Well, when the Indian said, "Hold out your hand," the boy shrunk back, and shook his head, and said he didn't like it. The Indian, thereupon, asked him (not at all unkindly), whether he would like to be sent back to London, and left where they had found him, sleeping in an empty basket in a market—a hungry, ragged, and forsaken little boy. This, it seems, ended the difficulty. The little chap unwillingly held out his hand. Upon that, the Indian took a bottle from his bosom, and poured out of it some black stuff, like ink, into the palm of the boy's hand.
The Indian—first touching the boy's head, and making signs over it in the air—then said, "Look." The boy became quite stiff, and stood like a statue, looking into the ink in the hollow of his hand.
(So far, it seemed to me to be juggling, accompanied by a foolish waste of ink. I
was beginning to feel sleepy again, when Penelope's next words stirred me up.)
The Indians looked up the road and down the road once more—and then the chief Indian said these words to the boy; "See the English gentleman from foreign parts."
The boy said, "I see him."
The Indian said, "Is it on the road to this house, and on no other, that the
English gentleman will travel to-day?"
The boy said, "It is on the road to this house, and on no other, that the English gentleman will travel to-day." The Indian put a second question—after waiting a little first. He said: "Has the English gentleman got It about him?"
The boy answered—also, after waiting a little first—"Yes."
The Indian put a third and last question: "Will the English gentleman come here,
as he has promised to come, at the close of day?"
The boy said, "I can't tell."
The Indian asked why.
The boy said, "I am tired. The mist rises in my head, and puzzles me. I can see
no more to-day."
With that the catechism ended. The chief Indian said something in his own language to the other two, pointing to the boy, and pointing towards the town, in which (as we afterwards discovered) they were lodged. He then, after making more signs on the boy's head, blew on his forehead, and so woke him up with a start. After that, they all went on their way towards the town, and the girls saw them no more.
Most things they say have a moral, if you only look for it. What was the moral
of this?
The moral was, as I thought: First, that the chief juggler had heard Mr. Franklin's arrival talked of among the servants out-of-doors, and saw his way to making a little money by it. Second, that he and his men and boy (with a view to making the said money) meant to hang about till they saw my lady drive home, and then to come back, and foretell Mr. Franklin's arrival by magic. Third, that Penelope had heard them rehearsing their hocus-pocus, like actors rehearsing a play. Fourth, that I should do well to have an eye, that evening, on the plate-basket. Fifth, that Penelope would do well to cool down, and leave me, her father, to doze off again in the sun.
That appeared to me to be the sensible view. If you know anything of the ways of young women, you won't be surprised to hear that Penelope wouldn't take it. The moral of the thing was serious, according to my daughter. She particularly reminded me of the Indian's third question, Has the English gentleman got It about him? "Oh, father!" says Penelope, clasping her hands, "don't joke about this. What does 'It' mean?"
"We'll ask Mr. Franklin, my dear," I said, "if you can wait till Mr. Franklin comes." I winked to show I meant that in joke. Penelope took it quite seriously. My girl's earnestness tickled me. "What on earth should Mr. Franklin know about it?" I inquired. "Ask him," says Penelope. "And see whether HE thinks it a laughing matter, too." With that parting shot, my daughter left me.
I settled it with myself, when she was gone, that I really would ask Mr. Franklin—mainly to set Penelope's mind at rest. What was said between us, when I did ask him, later on that same day, you will find set out fully in its proper place. But as I don't wish to raise your expectations and then disappoint them, I will take leave to warn you here—before we go any further—that you won't find the ghost of a joke in our conversation on the subject of the jugglers. To my great surprise, Mr. Franklin, like Penelope, took the thing seriously. How seriously, you will understand, when I tell you that, in his opinion, "It" meant the Moonstone.
CHAPTER IV
I am truly sorry to detain you over me and my beehive chair. A sleepy old man, in a sunny back yard, is not an interesting object, I am well aware. But things must be put down in their places, as things actually happened—and you must please to jog on a little while longer with me, in expectation of Mr. Franklin Blake's arrival later in the day.
Before I had time to doze off again, after my daughter Penelope had left me, I was disturbed by a rattling of plates and dishes in the servants' hall, which meant that dinner was ready. Taking my own meals in my own sitting-room, I had nothing to do with the servants' dinner, except to wish them a good stomach to it all round, previous to composing myself once more in my chair. I was just stretching my legs, when out bounced another woman on me. Not my daughter again; only Nancy, the kitchen-maid, this time. I was straight in her way out; and I observed, as she asked me to let her by, that she had a sulky face—a thing which, as head of the servants, I never allow, on principle, to pass me without inquiry.
"What are you turning your back on your dinner for?" I asked. "What's wrong
now, Nancy?"
Nancy tried to push by, without answering; upon which I rose up, and took her by the ear. She is a nice plump young lass, and it is customary with me to adopt that manner of showing that I personally approve of a girl.
"What's wrong now?" I said once more.
"Rosanna's late again for dinner," says Nancy. "And I'm sent to fetch her in. All
the hard work falls on my shoulders in this house. Let me alone, Mr. Betteredge!"
The person here mentioned as Rosanna was our second housemaid. Having a kind of pity for our second housemaid (why, you shall presently know), and seeing in Nancy's face, that she would fetch her fellow-servant in with more hard words than might be needful under the circumstances, it struck me that I had nothing particular to do, and that I might as well fetch Rosanna myself; giving her a hint to be punctual in future, which I knew she would take kindly from ME.
"Where is Rosanna?" I inquired.
"At the sands, of course!" says Nancy, with a toss of her head. "She had another of her fainting fits this morning, and she asked to go out and get a breath of fresh air. I have no patience with her!"
"Go back to your dinner, my girl," I said. "I have patience with her, and I'll fetch
her in."
Nancy (who has a fine appetite) looked pleased. When she looks pleased, she looks nice. When she looks nice, I chuck her under the chin. It isn't immorality—it's only habit.
Well, I took my stick, and set off for the sands.
No! it won't do to set off yet. I am sorry again to detain you; but you really must hear the story of the sands, and the story of Rosanna—for this reason, that the matter of the Diamond touches them both nearly. How hard I try to get on with my statement without stopping by the way, and how badly I succeed! But, there!—Persons and Things do turn up so vexatiously in this life, and will in a manner insist on being noticed. Let us take it easy, and let us take it short; we shall be in the thick of the mystery soon, I promise you!
Rosanna (to put the Person before the Thing, which is but common politeness) was the only new servant in our house. About four months before the time I am writing of, my lady had been in London, and had gone over a Reformatory, intended to save forlorn women from drifting back into bad ways, after they had got released from prison. The matron, seeing my lady took an interest in the place, pointed out a girl to her, named Rosanna Spearman, and told her a most miserable story, which I haven't the heart to repeat here; for I don't like to be made wretched without any use, and no more do you. The upshot of it was, that Rosanna Spearman had been a thief, a
nd not being of the sort that get up Companies in the City, and rob from thousands, instead of only robbing from one, the law laid hold of her, and the prison and the reformatory followed the lead of the law. The matron's opinion of Rosanna was (in spite of what she had done) that
the girl was one in a thousand, and that she only wanted a chance to prove herself worthy of any Christian woman's interest in her. My lady (being a Christian woman, if ever there was one yet) said to the matron, upon that, "Rosanna Spearman shall have her chance, in my service." In a week afterwards, Rosanna Spearman entered this establishment as our second housemaid.
Not a soul was told the girl's story, excepting Miss Rachel and me. My lady, doing me the honour to consult me about most things, consulted me about Rosanna. Having fallen a good deal latterly into the late Sir John's way of always agreeing with my lady, I agreed with her heartily about Rosanna Spearman.
A fairer chance no girl could have had than was given to this poor girl of ours. None of the servants could cast her past life in her teeth, for none of the servants knew what it had been. She had her wages and her privileges, like the rest of them; and every now and then a friendly word from my lady, in private, to encourage her. In return, she showed herself, I am bound to say, well worthy of the kind treatment bestowed upon her. Though far from strong, and troubled occasionally with those fainting-fits already mentioned, she went about her work
modestly and uncomplainingly, doing it carefully, and doing it well. But, somehow, she failed to make friends among the other women servants, excepting my daughter Penelope, who was always kind to Rosanna, though never intimate with her.
I hardly know what the girl did to offend them. There was certainly no beauty about her to make the others envious; she was the plainest woman in the house, with the additional misfortune of having one shoulder bigger than the other. What the servants chiefly resented, I think, was her silent tongue and her solitary ways. She read or worked in leisure hours when the rest gossiped. And when it came to her turn to go out, nine times out of ten she quietly put on her bonnet, and had her turn by herself. She never quarrelled, she never took offence; she only kept a certain distance, obstinately and civilly, between the rest of them and herself. Add to this that, plain as she was, there was just a dash of something that wasn't like a housemaid, and that WAS like a lady, about her. It might have been in her voice, or it might have been in her face. All I can say is, that the other women pounced on it like lightning the first day she came into the house, and said (which was most unjust) that Rosanna Spearman gave herself airs.
Having now told the story of Rosanna, I have only to notice one of the many
queer ways of this strange girl to get on next to the story of the sands.
Our house is high up on the Yorkshire coast, and close by the sea. We have got beautiful walks all round us, in every direction but one. That one I acknowledge to be a horrid walk. It leads, for a quarter of a mile, through a melancholy plantation of firs, and brings you out between low cliffs on the loneliest and ugliest little bay on all our coast.
The sand-hills here run down to the sea, and end in two spits of rock jutting out opposite each other, till you lose sight of them in the water. One is called the North Spit, and one the South. Between the two, shifting backwards and forwards
at certain seasons of the year, lies the most horrible quicksand on the shores of Yorkshire. At the turn of the tide, something goes on in the unknown deeps below, which sets the whole face of the quicksand shivering and trembling in a manner most remarkable to see, and which has given to it, among the people in our parts, the name of the Shivering Sand. A great bank, half a mile out, nigh the mouth of the bay, breaks the force of the main ocean coming in from the offing. Winter and summer, when the tide flows over the quicksand, the sea seems to leave the waves behind it on the bank, and rolls its waters in smoothly with a heave, and covers the sand in silence. A lonesome and a horrid retreat, I can tell you! No boat ever ventures into this bay. No children from our fishing-village, called Cobb's Hole, ever come here to play. The very birds of the air, as it seems to me, give the Shivering Sand a wide berth. That a young woman, with dozens of nice walks to choose from, and company to go with her, if she only said "Come!" should prefer this place, and should sit and work or read in it, all alone, when it's her turn out, I grant you, passes belief. It's true, nevertheless, account for it as you may, that this was Rosanna Spearman's favourite walk, except when she went once or twice to Cobb's Hole, to see the only friend she had in our neighbourhood, of whom more anon. It's also true that I was now setting out for this same place, to fetch the girl in to dinner, which brings us round happily to our former point, and starts us fair again on our way to the sands.
I saw no sign of the girl in the plantation. When I got out, through the sand-hills, on to the beach, there she was, in her little straw bonnet, and her plain grey cloak that she always wore to hide her deformed shoulder as much as might be—there she was, all alone, looking out on the quicksand and the sea.
She started when I came up with her, and turned her head away from me. Not looking me in the face being another of the proceedings, which, as head of the servants, I never allow, on principle, to pass without inquiry—I turned her round my way, and saw that she was crying. My bandanna handkerchief—one of six beauties given to me by my lady—was handy in my pocket. I took it out, and I said to Rosanna, "Come and sit down, my dear, on the slope of the beach along with me. I'll dry your eyes for you first, and then I'll make so bold as to ask what you have been crying about."
When you come to my age, you will find sitting down on the slope of a beach a much longer job than you think it now. By the time I was settled, Rosanna had dried her own eyes with a very inferior handkerchief to mine—cheap cambric. She looked very quiet, and very wretched; but she sat down by me like a good girl, when I told her. When you want to comfort a woman by the shortest way, take her on your knee. I thought of this golden rule. But there! Rosanna wasn't Nancy, and that's the truth of it!
"Now, tell me, my dear," I said, "what are you crying about?"
"About the years that are gone, Mr. Betteredge," says Rosanna quietly. "My past
life still comes back to me sometimes."
"Come, come, my girl," I said, "your past life is all sponged out. Why can't you
forget it?"
She took me by one of the lappets of my coat. I am a slovenly old man, and a good deal of my meat and drink gets splashed about on my clothes. Sometimes one of the women, and sometimes another, cleans me of my grease. The day before, Rosanna had taken out a spot for me on the lappet of my coat, with a new composition, warranted to remove anything. The grease was gone, but there was a little dull place left on the nap of the cloth where the grease had been. The girl pointed to that place, and shook her head.
"The stain is taken off," she said. "But the place shows, Mr. Betteredge—the
place shows!"
A remark which takes a man unawares by means of his own coat is not an easy remark to answer. Something in the girl herself, too, made me particularly sorry for her just then. She had nice brown eyes, plain as she was in other ways—and she looked at me with a sort of respect for my happy old age and my good character, as things for ever out of her own reach, which made my heart heavy for our second housemaid. Not feeling myself able to comfort her, there was only one other thing to do. That thing was—to take her in to dinner.
"Help me up," I said. "You're late for dinner, Rosanna—and I have come to fetch
you in."
"You, Mr. Betteredge!" says she.
"They told Nancy to fetch you," I said. "But thought you might like your scolding
better, my dear, if it came from me."
Instead of helping me up, the poor thing stole her hand into mine, and gave it a little squeeze. She tried hard to keep from crying again, and succeeded—for which I respected her. "You're very kind, Mr. Betteredge," she said. "I don't want any dinner to-day—let me bide a little longer
here."
"What makes you like to be here?" I asked. "What is it that brings you
everlastingly to this miserable place?"
"Something draws me to it," says the girl, making images with her finger in the sand. "I try to keep away from it, and I can't. Sometimes," says she in a low voice, as if she was frightened at her own fancy, "sometimes, Mr. Betteredge, I think that my grave is waiting for me here."
"There's roast mutton and suet-pudding waiting for you!" says I. "Go in to dinner directly. This is what comes, Rosanna, of thinking on an empty stomach!" I spoke severely, being naturally indignant (at my time of life) to hear a young woman of five-and-twenty talking about her latter end!
She didn't seem to hear me: she put her hand on my shoulder, and kept me
where I was, sitting by her side.
"I think the place has laid a spell on me," she said. "I dream of it night after night; I think of it when I sit stitching at my work. You know I am grateful, Mr. Betteredge—you know I try to deserve your kindness, and my lady's confidence in me. But I wonder sometimes whether the life here is too quiet and too good for such a woman as I am, after all I have gone through, Mr. Betteredge—after all I have gone through. It's more lonely to me to be among the other servants, knowing I am not what they are, than it is to be here. My lady doesn't know, the matron at the reformatory doesn't know, what a dreadful reproach honest people are in themselves to a woman like me. Don't scold me, there's a dear good man. I do my work, don't I? Please not to tell my lady I am discontented—I am not. My mind's unquiet, sometimes, that's all." She snatched her hand off my shoulder, and suddenly pointed down to the quicksand. "Look!" she said "Isn't it wonderful? isn't it terrible? I have seen it dozens of times, and it's always as new to me as if I had never seen it before!"
I looked where she pointed. The tide was on the turn, and the horrid sand began to shiver. The broad brown face of it heaved slowly, and then dimpled and quivered all over. "Do you know what it looks like to ME?" says Rosanna, catching me by the shoulder again. "It looks as if it had hundreds of suffocating people under it—all struggling to get to the surface, and all sinking lower and lower in the dreadful deeps! Throw a stone in, Mr. Betteredge! Throw a stone in, and let's see the sand suck it down!"
The Moonstone (Penguin Classics) Page 3
