“A Frenchman would have forgotten that,” remarked Clementine, smiling.
“Ah! but we are Florentines transplanted to the North,” answered Thaddeus with a refinement of accent and a look in his eyes which made his conduct at table seem assumed for the occasion. There was too evident a contrast between his involuntary self-revelation in this speech and his behavior during dinner. Clementine examined the captain with a few of those covert glances which show a woman’s surprise and also her capacity for observation.
It resulted from this little incident that silence reigned in the salon while the three took their coffee, a silence rather annoying to Adam, who was incapable of imagining the cause of it. Clementine no longer tried to draw out Thaddeus. The captain, on the other hand, retreated within his military stiffness and came out of it no more, neither on the way to the Opera nor in the box, where he seemed to be asleep.
“You see, madame, that I am a very stupid man,” he said during the dance in the last act of “Guillaume Tell.” “Am I not right to keep, as the saying is, to my own specialty?”
“In truth, my dear captain, you are neither a talker nor a man of the world, but you are perhaps Polish.”
“Therefore leave me to look after your pleasures, your property, your household — it is all I am good for.”
“Tartufe! pooh!” cried Adam, laughing. “My dear, he is full of ardor; he is thoroughly educated; he can, if he chooses, hold his own in any salon. Clementine, don’t believe his modesty.”
“Adieu, comtesse; I have obeyed your wishes so far; and now I will take the carriage and go home to bed and send it back for you.”
Clementine bowed her head and let him go without replying.
“What a bear!” she said to the count. “You are a great deal nicer.”
Adam pressed her hand when no one was looking.
“Poor, dear Thaddeus,” he said, “he is trying to make himself disagreeable where most men would try to seem more amiable than I.”
“Oh!” she said, “I am not sure but what there is some calculation in his behavior; he would have taken in an ordinary woman.”
Half an hour later, when the chasseur, Boleslas, called out “Gate!” and the carriage was waiting for it to swing back, Clementine said to her husband, “Where does the captain perch?”
“Why, there!” replied Adam, pointing to a floor above the porte-cochere which had one window looking on the street. “His apartments are over the coachhouse.”
“Who lives on the other side?” asked the countess.
“No one as yet,” said Adam; “I mean that apartment for our children and their instructors.”
“He didn’t go to bed,” said the countess, observing lights in Thaddeus’s rooms when the carriage had passed under the portico supported by columns copied from those of the Tuileries, which replaced a vulgar zinc awning painted in stripes like cloth.
The captain, in his dressing-gown with a pipe in his mouth, was watching Clementine as she entered the vestibule. The day had been a hard one for him. And here is the reason why: A great and terrible emotion had taken possession of his heart on the day when Adam made him go to the Opera to see and give his opinion on Mademoiselle du Rouvre; and again when he saw her on the occasion of her marriage, and recognized in her the woman whom a man is forced to love exclusively. For this reason Paz strongly advised and promoted the long journey to Italy and elsewhere after the marriage. At peace so long as Clementine was away, his trial was renewed on the return of the happy household. As he sat at his window on this memorable night, smoking his latakia in a pipe of wild-cherry wood six feet long, given to him by Adam, these are the thoughts that were passing through his mind: —
“I, and God, who will reward me for suffering in silence, alone know how I love her! But how shall I manage to have neither her love nor her dislike?”
And his thoughts travelled far on this strange theme.
It must not be supposed that Thaddeus was living without pleasure, in the midst of his sufferings. The deceptions of this day, for instance, were a source of inward joy to him. Since the return of the count and countess he had daily felt ineffable satisfactions in knowing himself necessary to a household which, without his devotion to its interests, would infallibly have gone to ruin. What fortune can bear the strain of reckless prodigality? Clementine, brought up by a spendthrift father, knew nothing of the management of a household which the women of the present day, however rich or noble they are, are often compelled to undertake themselves. How few, in these days, keep a steward. Adam, on the other hand, son of one of the great Polish lords who let themselves be preyed on by the Jews, and are wholly incapable of managing even the wreck of their vast fortunes (for fortunes are vast in Poland), was not of a nature to check his own fancies or those of his wife. Left to himself he would probably have been ruined before his marriage. Paz had prevented him from gambling at the Bourse, and that says all.
Under these circumstances, Thaddeus, feeling that he loved Clementine in spite of himself, had not the resource of leaving the house and travelling in other lands to forget his passion. Gratitude, the key-note of his life, held him bound to that household where he alone could look after the affairs of the heedless owners. The long absence of Adam and Clementine had given him peace. But the countess had returned more lovely than ever, enjoying the freedom which marriage brings to a Parisian woman, displaying the graces of a young wife and the nameless attraction she gains from the happiness, or the independence, bestowed upon her by a young man as trustful, as chivalric, and as much in love as Adam. To know that he was the pivot on which the splendor the household depended, to see Clementine when she got out of her carriage on returning from some fete, or got into it in the morning when she took her drive, to meet her on the boulevards in her pretty equipage, looking like a flower in a whorl of leaves, inspired poor Thaddeus with mysterious delights, which glowed in the depths of his heart but gave no signs upon his face.
How happened it that for five whole months the countess had never perceived the captain? Because he hid himself from her knowledge, and carefully concealed the pains he took to avoid her. Nothing so resembles the Divine love as hopeless human love. A man must have great depth of heart to devote himself in silence and obscurity to a woman. In such a heart is the worship of love for love’s sake only — sublime avarice, sublime because ever generous and founded on the mysterious existence of the principles of creation. Effect is nature, and nature is enchanting; it belongs to man, to the poet, the painter, the lover. But Cause, to a few privileged souls and to certain mighty thinkers, is superior to nature. Cause is God. In the sphere of causes live the Newtons and all such thinkers as Laplace, Kepler, Descartes, Malebranche, Spinoza, Buffon; also the true poets and solitarys of the second Christian century, and the Saint Teresas of Spain, and such sublime ecstatics. All human sentiments bear analogy to these conditions whenever the mind abandons Effect for Cause. Thaddeus had reached this height, at which all things change their relative aspect. Filled with the joys unutterable of a creator he had attained in his love to all that genius has revealed to us of grandeur.
“No,” he was thinking to himself as he watched the curling smoke of his pipe, “she was not entirely deceived. She might break up my friendship with Adam if she took a dislike to me; but if she coquetted with me to amuse herself, what would become of me?”
The conceit of this last supposition was so foreign to the modest nature and Teutonic timidity of the captain that he scolded himself for admitting it, and went to bed, resolved to await events before deciding on a course.
The next day Clementine breakfasted very contentedly without Paz, and without even noticing his disobedience to her orders. It happened to be her reception day, when the house was thrown open with a splendor that was semi-royal. She paid no attention to the absence of Comte Paz, on whom all the burden of these parade days fell.
“Good!” thought he, as he heard the last carriages driving away at two in the morning; “it wa
s only the caprice or the curiosity of a Parisian woman that made her want to see me.”
After that the captain went back to his ordinary habits and ways, which had been somewhat upset by this incident. Diverted by her Parisian occupations, Clementine appeared to have forgotten Paz. It must not be thought an easy matter to reign a queen over fickle Paris. Does any one suppose that fortunes alone are risked in the great game? The winters are to fashionable women what a campaign once was to the soldiers of the Empire. What works of art and genius are expended on a gown or a garland in which to make a sensation! A fragile, delicate creature will wear her stiff and brilliant harness of flowers and diamonds, silk and steel, from nine at night till two and often three o’clock in the morning. She eats little, to attract remark to her slender waist; she satisfied her hunger with debilitating tea, sugared cakes, ices which heat her, or slices of heavy pastry. The stomach is made to yield to the orders of coquetry. The awakening comes too late. A fashionable woman’s whole life is in contradiction to the laws of nature, and nature is pitiless. She has no sooner risen than she makes an elaborate morning toilet, and thinks of the one which she means to wear in the afternoon. The moment she is dressed she has to receive and make visits, and go to the Bois either on horseback or in a carriage. She must practise the art of smiling, and must keep her mind on the stretch to invent new compliments which shall seem neither common nor far-fetched. All women do not succeed in this. It is no surprise, therefore, to find a young woman who entered fashionable society fresh and healthy, faded and worn out at the end of three years. Six months spent in the country will hardly heal the wounds of the winter. We hear continually, in these days, of mysterious ailments, — gastritis, and so forth, — ills unknown to women when they busied themselves about their households. In the olden time women only appeared in the world at intervals; now they are always on the scene. Clementine found she had to struggle for her supremacy. She was cited, and that alone brought jealousies; and the care and watchfulness exacted by this contest with her rivals left little time even to love her husband. Paz might well be forgotten. Nevertheless, in the month of May, as she drove home from the Bois, just before she left Paris for Ronquerolles, her uncle’s estate in Burgundy, she noticed Thaddeus, elegantly dressed, sauntering on one of the side-paths of the Champs-Elysees, in the seventh heaven of delight at seeing his beautiful countess in her elegant carriage with its spirited horses and sparkling liveries, — in short, his beloved family the admired of all.
“There’s the captain,” she said to her husband.
“He’s happy!” said Adam. “This is his delight. He knows there’s no equipage more elegant than ours, and he is rejoicing to think that some people envy it. Have you only just noticed him? I see him there nearly every day.”
“I wonder what he is thinking about now,” said Clementine.
“He is thinking that this winter has cost a good deal, and that it is time we went to economize with your old uncle Ronquerolles,” replied Adam.
The countess stopped the carriage near Paz, and bade him take the seat beside her. Thaddeus grew as red as a cherry.
“I shall poison you,” he said; “I have been smoking.”
“Doesn’t Adam poison me?” she said.
“Yes, but he is Adam,” returned the captain.
“And why can’t Thaddeus have the same privileges?” asked the countess, smiling.
That divine smile had a power which triumphed over the heroic resolutions of poor Paz; he looked at Clementine with all the fire of his soul in his eyes, though, even so, its flame was tempered by the angelic gratitude of the man whose life was based upon that virtue. The countess folded her arms in her shawl, lay back pensively on her cushions, ruffling the feathers of her pretty bonnet, and looked at the people who passed her. That flash of a great and hitherto resigned soul reached her sensibilities. What was Adam’s merit in her eyes? It was natural enough to have courage and generosity. But Thaddeus — surely Thaddeus possessed, or seemed to possess, some great superiority over Adam. They were dangerous thoughts which took possession of the countess’s mind as she again noticed the contrast of the fine presence that distinguished Thaddeus, and the puny frame in which Adam showed the degenerating effects of intermarriage among the Polish aristocratic families. The devil alone knew the thoughts that were in Clementine’s head, for she sat still, with thoughtful, dreamy eyes, and without saying a word until they reached home.
“You will dine with us; I shall be angry if you disobey me,” she said as the carriage turned in. “You are Thaddeus to me, as you are to Adam. I know your obligations to him, but I also know those we are under to you. Both generosities are natural — but you are generous every day and all day. My father dines here to-day, also my uncle Ronquerolles and my aunt Madame de Serizy. Dress yourself therefore,” she said, taking the hand he offered to assist her from the carriage.
Thaddeus went to his own room to dress with a joyful heart, though shaken by an inward dread. He went down at the last moment and behaved through dinner as he had done on the first occasion, that is, like a soldier fit only for his duties as a steward. But this time Clementine was not his dupe; his glance had enlightened her. The Marquis de Ronquerolles, one of the ablest diplomates after Talleyrand, who had served with de Marsay during his short ministry, had been informed by his niece of the real worth and character of Comte Paz, and knew how modestly he made himself the steward of his friend Laginski.
“And why is this the first time I have the pleasure of seeing Comte Paz?” asked the marquis.
“Because he is so shy and retiring,” replied Clementine with a look at Paz telling him to change his behavior.
Alas! that we should have to avow it, at the risk of rendering the captain less interesting, but Paz, though superior to his friend Adam, was not a man of parts. His apparent superiority was due to his misfortunes. In his lonely and poverty-stricken life in Warsaw he had read and taught himself a good deal; he had compared and meditated. But the gift of original thought which makes a great man he did not possess, and it can never be acquired. Paz, great in heart only, approached in heart to the sublime; but in the sphere of sentiments, being more a man of action than of thought, he kept his thoughts to himself; and they only served therefore to eat his heart out. What, after all, is a thought unexpressed?
After Clementine’s little speech, the Marquis de Ronquerolles and his sister exchanged a singular glance, embracing their niece, Comte Adam, and Paz. It was one of those rapid scenes which take place only in France and Italy, — the two regions of the world (all courts excepted) where eyes can say everything. To communicate to the eye the full power of the soul, to give it the value of speech, needs either the pressure of extreme servitude, or complete liberty. Adam, the Marquis du Rouvre, and Clementine did not observe this luminous by-play of the old coquette and the old diplomatist, but Paz, the faithful watchdog, understood its meaning. It was, we must remark, an affair of two seconds; but to describe the tempest it roused in the captain’s soul would take far too much space in this brief history.
“What!” he said to himself, “do the aunt and uncle think I might be loved? Then my happiness only depends on my own audacity! But Adam — ”
Ideal love and desire clashed with gratitude and friendship, all equally powerful, and, for a moment, love prevailed. The lover would have his day. Paz became brilliant, he tried to please, he told the story of the Polish insurrection in noble words, being questioned about it by the diplomatist. By the end of dinner Paz saw Clementine hanging upon his lips and regarding him as a hero, forgetting that Adam too, after sacrificing a third of his vast fortune, had been an exile. At nine o’clock, after coffee had been served, Madame de Serizy kissed her niece on the forehead, pressed her hand, and went away, taking Adam with her and leaving the Marquis de Ronquerolles and the Marquis du Rouvre, who soon followed. Paz and Clementine were alone together.
“I will leave you now, madame,” said Thaddeus. “You will of course rejoin them at the Ope
ra?”
“No,” she answered, “I don’t like dancing, and they give an odious ballet to-night ‘La Revolte au Serail.’”
There was a moment’s silence.
“Two years ago Adam would not have gone to the Opera without me,” said Clementine, not looking at Paz.
“He loves you madly,” replied Thaddeus.
“Yes, and because he loves me madly he is all the more likely not to love me to-morrow,” said the countess.
“How inexplicable Parisian women are!” exclaimed Thaddeus. “When they are loved to madness they want to be loved reasonably: and when they are loved reasonably they reproach a man for not loving them at all.”
“And they are quite right. Thaddeus,” she went on, smiling, “I know Adam well; I am not angry with him; he is volatile and above all grand seigneur. He will always be content to have me as his wife and he will never oppose any of my tastes, but — ”
“Where is the marriage in which there are no ‘buts’?” said Thaddeus, gently, trying to give another direction to Clementine’s mind.
The least presuming of men might well have had the thought which came near rendering this poor lover beside himself; it was this: “If I do not tell her now that I love her I am a fool,” he kept saying to himself.
Neither spoke; and there came between the pair one of those deep silences that are crowded with thoughts. The countess examined Paz covertly, and Paz observed her in a mirror. Buried in an armchair like a man digesting his dinner, the image of a husband or an indifferent old man, Paz crossed his hands upon his stomach and twirled his thumbs mechanically, looking stupidly at them.
“Why don’t you tell me something good of Adam?” cried Clementine suddenly. “Tell me that he is not volatile, you who know him so well.”
The cry was fine.
“Now is the time,” thought poor Paz, “to put an insurmountable barrier between us. Tell you good of Adam?” he said aloud. “I love him; you would not believe me; and I am incapable of telling you harm. My position is very difficult between you.”
Works of Honore De Balzac Page 129
