On this side of the main street at the end farthest from the great plain was a dwelling-house, very much larger and better cared for than those in other parts of the village; around it were other houses equally well kept. This little hamlet, separated from the village by its gardens, was already called Les Tascherons, a name it keeps to the present day.
The village itself mounted to very little, but thirty or more outlying farms belonged to it. In the valley, leading down to the river, irrigating channels like those of La Marche and Berry indicated the flow of water around the village by the green fringe of verdure about them; Montegnac seemed tossed in their midst like a vessel at sea. When a house, an estate, a village, a region, passes from the wretched condition to a prosperous one, without becoming either rich or splendid, life seems so easy, so natural to living beings, that the spectator may not at once suspect the enormous labor, infinite in petty detail, grand in persistency like the toil buried in a foundation wall, in short, the forgotten labor on which the whole structure rests.
Consequently the scene that lay before him told nothing extraordinary to the young Abbe Gabriel as his eye took in the charming landscape. He knew nothing of the state of the region before the arrival of the rector, Monsieur Bonnet. The young man now went on a few steps and again saw, several hundred feet above the gardens of the upper village, the church and the parsonage, which he had already seen from a distance confusedly mingled with the imposing ruins clothed with creepers of the old castle of Montegnac, one of the residences of the Navarreins family in the twelfth century.
The parsonage, a house originally built no doubt for the bailiff or game-keeper, was noticeable for a long raised terrace planted with lindens from which a fine view extended over the country. The steps leading to this terrace and the walls which supported it showed their great age by the ravages of time. The flat moss which clings to stones had laid its dragon-green carpet on each surface. The numerous families of the pellitories, the chamomiles, the mesembryanthemums, pushed their varied and abundant tufts through the loop-holes in the walls, cracked and fissured in spite of their thickness. Botany had lavished there its most elegant drapery of ferns of all kinds, snap-dragons with their violet mouths and golden pistils, the blue anchusa, the brown lichens, so that the old worn stones seemed mere accessories peeping out at intervals from this fresh growth. Along the terrace a box hedge, cut into geometric figures, enclosed a pleasure garden surrounding the parsonage, above which the rock rose like a white wall surmounted by slender trees that drooped and swayed above it like plumes.
The ruins of the castle looked down upon the house and church. The house, built of pebbles and mortar, had but one story surmounted by an enormous sloping roof with gable ends, in which were attics, no doubt empty, considering the dilapidation of their windows. The ground-floor had two rooms parted by a corridor, at the farther end of which was a wooden staircase leading to the second floor, which also had two rooms. A little kitchen was at the back of the building in a yard, where were the stable and coach-house, both unused, deserted, and worthless. The kitchen garden lay between the church and the house; a ruined gallery led from the parsonage to the sacristy.
When the young abbe saw the four windows with their leaded panes, the brown and mossy walls, the door in common pine slit like a bundle of matches, far from being attracted by the adorable naivete of these details, the grace of the vegetations which draped the roof and the dilapidated wooden frames of the windows, the wealth of the clambering plants escaping from every cranny, and the clasping tendrils of the grape-vine which looked into every window as if to bring smiling ideas to those within, he congratulated himself heartily on being a bishop in perspective instead of a village rector.
This house, apparently always open, seemed to belong to everybody. The Abbe Gabriel entered a room communicating with the kitchen, which was poorly furnished with an oak table on four stout legs, a tapestried armchair, a number of chairs all of wood, and an old chest by way of buffet. No one was in the kitchen except a cat which revealed the presence of a woman about the house. The other room served as a salon. Casting a glance about it the young priest noticed armchairs in natural wood covered with tapestry; the woodwork and the rafters of the ceiling were of chestnut which had turned as black as ebony. A tall clock in a green case painted with flowers, a table with a faded green cloth, several chairs, two candlesticks on the chimney-piece, between which was an Infant Jesus in wax under a glass case, completed the furniture of the room. The chimney-piece of wood with common mouldings was filled by a fire-board covered by a painting representing the Good Shepherd with a lamb over his shoulder, which was probably the gift of some young girl, — the mayor’s daughter, or the judge’s daughter, — in return for the pastor’s care of her education.
The forlorn condition of the house was distressing to behold; the walls, once whitewashed, were now discolored, and stained to a man’s height by constant friction. The staircase with its heavy baluster and wooden steps, though very clean, looked as if it might easily give way under the feet. On the other side of the house, opposite to the entrance door, another door opening upon the kitchen garden enabled the Abbe de Rastignac to judge of the narrowness of that garden, which was closed at the back by a wall cut in the white and friable stone side of the mountain, against which espaliers were fastened, covered with grape-vines and fruit-trees so ill taken care of that their leaves were discolored with blight.
The abbe returned upon his steps and walked along the paths of the first garden, from which he could see, in the distance beyond the village, the magnificent stretch of valley, a true oasis at the edge of the vast plains, which now, veiled by the light mists of morning, lay along the horizon like a tranquil ocean. Behind him could be seen, on one side, for a foil, the dark masses of the bronze-green forest; on the other, the church and the ruins of the castle perched on the rock and vividly detached upon the blue of the ether. The Abbe Gabriel, his feet creaking on the gravelly paths cut in stars and rounds and lozenges, looked down upon the village, where some of the inhabitants were already gazing up at him, and then at the fresh, cool valley, with its tangled paths, its river bordered with willows in delightful contrast to the endless plain, and he was suddenly seized with sensations which changed the nature of his thoughts; he admired the sweet tranquillity of the place; he felt the influence of that pure air; he was conscious of the peace inspired by the revelation of a life brought back to Biblical simplicity; he saw, confusedly, the beauties of this old parsonage, which he now re-entered to examine its details with greater interest.
A little girl, employed, no doubt, to watch the house, though she was picking and eating fruit in the garden, heard the steps of a man with creaking shoes on the great square flags of the ground-floor rooms. She ran in to see who it was. Confused at being caught by a priest with a fruit in one hand and another in her mouth, she made no answer to the questions of the handsome young abbe. She had never imagined such an abbe, — dapper and spruce as hands could make him, in dazzling linen and fine black cloth without spot or wrinkle.
“Monsieur Bonnet?” she said at last. “Monsieur Bonnet is saying mass, and Mademoiselle Ursule is at church.”
The Abbe Gabriel did not notice a covered way from the house to the church; he went back to the road which led to the front portal, a species of porch with a sloping roof that faced the village. It was reached by a series of disjointed stone steps, at the side of which lay a ravine washed out by the mountain torrents and covered with noble elms planted by Sully the Protestant. This church, one of the poorest in France where there are so many poor churches, was like one of those enormous barns with projecting doors covered by roofs supported on brick or wooden pillars. Built, like the parsonage, of cobblestones and mortar, flanked by a face of solid rock, and roofed by the commonest round tiles, this church was decorated on the outside with the richest creations of sculpture, rich in light and shade and lavishly massed and colored by Nature, who understands such art as well as any Michael A
ngelo. Ivy clasped the walls with its nervous tendrils, showing stems amid its foliage like the veins in a lay figure. This mantle, flung by Time to cover the wounds he made, was starred by autumn flowers drooping from the crevices, which also gave shelter to numerous singing birds. The rose-window above the projecting porch was adorned with blue campanula, like the first page of an illuminated missal. The side which communicated with the parsonage, toward the north, was not less decorated; the wall was gray and red with moss and lichen; but the other side and the apse, around which lay the cemetery, was covered with a wealth of varied blooms. A few trees, among others an almond-tree — one of the emblems of hope — had taken root in the broken wall; two enormous pines standing close against the apsis served as lightning-rods. The cemetery, enclosed by a low, half-ruined wall, had for ornament an iron cross, mounted on a pedestal and hung with box, blessed at Easter, — one of those affecting Christian thoughts forgotten in cities. The village rector is the only priest who, in these days, thinks to go among his dead and say to them each Easter morn, “Thou shalt live again!” Here and there a few rotten wooden crosses stood up from the grassy mounds.
The interior of the church harmonized perfectly with the poetic tangle of the humble exterior, the luxury and art of which was bestowed by Time, for once in a way charitable. Within, the eye first went to the roof, lined with chestnut, to which age had given the richest tints of the oldest woods of Europe. This roof was supported at equal distances by strong shafts resting on transversal beams. The four white-washed walls had no ornament whatever. Poverty had made the parish iconoclastic, whether it would or not. The church, paved and furnished with benches, was lighted by four arched windows with leaded panes. The altar, shaped like a tomb, was adorned by a large crucifix placed above a tabernacle in walnut with a few gilt mouldings, kept clean and shining, eight candlesticks economically made of wood painted white, and two china vases filled with artificial flowers such as the drudge of a money-changer would have despised, but with which God was satisfied.
The sanctuary lamp was a night-wick placed in an old holy-water basin of plated copper hanging by silken cords, the spoil of some demolished chateau. The baptismal fonts were of wood; so were the pulpit and a sort of cage provided for the church-wardens, the patricians of the village. An altar to the Virgin presented to public admiration two colored lithographs in small gilt frames. The altar was painted white, adorned with artificial flowers in gilded wooden vases, and covered by a cloth edged with shabby and discolored lace.
At the farther end of the church a long window entirely covered by a red calico curtain produced a magical effect. This crimson mantle cast a rosy tint upon the whitewashed walls; a thought divine seemed to glow upon the altar and clasp the poor nave as if to warm it. The passage which led to the sacristy exhibited on one of its walls the patron saint of the village, a large Saint John the Baptist with his sheep, carved in wood and horribly painted.
But in spite of all this poverty the church was not without some tender harmonies delightful to choice souls, and set in charming relief by their own colors. The rich dark tones of the wood relieved the white of the walls and blended with the triumphal crimson cast on the chancel. This trinity of color was a reminder of the grand Catholic doctrine.
If surprise was the first emotion roused by this pitiful house of the Lord, surprise was followed speedily by admiration mingled with pity. Did it not truly express the poverty of that poor region? Was it not in harmony with the naive simplicity of the parsonage? The building was perfectly clean and well-kept. The fragrance of country virtues exhaled within it; nothing showed neglect or abandonment. Though rustic and poor and simple, prayer dwelt there; those precincts had a soul, — a soul which was felt, though we might not fully explain to our own souls how we felt it.
VIII. THE RECTOR OF MONTEGNAC
The Abbe Gabriel glided softly through the church so as not to disturb the devotions of two groups of persons on the benches near the high altar, which was separated from the nave at the place where the lamp was hung by a rather common balustrade, also of chestnut wood, and covered with a cloth intended for the communion. On either side of the nave a score of peasants, men and women, absorbed in fervent prayer, paid no attention to the stranger when he passed up the narrow passage between the two rows of seats.
When the young abbe stood beneath the lamp, whence he could see the two little transepts which formed a cross, one of which led to the sacristy, the other to the cemetery, he noticed on the cemetery side a family clothed in black kneeling on the pavement, the transepts having no benches. The young priest knelt down on the step of the balustrade which separated the choir from the nave and began to pray, casting oblique glances at a scene which was soon explained to him. The gospel had been read. The rector, having removed his chasuble, came down from the altar and stood before the railing; the young abbe, who foresaw this movement, leaned back against the wall, so that Monsieur Bonnet did not see him. Ten o’clock was striking.
“Brethren,” said the rector, in a voice of emotion, “at this very moment a child of this parish is paying his debt to human justice by enduring its last penalty, while we are offering the sacrifice of the mass for the peace of his soul. Let us unite in prayer to God, imploring Him not to turn His face from that child in these his last moments, and to grant to his repentance the pardon in heaven which is denied to him here below. The sin of this unhappy man, one of those on whom we most relied for good examples, can only be explained by his disregard of religious principles.”
Here the rector was interrupted by sobs from the kneeling group in mourning garments, whom the Abbe Gabriel recognized, by this show of affection, as the Tascheron family, although he did not know them. First among them was an old couple (septuagenarians) standing by the wall, their faces seamed with deep-cut, rigid wrinkles, and bronzed like a Florentine medal. These persons, stoically erect like statues, in their old darned clothes, were doubtless the grandfather and the grandmother of the criminal. Their glazed and reddened eyes seemed to weep blood, their arms trembled so that the sticks on which they leaned tapped lightly on the pavement. Next, the father and the mother, their faces in their handkerchiefs, sobbed aloud. Around these four heads of the family knelt the two married sisters accompanied by their husbands, and three sons, stupefied with grief. Five little children on their knees, the oldest not seven years old, unable, no doubt, to understand what was happening, gazed and listened with the torpid curiosity that characterizes the peasantry, and is really the observation of physical things pushed to its highest limit. Lastly, the poor unmarried sister, imprisoned in the interests of justice, now released, a martyr to fraternal affection, Denise Tascheron, was listening to the priest’s words with a look that was partly bewildered and partly incredulous. For her, her brother could not die. She well represented that one of the Three Marys who did not believe in the death of Christ, though she was present at the last agony. Pale, with dry eyes, like all those who have gone without sleep, her fresh complexion was already faded, less by toil and field labor than by grief; nevertheless, she had many of the beauties of a country maiden, — a plump, full figure, finely shaped arms, rounded cheeks, and clear, pure eyes, lighted at this instant with flashes of despair. Below the throat, a firm, fair skin, not tanned by the sun, betrayed the presence of a white and rosy flesh where the form was hidden.
The married daughters wept; their husbands, patient farmers, were grave and serious. The three brothers, profoundly sad, did not raise their eyes from the ground. In the midst of this dreadful picture of dumb despair and desolation, Denise and her mother alone showed symptoms of revolt.
The other inhabitants of the village united in the affliction of this respectable family with a sincere and Christian pity which gave the same expression to the faces of all, — an expression amounting to horror when the rector’s words announced that the knife was then falling on the neck of a young man whom they all knew well from his very birth, and whom they had doubtless thought incapable
of crime.
The sobs which interrupted the short and simple allocution which the pastor made to his flock overcame him so much that he stopped and said no more, except to invite all present to fervent prayer.
Though this scene was not of a nature to surprise a priest, Gabriel de Rastignac was too young not to be profoundly touched by it. As yet he had never exercised the priestly virtues; he knew himself called to other functions; he was not forced to enter the social breaches where the heart bleeds at the sight of woes: his mission was that of the higher clergy, who maintain the spirit of devotion, represent the highest intellect of the Church, and on eminent occasions display the priestly virtues on a larger stage, — like the illustrious bishops of Marseille and Meaux, and the archbishops of Arles and Cambrai.
This little assemblage of country people weeping and praying for him who, as they supposed, was then being executed on a public square, among a crowd of persons come from all parts to swell the shame of such a death, — this feeble counterpoise of prayer and pity, opposed to the ferocious curiosity and just maledictions of a multitude, was enough to move any soul, especially when seen in that poor church. The Abbe Gabriel was tempted to go up to the Tascherons and say, —
“Your son and brother is reprieved.”
But he did not like to disturb the mass; and, moreover, he knew that a reprieve was only a delay of execution. Instead of following the service, he was irresistibly drawn to a study of the pastor from whom the clergy in Limoges expected the conversion of the criminal.
Judging by the parsonage, Gabriel de Rastignac had made himself a portrait of Monsieur Bonnet as a stout, short man with a strong and red face, framed for toil, half a peasant, and tanned by the sun. So far from that, the young abbe met his equal. Slight and delicate in appearance, Monsieur Bonnet’s face struck the eyes at once as the typical face of passion given to the Apostles. It was almost triangular, beginning with a broad brow furrowed by wrinkles, and carried down from the temples to the chin in two sharp lines which defined his hollow cheeks. In this face, sallowed by tones as yellow as those of a church taper, shone two blue eyes that were luminous with faith, burning with eager hope. It was divided into two equal parts by a long nose, thin and straight, with well-cut nostrils, beneath which spoke, even when closed and voiceless, a large mouth, with strongly marked lips, from which issued, whenever he spoke aloud, one of those voices which go straight to the heart. The chestnut hair, which was thin and fine, and lay flat upon the head, showed a poor constitution maintained by a frugal diet. WILL made the power of this man.
Works of Honore De Balzac Page 1047
