by Paul Cronin
Belaúnde, Fernando, 1, 2
Bells from the Deep, 1, 2, 3
Ben Bella, Ahmed, 1
Benedict XVI, Pope, 1
Bergfelder, Ulrich, 1, 2
Bergman, Ingmar, 1
Berlin Film Festival, 1, 2, 3, 4
Bernhard, Thomas, 1
Berriff, Paul, 1
Bierbichler, Josef, 1
Bini, Joe, 1, 2, 3
Birth of a Nation, The (Griffith), 1
Blank, Les: Burden of Dreams, 1, 2, 3, 4, 5;
haircut, 1;
Spend It All, 1;
Werner Herzog Eats His Shoe, 1
Bogart, Humphrey, 1, 2, 3
Bohème, La (Herzog’s film), 1
Bohème, La (Puccini), 1
Bokassa, Jean-Bédel, 1, 2, 3, 4
Bonavena, Oscar, 1
Borra, 1
Bosch, Hieronymus, 1, 2, 3, 4, 5, 6, 7
Boumediene, Houari, 1
Bowie, David, 1
Bowser, Sam, 1
Brakhage, Stan, 1
Brando, Marlon, 1, 2, 3, 4, 5
Brandt, Willy, 1
Brecht, Bertolt, 1, 2, 3, 4, 5
Breer, Robert, 1n
Breitbart, Zishe, 1, 2, 3
Bresson, Robert, 1, 2
Brogle, Peter, 1, 2, 3
Broken Blossoms (Griffith), 1
Bronson, Charles, 1
Brooks, Mel, 1
Browning, Tod, 1
Brueghel, Pieter, 1, 2
Brümmer, Henning, 1
Bruno S. (Bruno Schleinstein): background, 1, 2, 3, 4;
casting, 1;
character, 1, 2, 3, 4;
death, 1;
The Enigma of Kaspar Hauser, 1, 2, 3, 4, 5;
name, 1, 2;
quality as an actor, 1, 2;
relationship with Herzog, 1, 2, 3, 4, 5, 6;
Stroszek, 1, 2, 3, 4, 5, 6, 7, 8
Bruno the Black (Eisholz), 1
Brutalisation of Franz Blum, The (Driest), 1
Brutus, 1
Buba and Buka, 1
Bubb, Les, 1
Büchner, Georg, 1, 2, 3, 4, 5, 6, 7, 8, 9
Bulgakov, Mikhail, 1
Bundesfilmpreis, 1, 2
Buñuel, Luis, 1, 2, 3
Burden of Dreams (Blank), 1, 2, 3, 4, 5, 6, 7
Burkett, Delbert, 1
Burkett, Jason, 1, 2, 3, 4
Burkett, Melyssa, 1, 2
Busoni, Ferruccio, 1
Cage, Nicolas, 1, 2, 3
California, 1, 2, 3, 4
Cameron, James, 1
Cameroon, 1, 2, 3
Camus, Albert, 1
Cannes Film Festival, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
Caravaggio, 1
Cardinale, Claudia, 1, 2, 3, 4
Carissimi, Giacomo, 1
Carl Hanser Verlag, 1, 2
Carl Mayer Award, 1, 2
Carnac, 1, 2
Carney, Ray, 1
Caruso, Enrico, 1, 2, 3, 4
Casablanca (Curtiz), 1
Cave of Forgotten Dreams: access to cave, 1, 2;
crocodiles, 1;
filming in 1D, 2, 3;
landscape, 1;
music, 1;
paintings, 1, 2;
Palaeolithic hunting, 1;
smells, 1;
soundtrack, 1;
vision of prehistory, 1, 2;
voiceover, 1
Ceauşescu, Nicolae, 1
Central African Republic, 1, 2, 3, 4
Cerro Torre, 1, 2
Chandler, Raymond, 1
Chaplin, Charlie, 1
Charlemagne, 1
charreadas, 1
Chatwin, Bruce: dying, 1;
on Aborigine singing, 1;
on Herzog, 1, 2n;
on travelling, 1;
relationship with Herzog, 1;
writings, 1, 2, 3, 4n
Chauvet-Pont-d’Arc cave, 1
Cheers, 1
Chevalier, Maurice, 1
Chiarini, Claude, 1
Christianity: Bells from the Deep, 1;
capital punishment, 1;
Creation story, 1;
early, 1;
Icelandic, 1;
iconography, 1;
Jesus Christ, 1, 2, 3, 4, 5, 6;
The Lord and the Laden, 1;
Pilgrimage, 1, 2;
relics, 1;
televangelist, 1;
varieties of, 1, 2
Chronicle of Anna Magdalena Bach, The (Straub), 1
Chumack, Alan, 1
Churchill, Winston, 1
CIA (Central Intelligence Agency), 1, 2, 3, 4
Ciconia, Johannes, 1
Cine Nõvo, 1
cinéma-vérité, 1, 2, 3, 4, 5
Cinémathèque Française, 1, 2
Clemente, Jean, 1
Close-up (Kiarostami), 1
Clottes, Jean, 1
Clovis, King, 1
Cobra Verde, 1, 2, 3, 4, 5, 6
Codax, Martim, 1, 2
Codex Florentino, 1, 2, 3
Codex Regius, 1, 2
Codex Telleriano-Remensis, 1
Cole, Joe, 1
Collected Works of Billy the Kid, The (Ondaatje), 1
Commynes, Philippe de, 1
Conrad, Joseph, 1, 2, 3, 4, 5
Cooper, Gary, 1, 2
Copernicus, 1
Coppola, Francis, 1
Corman, Roger, 1
Coronation Mass (Mozart), 1
Cortés, Hernán, 1, 2, 3, 4
Couperin, François, 1
Crete, 1, 2, 3, 4, 5
Cruise, Tom, 1, 2
Cuénod, Hugues, 1
da Silva, Francisco Manoel, 1, 2, 3
Dahomey as It Is (Skertchly), 1
Dalai Lama, 1, 2
Danilov, Viktor, 1
Dante, 1, 2
Dark Glow of the Mountains, The, 1, 2, 3, 4, 5
Davies, Jeremy, 1
Death for Five Voices, 1, 2
Delft, 1, 2
Dengler, Dieter, 1, 2, 3, 4, 5, 6, 7, 8
Deutsche Kinemathek Museum für Film und Fernsehen (Berlin), 1
deuxième souffle, Le (Melville), 1
Dibble, Charles, 1, 2
DiCaprio, Leonardo, 1
Diehl, Roger, 1
Dinkelsbühl, 1n
Dirty Harry (Siegel), 1
Dr Strangelove (Kubrick), 1
Doktor Faust (Busoni), 1
Domingo, Plácido, 1, 2
Dorrington, Graham, 1, 2, 3, 4, 5, 6
dos Santos, Nelson Pereira, 1
Dourif, Brad, 1, 2
Dovzhenko, Alexander, 1
Dreyer, Carl Theodor, 1, 2
Driest, Burkhard, 1
Dürer, Albrecht, 1
Dylan, Bob, 1
Earth (Dovzhenko), 1
Eastwood, Clint, 1
Eccentric Private Theatre of the Maharaja of Udaipur, The, 1
Echoes from a Sombre Empire, 1, 2
Eddas, 1, 2
Edols, Michael, 1
Eika Katappa (Schroeter), 1, 2
Einstein, Albert, 1, 2, 3, 4
Eisenstein, Sergei, 1, 2
Eisholz, Lutz, 1
Eisner, Lotte, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
Elephant Man, The (Lynch), 1
Emshwiller, Ed, 1
Encounters at the End of the World, 1, 2, 3, 4, 5, 6, 7, 8, 9
Enfant sauvage, L’ (Truffaut), 1
English National Opera, 1
Enigma of Kaspar Hauser, The: Bruno S. in, 1, 2, 3, 4;
budget, 1;
cameraman, 1, 2;
character of Kaspar Hauser, 1, 2, 3, 4, 5;
chickens in, 1, 2;
death scene, 1, 2;
distribution, 1;
dream sequences, 1;
editing, 1;
elements of science fiction, 1;
extras, 1;
filming, 1, 2;
German Romantic tradition, 1;
music, 1, 2;
opening, 1, 2;
> preproduction, 1;
release, 1;
story, 1, 2;
title, 1;
watching, 1, 2
Eraserhead (Lynch), 1
Escape from Laos (Dengler), 1, 2
Euripides, 1, 2, 3
Even Dwarfs Started Small: animals in, 1;
cameraman, 1;
characters, 1, 2;
chickens, 1;
compared to Freaks, 1;
dwarfs in, 1;
editing, 1;
filming, 1, 2, 3, 4, 5;
humour, 1, 2;
influence, 1, 2;
influences on, 1, 2;
landscape, 1;
music, 1;
nightmarish, 1;
politics, 1, 2;
responses to, 1;
screenplay, 1;
setting, 1;
sound, 1
Fabius Maximus, 1
Faerie Queene, The (Spenser), 1
Fährer, Else, 1
Fallico, Dr Franc, 1
Fanck, Arnold, 1
Farouk, King of Egypt, 1
Fassbinder, Rainer Werner, 1, 2, 3, 4
Fata Morgana: cameraman, 1, 2, 3, 4;
editing, 1;
elements of science fiction, 1, 2, 3, 4;
filming, 1, 2, 3, 4;
filming problems, 1, 2, 3, 4, 5, 6;
influences on, 1, 2;
landscape, 1, 2, 3;
mirages, 1;
music, 1, 2, 3, 4;
opening sequence, 1;
people in, 1, 2, 3;
release, 1;
responses to, 1, 2, 3;
voiceover, 1
Faulkner, William, 1, 2
Faust (Goethe), 1
Fellini, Federico, 1, 2
Ferrara, Abel, 1
Film as a Subversive Art (Vogel), 1
Film/Fernsehen Abkommen, 1
Film Lessons, 1, 2, 3;
“Orientation in Film,” 1
film magazines, 1
film schools, 1, 2, 3, 4, 5, 6, 7
Filmverlag der Autoren, 1
films about filmmakers, 1
Finkelstein, William, 1, 2
Finnegans Wake (Joyce), 1
Firdusi, 1
Fischer, Tony, 1
Fitzcarrald, Carlos Fermín, 1, 2
Fitzcarraldo: bell-tower sequence, 1;
budget, 1, 2;
Burden of Dreams, 1, 2;
see also Burden of Dreams;
casting, 1, 2, 3;
character of Fitzcarraldo, 1, 2, 3;
controversies, 1, 2, 3, 4, 5;
filming, 1, 2, 3, 4, 5, 6;
filming problems, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
Herzog’s journals, 1, 2, 3;
independent production, 1;
Indians in, 1, 2, 3, 4, 5, 6, 7;
Kinski in, 1, 2, 3, 4;
landscape, 1;
language, 1;
music, 1, 2;
opening, 1;
origins, 1;
pre-production, 1, 2, 3;
responses to, 1, 2, 3, 4, 5, 6;
script, 1, 2, 3;
story, 1, 2;
travelling in, 1
Flatow, Ira, 1
Fleischmann, Peter, 1, 2, 3, 4
Flying Doctors of East Africa, The, 1, 2, 3, 4
Ford, John, 1
Foreman, George, 1
Français vus par … Les Gauloises, Les, 1, 2
Franklin family, 1, 2
Freaks (Browning), 1
Freyse, Gunther, 1
Fricke, Florian (Popol Vuh): death, 1;
friendship with Herzog, 1, 2, 3, 4, 5;
music, 1;
Popol Vuh, 1, 2;
roles, 1, 2;
view of Herzog, 1
Friedrich, Caspar David, 1, 2, 3, 4, 5
From One Second to the Next, 1, 2, 3
Galileo, 1, 2
Galileo space probe, 1, 2
Gallardo, Alberto, 1
Game in the Sand, 1
García Márquez, Gabriel, 1
Gargantua and Pantagruel (Rabelais), 1
Gasherbrum, 1
Gates of Heaven (Morris), 1
Gein, Ed, 1
Genghis Khan, 1
genius, concept of, 1, 2, 3
Georgics (Virgil), 1, 2
German cinema, 1, 2, 3, 4, 5, 6, 7, 8;
see also New German Cinema
German culture, 1, 2, 3, 4, 5
German expressionism, 1
German language, 1, 2, 3, 4
German reunification, 1
Gert, Valeska, 1
Geschichten vom Kübelkind (Reitz), 1
Gesualdo, Carlo, 1, 2, 3, 4
Getty, Paul, 1
Ghana, 1, 2, 3, 4
Gibson, Mel, 1
Gierke, Henning von, 1
Giovanna d’Arco (Verdi), 1
Glowacz, Stefan, 1, 2
Godard, Jean-Luc, 1, 2
God’s Angry Man, 1
Goebbels, Joseph, 1
Goethe, Johann von, 1, 2
Golder, Herb: career, 1, 2n;
Invincible, 1;
memories of Herzog, 1, 2, 3;
My Son, My Son, 1;
on Herzog on Herzog, 1;
relationship with Herzog, 1;
“Shooting on the Lam,” 1, 2
Goldsmith, Michael, 1, 2, 3
Goldwyn, Sam, 1
Gospel According to St Matthew, The (Pasolini), 1
Gounod, Charles, 1
Goya, Francisco, 1, 2, 3, 4
Grand, The (Penn), 1
Grass, Günter, 1, 2
Graves, Robert, 1
Grayson, Jerry, 1
Great Ecstasy of Woodcarver Steiner, The, 1, 2, 3, 4, 5, 6
Greenberg, Alan, 1
Grenzstationen (TV series), 1
Griffith, D. W., 1, 2, 3
Grizzly Man: Amie Huguenard’s role, 1;
audio recording of Treadwell’s death, 1;
budget, 1;
character of Timothy Treadwell, 1, 2, 3, 4;
coroner’s account, 1;
music, 1, 2;
production, 1;
responses to, 1;
story, 1;
Sundance Film Festival, 1;
Treadwell’s footage, 1, 2;
views of nature, 1, 2, 3;
voiceover, 1, 2, 3, 4
Gropius, Walter, 1
Groszer, Oliver, 1
Grünewald, Matthias, 1, 2
Grupe, Norbert, 1
Gryphius, Andreas, 1
Guadeloupe, 1, 2
Guarany, Il (Gomes), 1
Guatemala, 1, 2
Guerra, Ruy, 1
Guinness Book of World Records, 1
Gummo (Korine), 1
Günther, Johann Christian, 1
Gutendorf, Rudi, 1
Hafez, 1
Hammett, Dashiell, 1
Handicapped Future, 1, 2
Handke, Peter, 1, 2, 3
Hannibal, 1
Hanussen, Erik Jan, 1
Happy People, 1
Hawks, Howard, 1
Heart of Darkness (Conrad), 1
Heart of Glass: bar-room brawl, 1;
casting, 1, 2;
character of Hias, 1, 2;
cinematography, 1, 2, 3, 4;
filming, 1, 2, 3, 4, 5, 6;
final sequence, 1;
grading, 1, 2;
hypnosis of actors, 1, 2;
landscape, 1, 2;
music, 1;
publication of screenplay, 1;
responses to, 1, 2;
special effects, 1;
story, 1;
title, 1
Hegel, Georg Wilhelm Friedrich, 1
Heidegger, Martin, 1, 2
Heimatfilm, 1
Heinemann, Gustav, 1
Heller, André, 1
Hemingway, Ernest, 1, 2, 3, 4, 5, 6
Hepburn, Katharine, 1
Herakles, 1, 2, 3, 4, 5, 6
Herondas, 1
He
rzog, Dietrich (father), 1, 2, 3, 4, 5, 6
Herzog, Elizabeth (mother): bringing up three sons, 1, 2;
death, 1;
divorce, 1;
education, 1;
life in Sachrang, 1, 2;
lodgings, 1;
music, 1;
name, 1;
political views, 1;
relationship with Fini, 1;
son Werner’s career, 1, 2, 3;
son Werner’s education, 1;
son Werner’s illness, 1;
son Werner’s language, 1;
son Werner’s religion, 1;
struggle to feed children, 1, 2, 3;
wartime experiences, 1, 2
Herzog, Lena (wife), 1, 2, 3, 4, 5
Herzog, Rudolph (grandfather), 1, 2, 3, 4
Herzog, Rudolph (son): birth, 1;
childhood, 1, 2, 3;
father’s name, 1;
names, 1;
The White
Diamond, 1
Herzog, Tilbert (brother): career, 1, 2;
character, 1;
childhood, 1, 2, 3, 4;
financial help from, 1;
football, 1
Herzog, Werner acting, 1, 2, 3, 4
“adequate imagery,” 1, 2
aesthetics, 1, 2, 3
America, 1
animals, 1, 2, 3, 4, 5
anthropology, 1, 2
art, 1
athletics, 1, 2
audiences: bored or captivated, 1;
film festivals, 1, 2;
German, 1, 2;
Herzog’s respect for, 1;
Herzog’s strategies, 1, 2, 3, 4;
hypnotised, 1;
importance to Herzog, 1, 2, 3, 4, 5, 6, 7;
international, 1, 2;
laughter, 1, 2, 3;
opera, 1, 2;
relationship with filmmakers, 1, 2;
response to silence, 1;
responses to Aguirre, 1, 2;
responses to Cave of Forgotten Dreams, 1;
responses to Encounters at the End of the World, 1;
responses to The Enigma of Kaspar Hauser, 1, 2;
responses to Even Dwarfs Started Small, 1;
responses to Fata Morgana, 1, 2, 3;
responses to Fitzcarraldo, 1, 2, 3, 4;
responses to From One Second to the Next, 1;
responses to Herzog’s films, 1;
responses to hypnotised actors, 1;
responses to Into the Abyss, 1;
responses to Land of Silence and Darkness, 1;
responses to Lessons of Darkness, 1;
responses to Nosferatu, 1;
size, 1, 2;
theatre, 1;
views and interviews, 1
auto-didacticism, 1, 2, 3
ballet, 1
Bavarian dialect, 1, 2, 3, 4
boredom, 1, 2, 3
capital punishment, 1, 2
Catholicism, 1, 2, 3, 4
character motivation, 1
characters, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
childhood, 1, 2, 3, 4
cinéma-vérité, 1, 2, 3, 4, 5
collaborators, 1, 2, 3, 4, 5, 6, 7, 8, 9
communication, 1, 2, 3
cooking, 1, 2, 3, 4
dance, 1, 2, 3, 4
deserts, 1, 2, 3
disappointment, 1, 2, 3
discipline, 1, 2, 3, 4
documentary cinema, 1, 2, 3
