Quart held Navajo's gaze. "No."
Navajo picked his teeth with a fingernail. "I thought not," he said. "The guy's a mess: both arms and his jaw broken. It took him half an hour to get out a couple of words. And when he did, all he said was that he'd fallen down the stairs."
Since Quart was the only Church representative available, Navajo gave him some official documents along with the keys to the church and to the priest's quarters. He also made him sign a brief declaration to the effect that Father Ferro had handed himself in voluntarily.
"You're the one cleric who showed his face. The archbishop telephoned this afternoon, but only to wash his hands of the whole thing." The policeman frowned. "Ah. And to ask us to keep the reporters out of it." He threw his empty beer bottle into the bin, yawned theatrically, and glanced at his watch, a hint that he wanted to go home.
Quart asked to see the parish priest. Navajo, after a moment's thought, said he saw no reason why not if Father Ferro agreed. He went to arrange it, leaving the fake pearl in its little plastic bag on the table.
Quart stared at the pearl, imagining it in Bonafé's pocket. It was large, with some of the sheen scraped off where it had been set into the carving. For the murderer, whoever the murderer was - Father Ferro, the church itself, or any of the people involved with it - the pearl, once out of its setting, had become a deadly object. Unwittingly, Bonafé had been treading at the edge of a secret that went beyond the scope of the police investigation. Do not profane my Father's house. Do not threaten those who seek sanctuary there. Conventional morals offered a poor vantage point for considering these events. One had to go beyond them, to cross that boundary to reach the inhospitable paths that the small, hard parish priest had trodden for years, bearing on his weary shoulders the weight of a cruel sky. Willing to provide peace, shelter, compassion; to forgive sins; and even - as on that night - to take the blame for them.
It wasn't such a mystery after all. Quart smiled sadly, staring at the fake pearl from Our Lady of the Tears. Things fell into place: the pearl, the church, the city itself, the particular point in time and space.
"Whenever you like, Father," announced Navajo, peering round the door.
It didn't matter who pushed Honorato Bonafé off the scaffolding. Quart reached out and touched the plastic bag containing the pearl. Contemplating Our Lady's fake tear, the soldier lost on the hills of Hattin recognised the hoarse voice and clash of steel of a brother waging his own personal battle in the same corner of the board. The man had no friends left to give him a hero's burial in a crypt among recumbent statues of knights in gauntlets with a lion at their feet. The sun was high in the sky, and at the foot of the hills the corpses of men and horses lay spread out at the mercy of jackals and vultures. So, dragging his sword, sweating beneath his chain mail, the tired warrior got to his feet and followed Simeon Navajo down the long white corridor. At the end, in a small room with a guard at the door, Father Ferro sat on a chair, in grey trousers and a white shirt, without his cassock. They hadn't handcuffed him, but he looked very small and defenceless. His black eyes, red-rimmed, stared impassively as Quart entered. With the guard and deputy superintendent watching, stunned, from the door, Quart went and kneeled before the old priest. "Forgive me, Father, for I have sinned."
For an instant, the old priest looked in astonishment at the man kneeling before him. Then he slowly raised his hand and made the sign of the Cross over Quart's head. The old man's humid eyes shone, and his chin and lips trembled as he pronounced, soundlessly, the ancient formula offering solace and hope. On hearing it, all the Knight Templar's ghosts and dead comrades smiled at last, relieved.
He crossed the deserted square and walked along the avenue towards San Telmo Bridge, in the absolute solitude and silence of dawn. He saw a free taxi but didn't stop; he needed to walk. As he drew closer to the Guadalquivir, the air seemed damp, and he felt cold for the first time since his arrival in Seville. He turned up his jacket collar. By the bridge, unlit at that hour, the Almohad Tower melted into the darkness.
He crossed the bridge. The fountain at the Puerta de Jerez wasn't on as he passed the brick-and-tile facade of the Alfonso XIII Hotel. He walked along the wall of the Reales Alcazares. Near La Juderia he breathed in the fragrance of orange trees and damp earth and then turned down the narrow streets of Santa Cruz, the sound of his footsteps preceding him. He didn't know how long he'd been walking, but he felt he'd travelled a great distance, outside time, as if in a dream. Suddenly he was in the middle of a small square with houses painted red-ochre and white, a square with railings, pots of geraniums, and tiled benches that showed scenes from Don Quixote. And at one end, clad in scaffolding, with a dilapidated bell-tower, and guarded by a headless Virgin, stood the church of Our Lady of the Tears: three centuries old and full of memories of the people who had found refuge there.
He sat on a bench and looked at the church for a long time. Nearby, bells rang out; the swifts and pigeons took wing and then settled back on the eaves. The moon had disappeared, but the stars were still visible, twinkling icily. At daybreak it grew colder, and the priest's muscles and back began to ache. At peace now, he watched the light grow in the east. The nearby clock struck again, and once more the birds rose. The pink glow pushing night towards the other side of the city, the clear outline of the belfry, the roof, the eaves around the square - all signalled the arrival of day. Cocks crowed, because Seville was the kind of city where cocks still crowed at dawn. Quart got up, as if waking from a long dream.
At the entrance he took out the key and turned it in the lock. The door creaked as it opened. Sufficient light filtered through the windows for him to see his way between the pews facing the altar, which was still in shadow. At the altar, a candle burned. He stood in the middle of the church, looking at the confessional with its door open, at the scaffolding against the walls, at the worn flagstones and the black mouth of the crypt where Carlota Bruner's remains lay. He kneeled in one of the pews and waited until day had fully dawned. He didn't pray - he didn't know who to pray to - and the accustomed rituals of his old discipline didn't seem appropriate. So he simply waited, his mind empty, comforted by the silent reassurance of the old walls. In the growing light he could make out a bearded prophet, an angel's wings, a cloud or a ghostly figure on the smoke-blackened ceiling. The sun arrived at last, filtering through the window with the lead outline of Christ, and the altarpiece to the glory of God was lit up, all baroque gilding and pale columns. The Holy Mother crushed a serpent's head with her foot, and that, thought Quart, was all that mattered. He went and rang the bell. He sat on the floor beneath the thick rope for a quarter of an hour and then rang the bell again. There was another quarter of an hour to go before eight o'clock Mass.
He switched on the altarpiece light and lit the six candles, three on either side of the altar. He set out the books and the cruets, then went to the vestry and washed his face and hands. He opened the cupboard and drawers, took out the liturgical objects and chose the appropriate vestments. When everything was ready, he put them on in the order and manner that no cleric taught in a seminary ever forgets. He began with the amice, the strip of white cloth still worn only by very traditional or old priests like Father Ferro. Following the ritual, he kissed the Cross at its centre before putting the amice over his shoulders and tying the ribbons behind his back. There were three albs - two of them were too short for him, so he chose the third, probably the one used by Father Lobato. He then took the wide band of white silk known as the stole and, having kissed the Cross at its centre, put it on over the amice. At last he took the old white silk chasuble, with faded gold embroidery, and slipped it over his head. When he was dressed, he stood motionless, his hands resting on the sideboard, staring at the dented old crucifix between the two heavy candelabra. Despite not having slept, he felt clear-headed and peaceful, just as he had when he sat on the bench out in the square. Following the ritual, performed in the same way by others for almost two thousand years, diminished his sense
of solitude. It didn't matter that the temple was damaged, that the belfry was covered with scaffolding, that the paintings on the ceiling were faded. Or that on the wall, Mary bowed her head before an angel in a painting full of cracks and stains and darkened varnish. Or that at the end of Father Ferro's old telescope, millions of light-years away, the cold stars mocked it all.
Maybe Heinrich Heine was right and the universe was nothing but the dream of a drunken God who had fallen asleep on a star. But the secret was well guarded. Father Ferro was prepared to go to prison for it, and neither Quart nor anyone else had the right to reveal it to the good people now waiting in the church. Sounds - a cough, footsteps, a pew creaking as somebody knelt - reached him through the vestry door, beside the confessional where Honorato Bonafé died for touching Tanit's veil.
He looked at his watch. It was time.
XV Vespers
Using his real name would have contravened the Code.
Clough and Mungo, Approaching Zero
Two days after returning to Rome and presenting his report on Our Lady of the Tears, Quart received a visit from Monsignor Paolo Spada at his apartment on the Via del Babuino. It was raining, just as it had been three weeks before, when Quart was ordered to Seville. When the doorbell rang, Quart was at an open window that looked on to the terrace; he was watching the rain fall on the roofs, the ochre walls of the houses, the grey sheen of the paving stones and the steps of the Piazza di Spagna.
Spada stood in the doorway, solid and square in a dripping black raincoat, shaking the rain from his bristly head. "I was passing," he said, "and I thought maybe you could give me a cup of coffee." Without waiting for an answer, he hung his raincoat on a hook, went through to the austere sitting room, and sat in an armchair by the windows. He sat there in silence, staring at the rain, until Quart returned from the kitchen carrying a coffee pot and cups on a tray.
"The Holy Father received your report."
Quart nodded, helping himself to sugar, and then stood while he stirred his coffee. His sleeves were rolled up above the elbow, and his collar was unbuttoned.
The Mastiff peered over his cup, inclining his heavy gladiator's head. "He also received," he said, "a report from the archbishop of Seville in which your name is mentioned."
The rain intensified, and the splashing on the terrace drew the two men's attention for a moment. Quart placed his cup on the tray and smiled, a sad, distant smile. "I'm sorry if I've caused you problems,
Monsignor." Disciplined and respectful, as usual. Though he was in his own apartment, he remained standing, almost lining up his thumbs with his trouser seams.
The director of the IEA gave him an affectionate look and then shrugged. "You haven't caused me any problems," he said gently. "On the contrary: you completed your report in record time, carried out a difficult assignment, and made the appropriate decisions with regard to Father Ferro's surrender to the police and his legal defence." He paused, considering his own huge hands. "Everything would have been perfect if you had limited yourself to that."
Quart smiled sadly again. "But I didn't."
The archbishop, his eyes streaked with brown, watched his agent for some time. "No. In the end you decided to take sides," he said with a frown. "To get involved, I suppose that's the word. And you did so at the least appropriate time and in the least appropriate way."
"It didn't seem so to me, Monsignor," said Quart.
The archbishop bowed his head benevolently. "Of course. I know. But it did seem so to the IEA." He put his cup on the tray and looked at Quart curiously. "Your orders were to remain impartial."
"I knew it was futile," said Quart. "A symbolic gesture, nothing more." He was lost in thought for a moment. "But there are times when a gesture seems important."
"Well, in fact, it wasn't entirely futile," said Spada. "According to my information, the nunciature in Madrid and the archbishopric of Seville have this morning received instructions to preserve Our Lady of the Tears and to appoint a new parish priest." He gave Quart an ironic and good-humoured wink. "Those final remarks of yours about a little piece of heaven disappearing, the patched skin of the drum, and all the rest of it certainly had an effect. Very moving and convincing. Had we known about your rhetorical abilities earlier, we would have made greater use of them." The Mastiff fell silent. Your turn to ask the questions, his silence implied. Make things a bit easier for me.
"That's good news, Monsignor," said Quart. "But good news can be given over the phone . . . What's the bad news?"
The prelate sighed. "The bad news is His Eminence Jerzy Iwaszkiewicz." He looked away and sighed again. "Our dear brother in Christ feels that he let the mouse escape, and he wants to get his own back. He's made much of the archbishop of Seville's report. According to which, you exceeded your authority. Iwaszkiewicz has also given credence to certain insinuations made by Monsignor Corvo regarding your personal conduct. The fact is, between the two of them, they're going to make things rather difficult for you." "And for you, Your Grace?"
"Oh, well." Spada raised a hand dismissively. "I'm less easy to attack, I have files and things like that. And I have the relative backing of the secretary of state. Actually they've offered to leave me in peace for a small price."
"My head."
"More or less." The archbishop stood up and paced the room. His back to Quart, he studied a small framed sketch on the wall. "It's symbolic, of course. Like your Mass last Thursday. It's unfair, I know. But life is unfair. Rome is unfair. That's how it is. Those are the rules of the game, and you've known them all along." He turned to face Quart, hands crossed behind his back. "I'll miss you, Father Quart," he said. "You're still the good soldier. I know you did the best you could. Maybe I placed too many burdens on your shoulders. I hope that the ghost of that Brazilian, Nelson Corona, will rest in peace now."
"What will they do with me?" The question was neutral, objective, with no trace of anxiety.
Spada raised his hands in disgust. "Iwaszkiewicz, always so charitable," he said, "wanted to have you sent to some obscure secretariat." He tutted. "Luckily I held a few good cards. I'm not saying I risked my neck for you, but I took the precaution of getting out your CV, and I reminded them of your excellent record, including the business in Panama and the Croat archbishop you got out of Sarajevo. So in the end Iwaszkiewicz agreed simply that you should be dismissed from the IEA." The Mastiff shrugged his square shoulders. "The Pole will be taking one of my bishops, but the game has ended in a draw."
"And what was the verdict?" asked Quart. He pictured himself far from all of this. Maybe it won't be so difficult, he thought. A bit harder and a bit colder, but it's cold inside too. For a moment he wondered if he'd have the courage to give it all up if the sentence was too harsh. To start over somewhere else, without the black suit to protect him. The problem was that, since Seville, there were fewer places to go.
"My friend Azopardi," Spada was saying, "the secretary of state, has agreed to help. He's promised to deal with your case. The idea is to find you a post as an attache to a nunciature, in Latin America if possible. After a time, if the situation becomes more favourable and I'm still at the head of the IEA, I'll request your return." He seemed relieved when he saw that Quart remained calm. "Consider it a temporary exile, or a mission that's longer than usual. To sum up, you are to disappear for a time. After all, Peter's work may be eternal, but popes and their teams come and go. Polish cardinals grow old, retire, or get cancer. You know how it is." He smiled crookedly. "And you're young."
Quart went to the window. Rain was still splashing the tiles. Below his feet, it slid in grey sheets across the roofs of the nearby houses. He breathed in the damp air. The Piazza di Spagna shone like a newly varnished oil painting. "What news is there of Father Ferro?" he asked.
The Mastiff arched an eyebrow. That's out of my hands, it meant. "According to the nunciature in Madrid," he said, "the lawyer you found him is doing a good job. They believe Father Ferro will be released on grounds of senility
and lack of evidence, or, if the worst comes to the worst, he'll get a lenient sentence under Spanish law. He's getting on in years and there are lots of things that could predispose a judge in his favour. For the time being he's in the prison hospital in Seville, under fairly comfortable conditions. They may request that he's sent to a rest home for retired priests. I don't think he'll care much either way."
"No," said Quart. "I don't think he will."
Spada poured himself another coffee. "Quite a character, that old priest. Do you think he did it?" He looked at Quart, cup in hand. "We haven't heard from Vespers again. It's a pity you didn't find out who it was. If you had, I would have been able to defend you better against Iwaszkiewicz." He sipped his coffee gravely. "That would have been a tasty bone for the Pole to gnaw."
At the window, watching the rain, Quart nodded in silence, and the light made his short hair look even greyer. Drops of rain splashed on his face. "Vespers," he said.
His last evening in Seville, he went down to the lobby and found her there, just as he had the first time, sitting in the same armchair. Only a week had passed since that first day, but to Quart it seemed as if he'd been in Seville for ever. Like the huge stone nave standing a few metres away, across the square, with its pinnacles and flying buttresses. Like the disorientated pigeons crossing the area of night lit up by the spotlights. Like Santa Cruz, the river, the Almohad Tower, and La Giralda. Like Macarena Bruner, who now watched him approach. When she stood up in the middle of the empty lobby, Quart knew that her presence still moved him to his very core. Luckily, he thought as he walked towards her, she didn't love him.
The Seville Communion Page 37
