CAUTION

  CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  CHAPTER 48

  CHAPTER 49

  CHAPTER 50

  CHAPTER 51

  CHAPTER 52

  CHAPTER 53

  CHAPTER 54

  CHAPTER 55

  CHAPTER 56

  CHAPTER 57

  CHAPTER 58

  CHAPTER 59

  CHAPTER 60

  CHAPTER 61

  CHAPTER 62

  CHAPTER 63

  CHAPTER 64

  CHAPTER 65

  CHAPTER 66

  CHAPTER 67

  CHAPTER 68

  CHAPTER 69

  CHAPTER 70

  CHAPTER 71

  CHAPTER 72

  CHAPTER 73

  CHAPTER 74

  CHAPTER 75

  CHAPTER 76

  CHAPTER 77

  CHAPTER 78

  CHAPTER 79

  CHAPTER 80

  CHAPTER 81

  CHAPTER 82

  CHAPTER 83

  CHAPTER 84

  CHAPTER 85

  CHAPTER 86

  CHAPTER 87

  CHAPTER 88

  CHAPTER 89

  CHAPTER 90

  CHAPTER 91

  CHAPTER 92

  CHAPTER 93

  CHAPTER 94

  CHAPTER 95

  CHAPTER 96

  CHAPTER 97

  CHAPTER 98

  CHAPTER 99

  CHAPTER 100

  CHAPTER 101

  CHAPTER 102

  CHAPTER 103

  CHAPTER 104

  CHAPTER 105

  CHAPTER 106

  CHAPTER 107

  CHAPTER 108

  CHAPTER 109

  CHAPTER 110

  CHAPTER 111

  CHAPTER 112

  CHAPTER 113

  CHAPTER 114

  CHAPTER 115

  CHAPTER 116

  CHAPTER 117

  CHAPTER 118

  CHAPTER 119

  CHAPTER 120

  CHAPTER 1
21

  CHAPTER 122

  CHAPTER 123

  CHAPTER 124

  CHAPTER 125

  CHAPTER 126

  CHAPTER 127

  CHAPTER 128

  CHAPTER 129

  CHAPTER 130

  CHAPTER 131

  CHAPTER 132

  CHAPTER 133

  CHAPTER 134

  CHAPTER 135

  CHAPTER 136

  CHAPTER 137

  CHAPTER 138

  CHAPTER 139

  CHAPTER 140

  CHAPTER 141

  CHAPTER 142

  CHAPTER 143

  CHAPTER 144

  CHAPTER 145

  CHAPTER 146

  CHAPTER 147

  CHAPTER 148

  CHAPTER 149

  CHAPTER 150

  CHAPTER 151

  CHAPTER 152

  CHAPTER 153

  CHAPTER 154

  CHAPTER 155

  CHAPTER 156

  CHAPTER 157

  CHAPTER 158

  CHAPTER 159

  CHAPTER 160

  CHAPTER 161

  CHAPTER 162

  CHAPTER 163

  CHAPTER 164

  CHAPTER 165

  CHAPTER 166

  CHAPTER 167

  CHAPTER 168

  CHAPTER 169

  CHAPTER 170

  CHAPTER 171

  CHAPTER 172

  CHAPTER 173

  CHAPTER 174

  CHAPTER 175

  CHAPTER 176

  CHAPTER 177

  CHAPTER 178

  CHAPTER 179

  CHAPTER 180

  CHAPTER 181

  CHAPTER 182

  CHAPTER 183

  CHAPTER 184

  CHAPTER 185

  CHAPTER 186

  CHAPTER 187

  CHAPTER 188

  CHAPTER 189

  CHAPTER 190

  CHAPTER 191

  CHAPTER 192

  CHAPTER 193

  CHAPTER 194

  CHAPTER 195

  CHAPTER 196

  CHAPTER 197

  CHAPTER 198

  CHAPTER 199

  CHAPTER 200

  CHAPTER 201

  CHAPTER 202

  CHAPTER 203

  CHAPTER 204

  CHAPTER 205

  CHAPTER 206

  CHAPTER 207

  CHAPTER 208

  CHAPTER 209

  CHAPTER 210

  CHAPTER 211

  CHAPTER 212

  CHAPTER 213

  CHAPTER 214

  CHAPTER 215

  CHAPTER 216

  CHAPTER 217

  CHAPTER 218

  CHAPTER 219

  CHAPTER 220

  CHAPTER 221

  CHAPTER 222

  CHAPTER 223

  CHAPTER 224

  CHAPTER 225

  CHAPTER 226

  CHAPTER 227

  CHAPTER 228

  CHAPTER 229

  CHAPTER 230

  CHAPTER 231

  CHAPTER 232

  CHAPTER 233

  CHAPTER 234

  CHAPTER 235

  CHAPTER 236

  CHAPTER 237

  CHAPTER 238

  CHAPTER 239

  CHAPTER 240

  CHAPTER 241

  CHAPTER 242

  CHAPTER 243

  CHAPTER 244

  CHAPTER 245

  CHAPTER 246

  CHAPTER 247

  CHAPTER 248

  CHAPTER 249

  CHAPTER 250

  CHAPTER 251

  CHAPTER 252

  Interview with Kirk Alex

  Excerpt: ZOOK

  About the Author

  LUSTMORD:

  Anatomy of a Serial Butcher

  Book One (of Two)

  Presented as a Novel

  KIRK ALEX

  TUCUMCARI PRESS

  Tucson — 2017

  Copyright © 1989 as The Butcher Next Door by Kirk Alex

  Copyright © 2012 as LUSTMORD: Anatomy of a Serial Butcher by Kirk Alex

  Copyright © 2017 as Lustmord: Anatomy of a Serial Butcher/Updated & Unabridged version by Kirk Alex

  All rights reserved, including the right to reproduce this book, or portions thereof, in any form. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical without the express written permission of the author. The scanning, uploading, and distribution of this book via Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. For information address Tucumcari Press, PO Box 40998, Tucson, Arizona 85717-0998

  LUSTMORD: Anatomy of a Serial Butcher is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or to actual events or locales is entirely coincidental.

  LUSTMORD: Anatomy of a Serial Butcher – Book One (of Two)

  ISBN: 978-0-939122-16-5 (Book One of Two - 6x9 paperback)

  ISBN: 978-0-939122-17-2 (Book Two of Two - 6x9 paperback)

  ISBN: 978-0-939122-15-8 (ePUB/Released as Book One of Two)

  ISBN: 978-0-939122-18-9 (ePUB/Released as Book Two of Two)

  ISBN: 978-0-939122-19-6 (ePUB/Two Volume Boxed Set)

  Revised 2nd Edition/January 2017

  (Includes Brother Trusty & Bordello of Fear backstory not available in previous incarnations)

  Cover copyright © 2017 Tucumcari Press / Kirk Alex

  Lustmord: Anatomy of a Serial Butcher – Book One is dedicated to Tom Biederman, and to the memory of Ziggy, Darcy and Neil for providing the author with shelter (when shelter was desperately needed). I can’t thank you enough.

  Last, never least, to the memory of the amazingly gifted writer/artist and #1 fan of horror, who reminded more than a few of us that horror should be/deserves to be treated with the same respect as any other genre, the late, great Chas. Balun.

  A WORD OF CAUTION

  (updated & revised, with a rant or two tossed in)

  “And if you gaze for long into an abyss, the abyss gazes also into you.”

  –Friedrich Nietzsche

  Translation: this one is not for the faint of heart, nor the weak of belly. Foretold is forewarned.

  I started LUSTMORD: Anatomy of a Serial Butcher back in 1987—and it is January 2017 as I write this. How many years is that? Twenty-nine? Thirty? Give or take. I say give or take because somewhere in there, during the mid 1990s, I had to lay off the thing for about five years. Why? Nightmares. Cold sweats. Unable to sleep. Why? Subject matter. Some of it was too damned horrific and the images wouldn’t go away at the end of the day. Five years. Not to mention another three years when I could only face the book for about four or five months at a time. The shit was sick and depraved. Fucking brutal. I needed a break.

  And so the first eBook version was released sometime in 2013 and the reception was far better than I could have hoped. Always makes a writer feel pretty good that the sweat and toil had not been for naught. Great. Walk away from it, start something new. As I had intended and did.

  Only it wasn’t that easy to cut ties completely. From 2013 up until the end of 2016 things kept nagging at me. Having to do with backstory. Cecil’s childhood, to be specific. Had crucial facts been merely touched on, others even left out altogether? I did what I could to ignore it. I’d spent enough years on the book and that was that. Novel was done and I was not about to go back and re-visit what had been a trying enough experience the first time around. One is ready and willing to give up a lot for a book, but not one’s sanity. Hey, my sanity was tenuous at best and always had been. But that’s for another time and place.


  I liked being positive and happy; appreciate the good people in my life. Better believe it. We learn: Good peeps are like precious gems and treasured as such. Value the cool folks in your life & never miss an opportunity to let them know how much they matter.

  Anyway, it had taken a while to recover from the effects of the debilitating tome and I felt I was doing just fine, had been working on other things, as stated, away from horror, a bit more on the lighter side. I preferred infusing a degree of humor in just about everything I write, no matter the genre. My humor is never in your face slapstick (the kind that has no place & falls ass-flat in horror or a thriller, just go ask Tobe Hooper and how all that Three Stooges idiocy effing ruined what might have otherwise been a decent Texas Chainsaw Massacre sequel.) Am talking about the one with the late, great Dennis Hopper. And to this day, Tobe doesn’t get why people like me hate that fucking flick. Hey, Tobe, horror is supposed to scare the shit out of peeps, brother, not make them want to giggle. If I want comedy I’ll turn to the great comedies of yesteryear—with Rodney Dangerfield, Laurel and Hardy, W.C. Fields, Jonathan Winters, all of whom I love, by the way, including the original Three Stooges. I’ll pop in It’s a Mad Mad Mad Mad World if I want to laugh, not Texas Chainsaw Massacre #2, but I digress.

  Back to the thriller opus at hand: I was good with the version released, and so were my readers. So there it was: my attitude. It was settled. No more. No way. Onward and upward, or something like it.

  Well, we know different, don’t we? Certain books have a way of getting under our skin. The detail that had been lacking in the initial version of the novel was fading in in bits and pieces of its own accord, no matter how hard I fought against it. Here and there, through my subconscious that refused to be ignored, images kept surfacing, knocking at my noggin. And so, I did the only thing there was to do: I started writing some of this stuff down, and pretty soon the words and sentences took over and the notebook started filling up. I wrote things down and kept writing things down, from 2015 up until about/just prior to 2017, when I could no longer keep putting off incorporating this new material into the novel and making it available for the upcoming 6x9 paperback version.

  There was fan mail, to be sure, requests for not only more background on the Biggs character, but readers wanting to know if he was coming back. Whether Bishop Cecil O. Biggs and his alter ego, the clown called Trusty, would ever make another appearance I had no way of knowing, but what I did have was more on the origins of his own quirks and what basically left that irreparable crack in his psyche and turned him into the remorseless killing machine years later, with nothing but loathing and contempt for his brethren and sistren.

 

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