Balzac dined frequently with Madame Dudevant and political as well as social and literary questions were discussed. He enjoyed opposing her views; after his return from his prolonged visit to Madame Hanska in St. Petersburg (1843), George Sand twitted him by asking him to give his Impressions de Voyage.
A story told at Issoudun illustrates further the genial association of the two authors: Balzac was dining one day at the Hotel de la Cloche in company with George Sand. She had brought her physician, who was to accompany her to Nohant. The conversation turned on the subject of insane people, and the peculiar manner in which the exterior signs of insanity are manifested. The physician claimed to be an expert in recognizing an insane person at first sight. George Sand asked very seriously: “Do you see any here?” Balzac was eating, as always, ravenously, and his tangled hair followed the movement of his head and arm. “There is one!” said the Doctor; “no doubt about it!” George Sand burst out laughing, Balzac also, and, the introduction made, the confused physician was condemned to pay for the dinner.
Balzac expresses his admiration for her in the dedication of the Memoires de deux jeunes mariees:
“To George Sand.
“This dedication, dear George, can add nothing to the glory of your name, which will cast its magic luster on my book; but in making it there is neither modesty nor self-interest on my part. I desire to bear testimony to the true friendship between us which continues unchanged in spite of travels and absence, — in spite, too, of our mutual hard work and the maliciousness of the world. This feeling will doubtless never change. The procession of friendly names which accompany my books mingles pleasure with the pain their great number causes me, for they are not written without anxiety, to say nothing of the reproach cast upon me for my alarming fecundity, — as if the world which poses before me were not more fecund still. Would it not be a fine thing, George, if some antiquary of long past literatures should find in that procession none but great names, noble hearts, pure and sacred friendships, — the glories of this century? May I not show myself prouder of that certain happiness than of other successes which are always uncertain? To one who knows you well it must ever be a great happiness to be allowed to call himself, as I do here,
“Your friend,
“DE BALZAC.”
CHAPTER IV. BUSINESS AND SOCIAL FRIENDS
MADAME BECHET — MADAME WERDET
A woman with whom Balzac was to have business dealings early in his literary career was Madame Charles Bechet, of whom he said: “This publisher is a woman, a widow whom I have never seen, and whom I do not know. I shall not send off this letter until the signatures are appended on both sides, so that my missive may carry you good news about my interests; . . .”
Thus began a business relation which, like many of Balzac’s financial affairs, was to end unhappily. At first he liked her very much and dined with her, meeting in her company such noted literary men as Beranger, but as usual, he delayed completing his work, meanwhile resorting, in mitigation of his offense, to tactics such as the following words will indicate: “. . . a pretty watch given at the right moment to Madame Bechet may win me a month’s freedom. I am going to overwhelm her with gifts to get peace.”
Balzac often caused his publishers serious annoyance by re-writing his stories frequently, but at the beginning of this business relation he agreed with Madame Bechet about the cost of corrections. He says of the fair publisher: “The widow Bechet has been sublime: she had taken upon herself the expense of more than four thousand francs of corrections, which were set down to me. Is this not still pleasanter?”
But this could not last long, for she became financially embarrassed and then had to be very strict with him. She refused to advance any money until his work was delivered to her and called upon him to pay for the corrections. This he resented greatly:
“Madame Bechet has become singularly ill-natured and will hurt my interests very much. In paying me, she charges me with corrections which amount on the twelve volumes to three thousand francs, and also for my copies, which will cost me fifteen hundred more. Thus four thousand five hundred francs and my discounts, diminish by six thousand the thirty-three thousand. She could not lose a great fortune more clumsily, for Werdet estimates at five hundred thousand francs the profits to be made out of the next edition of the Etudes de Moeurs. I find Werdet the active, intelligent, and devoted publisher that I want. I have still six months before I can be rid of Madame Bechet; for I have three volumes to do, and it is impossible to count on less than two months to each volume.”
She evidently relented, for he wrote later that Madame Bechet had paid him the entire thirty-three thousand francs. This, however, did not end their troubles, and he longed to be free from his obligations, and to sever all connection with her.
In the spring of 1836, Madame Bechet became Madame Jacquillart. Whether she was influenced by her husband or had become weary of Balzac’s delays, she became firmer. The novelist felt that she was too exacting, for he was working sixteen hours a day to complete the last two volumes for her, and he believed that the suit with which she threatened him was prompted by his enemies, who seemed to have sworn his ruin. Madame Bechet lost but little time in carrying out her threat, for a few days after this he writes:
“Do you know by what I have been interrupted? By a legal notice from Bechet, who summons me to furnish her within twenty-four hours my two volumes in 8vo, with a penalty of fifty francs for every day’s delay! I must be a great criminal and God wills that I shall expiate my crimes! Never was such torture! This woman has had ten volumes 8vo out of me in two years, and yet she complains at not getting twelve!”
There had been a question of a lawsuit as early as the autumn of 1835; to avoid this he was then trying to finish the Fleur-des-Pois (afterwards Le Contrat de Mariage). But their relations were more cordial at that time, for a short time later, he writes: “My publisher, the sublime Madame Bechet, has been foolish enough to send the corrected proofs to St. Petersburg. I am told nothing is spoken of there but of the excellence of this new masterpiece.”
Both Madame Bechet and Werdet were in despair over Balzac’s journey to Vienna in 1835, but things grew even worse the next year. The novelist gives this glimpse of his troubles:
“My mind itself was crushed; for the failure of the Chronique came upon me at Sache, at M. de Margonne’s, where, by a wise impulse, I was plunged in work to rid myself of that odious Bechet. I had undertaken to write in ten days (it was that which kept me from going to Nemours!) the two volumes which had been demanded of me, and in eight days I had invented and composed Les Illusions perdues, and had written a third of it. Think what such application meant! All my faculties were strained; I wrote fifteen hours a day. . . .”
In explaining Balzac’s association with Madame Bechet, M. Henri d’Almeras states that Madame Bechet was interested, at first, in attaching celebrated writers to her publishing house, or those who had promise of fame. She organized weekly dinner parties, which took place on Saturday, and here assembled Beranger, Henri de Latouche, Louis Reybaud, Leon Gozlan, Brissot-Thivars, Balzac and Dr. Gentil. It was with Madame Bechet as with Charles Gosselin. The publication, less lucrative than she expected, of the first series of the Scenes de la Vie parisienne and the Scenes de la Vie de Province made it particularly disagreeable to her to receive the reproaches of a writer who, with his admirable talent, could not become resigned to meet with less success than other litterateurs not so good as he.
The termination of their business relations is recounted thus: “Illusions perdues appears this week. On the 17th I have a meeting to close up all claims from Madame Bechet and Werdet. So there is one cause of torment the less.”
If M. Hughes Rebell is correct in his surmise, at least a part of Werdet’s admiration for the novelist was inspired by his wife, who had become a great admirer of the works of the young writer, not well known at that time. Madame Werdet persuaded her husband to speak to Madame Bechet about Balzac, and to advise her to
publish his works. Her husband did so, but Madame Werdet did not stop at this. She convinced him that he should leave Madame Bechet and become Balzac’s sole publisher; this he was for five years, and, moreover, served him as his banker. M. Rebell thinks also that Madame Werdet is the “delicious bourgeoise” referred to in Balzac’s letter to Madame Surville.
MADAME ROSSINI — MADAME RECAMIER — LA DUCHESSE DE DINO — LA COMTESSE APPONY — MADAME DE BERNARD — MADAME DAVID — LA BARONNE GERARD
“You wish to know if I have met Foedora, if she is true? A woman from cold Russia, the Princess Bagration, is supposed in Paris to be the model for her. I have reached the seventy-second woman who has had the impertinence to recognize herself in that character. They are all of ripe age. Even Madame Recamier is willing to foedorize herself. Not a word of all that is true. I made Foedora out of two women whom I have known without having been intimate with them. Observation sufficed me, besides a few confidences. There are also some kind souls who will have it that I have courted the handsomest of Parisian courtesans and have concealed myself behind her curtains. These are calumnies. I have met a Foedora; but that one I shall not paint; besides, it has been a long time since La Peau de Chagrin was published.”
Quoting Amedee Pichot and Dr. Meniere, S. de Lovenjoul states that Mademoiselle Olympe Pelissier is the woman whom Balzac used as a model for his Foedora, and that, like Raphael, he concealed himself in her bedroom. She is indeed the woman without a heart; she kept in the rue Neuve-du-Luxembourg a salon frequented by noted political people such as the Duc de Fitz-James. Being rich as well as beautiful, and having an exquisite voice, she was highly attractive to the novelist, who aspired to her hand, and who regarded her refusal with bitterness all his life. Several years later she was married to her former voice teacher, M. Rossini.
Balzac met the famous Olympe early in his literary career; he says of her:
“Two years ago, Sue quarreled with a mauvaise courtesone celebrated for her beauty (she is the original of Vernet’s Judith). I lowered myself to reconcile them, and they gave her to me. M. de Fitz-James, the Duc de Duras, and the old count went to her house to talk, as on neutral ground, much as people walk in the alley of the Tuileries to meet one another; and one expects better conduct of me than of those gentlemen! . . . As for Rossini, I wish him to write me a nice letter, and he has just invited me to dine with his mistress, who happens to be that beautiful Judith, the former mistress of Horace Vernet and of Sue you know. . . .”
Some months after this Balzac gave a dinner to his Tigres, as he called the group occupying the same box with him at the opera. Concerning this dinner, he writes:
“Next Saturday I give a dinner to the Tigres of my opera-box, and I am preparing sumptuosities out of all reason. I shall have Rossini and Olympe, his cara dona, who will preside. . . . My dinner? Why, it made a great excitement. Rossini declared he had never seen eaten or drunk anything better among sovereigns. This dinner was sparkling with wit. The beautiful Olympe was graceful, sensible and perfect.”[*]
[*] The present writer has not been able to find any date that would prove positively that Balzac knew Madame Rossini before writing La Peau de Chagrin which appeared in 1830-1831.
Balzac was a great admirer of Rossini, wrote the words for one of his compositions, and dedicated to him Le Contrat de Mariage.
Among the famous salons that Balzac frequented was that of Madame Recamier, who was noted even more for her distinction and grace than for her beauty. She appreciated the ability of the young writer, and invited him to read in her salon long before the world recognized his name. He admired her greatly; of one of his visits to her he writes:
“Yesterday I went to see Madame Recamier, whom I found ill but wonderfully bright and kind. I have heard that she did much good, and acted very nobly in being silent and making no complaint of the ungrateful beings she has met. No doubt she saw upon my face a reflection of what I thought of her, and without explaining to herself this little sympathy, she was charming.”
Although one would not suspect Madame Hanska of being jealous of Madame Recamier, perhaps it is because she wished to foedorize herself that Balzac writes:
“Mon Dieu! do not be jealous of any one. I have not been to see Madame Recamier or any one else. . . . As to my relations with the person you speak of, I never had any that were tender; I have none now. I answered a very unimportant letter, and apropos of a sentence, I explained myself; that was all. There are relations of politeness due to women of a certain rank whom one has known; but a visit to Madame Recamier is not, I suppose, relations, when one visits her once in three months.”
One of the famous women whom Balzac met soon after he began to acquire literary fame was the Duchesse de Dino, who was married to Talleyrand’s nephew in 1809.
“When her husband’s uncle became French Ambassador at Vienna in 1814, she went with him as mistress of the embassy. When he was sent to London in 1830, she accompanied him in the same capacity. She lived with him till his death in 1838, entirely devoted to his welfare, and she had given us in these pages a picture of the old Talleyrand which is among the masterpieces of memoir-writing. From this connection she was naturally for many years in the very heart of political affairs, as no one was, save perhaps that other Dorothea of the Baltic, the Princess de Lieven. To great beauty and spirit she added unusual talents, and in the best sense was a great lady of the haute politique.”
Balzac had met her in the salon of Madame Appony, but had never visited her in her home until 1836, when he went to Rochecotte to see the famous Prince de Talleyrand, having a great desire to have a view of the “witty turkeys who plucked the eagle and made it tumble into the ditch of the house of Austria.” Several years later, on his return from St. Petersburg, he stopped in Berlin, where he was invited to a grand dinner at the home of the Count and Countess Bresson. He gave his arm to the Duchesse de Talleyrand (ex-Dino), whom he thought the most beautiful lady present, although she was fifty-two years of age.
The Duchesse has left this appreciation of the novelist: “. . . his face and bearing are vulgar, and I imagine his ideas are equally so. Undoubtedly, he is a very clever man, but his conversation is neither easy nor light, but on the contrary, very dull. He watched and examined all of us most minutely.”
Notwithstanding that the beautiful Dorothea did not admire Balzac, he was sincere in his appreciation of her. A novel recently brought to light, L’Amour Masque, or as the author first called it, Imprudence et Bonheur, was written for her. Balzac had been her guest repeatedly; he had recognized in her one of the rare women, who by their intelligence and, as it were, instinctive appreciation of genius can compensate to a great incompris like Balzac for the lack of recognition on the part of his contemporaries; one of those women near whom, thanks to tactful treatment, a depressed man will regain confidence in himself and courage to go on.
Of the distinguished houses which were open to Balzac, that of the Comte Appony was one of the most beautiful. This protege of the Prince of Metternich, having had the rare good fortune to please both governments, was retained by Louis-Philippe, and was as well liked and appreciated in the role of ambassador and diplomat as in that of man of the world. The Countess Appony possessed a very peculiar charm, and was a type of feminine distinction. Balls and receptions were given frequently in her home, where all was of a supreme elegance.
Balzac visited the Count and Countess frequently, often having a letter or a message to deliver for the Comtesse Marie Potocka. He realized that it would be of advantage to be friendly toward the Ambassador of Austria, and he doubtless enjoyed the society of his charming wife. He writes of one of these visits:
“Alas! your moujik also has been un poco in that market of false smiles and charming toilets; he has made his debut at Madame Appony’s, — for the house of Balzac must live on good terms with the house of Austria, — and your moujik had some success. He was examined with the curiosity felt for animals from distant regions. There were presentations on p
resentations, which bored him so that he placed himself in a corner with some Russians and Poles. But their names are so difficult to pronounce that he cannot tell you anything about them, further than that one was a very ugly lady, friend of Madame Hahn, and a Countess Schouwalof, sister of Madame Jeroslas. . . . Is that right? The moujik will go there every two weeks, if his lady permits him.”
The novelist met many prominent people at these receptions, among them Prince Esterhazy; he went to the beautiful soirees of Madame Appony while refusing to go elsewhere, even to the opera.
Several women Balzac probably met through his intimacy with their husbands. Among these were Madame de Bernard, whose name was Clementine, but whom he called “Mentine” and “La Fosseuse,” this character being the frail nervous young girl in Le Medecin de Campagne. In August, 1831, M. Charles de Bernard wrote a very favorable article about La Peau de Chagrin in the Gazette de Franche-Comte, which he was editing at that time. This naturally pleased the novelist; their friendship continued through many years, and in 1844, Balzac dedicated to him Sarrazine, written in 1830.
Early in his literary career Balzac knew Baron Gerard, and in writing to the painter, sent greetings to Madame Gerard. Much later in life, while posing for his bust, made by David d’Angers, he saw Madame David frequently, and learned to like her. He felt flattered that she thought he looked so much younger than he really was. On his return from St. Petersburg, in 1843, he brought her a pound of Russian tea, which, as he explained, had no other merit than the exceeding difficulties it had encountered in passing through twenty custom-houses.
Works of Honore De Balzac Page 1538
