Here’s the history of my Arcadia. In 1815, there died at Les Aigues one of the famous wantons of the last century, — a singer, forgotten of the guillotine and the nobility, after preying upon exchequers, upon literature, upon aristocracy, and all but reaching the scaffold; forgotten, like so many fascinating old women who expiate their golden youth in country solitudes, and replace their lost loves by another, — man by Nature. Such women live with the flowers, with the woodland scents, with the sky, with the sunshine, with all that sings and skips and shines and sprouts, — the birds, the squirrels, the flowers, the grass; they know nothing about these things, they cannot explain them, but they love them; they love them so well that they forget dukes, marshals, rivalries, financiers, follies, luxuries, their paste jewels and their real diamonds, their heeled slippers and their rouge, — all, for the sweetness of country life.
I have gathered, my dear fellow, much precious information about the old age of Mademoiselle Laguerre; for, to tell you the truth, the after life of such women as Florine, Mariette, Suzanne de Val Noble, and Tullia has made me, every now and then, extremely inquisitive, as though I were a child inquiring what had become of the old moons.
In 1790 Mademoiselle Laguerre, alarmed at the turn of public affairs, came to settle at Les Aigues, bought and given to her by Bouret, who passed several summers with her at the chateau. Terrified at the fate of Madame du Barry, she buried her diamonds. At that time she was only fifty-three years of age, and according to her lady’s-maid, afterwards married to a gendarme named Soudry, “Madame was more beautiful than ever.” My dear Nathan, Nature has no doubt her private reasons for treating women of this sort like spoiled children; excesses, instead of killing them, fatten them, preserve them, renew their youth. Under a lymphatic appearance they have nerves which maintain their marvellous physique; they actually preserve their beauty for reasons which would make a virtuous woman haggard. No, upon my word, Nature is not moral!
Mademoiselle Laguerre lived an irreproachable life at Les Aigues, one might even call it a saintly one, after her famous adventure, — you remember it? One evening in a paroxysm of despairing love, she fled from the opera-house in her stage dress, rushed into the country, and passed the night weeping by the wayside. (Ah! how they have calumniated the love of Louis XV.’s time!) She was so unused to see the sunrise, that she hailed it with one of her finest songs. Her attitude, quite as much as her tinsel, drew the peasants about her; amazed at her gestures, her voice, her beauty, they took her for an angel, and dropped on their knees around her. If Voltaire had not existed we might have thought it a new miracle. I don’t know if God gave her much credit for her tardy virtue, for love after all must be a sickening thing to a woman as weary of it as a wanton of the old Opera. Mademoiselle Laguerre was born in 1740, and her hey-day was in 1760, when Monsieur (I forget his name) was called the “ministre de la guerre,” on account of his liaison with her. She abandoned that name, which was quite unknown down here, and called herself Madame des Aigues, as if to merge her identity in the estate, which she delighted to improve with a taste that was profoundly artistic. When Bonaparte became First Consul, she increased her property by the purchase of church lands, for which she used the proceeds of her diamonds. As an Opera divinity never knows how to take care of her money, she intrusted the management of the estate to a steward, occupying herself with her flowers and fruits and with the beautifying of the park.
After Mademoiselle was dead and buried at Blangy, the notary of Soulanges — that little town which lies between Ville-aux-Fayes and Blangy, the capital of the township — made an elaborate inventory, and sought out the heirs of the singer, who never knew she had any. Eleven families of poor laborers living near Amiens, and sleeping in cotton sheets, awoke one fine morning in golden ones. The property was sold at auction. Les Aigues was bought by Montcornet, who had laid by enough during his campaigns in Spain and Pomerania to make the purchase, which cost about eleven hundred thousand francs, including the furniture. The general, no doubt, felt the influence of these luxurious apartments; and I was arguing with the countess only yesterday that her marriage was a direct result of the purchase of Les Aigues.
To rightly understand the countess, my dear Nathan, you must know that the general is a violent man, red as fire, five feet nine inches tall, round as a tower, with a thick neck and the shoulders of a blacksmith, which must have amply filled his cuirass. Montcornet commanded the cuirassiers at the battle of Essling (called by the Austrians Gross-Aspern), and came near perishing when that noble corps was driven back on the Danube. He managed to cross the river astride a log of wood. The cuirassiers, finding the bridge down, took the glorious resolution, at Montcornet’s command, to turn and resist the entire Austrian army, which carried off on the morrow over thirty wagon-loads of cuirasses. The Germans invented a name for their enemies on this occasion which means “men of iron.”[*] Montcornet has the outer man of a hero of antiquity. His arms are stout and vigorous, his chest deep and broad; his head has a leonine aspect, his voice is of those that can order a charge in the thick of battle; but he has nothing more than the courage of a daring man; he lacks mind and breadth of view. Like other generals to whom military common-sense, the natural boldness of those who spend their lives in danger, and the habit of command gives an appearance of superiority, Montcornet has an imposing effect when you first meet him; he seems a Titan, but he contains a dwarf, like the pasteboard giant who saluted Queen Elizabeth at the gates of Kenilworth. Choleric though kind, and full of imperial hauteur, he has the caustic tongue of a soldier, and is quick at repartee, but quicker still with a blow. He may have been superb on a battle-field; in a household he is simply intolerable. He knows no love but barrack love, — the love which those clever myth-makers, the ancients, placed under the patronage of Eros, son of Mars and Venus. Those delightful chroniclers of the old religions provided themselves with a dozen different Loves. Study the fathers and the attributes of these Loves, and you will discover a complete social nomenclature, — and yet we fancy that we originate things! When the world turns upside down like an hour-glass, when the seas become continents, Frenchmen will find canons, steamboats, newspapers, and maps wrapped up in seaweed at the bottom of what is now our ocean.
[*] I do not, on principle, like foot-notes, and this is the
first I have ever allowed myself. Its historical interest
must be my excuse; it will prove, moreover, that
descriptions of battles should be something more than the
dry particulars of technical writers, who for the last three
thousand years have told us about left and right wings and
centres being broken or driven in, but never a word about
the soldier himself, his sufferings, and his heroism. The
conscientious care with which I prepared myself to write the
“Scenes from Military Life,” led me to many a battle-field
once wet with the blood of France and her enemies. Among
them I went to Wagram. When I reached the shores of the
Danube, opposite Lobau, I noticed on the bank, which is
covered with turf, certain undulations that reminded me of
the furrows in a field of lucern. I asked the reason of it,
thinking I should hear of some new method of agriculture:
“There sleep the cavalry of the imperial guard,” said the
peasant who served us as a guide; “those are their graves
you see there.” The words made me shudder. Prince Frederic
Schwartzenburg, who translated them, added that the man had
himself driven one of the wagons laden with cuirasses. By
one of the strange chances of war our guide had served a
breakfast to Napoleon on the morning of the battle of
Wagram. Though poor, he had kept the double napoleon which
the Emperor gave him for his milk and his eggs. The curate
of Gross-Aspern took us to
the famous cemetery where French
and Austrians struggled together knee-deep in blood, with a
courage and obstinacy glorious to each. There, while
explaining that a marble tablet (to which our attention had
been attracted, and on which were inscribed the names of the
owner of Gross-Aspern, who had been killed on the third day)
was the sole compensation ever given to the family, he said,
in a tone of deep sadness: “It was a time of great misery,
and of great hopes; but now are the days of forgetfulness.”
The saying seemed to me sublime in its simplicity; but when
I came to reflect upon the matter, I felt there was some
justification for the apparent ingratitude of the House of
Austria. Neither nations nor kings are wealthy enough to
reward all the devotions to which these tragic struggles
give rise. Let those who serve a cause with a secret
expectation of recompense, set a price upon their blood and
become mercenaries. Those who wield either sword or pen for
their country’s good ought to think of nothing but of doing
their best, as our fathers used to say, and expect nothing,
not even glory, except as a happy accident.
It was in rushing to retake this famous cemetery for the
third time that Massena, wounded and carried in the box of a
cabriolet, made this splendid harangue to his soldiers:
“What! you rascally curs, who have only five sous a day
while I have forty thousand, do you let me go ahead of you?”
All the world knows the order which the Emperor sent to his
lieutenant by M. de Sainte-Croix, who swam the Danube three
times: “Die or retake the village; it is a question of
saving the army; the bridges are destroyed.”
The Author.
Now, I must tell you that the Comtesse de Montcornet is a fragile, timid, delicate little woman. What do you think of such a marriage as that? To those who know society such things are common enough; a well-assorted marriage is the exception. Nevertheless, I have come to see how it is that this slender little creature handles her bobbins in a way to lead this heavy, solid, stolid general precisely as he himself used to lead his cuirassiers.
If Montcornet begins to bluster before his Virginie, Madame lays a finger on her lips and he is silent. He smokes his pipes and his cigars in a kiosk fifty feet from the chateau, and airs himself before he returns to the house. Proud of his subjection, he turns to her, like a bear drunk on grapes, and says, when anything is proposed, “If Madame approves.” When he comes to his wife’s room, with that heavy step which makes the tiles creak as though they were boards, and she, not wanting him, calls out: “Don’t come in!” he performs a military volte-face and says humbly: “You will let me know when I can see you?” — in the very tones with which he shouted to his cuirassiers on the banks of the Danube: “Men, we must die, and die well, since there’s nothing else we can do!” I have heard him say, speaking of his wife, “Not only do I love her, but I venerate her.” When he flies into a passion which defies all restraint and bursts all bonds, the little woman retires into her own room and leaves him to shout. But four or five hours later she will say: “Don’t get into a passion, my dear, you might break a blood-vessel; and besides, you hurt me.” Then the lion of Essling retreats out of sight to wipe his eyes. Sometimes he comes into the salon when she and I are talking, and if she says: “Don’t disturb us, he is reading to me,” he leaves us without a word.
It is only strong men, choleric and powerful, thunder-bolts of war, diplomats with olympian heads, or men of genius, who can show this utter confidence, this generous devotion to weakness, this constant protection, this love without jealousy, this easy good humor with a woman. Good heavens! I place the science of the countess’s management of her husband as far above the peevish, arid virtues as the satin of a causeuse is superior to the Utrecht velvet of a dirty bourgeois sofa.
My dear fellow, I have spent six days in this delightful country-house, and I never tire of admiring the beauties of the park, surrounded by forests where pretty wood-paths lead beside the brooks. Nature and its silence, these tranquil pleasures, this placid life to which she woos me, — all attract. Ah! here is true literature; no fault of style among the meadows. Happiness forgets all things here, — even the Debats! It has rained all the morning; while the countess slept and Montcornet tramped over his domain, I have compelled myself to keep my rash, imprudent promise to write to you.
Until now, though I was born at Alencon, of an old judge and a prefect, so they say, and though I know something of agriculture, I supposed the tale of estates bringing in four or five thousand francs a month to be a fable. Money, to me, meant a couple of dreadful things, — work and a publisher, journalism and politics. When shall we poor fellows come upon a land where gold springs up with the grass? That is what I desire for you and for me and the rest of us in the name of the theatre, and of the press, and of book-making! Amen!
Will Florine be jealous of the late Mademoiselle Laguerre? Our modern Bourets have no French nobles now to show them how to live; they hire one opera-box among three of them; they subscribe for their pleasures; they no longer cut down magnificently bound quartos to match the octavos in their library; in fact, they scarcely buy even stitched paper books. What is to become of us?
Adieu; continue to care for
Your Blondet.
If this letter, dashed off by the idlest pen of the century, had not by some lucky chance been preserved, it would have been almost impossible to describe Les Aigues; and without this description the history of the horrible events that occurred there would certainly be less interesting.
After that remark some persons will expect to see the flashing of the cuirass of the former colonel of the guard, and the raging of his anger as he falls like a waterspout upon his little wife; so that the end of this present history may be like the end of all modern dramas, — a tragedy of the bed-chamber. Perhaps the fatal scene will take place in that charming room with the blue monochromes, where beautiful ideal birds are painted on the ceilings and the shutters, where Chinese monsters laugh with open jaws on the mantle-shelf, and dragons, green and gold, twist their tails in curious convolutions around rich vases, and Japanese fantasy embroiders its designs of many colors; where sofas and reclining-chairs and consoles and what-nots invite to that contemplative idleness which forbids all action.
No; the drama here to be developed is not one of private life; it concerns things higher, or lower. Expect no scenes of passion; the truth of this history is only too dramatic. And remember, the historian should never forget that his mission is to do justice to all; the poor and the prosperous are equals before his pen; to him the peasant appears in the grandeur of his misery, and the rich in the pettiness of his folly. Moreover, the rich man has passions, the peasant only wants. The peasant is therefore doubly poor; and if, politically, his aggressions must be pitilessly repressed, to the eyes of humanity and religion he is sacred.
CHAPTER II. A BUCOLIC OVERLOOKED BY VIRGIL
When a Parisian drops into the country he is cut off from all his usual habits, and soon feels the dragging hours, no matter how attentive his friends may be to him. Therefore, because it is so impossible to prolong in a tete-a-tete conversations that are soon exhausted, the master and mistress of a country-house are apt to say, calmly, “You will be terribly bored here.” It is true that to understand the delights of country life one must have something to do, some interests in it; one must know the nature of the work to be done, and the alternating harmony of toil and pleasure, — eternal symbol of human life.
When a Parisian has recovered his powers of sleeping, shaken off the fatigues of his journey, and accustomed himself to country habits, the hardest period of the day (if he wears thin boots and is neither a spo
rtsman nor an agriculturalist) is the early morning. Between the hours of waking and breakfasting, the women of the family are sleeping or dressing, and therefore unapproachable; the master of the house is out and about on his own affairs; a Parisian is therefore compelled to be alone from eight to eleven o’clock, the hour chosen in all country-houses for breakfast. Now, having got what amusement he can out of carefully dressing himself, he has soon exhausted that resource. Then, perhaps, he has brought with him some work, which he finds it impossible to do, and which goes back untouched, after he sees the difficulties of doing it, into his valise; a writer is then obliged to wander about the park and gape at nothing or count the big trees. The easier the life, the more irksome such occupations are, — unless, indeed, one belongs to the sect of shaking quakers or to the honorable guild of carpenters or taxidermists. If one really had, like the owners of estates, to live in the country, it would be well to supply one’s self with a geological, mineralogical, entomological, or botanical hobby; but a sensible man doesn’t give himself a vice merely to kill time for a fortnight. The noblest estate, and the finest chateaux soon pall on those who possess nothing but the sight of them. The beauties of nature seem rather squalid compared to the representation of them at the opera. Paris, by retrospection, shines from all its facets. Unless some particular interest attaches us, as it did in Blondet’s case, to scenes honored by the steps and lighted by the eyes of a certain person, one would envy the birds their wings and long to get back to the endless, exciting scenes of Paris and its harrowing strifes.
The long letter of the young journalist must make most intelligent minds suppose that he had reached, morally and physically, that particular phase of satisfied passions and comfortable happiness which certain winged creatures fed in Strasbourg so perfectly represent when, with their heads sunk behind their protruding gizzards, they neither see nor wish to see the most appetizing food. So, when the formidable letter was finished, the writer felt the need of getting away from the gardens of Armida and doing something to enliven the deadly void of the morning hours; for the hours between breakfast and dinner belonged to the mistress of the house, who knew very well how to make them pass quickly. To keep, as Madame de Montcornet did, a man of talent in the country without ever seeing on his face the false smile of satiety, or detecting the yawn of a weariness that cannot be concealed, is a great triumph for a woman. The affection which is equal to such a test certainly ought to be eternal. It is to be wondered at that women do not oftener employ it to judge of their lovers; a fool, an egoist, or a petty nature could never stand it. Philip the Second himself, the Alexander of dissimulation, would have told his secrets if condemned to a month’s tete-a-tete in the country. Perhaps this is why kings seek to live in perpetual motion, and allow no one to see them more than fifteen minutes at a time.
Works of Honore De Balzac Page 975
