by Joan Aiken
There was a very ghostly feeling about Jeake’s House, which Joan described as follows: “[Its smell was] a delicious blend of aged black timbers, escaping gas, damp plaster, and mildew; I can remember the exact feel of the brass front-door knob turning gently in one’s hand, the shape of the square black banister post, and the look of the leaded windows with their small panes.”
Just as clearly, Joan remembered the stories she first heard at the house, which were read aloud by her mother and her older brother and sister, John and Jane: “First there was Peter Rabbit, and then The Just-So Stories, fairly milk-and-honey stuff; then Pinocchio, rustling with assassins, evil plots, death, moonlight, and irony; then Uncle Remus, told in a mysterious dialect, full of wild characters, with the wicked Br’er Fox.” No wonder this house haunted her memories!
When Joan was five, her father, the American poet Conrad Aiken, returned to the United States, and her mother, Jessie, married an English poet. Along with her mother and new stepfather, Joan went to live near the rolling green hills of Sussex Downs, five miles away from the closest town. John and Jane were sent away to boarding school, but for the next six years, until the age of twelve, Joan was homeschooled by her mother.
This new home was a different kind of paradise for Joan. Now she could roam the wild garden, climb trees, and explore the little village of Sutton, which had no “sidewalks”—as her Canadian mother called them—just one road with grass banks and little scuffed paths along the top where children had made tracks of their own. Sutton had one tiny store, which sold everything from bread to postage stamps. A four-minute walk from the shop was a forge, where the blacksmith, Mr. Budd, worked at his roaring bellows or clanged shoes onto the great, fringed feet of farm horses. In those days, a carter would go into the town once a week with his pony and trap and bring back goods for the village families. Joan’s household did not have a radio or a car—or even electricity! Water was pumped by hand from a well, and at night they lit oil lamps and candles. Much of their food came from the garden’s vegetable patch and fruit bushes; milk and cream or meat came from farms nearby. Even the poorer families in the area had help in their houses, and a village girl called Lily came to Joan’s to scrub and wash dishes. When she had finished her work, she sometimes took Joan to climb the slopes of the Downs, half a mile away, or pick cowslips and kingcups in the marshy meadow behind Lily’s mother’s cottage. Sometimes, Joan and Lily would walk two miles in the summer heat to a shallow pond where they could bathe.
Jessie quickly taught Joan how to read, and gave her lessons in French, Latin, English, history, arithmetic, geography, and even Spanish and German. With no school friends to play with, books became Joan’s friends—she read everything in the house! First, she went through the novels from Jessie’s Canadian childhood: Little Women and the Katy series. Then, she read all of the fairy tales, The Jungle Book with its stories about Mowgli, and the books her older brother and sister left behind. When these ran out, she moved on to ghost stories or books about history, such as stories about the Three Musketeers and the Princes in the Tower. Joan’s mother would read longer works aloud before they had radio or television; this was their main entertainment. Every night at bedtime, or when the family went on picnics, or as they sat stringing beans for supper, Joan would be listening to stories, so it was not surprising that she soon started writing some of her own. She saved up her pocket money and bought herself a notebook at the village shop, then set to work writing exciting tales with titles like “The Haunted Cupboard” or “Her Husband Was a Demon.” She was so proud of them that she kept those pages for the rest of her life.
It wasn’t until several years later that Joan had the company of a baby brother, David, and as soon as he was old enough, it was Joan who took him exploring on the Downs, and told him stories to cheer him along as he began to tire on the way home. Some of these short tales were published in her very first book many years later, such as “The Parrot Pirate Princess,” which she gave to David as a birthday present. Joan used to say that it was only by racking her brain to answer her little brother’s constant question of “What happened next?” that she learned how to write the exciting fiction she is known for today.
I was lucky enough as Joan’s daughter to have many more of those stories told to me as she was writing them quite a number of years later. Then I was the one asking “And what happened next?” When the tales were finished, she would type them out and send them away to her publishers, and I would enjoy the excitement of seeing them come back as printed books with pictures, just as you are able to see these stories today on your own screens—wouldn’t it have amazed Joan to imagine that all those years ago?
—Lizza Aiken, 2015
Joan’s birthplace, the little town of Rye, England. This is a page from the picture timeline on the Joan Aiken website.
Joan, age two, with her mother, Jessie, in the garden of Joan’s birthplace, the Jeake’s House, in 1926.
Mermaid Street in Rye. They didn’t have many cars in those days!
Some of Joan’s first picture books.
Some of the stories were quite scary. Joan loved this one in which Pinocchio meets some robbers in the woods.
Joan’s mother, Jessie, married again and the family move to a small village. This is another page from the Joan Aiken website.
The small cottage where Joan’s family lived. It was called Farrs.
Joan’s family could only reach the nearest town of Petworth by horse and cart.
Mr. Budd, the blacksmith, shoes carthorses in the village smithy.
May Day in the village was a grand day. The little girl (at left) in a long coat is Joan watching the May Queen’s procession go by.
Joan’s first notebook, where she wrote her stories. She kept it all her life!
One of Joan’s early poems and a drawing of her cat Teglees.
Joan (upper right), age ten, with her big brother and sister, John and Jane; her mother, Jessie; and her younger brother, David, who loved to listen to her stories.
Where Joan and David took walks, up on the Sussex Downs.
When she was older, Joan would go back to Rye to visit her father over the holidays, before she went away to school. Like Joan, he loved cats, and one year the family cat had kittens!
All images courtesy of the Joan Aiken Estate.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1988 by Elizabeth Delano Charlaff for the Joan Aiken Estate
Illustrations copyright © 1988 by Paul Warren
Cover design by Jesse Hayes
ISBN: 978-1-5040-2089-3
This edition published in 2015 by Open Road Integrated Media, Inc.
345 Hudson Street
New York, NY 10014
www.openroadmedia.com
EARLY BIRD BOOKS
FRESH EBOOK DEALS, DELIVERED DAILY
BE THE FIRST TO KNOW—
NEW DEALS HATCH EVERY DAY!
EBOOKS BY JOAN AIKEN
FROM OPEN ROAD MEDIA
Available wherever ebooks are sold
Open Road Integrated Media is a digital publisher and multimedia content company. Open Road creates connections between authors and their audiences by marketing its ebooks through a new proprietary online platform, which uses premium video content and social media.
Videos, Archival Documents, and New Releases
Sign up for the Open Road Media newsletter and get news delivered straight to your inbox.
Sign up now at
www.openroadmedia.com/newsletters
FIND OUT MORE AT
WWW.OPENROADMEDIA.COM
FOLLOW US:
@openroadmedia and
Facebook.com/OpenRoadMedia