It was an hour later, an hour of peeking down into the courtyard, watching the game of hide-and-seek that the Khaa was playing with Aimée Cousineau, realizing that the Khaa was protecting them by keeping her busy . . . it was then that Eliot remembered the book. He retrieved it from the shelf and began to skim through it, hoping to learn something helpful. There was nothing else to do. He picked up at the point of Aimée's rap about her marriage to Happiness, passed over the transformation of Ginny Whitcomb into a teenage monster, and found a second section dealing with Aimée.
In 1895 a wealthy Swiss-American named Armand Cousineau had returned to St. Berenice—his birthplace—for a visit. He was smitten with Aimée Vuillemont, and her family, seizing the opportunity to be rid of her, allowed Cousineau to marry Aimée and sail her off to his home in Carversville, New Hampshire. Aimée's taste for seduction had not been curbed by the move. Lawyers, deacons, merchants, farmers: they were all grist for her mill. But in the winter of 1905, she fell in love—obsessively, passionately in love—with a young schoolmaster. She believed that the schoolmaster had saved her from her unholy marriage, and her gratitude knew no bounds. Unfortunately, when the schoolmaster fell in love with another woman, neither did her fury. One night while passing the Cousineau mansion, the town doctor spotted a woman walking the grounds. ". . . a woman of flame, not burning but composed of flame, her every particular a fiery construct . . ." Smoke was curling from a window; the doctor rushed inside and discovered the schoolmaster wrapped in chains, burning like a log in the vast fireplace. He put out the small blaze spreading from the hearth, and on going back onto the grounds, he stumbled over Aimée's charred corpse.
It was not clear whether Aimée's death had been accidental, a stray spark catching on her nightgown, or the result of suicide; but it was clear that thereafter the mansion had been haunted by a spirit who delighted in possessing women and driving them to kill their men. The spirit's supernatural powers were limited by the flesh, but were augmented by immense physical strength. Ginny Whitcomb, for example, had killed her brother Tim by twisting off his arm, and then had gone after her other brother and her father, a harrowing chase that had lasted a day and a night: while in possession of a body the spirit was not limited to nocturnal activity . . .
Christ!
The light coming through the skylight was gray.
They were safe!
Eliot went to the bed and began shaking Michaeia. She moaned, her eyes blinked open. "Wake up!" he said. "We've got to get out!"
"What?" She batted at his hands. "What are you talking about?"
"Don't you remember?"
"Remember what?" She swung her legs onto the floor, sitting with her head down, stunned by wakefulness; she stood, swayed, and said, "God, what did you do to me? I feel . . ." A dull, suspicious expression washed over her face.
"We have to leave," He walked around the bed to her. "Ranjeesh hit the jackpot. Those crates of his had an honest-to-God spirit packed in with the bricks. Last night it tried to possess you." He saw her disbelief. "You must have blanked out. Here." He offered the book. "This'll explain . . ."
"Oh, God!" she shouted. "What did you do? I'm all raw inside!" She backed away, eyes wide with fright.
"I didn't do anything." He held out his palms as if to prove he had no weapons.
"You raped me! While I was asleep!" She looked left, right, in a panic.
"That's ridiculous!"
"You must have drugged me or something! Oh, God! Go away!"
"I won't argue," he said. "We have to get out. After that you can turn me in for rape or whatever. But we're leaving, even if I have to drag you."
Some of her desperation evaporated, her shoulders sagged.
"Look," he said, moving closer. "I didn't rape you. What you're feeling is something that goddamn spirit did to you. It was . . ."
She brought her knee up into his groin.
As he writhed on the floor, curled up around the pain, Eliot heard the door open and her footsteps receding. He caught at the edge of the bed, hauled himself to his knees, and vomited all over the sheets. He fell back and lay there for several minutes, until the pain had dwindled to a powerful throbbing, a throbbing that jolted his heart into the same rhythm; then, gingerly, he stood and shuffled out into the hall. Leaning on the railing, he eased down the stairs to Michaela's room and lowered himself into a sitting position. He let out a shuddering sigh. Actinic flashes burst in front of his eyes.
"Michaela," he said. "Listen to me." His voice sounded feeble: the voice of an old, old man.
"I've got a knife," she said from just behind the door. "I'll use it if you try to break in."
"I wouldn't worry about that," he said. "And I sure as hell wouldn't worry about being raped. Now will you listen?"
No response.
He told her everything, and when he was done, she said, "You're insane. You raped me."
"I wouldn't hurt you. I . . ." He had been on the verge of telling her he loved her, but decided it probably wasn't true. He probably just wished that he had a good, clean, truth like love. The pain was making him nauseated again, as if the blackish, purple stain of his bruises were seeping up into his stomach and filling him with bad gases. He struggled to his feet and leaned against the wall. There was no point in arguing, and there was not much hope that she would leave the house on her own, not if she reacted to Aimée like Ginny Whitcomb. The only solution was to go to the police, accuse her of some crime. Assault. She would accuse him of rape, but with luck they would both be held overnight. And he would have time to wire Mr. Chatterji . . . who would believe him. Mr. Chatterji was by nature a believer; it simply hadn't fit his notion of sophistication to give credence to his native spirits. He'd be on the first flight from Delhi, eager to document the Terror.
Himself eager to get it over, Eliot negotiated the stairs and hobbled across the courtyard; but the Khaa was waiting, flapping its arms in the shadowed alcove that led to the street. Whether it was an effect of the light or of its battle with Aimée, or, specifically, of the pale scrap of fire visible within its hand, the Khaa looked less substantial. Its blackness was somewhat opaque, and the air around it was blurred, smeary, like waves over a lens; it was as if the Khaa were being submerged more deeply in its own medium. Eliot felt no compunction about allowing it to touch him; he was grateful to it, and his relaxed attitude seemed to intensify the communication. He began to see images in his mind's eye: Michaela's face, Aimée's, and then the two faces were superimposed. He was shown this over and over, and he understood from it that the Khaa wanted the possession to take place. But he didn't understand why. More images. Himself running, Michaela running. Durbar Square, the mask of White Bhairab, the Khaa. Lots of Khaa. Little black hieroglyphs. These images were repeated, too, and after each sequence the Khaa would hold its hand up to his face and display the glimmering scrap of Aimée's fire. Eliot thought he understood, but whenever he tried to convey that he wasn't sure, the Khaa merely repeated the images.
At last, realizing that the Khaa had reached the limits of its ability to communicate, Eliot headed for the street. The Khaa melted down, reared up in the doorway to block his path, and flapped its arms desperately. Once again Eliot had a sense of its weird-old-man-ness. It went against logic to put his trust in such an erratic creature, especially in such a dangerous plan; but logic had little hold on him, and this was a permanent solution. If it worked. If he hadn't misread it. He laughed. The hell with it!
"Take it easy, Bongo," he said. "I'll be back as soon as I get my shootin' iron fixed."
The waiting room of Sam Chipley's clinic was crowded with Newari mothers and children, who giggled as Eliot did a bow-legged shuffle through their midst. Sam's wife led him into the examination room, where Sam—a burly, bearded man, his long hair tied in a ponytail—helped him onto a surgical table.
"Holy shit!" he said after inspecting the injury. "What you been into, man?" He began rubbing ointment into the bruises.
"Accident," g
ritted Eliot, trying not to cry out.
"Yeah, I bet," said Sam. "Maybe a sexy little accident who had a change of heart when it come down to strokes. You know, not gettin' it steady might tend to make you a tad intense for some ladies, man. Ever think about that?"
"That's not how it was. Am I all right?"
"Yeah, but you ain't gonna be superstud for a while." Sam went to the sink and washed his hands. "Don't gimme that innocent bullshit. You were tryin' to slip it to Chatterji's new squeeze, right?"
"You know her?"
"He brought her over one day, showin' her off. She's a head case, man. You should know better."
"Will I be able to run?"
Sam laughed. "Not hardly."
"Listen, Sam." Eliot sat up, winced. "Chatterji's lady. She's in bad trouble, and I'm the only one who can help her. I have to be able to run, and I need something to keep me awake. I haven't slept for a couple of days."
"I ain't givin' you pills, Eliot. You can stagger through your doper phase without my help." Sam finished drying his hands and went to sit on a stool beside the window; beyond the window was a brick wall, and atop it a string of prayer flags snapped in the breeze.
"I'm not after a supply, damn it! Just enough to keep me going tonight. This is important, Sam!"
Sam scratched his neck. "What kind of trouble she in?"
"I can't tell you now," said Eliot, knowing that Sam would laugh at the idea of something as metaphysically suspect as the Khaa. "But I will tomorrow. It's not illegal. Come on, man! There's got to be something you can give me."
"Oh, I can fix you up. I can make you feel like King Shit on Coronation Day." Sam mulled it over. "O.K., Eliot. But you get your ass back here tomorrow and tell me what's happenin'." He gave a snort of amusement. "All I can say is it must be some strange damn trouble for you to be the only one who can save her."
After wiring Mr. Chatterji, urging him to come home at once, Eliot returned to the house and unscrewed the hinges of the front door. He was not certain that Aimée would be able to control the house, to slam doors and make windows stick as she had with her house in New Hampshire, but he didn't want to take any chances. As he lifted the door and set it against the wall of the alcove, he was amazed by its lightness; he felt possessed of a giddy strength, capable of heaving the door up through the well of the courtyard and over the roofs. The cocktail of painkillers and speed was working wonders. His groin ached, but the ache was distant, far removed from the center of his consciousness, which was a fount of well-being. When he had finished with the door, he grabbed some fruit juice from the kitchen and went back to the alcove to wait.
In midafternoon Michaela came downstairs. Eliot tried to talk to her, to convince her to leave, but she warned him to keep away and scuttled back to her room. Then, around five o'clock, the burning woman appeared, floating a few feet above the courtyard floor. The sun had withdrawn to the upper third of the well, and her fiery silhouette was inset into slate-blue shadow, the flames of her hair dancing about her head. Eliot, who had been hitting the painkillers heavily, was dazzled by her: had she been a hallucination, she would have made his All-Time Top Ten. But even realizing that she was not, he was too drugged to relate to her as a threat. He snickered and shied a piece of broken pot at her. She shrank to an incandescent point, vanished, and that brought home to him his foolhardiness. He took more speed to counteract his euphoria, and did stretching exercises to loosen the kinks and to rid himself of the cramped sensation in his chest.
Twilight blended the shadows in the courtyard, celebrants passed in the street, and he could hear distant drums and cymbals. He felt cut off from the city, the festival. Afraid. Not even the presence of the Khaa, half merged with the shadows along the wall, served to comfort him. Near dusk, Aimée Cousineau walked into the courtyard and stopped about twenty feet away, staring at him. He had no desire to laugh or throw things. At this distance he could see that her eyes had no whites or pupils or irises. They were dead black. One moment they seemed to be the bulging head of black screws threaded into her skull; the next they seemed to recede into blackness, into a cave beneath a mountain where something waited to teach the joys of hell to whoever wandered in. Eliot sidled closer to the door. But she turned, climbed the stairs to the second landing, and walked down Michaela's hallway.
Eliot's waiting began in earnest.
An hour passed. He paced between the door and the courtyard. His mouth was cottony; his joints felt brittle, held together by frail wires of speed and adrenaline. This was insane! All he had done was to put them in worse danger. Finally, he heard a door close upstairs. He backed into the street, bumping into two Newari girls who giggled and skipped away. Crowds of people were moving toward Durbar Square.
"Eliot!"
Michaela's voice. He'd expected a hoarse, demon voice, and when she walked into the alcove, her white scarf glowing palely against the dark air, he was surprised to see that she was unchanged. Her features held no trace of anything other than her usual listlessness.
"I'm sorry I hurt you," she said, walking toward him. "I know you didn't do anything. I was just upset about last night."
Eliot continued to back away.
"What's wrong?" She stopped in the doorway.
It might have been his imagination, the drugs, but Eliot could have sworn that her eyes were much darker than normal. He trotted off a dozen yards or so and stood looking at her.
"Eliot!"
It was a scream of rage and frustration, and he could scarcely believe the speed with which she darted toward him. He ran full tilt at first, leaping sideways to avoid collisions, veering past alarmed, dark-skinned faces; but after a couple of blocks, he found a more efficient rhythm and began to anticipate obstacles, to glide in and out of the crowd. Angry shouts were raised behind him. He glanced back. Michaela was closing the distance, bee-lining for him, knocking people sprawling with what seemed effortless blows. He ran harder. The crowd grew thicker, and he kept near the walls of the houses, where it was thinnest; but even there it was hard to maintain a good pace. Torches were waved in his face; young men—singing, their arms linked—posed barriers that slowed him further. He could no longer see Michaela, but he could see the wake of her passage. Fists shaking, heads jerking. The entire scene was starting to lose cohesiveness to Eliot. There were screams of torchlight, bright shards of deranged shouts, jostling waves of incense and ordure. He felt like the only solid chunk in a glittering soup that was being poured through a stone trough.
At the edge of Durbar Square, he had a brief glimpse of a shadow standing by the massive gilt doors of Degutale Temple. It was larger and a more anthracitic black than Mr. Chatterji's Khaa: one of the old ones, the powerful ones. The sight buoyed his confidence and restored his equilibrium. He had not misread the plan. But he knew that this was the most dangerous part. He had lost track of Michaela, and the crowd was sweeping him along; if she caught up to him now, he would not be able to run. Fighting for elbow room, struggling to keep his feet, he was borne into the temple complex. The pagoda roofs sloped up into darkness like strangely carved mountains, their peaks hidden by a moonless night; the cobbled paths were narrow, barely ten feet across, and the crowd was being squeezed along them, a lava flow of humanity. Torches bobbed everywhere, sending wild licks up the walls, revealing scowling faccs on the eaves. Atop its pedestal, the gilt statue of Hanuman—the monkey god—looked to be swaying. Clashing cymbals and arrhythmic drumming scattered Eliot's heartbeat; the sinewy wail of oboes seemed to be graphing the fluctuations of his nerves.
As he swept past Hanuman Dhoka Temple, he caught sight of the brass mask of White Bhairab shining over the heads of the crowd like the face of an evil clown. It was less than a hundred feet away, set in a huge niche in a temple wall and illuminated by light bulbs that hung down among strings of prayer flags. The crowd surged faster, knocking hint this way and that; but he managed to spot two more Khaa in the doorway of Hanuman Dhoka. Both melted downward, vanishing, and Eliot's hopes soare
d. They must have located Michaela, they must be attacking! By the time he had been carried to within a few yards of the mask, he was sure that he was safe. They must have finished her exorcism by now. The only problem left was to find her. That, he realized, had been the weak link in the plan. He'd been an idiot not to have foreseen it. Who knows what might happen if she were to fall in the midst of the crowd. Suddenly he was beneath the pipe that stuck out of the god's mouth; the stream of rice beer arching from it looked translucent under the lights, and as it splashed his face (no fish), its coldness acted to wash away his veneer of chemical strength. He was dizzy, his groin throbbed. The great face, with its fierce fangs and goofy, startled eyes, appeared to be swelling and rocking back and forth. He took a deep breath. The thing to do would be to find a place next to a wall where he could wedge himself against the flow of the crowd, wait until it had thinned, and then search for her. He was about to do that very thing when two powerful hands gripped his elbows from behind.
Unable to turn, he craned his neck and peered over his shoulder. Michaela smiled at him: a gloating "got-cha!" smile. Her eyes were dead-black ovals. She shaped his name with her mouth, her voice inaudible above the music and shouting, and she began to push him ahead of her, using him as a battering ram to forge a path through the crowd. To anyone watching, it might have appeared that he was running interference for her, but his feet were dangling just off the ground. Angry Newar yelled at him as he knocked them aside. He yelled, too. No one noticed. Within seconds they had got clear into a side street, threading between groups of drunkards. People laughed at Eliot's cries for help, and one guy imitated the funny loose-limbed way he was running.
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