So far as ‘getting on’ with her second husband was concerned, the strongest protest she ever seemed to make was: ‘Oh, Teddy, dear, do you ever catch hold of the right end of the stick?’, spoken kindly, and usually not without provocation; for Jeavons could be slow in grasping the point of a story. Some husbands might certainly take even that rebuke amiss, but Jeavons never seemed to question Molly’s absolute sway over himself, the house and all those who came there. I heard her say these words on subsequent visits, after Lovell had introduced me there. Neither Widmerpool nor Mrs. Haycock had turned up again since that first night, and I made some enquiry about them.
‘Oh, you know Mr. Widmerpool?’ said Molly, at once beginning to laugh. ‘How extraordinary that you should know him. But perhaps you said so before. He has got jaundice. What a thing to happen when you are going to get married.’
‘How disagreeable for him. But I am not altogether surprised. He always makes a great fuss about his health. I think he has had jaundice before.’
‘You know him well then?’
‘Fairly well—though. I don’t often see him.’
“He is rather amusing, isn’t he?’ said Molly. ‘Quite a wit in his way. But he must look awful now that he is bright yellow.’
I agreed that the disease would give Widmerpool an unattractive appearance. It seemed to me extraordinary that she should have thought him ‘amusing’. I sometimes found his company enjoyable, because we had experienced much in common; but I could never remember him making an entertaining remark. I wondered what he could have said to cause that judgment: learning in due course that she was quite reckless in the characteristics she attributed to individuals. A chance remark would have the effect of swaying her entirely in favour of one person, or of arousing the bitterest opposition to another. She was very critical of many of the people who came to see her, and hoarded an accumulation of largely unfounded inferences about their character. These inaccuracies seemed to cancel each other out in some manner, so that in the last resort Molly was no worse informed, indeed in point of acuteness often better placed, than what might be regarded as ‘the average’.
‘Do you think he is in love with Mildred?’ she asked sharply.
‘I really don’t know. I suppose so. If he wants to marry her.’
I was not at all prepared for the question.
‘Oh, that doesn’t necessarily follow at all,’ she said. ‘I feel rather sorry for him in some ways. Mildred is not an easy person. I’ve known her such a long time. She isn’t a bit easy. But now you simply must come up to my bedroom and see the monkey. I bought him today from a man in Soho, where I went to get some pimentos.’
A good deal of the life of the Jeavons’ household was, in fact, lived in Molly’s bedroom, either because a sick animal was established there (with the budgerigars, four principal dogs and at least as many cats inhabited the house), or simply because Molly herself had risen late, or retired early to rest, in either case holding a kind of reception from her bed, a Victorian fourposter that took up most of the room. On a chest of drawers beside the bed stood a photograph of Jeavons in uniform: breeches: puttees: at the back of his head a floppy service cap of the kind stigmatised by Mrs. Haycock in her youth as a ‘gorblimey’. He held a knotted bamboo swagger cane under one arm, and, wearing on his tunic the ribbon of the M.C. (awarded after the action in which he had been so seriously wounded), he looked the complete subaltern of war-time musical comedy.
‘Come along, all of you,’ said Molly. ‘You must all see the monkey. You too, Tuffy. You simply must see him.’
I had already recognised the tall, dark, beaky-nosed woman to whom she spoke as Miss Weedon, former secretary of my old friend Charles Stringham’s mother, Mrs. Foxe. Miss Weedon, now in her late forties, had been his sister Flavia’s governess. After Flavia grew up, she had stayed on to help with Mrs. Foxe’s social engagements and charities. I had been waiting an opportunity to have a word with her. I reintroduced myself as we climbed the stairs with the other people who wished—or were being compelled—to visit the monkey. Miss Weedon, wholly unchanged, still sombrely dressed, gave me a keen look.
‘But of course I remember,’ she said. ‘Charles brought you to luncheon in the London house before he went to Kenya to stay with his father. They had forgotten to get a ticket for Charles in a theatre party that had been made up—the Russian Ballet, I think. I was put to all kind of trouble to produce the extra ticket. However, I got it for him in the end.’
I, too, remembered the incident; and also the look of adoration Miss Weedon had given Stringham when she entered the room. I well recalled that passionate glance, although even then—that night at the Jeavonses’—I had not yet guessed the depths of her devotion. I wondered what she did with herself now. Stringham, when last we had seen something of each other, had told me: ‘Tuffy has come into a little money,’ and that she was no longer his mother’s secretary. I found in due course that Miss Weedon was a close friend of Molly’s; in fact that she re-enacted at the Jeavonses’ many of her former duties when in the employment of Mrs. Foxe, although, of course, in a household organised on very different terms. It was impossible to know from her manner how unexpected, or the reverse, she found the fact that we had met again at this place. In her profound, though mysterious, dimness, she was typical of the background of Jeavons gatherings.
‘I always regret that Charles ever made that journey to Kenya.’ she said.
She spoke severely, as if I had myself been in part to blame for allowing such a thing ever to have taken place; even though at the same time she freely forgave me for such former thoughtlessness.
‘Why?’
‘He was never the same afterwards.’
I had to admit to myself there was some truth in that. Stringham had never been the same after Kenya. It had been a water-shed in his life.
‘Perhaps it was just because he became a man,’ she said. ‘Of course, his upbringing was impossible—always, from the beginning. But he changed so much after that trip to Africa. He was a boy when he went—and such a charming boy—and he really came back a man.’
‘People do grow up. At least some do.’
‘I am afraid Charles was not one of them,’ she said gravely. ‘He became a man, but he did not grow up. He is not grown up now.’
I hardly knew what to answer. It was one of those head-first dives into generalisation that usually precedes between two persons a greater conversational intimacy. However, Miss Weedon made no attempt to expand her statement; nor, so to speak, to draw closer in her approach to the problem of Stringham. She merely continued to look at me with a kind of chilly amiability; as if, by making an immediate confession that I was a former friend of his, I had, so far as she was concerned, just managed to save my bacon. When a boy, I had regarded her as decidedly formidable. I still found her a trifle alarming. She gave an impression of complete singleness of purpose: the impression of a person who could make herself very disagreeable if thwarted.
‘Do you ever see Charles now?’ I asked.
She did not answer at once, as if waiting a second or two in order to make up her mind how best to deal with that question; perhaps trying to decide the relative merits of plain statement and diplomatic evasion. Finally she came down on the side of bluntness.
‘Yes, I do see him,’ she said. ‘Quite often. You probably know he drinks too much—really much too much. I am trying to help him about that.’
She stared at me very composedly. Once more I hardly knew how to reply. I had not expected our conversation to take this unreservedly serious turn; especially as we had by then reached the bedroom, and were only delayed in our introduction to the ape by the concourse of people who surrounded him, offering homage and applauding Molly’s particularisation of his many charms of character.
‘Charles had certainly had rather too much the last time I saw him,’ I said, trying to pass off the matter of Stringham’s drunkenness as if it were just a question of getting rather tight once in a
way, which I knew to be far from the truth. ‘That was at a dinner he and I went to—two or three years ago at least.’
‘You have not seen him since then?’
‘No.’
‘It still goes on. But I think I shall be able to help him.’
I had no clear idea of how she would set about ‘helping’ Stringham, but the way she spoke made me conscious of her undoubted strength of will. In fact, her voice chilled my blood a little, she sounded so firm. However, at that moment we found ourselves confronted by the monkey—named by his owners ‘Maisky’, after the then Soviet Ambassador—and were introduced by Molly to shake hands with him. He was sitting thoughtfully among the cushions of a spacious basket, from time to time extending a small, dry paw in greeting to Molly’s guests as they came into his immediate presence. A saucer of nuts stood beside him. There was something of Quiggin in his seriousness and self-absorbtion: also in the watchful manner in which he glanced from time to time at the nuts, sometimes choosing one specially tempting to crack.
‘Have you known Lady Molly long?’ asked Miss Weedon, after we had taken leave of Maisky, and were returning down the stairs.
‘Only a short time.’
‘I thought I had never seen you here before.’
‘I was brought by Chips Lovell.’
‘Oh, yes. One of her nephews. Rather a pushing young man. She was very good to him when he was a boy and his parents did not take much trouble about him. She is a very kind-hearted woman. Quite exceptionally kind-hearted. The house is always full of people she is doing good turns to. Children stay here while their parents are fixing up a divorce. Penniless young men get asked to meals. Former servants are always being given help of one sort or another. There is an old cousin of her husband’s ill in one of the upper bedrooms now. She has nowhere else to go, and will certainly never leave the house alive. I really cannot think how Lady Molly stands some of the people who come here. Many are quite dreadful.’
‘They certainly seem a mixed bag.’
‘They are worse than that, some of them.’
‘Really?’
‘At the same time, you may find yourself talking to someone like Charles’s former father-in-law, Lord Bridgnorth—whom Charles detests and thinks the most conceited, pompous man in the world—who eats out of Lady Molly’s hand. He even takes her advice about his horses. Lady Plynlimmon was here at tea the other day. She really seemed quite interested in what Mr. Jeavons was saying about Germany, although usually she won’t speak to anyone who is not in the Cabinet. Not long ago Lord Amesbury looked in on his way to a court ball, wearing knee breeches and the Garter. Lady Molly was giving the vet a meal she had cooked herself, because everyone else was out for one reason or another and she had made him come in from miles away in the suburbs to see a cat that had fever. I happened to drop in, and found all three of them eating scrambled eggs together.’
By that time we had once more reached the drawing-room. Miss Weedon ceased to enlarge upon these occasional—indeed, very occasional—glories of the Jeavons’ salon; which were, as it happened, in marked contrast to the company gathered together that evening. I asked if she knew Mrs. Haycock.
‘Certainly I do,’ said Miss Weedon. ‘Do you remember a boy called Widmerpool who was at school with Charles and yourself? I think you were all in the same house together, were you not? Charles used to give imitations of him. I am sure you must remember. Well, Mrs. Haycock is going to marry Mr. Widmerpool.’
She nodded her head sharply, to emphasise what she had said. I was amazed that she should be familiar with Stringham’s mimicry of Widmerpool. I could have found it within the bounds of possibility that she had heard of Widmerpool, but that Stringham should have shared with her such jokes as his brilliant, though essentially esoteric, Widmerpool imitations, I should never have guessed. This new light on Stringham’s relationship with Miss Weedon suggested quite a different sort of intimacy to any I had previously surmised. I told her that I already knew of Widmerpool’s engagement. That had been my reason for enquiry. Miss Weedon smiled her thin freezing smile.
‘I think Mildred Haycock was quite glad to find someone to marry,’ she said. ‘Especially a man with such a good future in front of him. Of course he is a bit young for her. All the same, it is easier for a woman like Mrs. Haycock—who has two children, both quite old now—to be married. Then, also, although she is not badly off, she is very extravagant. Everyone says so.’
‘She has been living in the South of France?’
‘Where she made herself rather notorious, I believe.’
‘Meanwhile, her fiancé is suffering from jaundice.’
‘Indeed,’ said Miss Weedon, smiling thinly again. ‘I expect she will find someone to console her. Commander Foxe, for example.’
‘Buster? How is he?’
‘He might begin to take her out again. He retired from the Navy some years ago. He has got rather fat. It worries him terribly. He does all kinds of things for it. Every sort of diet. Cures at Tring. It is really his sole interest now.’
‘And you thought Mrs. Haycock might take his mind off the weighing machine?’
Miss Weedon’s mouth stiffened. I saw I had gone too far. She probably regretted her own indiscretion about Buster’s past with Mrs. Haycock. I had not thought of Buster Foxe for years. Stringham had never cared for him. It sounded from Miss Weedon’s tone as if Buster had been reduced—like Jeavons—to a purely subordinate position. There was a certain parallel in their situations. I wondered if they had ever met.
‘And how is Mrs. Foxe herself?’
‘Very well, I understand. As social as ever.’
‘What does Charles do about money now?’
‘Money is rather a difficulty,’ said Miss Weedon, abandoning her air of cold malice, and now speaking as if we had returned to serious matters. ‘His father, with that French wife of his in Kenya, has not much to spare. Mrs. Foxe has the Warrington money, but it is only for her lifetime. She spends it like water.’
At that moment Jeavons himself approached us, putting an end to any explanation Miss Weedon was about to offer on the subject of Stringham’s financial resources.
‘What do you make of Maisky?’ asked Jeavons.
He spoke in a preoccupied, confidential tone, as if Miss Weedon’s reply might make all the difference by its orientation to plans on foot for Maisky’s education.
‘I don’t care for monkeys,’ said Miss Weedon.
‘Oh, don’t you?’ said Jeavons.
He stood pondering this flat, forthright declaration of anti-simianism on Miss Weedon’s part. The notion that some people might not like monkeys was evidently entirely new to him; surprising, perhaps a trifle displeasing, but at the same time one of those general ideas of which one can easily grasp the main import without being necessarily in agreement. It was a theory that startled by its stark simplicity.
‘Molly has taken a great fancy to him,’ he said, at last.
‘I know.’
‘Oh, well,’ said Jeavons. ‘These fancies come and go.’
Miss Weedon made no attempt to deny the truth of that observation. Nor did she elaborate her dislike of monkeys. She continued to smile her arctic smile. Jeavons slowly strolled off again, as if to think out the implications of what Miss Weedon had said. I was aware once more of my strong disagreement with those—amongst whom I suspected Miss Weedon might be numbered—who found Jeavons without interest. On the contrary, he seemed to me, in his own way, rather a remarkable person. An encounter with him away from his own home confirmed that there existed more sides to him than might be apparent in the Jeavons drawing-room.
This episode took place a month or two later, on an evening that had begun with having a drink with Feingold in the pub near the Studio. Feingold had plans to write a satirical novel about life in the film business. He wanted to tell me the plot in the hope that I might be able to suggest a suitable ending to the story. Returning to London later than usual as a result of Feingold’s un
willingness to treat the subject in hand briefly (he himself lived in the neighbourhood of the Studio), I decided to dine off a sandwich and a glass of beer at some bar. The pubs in the neighbourhood of my own flat had not much to offer, so, quite fortuitously, I entered an establishment off the south side of Oxford Street, where an illuminated sign indicated an underground buffet. It was the kind of place my old, deceased friend, Mr. Deacon, used to call a ‘gin palace’.
At the foot of the stairs was a large, low-ceilinged room filled with shiny black-topped tables and red wicker arm-chairs. The bar, built in the shape of an L, took up most of two sides of this saloon, of which the pillars and marbled wall decoration again recalled Mr. Deacon’s name by their resemblance to the background characteristic of his pictures: Pupils of Socrates, for example, or By the Will of Diocletian. No doubt this bar had been designed by someone who had also brooded long and fruitlessly on classical themes, determined to express in whatever medium available some boyhood memory of Quo Vadis? or The Last Days of Pompeii. The place was deserted except for the barman, and a person in a mackintosh who sat dejectedly before an empty pint tankard in the far corner of the room. In these oppressively Late Roman surroundings, after climbing on to a high stool at the counter, I ordered food.
I had nearly finished eating, when I became obscurely aware that the man in the corner had risen and was making preparations to leave. He walked across the room, but instead of mounting the stairs leading to the street, he came towards the bar where I was sitting. I heard him pause behind me. I thought that, unable at the last moment to tear himself away from the place, he was going to buy himself another drink. Instead, I suddenly felt his hand upon my shoulder.
Dance to the Music of Time, Volume 2 Page 16
