He hit the bag one last time with the back of his fist and walked to the front of the barn and flicked on the outside flood lamp. His two foxtrotters were watching him from the far side of their water tank. “What are you guys up to?” he said.
Love That Santa Fe blew air through his lips, and Missy’s Playboy whipped his tail back and forth across his hind legs.
Hackberry had nailed an apple basket against the side of the barn, roughly approximating the heart of the strike zone for a six-foot batter. He took a fielder’s glove and a canvas bag of baseballs out of the tack room and carried them to the improvised mound he had constructed sixty feet from the apple basket. “Watch this,” he said to the horses. “The batter is crowding the plate and staking out territory he hasn’t earned. We’re going to serve up a forkball to help him in his search for humility.”
Hackberry spread two fingers on the ball, notching the stitches, hiding the pitch in his glove, then let fly at the basket, whipping the pitch overhand, throwing his shoulder and butt into it. The ball smacked into the wood, just wide of the apple basket, and the two horses whirled and plunged out of the light and into the darkness, making a wide circle and returning, their tails flagging.
“Okay, you got that out of your system?” Hackberry said to the horses. “Now watch. This next one is a changeup, to be followed by a slider and then my favorite.”
For the changeup, he held the ball in the back of his palm and floated it into the basket and then buzzed the slider wide and knocked a slat out of the basket.
“All right, forget the slider,” he said. “The ball is getting thrown around the infield. The last guy to touch it before it comes back to me is the shortstop. This guy has no ethics at all. He’s cut a hole in the pocket of his glove, and between his palm and the pocket is a wet sponge. When the ball comes back to me, it feels like it’s been through a car wash.”
Hackberry put two fingers in his mouth, then fired an in-shoot into the basket that sounded like silk ripping.
“What do you think of that, fellows?” he said.
He realized he had lost the attention of his foxtrotters and that they were looking at something out in the darkness, something just on the edge of the floodlight’s glare.
“I didn’t mean to give you a start,” a voice said.
“Who are you?” Hackberry asked.
“Dennis Rector is my name. You’re Sheriff Holland, right?”
“I was when I woke up this morning. What are you doing on my property?”
“I got a couple of hypotheticals to ask you.”
“Where’s your vehicle?”
“Out yonder, on the road, just about out of gas.”
Dennis Rector walked farther into the floodlight. He was a small man whose head was shaved and whose skin was white and whose body looked molded from plastic. His jeans were too large for him and were rolled in big cuffs above his work boots. His shirt was torn and the side of his face scraped.
“You carrying a weapon, Mr. Rector?”
“No, sir. I’m not a violent man. But I know men who are. Men you’re looking for.”
“You’re looking right into a flood lamp, Mr. Rector. But the pupils of your eyes are as big as inkwells. Can you tell me why that is?”
“I’m a truck driver, sir. I’ve pulled Monarch and Wolf Creek Pass when it was ten below, and I’ve gone sliding sideways on ice at forty miles an hour through Pagosa Springs. I’ve driven from Manhattan to Los Angeles in one haul, and I mean not ever shutting it down, either. I used to do whites on the half-shell, then I got into black beauties and have never quite got rid of their appeal. Those babies will flat cook your mush, I’m here to testify. Know a man name of Josef Sholokoff?”
“What about him?” Hackberry said.
“What about him, he asks,” Dennis Rector said, as though a third party were there. “What this is about is I ain’t no Judas Iscariot. I don’t like getting treated as one, either. I don’t like getting run through brambles and chased across the countryside like a fugitive from a chain gang is what I’m talking about. I shaved my head to disguise myself. I do not like this way of life.”
“That’s interesting. I think you might like our detox unit, Mr. Rector. You can get some medication and therapy and maybe enter a program. Let’s take a walk up to the house, and I’ll arrange some transportation, and in the meantime you can tell me about Josef Sholokoff.”
“You can keep your detox and three hots and a cot, Sheriff, ’cause that ain’t why we’re having this meeting of the minds. I did what I was asked and got involved in something that just ain’t my way. I know how things work. A bunch decides to do something really awful, and I mean awful, as bad as it gets, something that’s worse than any nightmare, and one man gets blamed for it and becomes the stink on horse pucky.”
“You have a point,” Hackberry said. “There’s a chair by the tack room. Take a load off, and I’ll be right back with a couple of sodas. How’s that sound?”
“I could use it, yes, sir.”
Hackberry walked up to the house and called for a cruiser. Then he took two cans of ginger ale from the icebox and dropped two pieces of fried chicken in a paper bag and walked back down to the barn. He saw no sign of Dennis Rector. The moon was brilliant over the hills, the wind sweeping in the trees, his horses blowing in the pasture. The lights were still on inside the barn, and he heard a sound like the speed bag thumping irregularly against the rebound board in the rear stall, as though it were being struck by someone who did not know how to use it.
Then he noticed that the chair he kept on the concrete pad was gone and that the tack room door was ajar. He dropped the two cans of soda and the bag of fried chicken into the dirt and ran inside the barn and threw open the tack room door. The chair lay on its side. Above it, Dennis was still swinging from the impact of the drop, his throat wrapped tightly with horse reins, his arms twitching, his neck broken.
CHAPTER NINETEEN
PREACHER JACK COLLINS was not in a good mood. Since the long drive from the cabin on the creek, he had said little to Noie Barnum. Also, he had offered no explanation for his and Noie’s sudden departure, scowling whenever Noie asked a question, brooding and moving his lips without sound as though sorting out his thoughts with a hay fork. The decrepit stucco house they had moved into had been a home for bats and field mice and smelled of the damp earth under the floors. The toilet and sink and bathtub were streaked with orange rust and filled with the shells of dead roaches. In the back of the house was a butte that resembled a row of giant clay columns eroding side by side, creating an effect that was both phallic and effete. The front windows gave onto a long sloping plain and a junkyard that was surrounded by a twelve-foot fence with spools of razor wire on top. In the late-afternoon sun, the compacted and polished metal in the junkyard and the razor wire protecting it took on the sharpened brilliance of hundreds of heliographs.
Jack had flung his suitcase on a bunk bed, then brought his guitar case inside and set it on the kitchen table and unsnapped the top.
“What’s that?” Noie asked.
“They were called trench sweepers in the Great War,” Jack replied, setting the Thompson and two ammunition pans and box upon box of cartridges on an oily cloth. “They were manufactured too late to be used in the trenches, though. That’s how guys like John Dillinger and Baby Face Nelson ended up with them.”
“What are you doing with one, Jack?”
“Home protection.”
“I don’t get it.”
“Get what?”
“Anything we’re doing.”
“There’re people out there who want to hurt me. It’s not a difficult concept.”
“Hurt you why?”
“I’m hiding you, boy.” Noie’s adenoidal accent was starting to wear on him. Jack threaded a cleaning patch through the tip of a metal pod and dripped three drops of oil on the patch and pushed it down the muzzle of the Thompson. He worked the rod up and down, then inserted a piece of white pap
er in the chamber and looked down the inside of the barrel at the whorls of reflected light spinning through the rifling. “Did you ever take classes in speech or diction?”
“I was an engineering major.”
“It shows.”
“Pardon?”
Jack’s eyes wrinkled at the corners. “Don’t let my tone bother you. I got to stop fretting myself about our enemies. Some people aren’t made for the world. That’s the likes of us. That’s why we’re hunted.”
“A man deals his own play. The world doesn’t have much to do with it,” Noie replied. “That’s the way I look at it.”
With his fingertips, Jack began loading one of the ammunition pans, lifting each .45 cartridge from its individual hole in a Styrofoam block and lowering it into a pod inside the circular magazine, as though he took more pleasure in the ritual than its purpose. “All I ever wanted from people was to be let alone. Learn it soon or learn it late, a man doesn’t have peace unless he’s willing to make war.”
“Have you shot somebody with that thing?”
“They shot themselves.”
“How so?” Noie asked, his throat clotting.
“They line up to do it. They cain’t wait.”
“That doesn’t answer the question.”
How was Jack to explain that he had two optical screens in his head? On one screen were people who caused him trouble or threatened his life. On the other screen was the backdrop against which they had originally appeared, but they were airbrushed from it. Poof, just like that. The alteration of the images had little to do with him. One side of his brain spoke to the other side. One side defined the problem; the other side took care of it. The people who disappeared from the screen designed their own fate and were responsible for their own diminution.
“Look out the front window,” Jack said.
“At the two-lane?”
“I’m talking about the junkyard. You think anything inside it is of any real value?”
“Not unless you’re keen on junk.”
“But the man who owns the junkyard has razor wire on top of all his fences. That wire probably cost a lot more than anything anybody might steal off those rusted-out or compacted cars. The whole place is the automotive equivalent of a warthog. The wire deflates the value of the property around it and makes Nebraska look like the French Riviera. But nine out of ten people in this county would defend the guy’s right to build a huge eyesore on the highway they paid to have poured.”
“What’s that have to do with your machine gun?”
“Not every asylum has walls.”
“They’re out to get us?”
“The government has been trying to put me out of business for twenty years. So has a guy by the name of Josef Sholokoff. His exbusiness partner, Temple Dowling, would like to see you dead, and Sholokoff would like to see you in a cage so he can sell you to Al Qaeda and screw Dowling. In the meantime, the likes of us are considered criminals. Am I getting through to you?”
“There’s gunpowder residue on your cleaning patch.”
“That’s right.”
“You fired your Thompson recently?”
Jack snapped the top back on the metal drum and began twisting the winding key. “The Oriental woman gave up our location to the FBI. At least that’s my belief until I find out different.”
“Miss Anton? She dressed my wounds. She wouldn’t inform on me.”
“How about on me?”
“You didn’t harm her, did you?”
“No, I did not. But a couple of other guys paid her tab.”
“What are you telling me?”
“You want to be back in Krill’s custody? Time to take the scales from your eyes, son. Who do you think Krill used to work for? The United States government is who.”
“What have you done, Jack?”
“Nothing. I told you that at the outset. Moses slew two hundred of his people for erecting the golden calf. He killed, but he didn’t murder. His followers got what they deserved.”
“Tell me if you killed somebody. Just say it.”
Jack exhaled and stared into space, the lumps in his face spiked with unshaved whiskers. “Years ago I did something that still disturbs me, but you can make up your own mind about it. My mother was a prostitute. Most of her clients were gandy walkers or brake-men off a freight line that went past the boxcar we lived in. One guy in particular would come by every two weeks or so. He had a family in Oklahoma City, but that didn’t stop him from topping my mother when he was on a bender. I’d have to wait outside, which I had more or less gotten used to, but on one occasion it was about fifteen above and snowing, and I spent an hour wrapped in a piece of canvas, crouched down out of the wind behind his car, which he kept locked because he didn’t want a smelly little boy sitting on his leather seats.
“The next summer I was working as a dishwasher in town, and this same fellow came in and ordered the beef-stew special. He looked like he was just coming off a drunk and could have eaten a whole cow between two slices of white bread. That morning I’d swept up some broken glass off the back step and put it in the trash can. The glass was as fine as needles, but I mashed it up even finer and put it in his stew with a lot of potatoes. About thirty minutes later, he went down on the sidewalk like he swallowed a handful of fishhooks. I heard he died, but I didn’t go around asking questions about it.”
Jack snapped the ammunition drum onto his submachine gun and laid the gun lopsidedly inside the guitar case. He wiped the oil off his fingers with a paper towel and gazed somberly into Noie’s face, his eyes melancholy and shiny. Then as though he had been holding his breath underwater to the point where his lungs were bursting, his mouth fell open and his lips creased back in a broad smile. “Got you, boy! I had you convinced you were bunking with Jack the Ripper. My mother was an elementary teacher in Okemah, Oklahoma, and died of Huntington’s chorea. My last job was at a Pee-wee Herman theme park. I couldn’t hurt a fly.”
“What about the submachine gun?”
“I’ve got a whole collection of rare firearms in Rio de Janeiro. One day I’ll show them to you. You don’t believe I’m a rich man, do you?”
“I don’t know what to believe, Jack.”
“That’s because you’re a good kid. Get out your checker set, and let’s put on a pot of coffee and play a game or two.”
THE INFORMATION THAT came in from the National Crime Information Center on Dennis Rector was of little value, other than to indicate that he had been arrested twice for DWI and once for domestic battery, and the United States Navy had given him a general discharge for the convenience of the service. His wallet contained an Arizona driver’s license, a Social Security card, fourteen dollars, a condom, a GI can opener, a coupon for a box of cereal, a speeding citation that was four months old, a torn ticket to a concert in Branson, Missouri, and a photograph of the deceased in a navy uniform standing next to an Asian girl wearing a shift and flip-flops. Written in pencil on the back of the photograph were the words “With Luz, Mindanao, Aug. 6, 1982.”
In his right-hand pocket Rector had been carrying seventy-three cents in change, three metal finger picks, and a half stick of gum wrapped in tinfoil.
Hackberry placed Rector’s possessions in a manila envelope and gazed out the window at a pallid and sultry sky and hills that barely contained enough moisture to go with the greening of the season. What was the sum total of a man’s life? Scraps of paper issued by the state? A photo taken with a peasant girl on the rim of the New American Empire on the anniversary of Hiroshima’s bombing? A ticket to a country-music event at which the stage performers wore tasseled red, white, and blue costumes and offered up a meretricious tribute to a culture that celebrated its own vulgarity? A half stick of chewing gum?
Who was Dennis Rector, and what had he come to confess? How could a man who had acquired so little and left such a microscopic trace on the planet be so serious about himself that he would take his own life? What could he have done that was that bad?
Hackberry picked up his desk phone. “Would you come in here, Maydeen?” he said.
Ten seconds later, she was standing in his doorway, pear-shaped, wearing a flowery western shirt with her department-issue trousers and a stitched belt and too much lipstick, her perfume flooding the room. “Are you gonna just stare at me or tell me what you want?” she said.
“If someone said to you ‘I ain’t no Judas Iscariot,’ what would you say was on his mind?”
“Did you call him a Judas?”
“I didn’t. To my knowledge, no one did.”
“I’d say he sold out someone who trusted him, and his guilt was eating his lunch. Are we talking about the guy who hanged himself?”
“That’s the guy.”
“It seems like he had biblical stories on his mind. Like the crucifixion in particular.”
“I believe you’re right.”
“You think he knew Cody Daniels?” she asked.
“He knew Josef Sholokoff, that’s for sure.”
“You think Sholokoff crucified Daniels?”
“I think it was either Sholokoff or Krill. Except a guy like Dennis Rector wouldn’t have occasion to be mixed up with someone like Krill. So that leaves Sholokoff. Is Pam still at lunch?”
“She got a call from the Blue Bonnet Six. A guy skipped on his bill and stole the television set out of the room. Before he skipped, he tried to sell the owner something called a Dobro. What’s a Dobro?”
“A guitar with a resonator in it. It’s played with metal picks, like the ones I just put in this manila envelope.”
“The guy who hanged himself played a musical instrument?”
“Evidently. Why?”
“Musicians make poor criminals. Outside of wrecking hotel rooms, they’re amateurs when it comes to serious criminality,” Maydeen said. When Hackberry didn’t reply, she said, “Know why that is?”
Feast Day of Fools Page 33
