Surprisingly, Henry held it out for inspection. He was visibly proud of it. Everyone agreed later that they had never seen a ring like it before. The band might have been shaped out of silver, but worked into it were tiny veins of blue which appeared to glow faintly. The stone was disappointing; black, flat-cut and dull in luster.
Unusually voluble, Henry volunteered some information on the stone. "Ain't no good in daylight. Nighttime it comes alive. Throws out light, it do!"
He gathered up his purchases and started for the door. He paused at the threshold, chuckling, and turned his head. "Light a-plenty," he said, " 'nuff light to read by!"
Still chuckling to himself, he walked out into the hot sunlight and off down the road.
The only other information we received about the ring came from Walter Frawley, the town constable, who met Henry in the woods one day. Frawley reported that he had asked Henry where he had acquired the ring.
Henry insisted that he found it, purely by chance, tangled up among the roots of a huge pine tree which formerly grew near the ruins of the old Trobish house. The great pine had toppled in a severe windstorm several years before. Natives estimated the tree was at least one hundred years old.
Nobody could satisfactorily explain how the ring had become entangled in the roots of a century-old pine. It was possible, of course, that old Hannibal Trobish had buried it there many decades ago—either to hide it, or to get rid of it.
As the hot summer advanced, Henry went on chanting in the woods at night, giving late travelers "a case of the nerves" and causing some of the farm watch dogs to howl dismally.
One day I met Miss Winnie in the village and asked for her opinion of Henry's book, based on the list of words and names which he had brought to her for translation or clarification.
"The book is medieval in origin," she told me. "And I think it was written by someone who pretended to be a wizard or sorcerer. Poor Henry is out there in the woods at night chanting invocations to nonexistent devils dreamed up by some medieval charlatan who was quite possibly burned at the stake!"
I frowned. "Why do you say 'nonexistent devils,' Miss Winnie?"
"I don't believe in such things," she replied a bit stiffly. "I went to Dave Baines about the book because I thought it was having a bad effect on Henry. Heaven knows I'd be delighted if he learned Latin, but I don't think he's going about it properly. And he's neglecting everything. People tell me his little hut is falling apart and that he doesn't eat properly anymore."
I thanked her and went my way, even more concerned than I had been before, but totally unable to see how I could help. I felt that Henry still liked me, but I knew his stubbornness was monumental.
Not long after my talk with Miss Winnie, I heard rumors that Henry was building some kind of stage or platform on a small knoll adjacent to one of the deeper stands of hemlock. The knoll was about a mile from one of the less-traveled country roads. It was quite high, almost level with the tops of the hemlocks. I had been on it a few times and recalled that on a clear day it overlooked a huge expanse of forest and field.
One afternoon when the summer heat had subsided somewhat, I went to have a look at Henry's platform. After nearly becoming lost in the dark hemlock woods, I slipped into the sunlight and climbed the side of the knoll, a small hill made up of glacial stones and gravel.
It was barren except for a few stunted shrubs, ground creepers and dried lichen patches. Centered on the exact top was a twenty-foot structure built primarily out of willow saplings. A few stakes of heavier wood had been driven in around the base to strengthen the whole. The top of the bizarre lookout tapered to a tiny wooden platform, just large enough for one person. A crude hand-ladder had been attached to one side and a kind of rail ran around the perimeter of the platform.
It was, altogether, shaky and perilous-looking. Henry was no heavyweight, and he would probably survive a twenty-foot drop onto the slippery side of a knoll, but I felt, nevertheless, that he was risking serious injury.
I circled the little structure and sat down nearby for a time, but Henry did not appear. At length, as the afternoon sun beat down on the knoll, I got up and made my way uneventfully through the hemlocks and back to the road.
Dave Baines shook his head when he learned of the willow platform. "That Latin book is drivin' Henry loco. I expect he'll fall off that thing, break a leg, or maybe his spine, and end up in the county hospital."
I suggested condemning the willow tower since it was obviously hazardous and was, moreover, built on land to which Henry had no title.
Dave shrugged. "What good would it do? He'd be madder than a hundred wet hens, and he'd likely just go out and rig up another somewhere else."
I let it go at that. I wasn't a native of the town and I certainly wasn't going to spearhead any "movement" to demolish Henry's willow platform.
Not long after my talk with Dave, the stories started circulating. At night, it was rumored, Henry's chanting could be heard all over town. It was becoming louder all the time.
Frank Kenmore came in with a story about Henry screeching from the top of the willow-tower while it swayed wildly in the wind and "tongues of fire" floated over the hemlock trees.
John Pendle complained that his old mare had bolted and thrown him from his buggy into the ditch one night when Henry started his "crazy yellin'."
Young Charlie Foxmire swore that he had crept through the woods at midnight and seen Henry on his tower "laughin' like a madman and talkin' to somebody in the trees."
I determined to find out for myself what actually was taking place. Late one evening I went out to the front veranda and listened. Sure enough, when the wind was right, I could hear Henry's steady chanting.
I turned off my lights and started out for the willow tower.
It was tough going through the hemlocks, but Henry's high-pitched chant kept me on my course. When I reached the knoll, I circled around until I was directly at Henry's back. I advanced only a few feet up the side of the knoll, crouched down and then very cautiously lifted my head.
Henry, book in hand, was standing on the tiny platform. The flimsy structure was swaying slightly in the wind. A bluish glow, whose source I could not at first locate, illuminated the book and part of Henry's face. His chant rose and fell eerily. He kept glancing from the book out over the top of the black hemlock forest, almost as if he were addressing a huge unseen audience which listened among the trees. In spite of the relative warmth of the summer night, I found myself shuddering.
His chant seemed to go on endlessly, as he turned the pages of the book. His voice became stronger as he continued. The wind rose and the platform swayed a little more.
I crouched motionless until my muscles ached, but there was no response from the depths of the hemlock woods. I was shocked when I realized that I had been waiting for a response!
I saw clearly at last that the strange blue glow emanated from the ring on Henry's finger. I experienced the weird conviction that the glow strengthened as Henry's chant grew stronger.
At length, the tension, plus the uncomfortable position in which I remained crouched, began to tire me. I had intended to stay until Henry finished his nocturnal incantations, but on second thought I decided to leave before he descended. I was convinced that he would be furious if he found me spying on him when he came down.
Moving carefully, I slipped backwards into the trees. A carpet of hemlock needles, inches deep, effectively muffled my footsteps. I groped my way to the road and walked home. I was too exhausted to assess the full implications of what I had seen. In spite of my fatigue, I did not sleep well. Unpleasant dreams, bordering on nightmare, harried me until morning.
I reported to Dave Baines. He appeared deeply concerned.
"Henry's going to destroy himself—or be destroyed by something if we don't get him away from there."
I nodded. "That's the way I feel—but what can we do?"
Dave began polishing his spectacles. "I'll think of something."
> Three days later as I was returning from the village store early one morning, I met Henry. He was shuffling along dispiritedly. I inquired, casually, where he was heading.
He stopped, eyes on the ground, and began kicking at the dirt road with one foot.
"Dave Baines," he told me, "got me on over ta Miller's place. Extra hay hand. Says they be hard up for help. Wants me to go—sort of a favor to him!"
He shook his head and scowled. "Wouldn't go fer nobody else. Nobody! But Dave done me favors. Lots of favors, So I got to go."
"That's fine, Henry!" I said. "You'll be well fed and earn a few dollars! The almanac's predicting a long winter!"
He looked at me scornfully. "Ain't worried about winter. You know what I think?"
"What's that, Henry?"
He hesitated. "Well, I trust Dave, I reckon. But it could be somebody put him to it—so's they could get in my shack and take my book!"
His faded blue eyes took on an unfamiliar glint. He continued before I could comment.
"It won't do nobody no good! Because I got my book right here!" He tapped his overall pocket. "Right here!" he repeated triumphantly.
I assured him that Dave was undoubtedly acting in good faith and that nobody I knew in Juniper Hill would trespass in his absence.
Somewhat mollified, but still dispirited, he shuffled off. I noticed that he was still wearing his unusual ring with the flat black stone.
Kent Miller's place was at the far northern end of Juniper Hill. And Miller possessed several huge hay fields. If I judged correctly, Henry would not be back for several days.
That evening I decided to pay another visit to Henry's willow platform. As I started through the hemlock woods toward the knoll, I felt a bit like an intruder. But then I reminded myself that the knoll did not belong to Henry. And perhaps I might stumble on some clue which would be the key to Henry's obsession.
The thick hemlock woods were like a dark and aromatic tomb. I reached the knoll with a feeling of relief. At least I was in the open; I could see sky and feel a breeze on my face.
As I glanced up at the willow tower, I almost laughed aloud. How absurd it looked! Poorly constructed, fragile, swaying in the slight wind—how foolish I was to have been so impressed by a country loafer's childish obsession!
I scrambled up the shaky ladder nailed to one side of the tower and cautiously edged out onto the flimsy platform. The moon had not yet risen and there was not much to see—the dark continuing mass of hemlocks, a few fireflies and, far off, the twinkling light in a farmhouse window.
I was both relieved and disappointed. I told myself that I was a fool. What had I expected to see?
As I was about to start down the ladder, I thought I heard a faint chant somewhere in the deep distance. It was like an echo, almost inaudible—yet I paused with my hand on the platform railing and listened.
As I waited, it grew stronger, but only by a small degree. I looked out over the hemlocks and frowned. The contour of the woods seemed to have changed; the outlines of the trees seemed different.
I strained my eyes into the darkness, unable to comprehend what I thought I was witnessing. The wind rose, and the chant grew louder.
Henry was returning, I told myself, and I must hurry away before he reached the knoll with his infernal book and the ring that glowed in the dark.
Two things happened then almost simultaneously. As I started to let myself over the side to go down the ladder, I glanced once more toward the black mass of hemlocks. Only they weren't hemlocks. They were immense, towering trees, tropical in outline, which resembled giant ferns against the sky.
And as I stared in amazement and disbelief, a figure faced me on the platform—a figure with distorted features and glittering eyes which looked like an evil caricature of Henry Crotell!
With a rush of horror, I realized that I could see through the figure to the night sky beyond.
After a frozen moment of immobility, I went over the side of the platform. I slid partway down the apology for a ladder and fell the rest of the way.
As soon as my feet touched earth, they were racing for the trees. And when I entered them, they were the dark sweet hemlocks which I knew.
I rushed through them, gouging and scratching myself on projecting branches. Henry's chant, somewhat weak but still persistent, followed me.
I could hear it, far off in the night, when I stumbled onto my porch and opened the door.
I sat up for hours drinking coffee and at last fell asleep in my chair. I was slumped there, red-eyed and unshaven, when someone knocked.
I got up with a start, noticing that sunlight was pouring through a nearby window, and opened the door.
Dave Baines looked at me keenly, both abashed and a bit amused. "Sorry I woke you up. I'll come back—"
I shook my head. "No, no! Sit down. You're the very person I want to see!"
He heard me out in silence. After he had polished his glasses for five minutes, he spoke.
"I'm not sure, but I'd be willing to venture the opinion that the figure you saw on that platform was what some folks call an 'astral projection.' Henry's still at the Miller place; I called this morning to find out. One of the field hands came in after midnight and saw him fast asleep—he never would have had time to come down here, rant on that crazy tower of his and walk back again. Henry, consciously or unconsciously, projected part of himself back here to the knoll. A kind of intense wish fulfillment, I guess. Chances are he doesn't even remember it this morning."
I shook my head in disbelief. "But what did I hear?"
Dave replaced his spectacles. "You heard his chanting all right, but not with your ears. You heard it inside your head, with your mind only. No reason telepathy, or projection, can't be audible as well as visual. It's all the result of a mind's—or a psyche's—fierce desire to be in another place. The desire is so strong that part of that person—call it 'ectoplasm' or what you will—actually does return."
"But what about the trees?" I interjected. "What made the wood and the hemlocks change? Why did I seem to be looking out over a great forest of tropical fern trees—or whatever they were?"
Dave got up, rather wearily. "That I can't explain, at least not now." He sighed. "I wish the whole business was over with. I just have a feelin' Henry's going to come a cropper."
Henry did "come a cropper" the very next night. Just before dusk, as we learned later, when the haying crews at Miller's were leaving the fields for supper, Henry, scorning both a meal and the pay due him, slipped over a fence and set out on the main road for Juniper Hill.
It was after eleven, and I was about to get ready for bed, when Henry's familiar chant, clear and strong, came to me on the night breeze.
I told myself that he had "projected" himself again and that only an ectoplasmic caricature of him was chanting on the willow platform.
But I could not convince myself that such was the case. His voice was too high-pitched and powerful. There was none of the weak, tentative quality of the night before.
I set out for the knoll with many misgivings. I suppose I felt a kind of obligation to see the business through. Perhaps a sense of responsibility moved me. In addition, I will admit to a degree of curiosity.
As I started through the hemlock woods, however, I experienced a feeling of acute apprehension. Henry's garbled chant, this night, was louder than I had ever heard it before. It flooded the wood. And I detected in his voice an edge of excitement bordering on hysteria.
I reached the knoll without incident and paused within the shadows cast by the surrounding hemlocks. Something seemed to warn me to keep well out of sight.
Henry, book in hand, stood on the willow platform, chanting rapidly in a shrill voice. His ring glowed more brightly than ever, bathing the book and his own face in an eerie blue light. There was a moderate wind; the tower swayed gently from side to side.
I studied the figure on the platform carefully; there was no doubt in my mind that it was Henry in the flesh. What I saw was
not the projection, or apparition, of the previous night.
As he moved his head to read from the book, or to look out over the black expanse of the hemlock woods, I noticed that his expression mirrored intense agitation and expectancy.
His chant rose and fell in the night, and again I sensed a frightening transformation in the contour and general appearance of the surrounding forest. Massive trees which did not resemble hemlocks seemed to loom against the darkened sky.
Once again I felt that a vast unseen audience waited among these alien trees—and that Henry was aware of their presence.
His chant swiftly became an incoherent shriek. His eyes appeared to protrude from his head; his face became so contorted it was scarcely recognizable.
I quickly became convinced that while formerly he was chanting to invoke someone or something—he was suddenly chanting frantically in an attempt to forestall the advent of whatever he had been trying to conjure.
Too late. The thing came slowly prancing and gliding over the tops of the huge fern-like trees. It was black even against the darkness of the night sky, but it seemed to contain within itself a kind of lambent flame. An aura of cold blue fire flickered about it.
If it had a definite shape, that shape was not easily apparent, because it continually flowed in upon itself, contorting and writhing in a manner which I found intensely repellent.
In size, it was enormous. If you can imagine a team of six or eight black horses, somehow joined together and all attempting to gallop off in different directions at once, you might have some faint conception of the appalling thing's appearance.
Henry saw it. His shrill chanting ceased and his mouth fell open. He was frozen into immobility. His face became wooden. Only his eyes remained alive—two bulging points of blue light which glazed with ultimate horror even before the monstrous entity came over the knoll.
I wanted desperately to intervene, but I was nearly as terrified as poor Henry. And I sensed that, in any case, I would be completely helpless if I did attempt to interfere.
Deliberately and inexorably, the prancing nightmare made for the knoll. Once overhead, it paused. The blue fires which animated it intensified.
Demons Page 2
