As for Wilbur Klee, I’ve not much more to say about him cither, you’ll be glad to know, just this: that he jumped from a high place and is now dead. I think you can take my word for it. The proof is, as it were, here in the pudding. Need I tell you from what high place? Your questions, friend, are foolish, disease of the western mind. On the other hand, if you wish to assume a cause-and-effect relationship—that he is dead because he jumped from a high place—well, you are free to do so, I confess it has occurred to me more than once and has colored my whole narration. Certainly, there is some relationship: the remains of Klee, still moist, are splattered out in their now several and discontinuous parts from a point directly below the high place from which he jumped only a moment before. But that’s as far as I’ll go, thank you. I refuse to be inveigled into any of the almost endless and no doubt learned arguments which so gratify and absorb the nation’s savants. I don’t mean to belittle, a man must take his pleasures where he finds them, it’s only that, if I weren’t careful, one would think before they’d had done with me that Klee had died to save physics. That Klee is dead, however, leaves less room for dissent: he’ll never be the same again and only the worst sort of morbid emotionalism could imagine a suitable future for him in his present condition. So here is where I’ll stand my ground: Klee is dead. As for the rest of it, if you wish to believe as I do that he took his own life, fine! It certainly will make it easier for me as we wind this up. But I won’t be dogmatic about it.
Who was Klee, you ask? I do not know, I do not care. (If I knew, do you think I would have broken silence for such a matter as this—or any man’s—death? Really, my friend, you do me an injustice and forget my vows. Though this is no disparagement. I confess, I forget them frequently myself.) Wilbur Klee was Wilbur Klee, that’s where it starts and ends. And already I may have pushed too far, perhaps that’s not his name at all, I may have made it up, very likely in fact, given my peculiar and unprincipled penchant for logogriphics—but no matter! Whether it was his name or not, it will do as well as any other.
But enough of Klee! It’s time for an assessment of some kind, time, as it is so enigmatically put by the storybook people, to wrap it up and call it thirty, to prophesy by the clouds and sign off ... but I am reminded for no clear cause of the case of Orval Nulin Evachefsky. Let us hope for some link, some light, and drive on.
Orval was born exactly forty-two years ago today, the second son of Felix and Ilse Evachefsky, on a small Eastern farm which Felix had acquired with the savings of his deceased immigrant parents. Orval’s early years were largely uneventful. A strong but timid boy of average intelligence, he passed through Porter County High School as a popular athlete and incurious student. Times were difficult, the world was large and redoubtable, and the family farm was deeply mortgaged, so Orval and his two brothers, Perk and Willie, the first older than Orval, the second younger (the only sister Marge was married and living some distance away in Huffam County), stayed on after high school to help their father. Old Felix had lost his right arm in a threshing machine accident and doubtless would have lost the farm as well, had not Perk, Orval, and young Willie pitched in. He lost it anyway, as it turned out, not many months after all three boys were drafted into the service during the war, they having failed to declare their status as farmworkers. Felix died two years later, a broken and disillusioned man, entirely de pendent upon state relief. Even at that, some might say he was fortunate in not living long enough to learn of the lackluster in-the-service-of-their-country deaths of his sons Perk and Willie. Only Orval returned from the wars, though not entirely whole: an otherwise well-meaning buddy had introduced him to a Maggie Wilson, who in turn had introduced him to Treponema Pallidum, and the cure was long and psychically debilitating. For several months after his discharge, Orval lived isolated and unshaven in his mother’s apartment (she had moved here to the City after Felix died), and had the old lady not been totally impervious to all external phenomena, she might have discovered in her son a tendency toward morbid melancholia. But luckily an old friend encouraged Orval to take advantage of governmental education handouts to veterans, and Orval went off to business school, soon forgetting—apparently any way—his worries. At school, he met Sissy Ann Madison, rescued her from the humdrum of the business world and introduced her to the humdrum of housewifery, though not without suffering a few weeks of strange and irrational panic just before the ceremony. Orval and Sissy Ann were painfully slow at reaching a state of what people call perfect union, and in fact, much too slow for Sissy Ann? who grew increasingly nervous about the delay, and who would certainly have sought her own solutions had she had enough imagination to do so. Meanwhile, though lacking most of the business man’s arts, and often the gull of unscrupulous colleagues, Orval developed steadily into a dependable and conscientious salesman, unimpeachably loyal to the Company and embarrassingly honest in his negotiations. Then, as oftentimes happens, as Orval’s self-confidence grew, Sissy Ann came to enjoy him more, and finally, with appropriate gaiety, surprised him on the night of their ninth wedding anniversary with the news that a child was expected. A kind of delirium possessed Orval. He! A father I For the first time in at least sixteen years, he thought of his own father, that morose but proud old man, and on the day after Sissy Ann had told him, he impulsively bought cigars for everyone in the Company, even though he still had nearly eight months to wait. Well, such things are understood and, more often than not, forgiven in the business world. His sales soared over the next few months, his self-confidence climbed to a new and exhilarating peak, and in short, life was extraordinarily bountiful for Orval Nulin Evachefsky... until one day, late in the autumn, Sissy Ann, only a month away from parturition, developed a strange red splotch on her face. She thought nothing of it, in spite of feeling a little funny, but then a second one appeared a day later, and she began to grow alarmed. Yet her alarm was the purest serenity, compared to what was happening to Orval. He did not need the second splotch, that first one was quite enough to dredge up all the forgotten and unconfessed fears of his troubled past, and in particular, to call up the grinning specter of Maggie Wilson and her spirochaete. He staggered away from the breakfast table, forgetting his hat and briefcase, and hours later found himself stumbling blindly about in the port area of the City, a piece of cold toast in his hands. With the aid of three gin rickeys, he was able to pull himself together by nightfall and find his way home, but his sleep was shattered by terribly biological visions. The next day, hardly noticing the second splotch on Sissy Ann’s face, he left without hat, briefcase, credit cards, or tie. Whether or not he went to the office is unfortunately not known. But at 12:47, Orval took the elevator to the thirty-seventh floor of the Federal Building, and at 12:52, without the slightest hesitation, leaped from a west window to his death, impaling himself on a parking meter in the street below, to the immense horror of Carlyle Smith, schoolteacher, age thirty-six, who was about to put a penny in the meter. Just before learning of his death, his wife Sissy Ann was told by her obstetrician that she had a fairly acute case of infectious erysipelas. He gave her a shot of penicillin in the bottom and ordered her to bed.
Their lunch—an indescribable amalgam of black meat, greenish-brown gravy, and thick wet wads of some uncertain doughy matter—concluded at last, the city firemen emerge belching from Jenny’s Home Cooking Cafe, cross the small square, and, armed with putty knives and plastic buckets of soapy water, begin to remove Klee, once and for all, from our sight, and thus, let us hope, from our minds. The Chief, a withered crowfaced career man with a bent bluish nose and a citywide reputation for a strict interpretation of the Laws, is shrieking obscene commands into a microphone hooked up to a public-address system with three oversize speakers and an unholy howl (a fourth speaker is present, but disconnected).
The growing bulge of spectators huddles about the accident, so-called, staring with astonishingly blank faces at the sweating black-slickered firemen. One o£ these latter, an enormous fire man whose uniform is, lite
rally, splitting apart where sewn, stamps furiously up to the—what do you call it?—the point of impact, and as though in protest against the pressing dull-faced crowd, stoops and farts indelicately, yet, as it turns out, wholly unintentionally: though the crowd is visibly delighted, his own fat face reddens perceptibly, and he ducks to the task at hand with exaggerated interest. What he is doing is merely collecting in a small pouch the fragments of Klee’s dentures, which He scattered over the pavement like ... ah ... like miniature milestones, let us say, marking the paths of his spilt life’s blood. Well, we could say more, but the direction is dangerous.
But mark this detail: a small scrap of paper, completely illegible and perhaps even blank, lies not far from us in the fringe splatter of the main impact, weighted by a finger joint. Is it possible that for some time past the destructive elements in Klee’s character were few and effectively—though with great effort—submerged, but that Klee perversely guarded the notes and themes provided in despairing moments by these elements, and that these notes, all too honest, all too unanswerable, eventually contributed decisively to his inevitable but no less abrupt and disturbing end? Hmmm, but perhaps I betray my trust. For the piece of paper may well have been there on the pavement before Klee arrived so melodramatically, and would so be a circumstance of no account. In fact, I confess, it looks more like a handbill. The streets are always cluttered with them, more so today. What is life, after all, but a caravan of lifelike forgeries?
All of Klee has now been gathered up and stuffed into a wax-lined shopping bag—strange how little of him there was that it should all fit!—and the firemen are hard at work with water and scrub-brushes. Pretty dull stuff. Hardly the kind of show to keep crowds about, especially when there’s a circus in town, and it goes without saying that they’re all moving on. So may we. It only remains to be observed that Orval Nulin Evachefsky suffered from a mental disturbance marked by melancholy and irrational terrors, more or less sat upon, which, when given license over him as a consequence of Sissy Ann’s splotches, drove him hastily to his self-annihilation. Whether Klee’s suicide, however, was the result of a mere disease of his private reason, or if, more simply, reason itself was Klee’s disease, we will, I am sorry to say, never know. And even if we should find out somehow, though I cannot imagine it, even then it’d be damned little consolation to Klee. The best we can do, finally, is to impose the soothing distortion of individuation on the luckless bastard, and I for one feel we deserve more than that, whether he does or not. We didn’t start all this just to search out a comforting headstone, God knows. No, no, in the end, in truth, we are left virtually with nothing: an overlooked eyetooth, the P.A. left howling, a stained and broken ostrich feather, the faint after-odor of the fireman’s fart. Abandoned. And a good fifteen, twenty minutes shot to hell.
I’m sorry. What can I say? Even I had expected more. You are right to be angry. Here, take these tickets, the city clerk, obsequious fool that he is, refused them, you might as well go. I owe you something and this is all I have.
○ ○ ○
6
]’s Marriage
It began not otherwise than one might expect. After an excessive period of unlicensed self-humiliation, ecstatic protests of love, fear, despair, and the total impossibility of any imaginable kind of ultimate happiness (to all of which she replied and usually in kind, though rarely with such intensity), J at last determined, or perhaps this had been his determination all the while, the rest mere poetry, to marry her. Slow, but then there were admittedly substantial drawbacks to the affair: he was much older for one thing. And though she was certainly intelligent and imaginative, he was far more broadly educated. In fact, it wouldn’t be unkind to say, and he brought himself to confess it in the torment of his most rational moments, that a good many of the most beautiful things he said to her she failed to understand, or rather, she understood not the sense of them, but merely the apparent emotion, the urgency, the adoration behind them. And did he adore her, or the objectification of a possible adorable? To search out this answer, J frankly did not trust himself. And, more generally and therefore more significantly, all of his most oppressive fears about the ultimate misery of any existence, the inevitable disintegration of love, the hastening process of physical and mental rot, the stupidity of human passion, and so on, these fears were entirely real, in fact, more than fears, they were his lot and he knew it. But there was no alternative short of death, so he decided to marry her.
To his great embarrassment, however, she was shocked by his proposal, apparently so at least, and pleaded for time. Only much later did he come to understand that a new kind of fear had burgeoned in her, a fear that no doubt cowered beneath the surface all the time, but which had always been placated by the suspicion that J himself was really nothing more physically substantial than his words, words which at times pierced the heart, true, kindled the blood, powerful words, even at times painful; but their power and their pain did not, could not pin one helplessly to the earth, could not bring actual blood.
At the time misconstruing her behavior, however, J grew angry, pressed his affections with atypical peevishness. She tore away, spat out at him hatefully. He withdrew, collapsed into a prolonged and somewhat morbid melancholy, unable to lift a hammer or turn a blade. She sought him out. She wept, embraced him, tried pathetically to explain. He again misunderstood and renewed his assault. She screamed in terror and escaped. Again he fell back in remorseful confusion. He grew ill. She cared for him. And on and on, thus it dragged, until, in summary, it at last became apparent to him that although she did love him and had a healthy longing for mother hood, at least in the abstract, she was nevertheless panic-stricken by the prospect of the Ioveact itself.
What was it? a lifetime of misguided dehortations from ancient deformed grannies, miserable old tales of blood and the tortures of the underworld (which the woman’s very position in the event must give one thoughts upon), or some early misadventure, perhaps a dominant father? It hardly mattered. For, in the instant of the present act, the past in all its troubling complexities becomes irrelevant. This is what J believed anyway, and once the immediate cause of their problems had finally been made manifest to him, he felt immense relief. Not only was his pride assuaged, but more to the case, there was now no longer any obstacle to their marriage. At the level where they two existed, he explained to her, his voice appropriately muted, eyes darkened, brow furrowed, Truth his domain where he might guide her, at this level sex could not be comprehended without love, but love could be distinguished without reference to sex; in short, that one was the whole, the other a mere part, contributing to the perfection of the whole to be sure, but not indispensable, not indispensable. More precisely, he added: whatever her terms, he could not imagine life without her, and if later they came to share in the natural act of lovers, well, so much the better of course, but they would arrive there, if at all, only with her express encouragement and at her own pace.
It was true (just at that moment anyway) all that he said, she accepted it, even if it did fail to take into account the processes of human action as she understood them, doubtless more accurately than he. But aside from this and more important: she suddenly grasped, more by intuition than by reason, that with this man, and possibly with no other, she would always enjoy the upper hand in this singular matter of, though the word was not hers, sex. All right, she said. All right, yes, she would marry him, and not long after she did.
Their wedding night was in all truth a thing of beauty: the splendor of the celebrations, the hushed intimacy of a private walk together under the cryptic light of a large moon, the unexpected delight discovered in the reflection of a candle’s flicker in a decanter of aged wine, finally the silent weeping in each other’s arms through a night that seemed infinite in its innumerable dimensions. Toward dawn, J, sitting on the side of the bed (both of them still dressed, of course; it would take some while yet to learn that first art of nakedness), overflowing with profound affection, began to ca
ress her temples, and with the first thin light of the new day, she fell asleep beside him, and J wept again to realize the meaning and the importance of her sleep.
In spite of all his doubts, fears, his submerged impatience with the qualifications, to say nothing of his general view of the universe, not exactly, as shown, a reassuring one, J nevertheless enjoyed for several months an incredible happiness. Everything became remark ably easy for him, the dullest detail of existence provided him an immense delight: a parade of ants, for example, or the color of a piece of wood or a pebble, her footprint in the dust. Merely to watch her hand reach for a cup or place a comb in her hair left him breathless. Every act was dedicated to her being, her mere being. The bed he made for her with his own hands, the table as well which never lacked her gifts to him, little flutes and puppets, too, and the chairs she sat on, he also made these. Almost from the outset, they encountered an emotional harmony inexpressibly beautiful, and even the last, God knows: minor, obstacle to their complete happiness seemed certain, ultimately, to give way to their all-consuming love. J, confident of his own sexual attractiveness, even as old as he was, which was not too old after all—no, not over much should be made of his age—was patient, infinitely patient, and she seemed, at least much of the time, as desirous as he to consummate, in the proper time, their marriage.
One evening, just before sunset, J happened to be down by the sea. He had forgotten why he was there, perhaps nothing more than an idle wandering before supper, but yet it seemed altogether necessary that he should be there, just at that instant, just as the dying sun melted, viscous and crimson, into the sullen sea, just as the distant mountains blinked from orange-green to blue, just as the first stirring of the night awoke the pines over his head. It was not, it was not beautiful, no, it would be absurd to think of this or any other natural composite as beautiful, but it was as though it could be beautiful, as though somewhere there resided within it the potentiality of beauty, not previously existent, some spar after all, only illusion of course, but—and he turned just in time to see his wife coming toward him down the path. Paralyzed, he stood rooted, unspeaking, utterly entranced by her graceful motion, by the pale light playing over her slender body, and. above all, by her eyes, smilingly returning his awkward stare. Oh my God I love you! he managed to whisper, when she was near enough to hear. And that night, in feverish exultation, he buried his face in her breasts and caressed them, and she allowed it. Then, finally, overcome with an excess of emotion, he fell into a deep sleep full of wonderful dreams, which unfortunately he could never later recall.
Pricksongs & Descants Page 10
