The guards who were to transfer Maggie Kizer from the Tombs to Blackwell’s Island had been told of her addiction to opium, and when they came for her they were not surprised to find her in a stupor. She was brought out on her cot, lifted into a carriage, taken to the landing at the eastern end of Fifty-second Street, and set in a small boat to be rowed across.
One of the two officers took the oars, and the other held the drooping woman up. The day was warm, though still early in the morning, and the sunlight glinted on the gentle waters of the East River.
Just as they had come within the shade of the trees that fringed Blackwell’s Island, but before the small boat had been tied at the landing, the second officer looked closely at the woman who lay in his arms, examined carefully her face that was painted green by the sunlight that fell through the dense evergreen foliage, and remarked to his friend that the prisoner was stone dead.
Chapter 27
From the moment that Duncan Phair learned that Maggie Kizer had been involved in the murder of Cyrus Butterfield, he had begun to put his mistress behind him. The danger she posed to his life forced him to abandon her entirely, and each day that had passed since her arrest drew her further from his affections and his concern. He began actually to think of her as the cold murderess that Simeon Lightner described—the beautiful harpie who had lured the lawyer to his death. The quiet, saddened woman who moved with elegant lassitude room to room in her elegant apartments on Bleecker Street no longer existed.
Duncan had not a moment of regret that he had been forced to reveal his liaison to his father-in-law. There was, to begin with, relief to be got from the very act of confession. It was with great trepidation, however, that Duncan had anticipated his next meeting with the judge; Duncan feared his father-in-law’s hot recriminations and cold scorn. The scorn was there, but the recriminations were only perfunctory. Without difficulty Maggie Kizer had been convicted, and this ease of circumstance perhaps made the judge go easier with his son-in-law. “This matter will lie dead between us, Duncan, to be resurrected only when the woman herself is dead. I am not concerned with you and your feelings; I feel no need to offer instruction and improvement to a man who would have so little care for himself and his family as to engineer a connection between himself and an opium-addicted, murderous prostitute. It is necessary now only that we come through this undetected; there is therefore no question of confession to Marian, do you understand?”
It was with only the slightest pang to his heart that Duncan learned from Lightner of Maggie’s suicide. He commended her to God and considered that this death was better than hanging. Maggie had always found comfort in opium, and Duncan knew that she would have had no fear of laudanum.
Duncan himself no longer had any fears. Maggie was dead, past his help; Maggie was dead, and he was past her injury. Lady Weale had conveniently left town, no one knew whither. There was no one now to connect him with Maggie Kizer; her relatives the Shanks had never seen him, and so far as he knew had never discovered his identity. And it was quite beyond them now to approach him, for they were themselves in ever-increasing tribulation. The pawnshop had been shut up, the abortion practice quashed, investigations into Louisa Shanks’s activities with forged documents and cheques initiated, watches set upon the children. It was with a mind considerably lightened that Duncan Phair went to Judge Stallworth with the news of Maggie Kizer’s death.
“Good,” replied Judge Stallworth at the reception of this news. “I could tell that the woman had sense; she evidently had some idea of propriety as well. In taking the laudanum, so quickly after the sentencing, she actually did us a decided favor. Mulberry Street asked me to sign a warrant for the arrest of Daisy Shanks—the abortionist—but I told them I wanted to put it off a week, until we could get the Kizer woman out of the way. But now that she’s killed herself, I see no reason not to begin with the others.”
“Tomorrow,” suggested Duncan eagerly. Now that he had got through the difficulty with Maggie Kizer that had threatened to destroy his career, he had no intention of allowing those to remain who might later bring the whole matter to the attention of the world. The Shanks would indeed be ground into the dust of the Black Triangle. “Simeon and Benjamin and I will be there. The Shanks haven’t left their house since the trial, we don’t even know how they get their food in. We’ll see what effect this arrest has. Do you think we ought to arrest Black Lena at the same time?”
“You are too eager,” said Judge Stallworth disdainfully. “I will sign the warrant for the daughter, but there is not enough evidence against the mother yet. It is notoriously difficult to prosecute a fence. You and Simeon are going to have to dig a little, find someone who thinks she’s been cheated by the old woman, bring her forward to testify, and then we’ll announce that we’ve arrested Black Lena Shanks, the head of the wickedest family in the Black Triangle. We must put her aside for the moment, but the abortionist is no problem, no problem at all. . . .”
It was arranged with the police that Daisy Shanks should be arrested at six o’clock in the evening of Thursday, March 16, just two days after the death of Maggie Kizer.
A little before the appointed time, Simeon Lightner, Benjamin Stallworth, and Duncan Phair met at the Tribune Building and took a cab to the corner of King and Hudson streets. On a preliminary stroll down West Houston Street, Simeon silently pointed out the house of the abortionist. The three men purchased cigars from a tobacconist’s with a faro bank ill-concealed in the back. They gathered round a streetlamp, and tried to make out that they were interested in the painted females who passed them by. Benjamin kept his hand thrust in his jacket pocket, excitedly fingering the small pistol that he had lately taken to carrying about with him—unknown to either Simeon or Duncan. He told himself, proudly, that in some emergency he would prove himself their timely deliverance.
The sun had fallen behind the brick buildings to the west, and the street was suffused with a soft pink light that allowed the dilapidated structures to present not so harsh or uninviting a scape as usual. A little beyond the hour of six, three policemen appeared from around the corner of the street and made their way silently toward number 203. One of them was Lincoln Pane, the officer who had arrested Maggie Kizer and testified at her trial.
The three men dropped their cigars and followed the policemen at a little distance. Simeon Lightner skipped ahead and stood just on the other side of the stone steps; the reporter exchanged a nod of recognition and complicity with Officer Pane, and then drew his tablets and pencil from his pocket.
Benjamin Stallworth and Duncan Phair retreated into the shadowed recess of a doorway directly across the street. Expectantly they watched the three uniformed men mount the pale stone steps of number 203. There was no response to Pane’s first knock, but a second sustained rapping at the door resulted in its being pulled open a small space by Rob, who stood silent upon the threshold.
“Daisy Shanks,” announced Officer Pane importantly, “we’ve come for Daisy Shanks!”
Rob answered nothing, and did not appear even alarmed by the appearance of the three policemen or the severity of Pane’s voice. He peered over the edge of the balustrade and carefully marked the presence of the reporter.
“Daisy Shanks!” shouted the policeman, and attempted to push past the little boy. Rob scampered out of the way down the steps, slipping between the uniforms; and his place in the door was taken by Louisa. Her face bore an expression even harder than usual, and the fringe of greasy curls was raked so far down over the low forehead that it covered her brows. She wore a blue dress covered in lace-edged ruffles and green bows, that hung as if it had been plunged in a vat of glue just before she had put it on.
“Are you Daisy Shanks?” Pane demanded.
Louisa made no sign, but Simeon Lightner hissed, “No!”
“Is Daisy Shanks within?”
Louisa shook her head no.
“She’s lying!” cried Simeon Lightner.
“Well,” said Pane, speaking to Louisa with sarcastic ease, “perhaps you’ve just mislaid her, or perhaps you’re mistaken, or perhaps she’s just come in the back way. Let us in and we’ll make certain.”
Louisa did not move. She paid little attention to the man who stood on the step just below her, but looked carefully over the other two policemen behind him and glanced for a moment at Simeon Lightner scribbling in his tablet. She even peered thoughtfully into the darkness of the recessed doorway across the street.
Duncan Phair felt himself observed, and shrank farther into the shadows.
At that moment, the door of the adjoining house was opened by Ella Shanks. Lena stood just behind her.
Rob ran over to join his sister and grandmother. The three stood on the steps of number 201, and with disconcerting passivity looked on Louisa Shanks as she defended their home and Daisy within it from the three policemen.
Officer Pane placed his hand on Louisa’s arm and tried to pull her out of the entrance, but with one swift motion she jerked herself free of his grasp and knocked his cap off. It flew and struck Simeon Lightner in the face.
“Damn you in the teeth!” cried Officer Pane, and attempted to shove her aside. The policemen from behind him jumped up on the narrow stoop, grabbed the woman’s arms and dragged her down. She resisted and they fell over backward. But Louisa Shanks was pulled over with them and all three tumbled painfully down the stoop and were sprawled on the sidewalk.
Officer Pane rushed inside the house.
One of the policemen had knocked his head against the sidewalk bricks and lay dazed; his compatriot was tangled in that man’s legs. Louisa Shanks was held fast at the waist by the second policeman. She struggled to disengage herself by smashing her elbows into his face. When this proved insufficient, Louisa pulled a small knife from her pocket and sliced the policeman’s knuckles open.
With an anguished cry he released her, shouted out in pain, and wrung his bloody hands together. Louisa immediately rose and rushed into the house after Officer Pane.
The policeman whose hands had been cut struggled to his feet and was about to give chase to Louisa when Black Lena, who had made her slow way forward from the stoop next door, thrust her cane between his legs and tripped him up. He fell at her feet, and she jammed the cane as hard as she could into his mouth, pushed, and then drew it out bloody.
These actions had occupied no more than about fifteen seconds in the quiet street. Not only to have a better view but to be well out of the way, Simeon Lightner had drawn back when Louisa and the two policemen were precipitated down the steps. Now he had disappeared, evidently to fetch other policemen. Duncan and Benjamin were so shocked by the drawing of the knife and by Black Lena’s vicious attack with her cane, that they had not the presence of mind to try to interfere in the altercation.
The second policeman writhed on the sidewalk at Black Lena’s feet, his mouth foaming up blood and a thick gurgle filling his throat. He tried to grab at her feet, but she jammed her cane into his eye and he twisted away in screaming pain.
The first policeman, who had been dazed, struggled into consciousness. But Rob and Ella together had lifted a loose coping stone from the balustrade of number 201 and brought it over to where he lay. They held it squarely over his forehead, and just as he flicked open his eye, they dropped it. The sharp corner smashed directly against his temple as he instinctively jerked his head out of the way.
“Oh my God!” cried Benjamin, and rushed forward into the street, his pistol held out tremulously before him. Although Benjamin had visited the Black Triangle nightly for almost three months, this was the most vicious fighting that he had ever seen. It was not such as he had witnessed before: hot-blooded quarrels among men who were momentarily angry with one another, drunken arguments got up over the fall of a card or the price of a drink or the imputation of theft. The hard-visaged woman who had rushed back into the house was surely bent on the suppression of Officer Pane, Benjamin considered—and his was now the responsibility of preserving that policeman’s life.
Benjamin’s saw a woman’s figure in the open doorway of number 203 and heard her voice: “No, Ma! No, Ma!” she cried: “Stop! I’m—”
Benjamin fired the pistol into the black doorway. A moment later, a young woman staggered out. Her long blond hair was tied up with blue ribbons; she wore a voluminous yellow skirt and a short-waisted green bodice beneath a tight green jacket. She held a red hand against her throat. Her mouth was frozen in a wide smile. She turned her head slightly in the direction of Lena Shanks and the twins and then collapsed at the top of the stoop. Blood gushed out of the hole in her neck over the shallow steps.
The twins screamed and—this time in their heedless grief—once more dropped the coping stone on the head of the policeman.
“Daisy! Daisy!” cried her bereaved mother.
Grappling with one another, Louisa Shanks and Officer Pane emerged from the doorway of the house together. Both were stopped by the sight of Daisy sprawled on the steps before them, her blood flowing in a little murky stream onto the brick sidewalk. Louisa was the first to recover her surprise—she stooped, grabbed Officer Pane by the waist, and flipped him over the balustrade onto the brick pavement. Louisa’s mouth opened wide, but no sound was emitted; her entire face was contracted and distorted with anguish. Her face locked in its tragic mask, she tenderly lifted Daisy’s corpse. Blood spilled over her dress as she cradled Daisy’s head against her breast. She mounted the steps again and carried Daisy into the house. The twins followed a moment after.
Lena Shanks, oblivious to the heap of policemen beside her, slowly mounted the steps after them.
In the street, Benjamin stood aghast—that he had just shot and killed a woman, and the wrong woman at that. Duncan had come forward out of the shadowed doorway and taken the gun from him. Together, and both unthinking, they had watched the body of the dead woman carried into the house.
At the door of number 203, Lena Shanks turned to Duncan and Benjamin, who had stepped forward and stood now on the brick walk before the house.
“Your name is Phair,” Lena said to Duncan, in a voice that faltered only upon the first word, “but you’re a Stallworth. And you too,” she said, pointing her cane at Benjamin. “You I’ve seen before. Noch einer Stallworth.” She paused, as if expecting either Duncan or Benjamin to deny his identity, then went on with an astonishing placidity: “Twenty years ago, Stallworth—the old man—killed Cornelius, meinen Mann. Sent me to the Island. Took away Daisy and Louisa. Put Alick in Sing Sing. I came off the Island, got my girls again. Alick is gone from Sing Sing. And I have the rope that hanged meinen Mann. Twenty years ago,” she whispered.
Suddenly she raised her cane and swung it violently before her. “Now you come back!” she hissed. “Stallworths! Stallworths put Maggie in jail. Stallworths close my shop. Stallworths keep Daisy from her medicine.”
She stopped, rubbed one shaking hand over the other on the head of the cane. Then she resumed, in a voice that was barely audible to the two men she addressed: “Now Maggie is dead. Now Daisy is dead.”
She bowed her head and wept. She raised her head and then savagely, with the tip of her cane, stirred her daughter’s blood that lay in a congealing pool on the stoop, black in the gathering evening.
“Stallworths! You killed Maggie,” she said pointing at Duncan, “and that’s one. And there’s you,” pointing at Benjamin, “you killed Daisy, and that’s two. The old man: three. A wife to you: four. Ein prediger: five. Eine Schwester: six. Six Stallworths, und zwei Kinder!”
Duncan was frightened. Not only had the old woman discovered their family, but she had known of his connection with Maggie as well.
“I had six too,” said Lena. “Cornelius and me, Alick and Maggie, Louisa and Daisy. Und zwei Kinder. Aber: three
of mine are dead. Cornelius is dead. Maggie is dead. Now Daisy is dead.”
Lena Shanks smiled a grim and ghastly smile and pointed to the policemen beside the stoop, dead and dying, their groans providing the burden and bass of her curse: “Go hide,” she said to Duncan and Benjamin, “and hide your family and your Kinder. This is what will come of you,” said she, glancing at the policemen, dead and dying. “We’ll see it done,” she said: “Vergisse nicht: there’s three of us dead. . . .”
She retreated into the blackness of the doorway through which her dead daughter had just been carried. “We’ll see it done,” she said again, and the door was pushed silently shut.
Part II: The Female Gang
Chapter 28
For the Tribune of Friday, March 17, 1882, Simeon Lightner prepared an extensive account of the terrible incident that had taken place before the houses belonging to Black Lena Shanks. Considering the sensational nature of the case and the luck of his having been a witness to it, Lightner composed the paragraphs in the first person. He began with the history of the two buildings at numbers 201 and 203 West Houston Street, which had been disreputable for more than two decades; appended biographies of their inhabitants, and reminded readers of Black Lena Shanks’s appearance and testimony at the trial of her sister-in-law, Maggie Kizer; told of the events within the Mulberry Street headquarters of the New York police that had led up to the attempted arrest of Daisy Shanks, and then presented a detailed ledger of the altercation on the sidewalk before the house.
Simeon Lightner concluded:
The presence of mind and daring of Mr. Benjamin Stallworth are entirely to be credited. When Daisy Shanks, the ‘Laughing Abortionist,’ emerged from No. 203, intent on finishing the job begun by her mother and her offspring, he halted her murderous progress with a courageous and well-timed bullet.
Gilded Needles (Valancourt 20th Century Classics) Page 21
