New and Selected Poems

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New and Selected Poems Page 15

by Seamus Heaney


  the words of our traditional cures and charms

  to heal dumbness and avert the evil eye.

  No porters. No interpreter. No taxi.

  You carried your own burden and very soon

  your symptoms of creeping privilege disappeared.

  II

  Fog is a dreaded omen there but lightning

  spells universal good and parents hang

  swaddled infants in trees during thunderstorms.

  Salt is their precious mineral. And seashells

  are held to the ear during births and funerals.

  The base of all inks and pigments is seawater.

  Their sacred symbol is a stylized boat.

  The sail is an ear, the mast a sloping pen,

  The hull a mouth-shape, the keel an open eye.

  At their inauguration, public leaders

  must swear to uphold unwritten law and weep

  to atone for their presumption to hold office –

  and to affirm their faith that all life sprang

  from salt in tears which the sky-god wept

  after he dreamt his solitude was endless.

  III

  I came back from that frugal republic

  with my two arms the one length, the customs woman

  having insisted my allowance was myself.

  The old man rose and gazed into my face

  and said that was official recognition

  that I was now a dual citizen.

  He therefore desired me when I got home

  to consider myself a representative

  and to speak on their behalf in my own tongue.

  Their embassies, he said, were everywhere

  but operated independently

  and no ambassador would ever be relieved.

  Hailstones

  I

  My cheek was hit and hit:

  sudden hailstones

  pelted and bounced on the road.

  When it cleared again

  something whipped and knowledgeable

  had withdrawn

  and left me there with my chances.

  I made a small hard ball

  of burning water running from my hand

  just as I make this now

  out of the melt of the real thing

  smarting into its absence.

  II

  To be reckoned with, all the same,

  those brats of showers.

  The way they refused permission,

  rattling the classroom window

  like a ruler across the knuckles,

  the way they were perfect first

  and then in no time dirty slush.

  Thomas Traherne had his orient wheat

  for proof and wonder

  but for us, it was the sting of hailstones

  and the unstingable hands of Eddie Diamond

  foraging in the nettles.

  III

  Nipple and hive, bite-lumps,

  small acorns of the almost pleasurable

  intimated and disallowed

  when the shower ended

  and everything said wait.

  For what? For forty years

  to say there, there you had

  the truest foretaste of your aftermath –

  in that dilation

  when the light opened in silence

  and a car with wipers going still

  laid perfect tracks in the slush.

  The Stone Verdict

  When he stands in the judgment place

  With his stick in his hand and the broad hat

  Still on his head, maimed by self-doubt

  And an old disdain of sweet talk and excuses,

  It will be no justice if the sentence is blabbed out.

  He will expect more than words in the ultimate court

  He relied on through a lifetime’s speechlessness.

  Let it be like the judgment of Hermes,

  God of the stone heap, where the stones were verdicts

  Cast solidly at his feet, piling up around him

  Until he stood waist deep in the cairn

  Of his apotheosis: maybe a gate-pillar

  Or a tumbled wallstead where hogweed earths the silence

  Somebody will break at last to say, ‘Here

  His spirit lingers,’ and will have said too much.

  The Spoonbait

  So a new similitude is given us

  And we say: The soul may be compared

  Unto a spoonbait that a child discovers

  Beneath the sliding lid of a pencil case,

  Glimpsed once and imagined for a lifetime

  Risen and free and spooling out of nowhere –

  A shooting star going back up the darkness.

  It flees him and it burns him all at once

  Like the single drop that Dives implored

  Falling and falling into a great gulf.

  Then exit, the polished helmet of a hero

  Laid out amidships above scudding water.

  Exit, alternatively, a toy of light

  Reeled through him upstream, snagging on nothing.

  Clearances

  In memoriam M.K.H., 1911–1984

  She taught me what her uncle once taught her:

  How easily the biggest coal block split

  If you got the grain and hammer angled right.

  The sound of that relaxed alluring blow,

  Its co-opted and obliterated echo,

  Taught me to hit, taught me to loosen,

  Taught me between the hammer and the block

  To face the music. Teach me now to listen,

  To strike it rich behind the linear black.

  1

  A cobble thrown a hundred years ago

  Keeps coming at me, the first stone

  Aimed at a great-grandmother’s turncoat brow.

  The pony jerks and the riot’s on.

  She’s crouched low in the trap

  Running the gauntlet that first Sunday

  Down the brae to Mass at a panicked gallop.

  He whips on through the town to cries of ‘Lundy!’

  Call her ‘The Convert’. ‘The Exogamous Bride’.

  Anyhow, it is a genre piece

  Inherited on my mother’s side

  And mine to dispose with now she’s gone.

  Instead of silver and Victorian lace,

  The exonerating, exonerated stone.

  2

  Polished linoleum shone there. Brass taps shone.

  The china cups were very white and big –

  An unchipped set with sugar bowl and jug.

  The kettle whistled. Sandwich and teascone

  Were present and correct. In case it run,

  The butter must be kept out of the sun.

  And don’t be dropping crumbs. Don’t tilt your chair.

  Don’t reach. Don’t point. Don’t make noise when you stir.

  It is Number 5, New Row, Land of the Dead,

  Where grandfather is rising from his place

  With spectacles pushed back on a clean bald head

  To welcome a bewildered homing daughter

  Before she even knocks. ‘What’s this? What’s this?’

  And they sit down in the shining room together.

  3

  When all the others were away at Mass

  I was all hers as we peeled potatoes.

  They broke the silence, let fall one by one

  Like solder weeping off the soldering iron:

  Cold comforts set between us, things to share

  Gleaming in a bucket of clean water.

  And again let fall. Little pleasant splashes

  From each other’s work would bring us to our senses.

  So while the parish priest at her bedside

  Went hammer and tongs at the prayers for the dying

  And some were responding and some crying

  I remembered her head bent towards my head,

  Her breath in mine, our fluent
dipping knives –

  Never closer the whole rest of our lives.

  4

  Fear of affectation made her affect

  Inadequacy whenever it came to

  Pronouncing words ‘beyond her’. Bertold Brek.

  She’d manage something hampered and askew

  Every time, as if she might betray

  The hampered and inadequate by too

  Well-adjusted a vocabulary.

  With more challenge than pride, she’d tell me, ‘You

  Know all them things.’ So I governed my tongue

  In front of her, a genuinely well-

  adjusted adequate betrayal

  Of what I knew better. I’d naw and aye

  And decently relapse into the wrong

  Grammar which kept us allied and at bay.

  5

  The cool that came off sheets just off the line

  Made me think the damp must still be in them

  But when I took my corners of the linen

  And pulled against her, first straight down the hem

  And then diagonally, then flapped and shook

  The fabric like a sail in a cross-wind,

  They made a dried-out undulating thwack.

  So we’d stretch and fold and end up hand to hand

  For a split second as if nothing had happened

  For nothing had that had not always happened

  Beforehand, day by day, just touch and go,

  Coming close again by holding back

  In moves where I was x and she was ο

  Inscribed in sheets she’d sewn from ripped-out flour sacks.

  6

  In the first flush of the Easter holidays

  The ceremonies during Holy Week

  Were highpoints of our Sons and Lovers phase.

  The midnight fire. The paschal candlestick.

  Elbow to elbow, glad to be kneeling next

  To each other up there near the front

  Of the packed church, we would follow the text

  And rubrics for the blessing of the font.

  As the hind longs for the streams, so my soul …

  Dippings. Towellings. The water breathed on.

  The water mixed with chrism and with oil.

  Cruet tinkle. Formal incensation

  And the psalmist’s outcry taken up with pride:

  Day and night my tears have been my bread.

  7

  In the last minutes he said more to her

  Almost than in all their life together.

  ‘You’ll be in New Row on Monday night

  And I’ll come up for you and you’ll be glad

  When I walk in the door … Isn’t that right?’

  His head was bent down to her propped-up head.

  She could not hear but we were overjoyed.

  He called her good and girl. Then she was dead,

  The searching for a pulsebeat was abandoned

  And we all knew one thing by being there.

  The space we stood around had been emptied

  Into us to keep, it penetrated

  Clearances that suddenly stood open.

  High cries were felled and a pure change happened.

  8

  I thought of walking round and round a space

  Utterly empty, utterly a source

  Where the decked chestnut tree had lost its place

  In our front hedge above the wallflowers.

  The white chips jumped and jumped and skited high.

  I heard the hatchet’s differentiated

  Accurate cut, the crack, the sigh

  And collapse of what luxuriated

  Through the shocked tips and wreckage of it all.

  Deep planted and long gone, my coeval

  Chestnut from a jam jar in a hole,

  Its heft and hush become a bright nowhere,

  A soul ramifying and forever

  Silent, beyond silence listened for.

  The Milk Factory

  Scuts of froth swirled from the discharge pipe.

  We halted on the other bank and watched

  A milky water run from the pierced side

  Of milk itself, the crock of its substance spilt

  Across white limbo floors where shift-workers

  Waded round the clock, and the factory

  Kept its distance like a bright-decked star-ship.

  There we go, soft-eyed calves of the dew,

  Astonished and assumed into fluorescence.

  The Wishing Tree

  I thought of her as the wishing tree that died

  And saw it lifted, root and branch, to heaven,

  Trailing a shower of all that had been driven

  Need by need by need into its hale

  Sap-wood and bark: coin and pin and nail

  Came streaming from it like a comet-tail

  New-minted and dissolved. I had a vision

  Of an airy branch-head rising through damp cloud,

  Of turned-up faces where the tree had stood.

  Wolfe Tone

  Light as a skiff, manoeuvrable

  yet outmanoeuvred,

  I affected epaulettes and a cockade,

  wrote a style well-bred and impervious

  to the solidarity I angled for,

  and played the ancient Roman with a razor.

  I was the shouldered oar that ended up

  far from the brine and whiff of venture,

  like a scratching-post or a crossroads flagpole,

  out of my element among small farmers –

  I who once wakened to the shouts of men

  rising from the bottom of the sea,

  men in their shirts mounting through deep water

  when the Atlantic stove our cabin’s dead lights in

  and the big fleet split and Ireland dwindled

  as we ran before the gale under bare poles.

  From the Canton of Expectation

  I

  We lived deep in a land of optative moods,

  under high, banked clouds of resignation.

  A rustle of loss in the phrase Not in our lifetime,

  the broken nerve when we prayed Vouchsafe or Deign,

  were creditable, sufficient to the day.

  Once a year we gathered in a field

  of dance platforms and tents where children sang

  songs they had learned by rote in the old language.

  An auctioneer who had fought in the brotherhood

 

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