Dance to the Music of Time, Volume 2

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Dance to the Music of Time, Volume 2 Page 40

by Anthony Powell


  ‘Don’t worry, Amy, darling,’ said Chandler. ‘Charles is perfectly all right for the time being. Don’t feel anxious. Nick and I will keep an eye on him.’

  ‘Will you? It would be so awful if something did go wrong. I should feel so guilty if the Morelands’ party were spoiled for them.’

  ‘It won’t be.’

  ‘I shall rely on you both.’

  She gazed at Chandler with deep affection. They might have been married for years from the manner in which they talked to one another. Some people came up to say good-bye. I saw Isobel, and was about to suggest that we should look for Stringham, when Mrs Foxe turned from the couple to whom she had been talking.

  ‘Isobel, my dear,’ she said, ‘I haven’t seen you all the evening. Come and sit on the sofa. There are some things I want to ask you about.’

  ‘Odd scenes in the next room,’ Isobel said to me, before she joined Mrs Foxe.

  I felt sure from her tone the scenes must be odd enough. I found Isobel had spoken without exaggeration. Stringham, Mrs Maclintick, Priscilla, and Moreland were sitting together in a semi-circle. The rest of the party had withdrawn from that corner of the room, so that this group was quite cut off from the other guests. They were laughing a great deal and talking about marriage, Stringham chiefly directing the flow of conversation, with frequent interruptions from Moreland and Mrs Maclintick. Stringham was resting his elbow on his knee in an attitude of burlesqued formality, from time to time inclining his head towards Mrs Maclintick, as he addressed her in the manner of a drawing-room comedy by Wilde or Pinero. These fulsome compliments and epigrammatic phrases may have been largely incomprehensible to Mrs Maclintick, but she looked thoroughly pleased with herself; indeed, seemed satisfied that she was half-teasing, half-alluring Stringham. Priscilla appeared enormously happy in spite of not knowing quite what was going on round her. Moreland was almost hysterical with laughter which he continually tried to repress by stuffing a handkerchief into his mouth. If he had fallen in love with Priscilla – the evidence for something of the sort having taken place had to be admitted – it was, I thought, just like him to prefer listening to this performance to keeping his girl to himself in some remote part of the room. This judgment was superficial, because, as I have said, Moreland could be secretive enough about his girls when he chose; while politeness and discretion called for some show of outwardly casual behaviour at this party. Even so, his behaviour that night could hardly be called discreet in general purport. It was obvious he was very taken with Priscilla from the way he was sitting beside her. He was clearly delighted by Stringham, of whose identity I felt sure he had no idea. When I approached, Mrs Maclintick was apparently describing the matrimonial troubles of some friends of hers.

  ‘. . . and then,’ she was saying, ‘this first husband of hers used to come back at four o’clock in the morning and turn on the gramophone. As a regular thing. She told me herself.’

  ‘Some women think one has nothing better to do than to lie awake listening to anecdotes about their first husband,’ said Stringham. ‘Milly Andriadis was like that – no doubt still is – and I must say, if one were prepared to forgo one’s beauty sleep, one used to hear some remarkable things from her. Playing the gramophone is another matter. Your friend had a right to complain.’

  ‘That was what the judge thought,’ said Mrs Maclintick.

  ‘What used he to play?’ asked Priscilla.

  ‘Military marches,’ said Mrs Maclintick, ‘night after night. Not surprising the poor woman had to go into a home after getting her divorce.’

  ‘My mother would have liked that,’ said Stringham. ‘She adores watching troops march past. She always says going to reviews was the best part of being married to Piers Warrington.’

  ‘Not in the middle of the night,’ said Priscilla. ‘He might have chosen something quieter. Tales from Hoffmann or Handel’s Cradle Song.’

  ‘Nonsense,’ said Moreland. ‘Aut Sousa aut Nihil has always been my motto in cases of that sort. Think if the man had played Hindemith. At least he wasn’t a highbrow.’

  ‘He was just another musical husband,’ said Mrs Maclintick fiercely. ‘I am not saying he was any worse than Maclintick, I am not saying he was any better. I am just telling you the way musicians treat their wives. Telling you the sort of husband I have to put up with.’

  ‘My own complaint about marriage is a very different one,’ said Stringham. ‘I admit my former wife was not musical. That might have made things worse. All the same, you never know. If she had been, she could have talked all the time about music while her sister, Anne, was chattering away about Braque and Dufy. It would have formed a counter-irritant. Poor Anne. Marrying Dicky Umfraville was a dreadful judgment on her. Still, a party is no place for vain regrets – certainly not vain regrets about one’s ex-sister-in-law.’

  ‘You should have seen Maclintick’s sister,’ said Mrs Maclintick, ‘if you are going to grumble about your sister-in-law.’

  ‘We will visit her, if necessary, dear lady, later in the evening,’ said Stringham. ‘The night is still young.’

  ‘You can’t,’ said Mrs Maclintick. ‘She’s dead.’

  ‘My condolences,’ said Stringham. ‘But, as I was saying, my former wife was not musical. Music did not run in the family. Mountfichet was not a house to stimulate music. You might compose a few dirges there, I suppose. Even they would have cheered the place up – the morning-room especially.’

  ‘I was going to stay at Mountfichet once,’ said Priscilla. ‘Then Hugo got chicken-pox and we were all in quarantine.’

  ‘You had a narrow escape, Lady Priscilla,’ said Stringham. ‘You are unaware of your good fortune. No, what I object to about marriage is not the active bad behaviour – like your musical friend playing the gramophone in the small hours. I could have stood that. I sleep abominably anyway. The gramophone would while away time in bed when one lies awake thinking about love. What broke me was the passive resistance. That was what got me down.’

  Moreland began to laugh unrestrainedly again, thrusting the handkerchief in his mouth until it nearly choked him. He too had had a good deal to drink. Mrs Maclintick clenched her teeth in obvious approval of what Stringham had said. Stringham went on uninterrupted.

  ‘It is a beautiful morning,’ he said. ‘For some reason you feel relatively well that day. You make some conciliatory remark. No answer. You think she hasn’t heard. Still asleep perhaps. You speak again. A strangled sigh. What’s wrong? You begin to go through in your mind all the awful things you might have done.’

  ‘Maclintick never dreams of going through the awful things he has done,’ said Mrs Maclintick. ‘It would take far too long for one thing. Anyway, he never thinks about them at all. If you so much as mention one or two of them, he gets out of bed and sleeps on the sofa in his work-room.’

  ‘Look here,’ said Moreland, still laughing convulsively, ‘I really cannot have my old friend Maclintick maligned in this manner without a word of protest. I know you are married to him, and marriage gives everyone all sorts of special rights where complaining is concerned——’

  ‘You begin adding up your sins of commission and omission,’ Stringham continued inexorably. ‘Did one get tight? It seems months and months since one was tight, so it can’t be that. Did one say something silly the night before ? Much more likely. Not that remark about the colour of her father’s face at breakfast? It couldn’t have been that. She enjoyed that – even laughed a little. I don’t know whether any of you ever met my former father-in-law, Major the Earl of Bridgnorth, late the Royal Horse Guards, by the way? His is a name to conjure with on the Turf. When I was married to his elder daughter, the beautiful Peggy, I was often to be seen conjuring with it on the course at Epsom, and elsewhere, but with little success, all among the bookies and Prince Monolulu and the tipster who wears an Old Harrovian tie and has never given a loser.’

  ‘You are getting off the point, my dear sir,’ said Moreland. ‘We are discussing marriage
, not racing. Matrimony is the point at issue.’

  Stringham made a gesture to silence him. I had never before seen Moreland conversationally so completely mastered. It was hard to imagine what the two of them would have made of each other in more sober circumstances. They were very different. Stringham had none of Moreland’s passionate self-identification with the arts; Moreland was without Stringham’s bitter grasp of social circumstance. At the same time they had something in common. There was also much potential antipathy. Each would probably have found the other unsympathetic over a long period.

  ‘And then,’ said Stringham, lowering his voice and raising his eyebrows slightly, ‘one wonders about making love . . . counts up on one’s fingers . . . No . . . It can’t be that . . .’

  Mrs Maclintick gave a raucous laugh.

  ‘I know!’ Stringham now almost shouted, as if in sudden enlightenment. ‘I’ve got it. It was going on about what a charming girl Rosie Manasch is. That was a bloody silly thing to do, when I know Peggy hates Rosie like poison. But I’m wandering . . . talking of years ago . . . of the days before Rosie married Jock Udall . . .’

  ‘Heavens,’ said Moreland. ‘Do you know the Manasches? I once conducted at a charity concert in their house.’

  Stringham ignored him.

  ‘But then, on the other hand,’ he went on, in a slower, much quieter voice, ‘Rosie may have nothing whatever to do with it. One’s wife may be ill. Sickening for some terrible disease. Something to which one has never given a thought. She is sinking. Wasting away under one’s eyes. It is just one’s own callousness about her state. That is all that’s wrong. You begin to get really worried. Should you get up and summon a doctor right away?’

  ‘The doctor always tells Maclintick to drink less,’ said Mrs Maclintick. ‘Always the same story. “Put a drop more water in it,” he says, “then you will feel better.” You might just as well talk to a brick wall. Maclintick is not going to drink less because a doctor tells him to. If he won’t stop after what I’ve said to him, is it likely he will knock off for a doctor? Why should he?’

  ‘Why, indeed, you little rogue?’ said Stringham, tapping Mrs Maclintick’s knee with a folded copy of the concert programme, which had somehow found its way into his hand. ‘Well, of course, in the end you discover that all this ill humour is nothing to do with yourself at all. In fact your wife is hardly aware that she is living in the same house with you. It was something that somebody said about her to someone who gossiped to somebody she knew when that somebody was having her hair done. Neither less nor more than that. All the same, it is you, her husband, who has to bear the brunt of those ill-chosen remarks by somebody about something. I’ve talked it all over with Ted Jeavons and he quite agrees.’

  ‘I adore Uncle Ted,’ said Priscilla, anxious to show that she herself had perfectly followed this dissertation.

  ‘And you, Black-eyed Susan,’ said Stringham, turning again in the direction of Mrs Maclintick, at the same time raising the programme interrogatively, ‘do you too suffer in your domestic life – of which you speak with such a wealth of disillusionment – from the particular malaise I describe: the judgment of terrible silences?’

  That was a subject upon which Mrs Maclintick felt herself in a position to speak authoritatively; the discussion, if uninterrupted, might have proceeded for a long time. Moreland was showing some signs of restlessness, although he and the others sitting there seemed to be finding some release from themselves, and their individual lives, in what was being said. The remainder of Mrs Foxe’s guests, although in fact just round the corner, appeared for some reason infinitely far away. Then, all at once, I became aware that a new personality, an additional force, had been added to our group. This was a woman. She was standing beside me. How long she had been there, where she came from, I did not know.

  It was Miss Weedon. She had probably avoided having herself announced in order to make quietly for the place where Stringham was to be found. In any case, her long association with the house as one of its inmates made such a formality almost inappropriate. As usual, she managed to look both businesslike and rather elegant, her large sharp nose and severe expression adding to her air of efficiency, suggesting on the whole a successful, fairly chic career woman. Enclosed in black, her dress committed her neither to night nor day; suitable for Mrs Foxe’s party, it would have done equally well for some lesser occasion. She did not look at all like the former governess of Stringham’s sister, Flavia, although there remained something dominating and controlling about Miss Weedon, hinting that she was used to exercising some form of professional authority. Undoubtedly her intention was to take Stringham home. No other objective could have brought her out at this hour of the night. Priscilla, who had probably met Miss Weedon more than once at the Jeavonses’ – where Miss Weedon was a frequent guest before moving in as an occupant of the house itself – was the first to notice her.

  ‘Hullo, Miss Weedon,’ she said blushing.

  Priscilla moved, probably involuntarily, further from Moreland, who was sitting rather close to her on the sofa. Miss Weedon smiled coldly. She advanced a little deeper into the room, her mysterious, equivocal presence casting a long, dark shadow over the scene.

  ‘Why, hullo, Tuffy,’ said Stringham, suddenly seeing Miss Weedon too. ‘I am so glad you have turned up. I wondered if I should see you. I just dropped in to say good evening to Mamma, whom I hadn’t set eyes on for ages, only to find the gayest of gay parties in progress. Let me introduce everyone. Lady Priscilla Tolland – you know Tuffy, of course. How silly of me. Now this is Mrs Maclintick, who has been telling me some really hair-raising stories about musical people. I shall never listen to an orchestra again without the most painful speculations about the home life of the players. Nick, of course, you’ve often met. I’m afraid I don’t know your name, Mr——?’

  ‘Moreland,’ said Moreland, absolutely enchanted by Stringham’s complete ignorance of his identity.

  ‘Moreland!’ said Stringham. ‘This is Mr Moreland, Tuffy. Mr Moreland for whom the whole party is being given. What a superb faux pas on my part. A really exquisite blunder. How right it is that I should emerge but rarely. Well, there we are – and this, I nearly forgot to add, Mr Moreland, is Miss Weedon.’

  He was still perfectly at ease. There was not the smallest sign to inform a casual observer that Stringham was now looked upon by his own family, by most of his friends, as a person scarcely responsible for his own actions; that he was about to be removed from his mother’s house by a former secretary who had taken upon herself to look after him, because – I suppose – she loved him. All the same, although nothing outward indicated that something dramatic was taking place, Stringham himself, after he had performed these introductions, had risen from his chair with one of his random, easy movements, so that to me it was clear he knew the game was up. He knew that he must be borne away by Miss Weedon within the next few minutes to whatever prison-house now enclosed him. Moreland and Priscilla glanced at each other, recognising a break in the rhythm of the party, probably wanting to make a move themselves, but unaware quite what was happening. Mrs Maclintick, on the other hand, showed herself not at all willing to have the group disposed of in so arbitrary a manner. She turned a most unfriendly stare on Miss Weedon, which seemed by its contemptuous expression to recognise in her, by some unaccountable feminine intuition, a figure formerly subordinate in Mrs Foxe’s household.

  ‘We have been talking about marriage,’ said Mrs Maclintick aggressively.

  She addressed herself to Miss Weedon, who in return gave her a smile that cut like a knife.

  ‘Indeed?’ she said.

  ‘This gentleman and I have been comparing notes,’ said Mrs Maclintick, indicating Stringham.

  ‘We have, indeed,’ said Stringham laughing. ‘And found a lot to agree about.’

  He had dropped his former air of burlesque, now appeared completely sober.

  ‘It sounds a very interesting discussion,’ said Miss Weed
on.

  She spoke in a tone damaging to Mrs Maclintick’s self-esteem. Miss Weedon was undoubtedly prepared to take anybody on; Mrs Maclintick; anybody. I admired her for that.

  ‘Why don’t you tell us what you think about marriage yourself?’ asked Mrs Maclintick, who had drunk more champagne than I had at first supposed. ‘They say the onlooker sees most of the game.’

  ‘Not now,’ said Miss Weedon, in the cosmically terminating voice of one who holds authority to decide when the toys must be returned to the toy-cupboard. ‘I have my little car outside, Charles. I thought you might like a lift home.’

  ‘But he is going to take me to a night-club,’ said Mrs Maclintick, her voice rising in rage. ‘He said that after we had settled a few points about marriage we would go to a very amusing place he knew of.’

  Miss Weedon looked at Stringham without a trace of surprise or disapproval; just a request for confirmation.

  ‘That was the suggestion, Tuffy.’

  He laughed again. He must have known by experience that in the end Miss Weedon would turn out to hold all the cards, but he showed no sign yet of capitulation.

  ‘The doctor begged you not to stay up too late, Charles,’ said Miss Weedon, also smiling.

  She was in no degree behind Stringham where keeping one’s head was concerned.

  ‘My medical adviser did indeed prescribe early hours,’ said Stringham. ‘You are right there, Tuffy. I distinctly recollect his words. But I was turning over in my mind the possibility of disregarding such advice. Ted Jeavons was speaking recently of some night haunt he once visited where he had all kind of unusual adventures. A place run by one, Dicky Umfraville, a bad character whom I used to see in my Kenya days and have probably spoken of. Something about the sound of the joint attracted me. I offered to take Mrs Maclintick there. I can hardly go back on my promise. Of course, the club has no doubt closed down by now. Nothing Dicky Umfraville puts his hand to lasts very long. Besides, Ted was a little vague about the year his adventure happened – it might have been during the war, when he was a gallant soldier on leave from the trenches. That all came in when he told the story. However, if defunct, we could always visit the Bag of Nails.’

 

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