by Eugène Sue
“Silence!” said the marshal, with a sign of intelligence. “You were a better father than myself, my old friend. Come and kiss them! I shall not be jealous.”
The marshal stretched out his hand to the soldier, who pressed it cordially, whilst the two sisters threw themselves on his neck, and Spoil-sport, according to custom wishing to have his share in the general joy, raised himself on his hind legs, and rested his fore-paws against his master’s back. There was a moment of profound silence. The celestial felicity enjoyed during that moment, by the marshal, his daughters, and the soldier, was interrupted by the barking of Spoil-sort, who suddenly quitted the attitude of a biped. The happy group separated, looked round, and saw Loony’s stupid face. He looked even duller than usual, as he stood quite still in the doorway, staring with wide stretched eyes, and holding a feather-broom under his arm, and in his hand the ever-present basket of wood.
Nothing makes one so gay as happiness; and, though this grotesque figure appeared at a very unseasonable moment, it was received with frank laughter from the blooming lips of Rose and Blanche. Having made the marshal’s daughters laugh, after their long sadness, Loony at once acquired a claim to the indulgence of the marshal, who said to him, good humoredly: “What do you want, my lad?”
“It’s not me, my lord duke!” answered Loony, laying his hand on his breast, as if it were taking a vow, so that his feather-brush fell down from under his arm. The laughter of the girls redoubled.
“It is not you?” said the marshal.
“Here! Spoil-sport!” Dagobert called, for the honest dog seemed to have a secret dislike for the pretended idiot, and approached him with an angry air.
“No, my lord duke, it is not me!” resumed Loony. “It is the footman who told me to tell M. Dagobert, when I brought up the wood to tell my lord duke, as I was coming up with the basket, that M. Robert wants to see him.”
The girls laughed still more at this new stupidity. But, at the name of Robert, Marshal Simon started.
M. Robert was the secret emissary of Rodin, with regard to the possible, but adventurous, enterprise of attempting the liberation of Napoleon II. After a moment’s silence, the marshal, whose face was still radiant with joy and happiness, said to Loony: “Beg M. Robert to wait for me a moment in my study.”
“Yes, my lord duke,” answered Loony, bowing almost to the ground.
The simpleton withdrew, and the marshal said to his daughters, in a joyous tone, “You see, that, in a moment like this, one does not leave one’s children, even for M. Robert.”
“Oh! that’s right, father!” cried Blanche, gayly; “for I was already very angry with this M. Robert.”
“Have you pen and paper at hand?” asked the marshal.
“Yes, father; there on the table,” said Rose, hastily, as she pointed to a little desk near one of the windows, towards which the marshal now advanced rapidly.
From motives of delicacy, the girls remained where they were, close to the fireplace, and caressed each other tenderly, as if to congratulate themselves in private on the unexpected happiness of this day.
The marshal seated himself at the desk, and made a sign to Dagobert to draw near.
While he wrote rapidly a few words in a firm hand, he said to the soldier with a smile, in so low a tone that it was impossible for his daughters to hear: “Do you know what I had almost resolved upon, before entering this room?”
“What, general?”
“To blow my brains out. It is to my children that I owe my life.” And the marshal continued writing.
Dagobert started at this communication, and then replied, also in a whisper: “It would not have been with your pistols. I took off the caps.”
The marshal turned round hastily, and looked at him with an air of surprise. But the soldier only nodded his head affirmatively, and added: “Thank heaven, we have now done with all those ideas!”
The marshal’s only answer was to glance at his children, his eyes swimming with tenderness, and sparkling with delight; then, sealing the note he had written, he gave it to the soldier, and said to him, “Give that to M. Robert. I will see him to-morrow.”
Dagobert took the letter, and went out. Returning towards his daughters, the marshal joyfully extended his arms to them, and said, “Now, young ladies, two nice kisses for having sacrificed M. Robert to you. Have I not earned them?” And Rose and Blanche threw themselves on their father’s neck.
About the time that these events were taking place at Paris, two travellers, wide apart from each other, exchanged mysterious thoughts through the breadth of space.
BOOK XI. EPILOGUE.
CHAPTER L. THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST.
THE SUN IS fast sinking. In the depths of an immense piny wood, in the midst of profound solitude, rise the ruins of an abbey, once sacred to St. John the Baptist. Ivy, moss, and creeping plants, almost entirely conceal the stones, now black with age. Some broken arches, some walls pierced with ovals, still remain standing, visible on the dark background of the thick wood. Looking down upon this mass of ruins from a broken pedestal, half-covered with ivy, a mutilated, but colossal statue of stone still keeps its place. This statue is strange and awful. It represents a headless human figure. Clad in the antique toga, it holds in its hand a dish and on that dish is a head. This head is its own. It is the statue of St. John the Baptist and Martyr, put to death by wish of Herodias.
The silence around is solemn. From time to time, however, is heard the dull rustling of the enormous branches of the pine-trees, shaken by the wind. Copper-colored clouds, reddened by the setting sun, pass slowly over the forest, and are reflected in the current of a brook, which, deriving its source from a neighboring mass of rocks, flows through the ruins. The water flows, the clouds pass on, the ancient trees tremble, the breeze murmurs.
Suddenly, through the shadow thrown by the overhanging wood, which stretches far into endless depths, a human form appears. It is a woman. She advances slowly towards the ruins. She has reached them. She treads the once sacred ground. This woman is pale, her look sad, her long robe floats on the wind, her feet covered with dust. She walks with difficulty and pain. A block of stone is placed near the stream, almost at the foot of the statue of John the Baptist. Upon this stone she sinks breathless and exhausted, worn out with fatigue. And yet, for many days, many years, many centuries, she has walked on unwearied.
For the first time, she feels an unconquerable sense of lassitude. For the first time, her feet begin to fail her. For the first time, she, who traversed, with firm and equal footsteps, the moving lava of torrid deserts, while whole caravans were buried in drifts of fiery sand — who passed, with steady and disdainful tread, over the eternal snows of Arctic regions, over icy solitudes, in which no other human being could live — who had been spared by the devouring flames of conflagrations, and by the impetuous waters of torrents — she, in brief, who for centuries had had nothing in common with humanity — for the first time suffers mortal pain.
Her feet bleed, her limbs ache with fatigue, she is devoured by burning thirst. She feels these infirmities, yet scarcely dares to believe them real. Her joy would be too immense! But now, her throat becomes dry, contracted, all on fire. She sees the stream, and throws herself on her knees, to quench her thirst in that crystal current, transparent as a mirror. What happens then? Hardly have her fevered lips touched the fresh, pure water, than, still kneeling, supported on her hands, she suddenly ceases to drink, and gazes eagerly on the limpid stream. Forgetting the thirst which devours her, she utters a loud cry — a cry of deep, earnest, religious joy, like a note of praise and infinite gratitude to heaven. In that deep mirror, she perceives that she has grown older.
In a few days, a few hours, a few minutes, perhaps in a single second, she has attained the maturity of age. She, who for more than eighteen centuries has been as a woman of twenty, carrying through successive generations the load of her imperishable youth — she has grown old, and may, perhaps, at length, hope
to die. Every minute of her life may now bring her nearer to the last home! Transported by that ineffable hope, she rises, and lifts her eyes to heaven, clasping her hands in an attitude of fervent prayer. Then her eyes rest on the tall statue of stone, representing St. John. The head, which the martyr carries in his hand, seems, from beneath its half-closed granite eyelid, to cast upon the Wandering Jewess a glance of commiseration and pity. And it was she, Herodias who, in the cruel intoxication of a pagan festival, demanded the murder of the saint! And it is at the foot of the martyr’s image, that, for the first time, the immortality, which weighed on her for so many centuries, seems likely to find a term!
“Oh, impenetrable mystery! oh, divine hope!” she cries. “The wrath of heaven is at length appeased. The hand of the Lord brings me to the feet of the blessed martyr, and I begin once more to feel myself a human creature. And yet it was to avenge his death, that the same heaven condemned me to eternal wanderings!
“Oh, Lord! grant that I may not be the only one forgiven. May he — the artisan, who like me, daughter of a king, wanders on for centuries — likewise hope to reach the end of that immense journey!
“Where is he, Lord? where is he? Hast thou deprived me of the power once bestowed, to see and hear him through the vastness of intervening space? Oh, in this mighty moment, restore me that divine gift — for the more I feel these human infirmities, which I hail and bless as the end of my eternity of ills, the more my sight loses the power to traverse immensity, and my ear to catch the sound of that wanderer’s accent, from the other extremity of the globe?”
Night had fallen, dark and stormy. The wind rose in the midst of the great pine-trees. Behind their black summits, through masses of dark cloud, slowly sailed the silver disk of the moon. The invocation of the Wandering Jewess had perhaps been heard. Suddenly, her eyes closed — with hands clasped together, she remained kneeling in the heart of the ruins — motionless as a statue upon a tomb. And then she had a wondrous dream!
CHAPTER LI. THE CALVARY.
THIS WAS THE vision of Herodias: On the summit of a high, steep, rocky mountain, there stands a cross. The sun is sinking, even as when the Jewess herself, worn out with fatigue, entered the ruins of St. John’s Abbey. The great figure on the cross — which looks down from this Calvary, on the mountain, and on the vast, dreary plain beyond — stands out white and pale against the dark, blue clouds, which stretch across the heavens, and assume a violent tint towards the horizon. There, where the setting sun has left a long track of lurid light, almost of the hue of blood — as far as the eye can reach, no vegetation appears on the surface of the gloomy desert, covered with sand and stones, like the ancient bed of some dried-up ocean. A silence as of death broods over this desolate tract. Sometimes, gigantic black vultures, with red unfeathered necks, luminous yellow eyes, stooping from their lofty flight in the midst of these solitudes, come to make their bloody feast on the prey they have carried off from less uncultivated regions.
How, then, did this Calvary, this place of prayer, come to be erected so far from the abodes of men? This Calvary was prepared at a great cost by a repentant sinner. He had done much harm to his fellow-creatures, and, in the hope of obtaining pardon for his crimes, he had climbed this mountain on his knees, and become a hermit, and lived there till his death, at the foot of this cross, only sheltered by a roof of thatch, now long since swept away by the wind. The sun is still sinking. The sky becomes darker. The luminous lines on the horizon grow fainter and fainter, like heated bars of iron that gradually grow cool. Suddenly, on the eastern side of the Calvary, is heard the noise of some falling stones, which, loosened from the side of the mountain, roll down rebounding to its base. These stones have been loosened by the foot of a traveller, who, after traversing the plain below, has, during the last hour, been climbing the steep ascent. He is not yet visible — but one hears the echo of his tread — slow, steady, and firm. At length, he reaches the top of the mountain, and his tall figure stands out against the stormy sky.
The traveller is pale as the great figure on the cross. On his broad forehead a black line extends from one temple to the other. It is the cobbler of Jerusalem. The poor artisan, who hardened by misery, injustice and oppression, without pity for the suffering of the Divine Being who bore the cross, repulsed him from his dwelling, and bade him: “Go ON! GO ON! GO ON!” And, from that day, the avenging Deity has in his turn said to the artisan of Jerusalem: “GO ON! GO ON! GO ON!”
And he has gone on, without end or rest. Nor did the divine vengeance stop there. From time to time death has followed the steps of the wanderer, and innumerable graves have been even as mile-stones on his fatal path. And if ever he found periods of repose in the midst of his infinite grief, it was when the hand of the Lord led him into deep solitudes, like that where he now dragged his steps along. In passing over that dreary plain, or climbing to that rude Calvary, he at least heard no more the funeral knell, which always, always sounded behind him in every inhabited region.
All day long, even at this hour, plunged in the black abyss of his thoughts, following the fatal track — going whither he was guided by the invisible hand, with head bowed on his breast, and eyes fixed upon the ground, the wanderer had passed over the plain, and ascended the mountain, without once looking at the sky — without even perceiving the Calvary — without seeing the image upon the cross. He thought of the last descendants of his race. He felt, by the sinking of his heart, that great perils continued to threaten him. And in the bitterness of a despair, wild and deep as the ocean, the cobbler of Jerusalem seated himself at the foot of the cross. At this moment a farewell ray of the setting sun, piercing the dark mass of clouds, threw a refection upon the Calvary, vivid as a conflagration’s glare. The Jew rested his forehead upon his hand. His long hair, shaken by the evening breeze, fell over his pale face — when sweeping it back from his brow, he started with surprise — he, who had long ceased to wonder at anything. With eager glance he contemplated the long lock of hair that he held between his fingers. That hair, until now black as night, had become gray. He also, like unto Herodias, was growing older.
His progress towards old age, stopped for eighteen hundred years, had resumed its course. Like the Wandering Jewess, he might henceforth hope for the rest of the grave. Throwing himself on his knees, he stretched his hands towards heaven, to ask for the explanation of the mystery which filled him with hope. Then, for the first time, his eyes rested on the Crucified One, looking down upon the Calvary, even as the Wandering Jewess had fixed her gaze on the granite eyelids of the Blessed Martyr.
The Saviour, his head bowed under the weight of his crown of thorns, seemed from the cross to view with pity, and pardon the artisan, who for so many centuries had felt his curse — and who, kneeling, with his body thrown backward in an attitude of fear and supplication, now lifted towards the crucifix his imploring hands.
“Oh, Messiah!” cried the Jew, “the avenging arm of heaven brings me back to the foot of this heavy cross, which thou didst bear, when, stopping at the door of my poor dwelling, thou wert repulsed with merciless harshness, and I said unto thee: ‘Go on! go on!’ — After my long life of wanderings, I am again before this cross, and my hair begins to whiten. Oh Lord! in thy divine mercy, hast thou at length pardoned me? Have I reached the term of my endless march? Will thy celestial clemency grant me at length the repose of the sepulchre, which, until now, alas! has ever fled before me? — Oh! if thy mercy should descend upon me, let it fall likewise upon that woman, whose woes are equal to mine own! Protect also the last descendants of my race! What will be their fate? Already, Lord, one of them — the only one that misfortune had perverted — has perished from the face of the earth. Is it for this that my hair grows gray? Will my crime only be expiated when there no longer remains in this world one member of our accursed race? Or does this proof of thy powerful goodness, Lord, which restores me to the condition of humanity, serve also as a sign of the pardon and happiness of my family? Will they at length triumph o
ver the perils which beset them? Will they, accomplishing the good which their ancestor designed for his fellow creatures, merit forgiveness both for themselves and me? Or will they, inexorably condemned as the accursed scions of an accursed stock, expiate the original stain of my detested crime?
“Oh, tell me — tell me, gracious Lord! shall I be forgiven with them, or will they be punished with me?”
The twilight gave place to a dark and stormy night, yet the Jew continued to pray, kneeling at the foot of the cross.
CHAPTER LII. THE COUNCIL.
THE FOLLOWING SCENE took place at Saint-Dizier House, two days after the reconciliation of Marshal Simon with his daughters. The princess is listening with the most profound attention to the words of Rodin. The reverend father, according to his habit, stands leaning against the mantelpiece, with his hands thrust into the pockets of his old brown great-coat. His thick, dirty shoes have left their mark on the ermine hearth-rug. A deep sense of satisfaction is impressed on the Jesuit’s cadaverous countenance. Princess de Saint-Dizier, dressed with that sort of modest elegance which becomes a mother of the church, keeps her eyes fixed on Rodin — for the latter has completely supplanted Father d’Aigrigny in the good graces of this pious lady. The coolness, audacity lofty intelligence, and rough and imperious character of the ex-socius have overawed this proud woman, and inspired her with a sincere admiration. Even his filthy habits and often brutal repartees have their charm for her, and she now prefers them to the exquisite politeness and perfumed elegance of the accomplished Father d’Aigrigny.
