by Stefan Zweig
“Well, we’ll see what can be done,” he growled. “You come back here tomorrow, by then old Mendel will have found you a little something, and what can’t be found here will turn up elsewhere. A man who knows his way around will have luck.”
I thanked him courteously, and in all this civility I stumbled into a great act of folly by suggesting that I could write down the titles of books I wanted on a piece of paper. At the same moment I felt a warning nudge in the ribs from my friend’s elbow. But too late! Mendel had already cast me a glance—what a glance!—that was both triumphant and injured, a scornful and superior, a positively regal glance, the Shakespearian glance of Macbeth when Macduff suggests to that invincible hero that he yield without a fight. Then he laughed again, briefly, the big Adam’s apple in his throat rolling back and forth in an odd way. Apparently he had bitten back a sharp rejoinder with some difficulty. And good Mendel the bibliophile would have been right to make every imaginable sharp remark, for only a stranger, an ignoramus (amhorez is the Yiddish word he used for it) could offer such an insult as to write down the title of a book for him, Jakob Mendel, as if he were a bookseller’s apprentice or a servant in a library, as if that incomparable, diamantine bibliophilic brain would ever have needed such a crude aid to his memory. Only later did I realize how much my civil offer must have injured the feelings of such an esoteric genius, for this small, squat Galician Jew, entirely enveloped in his own beard and hunchbacked into the bargain, was a Titan of memory. Behind that chalky, grubby brow, which looked as if it were overgrown by grey moss, there stood in an invisible company, as if stamped in steel, every name and title that had ever been printed on the title page of a book. Whether a work had first been published yesterday or two hundred years ago, he knew at once its exact place of publication, its publisher and the price, both new and second-hand, and at the same time he unfailingly recollected the binding, illustrations and facsimile editions of every book. He saw every work, whether he had held it in his own hands or had only seen it once from a distance, in a window display or a library, with the same optical precision as the creative artist sees the still-invisible forms of his inner world and those of other people. If, say, a book was offered for six marks in the catalogue of a second-hand bookseller in Regensburg, he immediately remembered that another copy of the same book could have been bought for four crowns in an auction in Vienna two years ago, and he also knew who had bought it; indeed, Jakob Mendel never forgot a title or a number, he knew every plant, every micro-organism, every star in the eternally oscillating, constantly changing cosmos of the universe of books. He knew more in every field than the experts in that field, he was more knowledgeable about libraries than the librarians themselves, he knew the stocks of most firms by heart better than their owners, for all their lists and their card indexes, although he had nothing at his command but the magic of memory, nothing but his incomparable faculty of recollection, which could only be truly explained and analysed by citing a hundred separate examples. It was clear that his memory could have been trained and formed to show such demonic infallibility only by the eternal mystery of all perfection: by concentration. This remarkable man knew nothing about the world outside books, for to his mind all the phenomena of existence began to seem truly real to him only when they were cast as letters and assembled as print in a book, a process that, so to speak, had sterilized them. But he read even the books themselves not for their meaning, for their intellectual and narrative content: his sole passion was for their names, prices, forms of publication and original title pages. Unproductive and uncreative in that last point, nothing but a list of hundreds of thousands of titles and names, stamped on the soft cortex of a mammalian brain as if written in a catalogue of books, Jakob Mendel’s specifically bibliophilic memory was still, in its unique perfection, no less a phenomenon than Napoleon’s memory for faces, Mezzofanti’s for languages, the memory of a chess champion like Lasker for opening gambits or of a composer like Busoni for music. In a public place in the context of a seminar, that brain would have instructed and amazed thousands, hundreds of thousands of students and scholars, with results fertile for the sciences, an incomparable gain for those public treasuries that we call libraries. But that higher world was for ever closed to this small, uneducated Galician dealer in books, who had mastered little more than what he was taught in his studies of the Talmud, and consequently his fantastic abilities could take effect only as the secret knowledge shown when he sat at that marble-topped table in the Café Gluck. But some day, when there is a great psychologist who, with patience and persistence equal to Buffon’s in arranging and classifying the entire animal kingdom, can do the same for all varieties, species and original forms of the magical power that we call memory, describing them separately and presenting their variants (a work as yet absent from our intellectual world)—then he would be bound to think of Jakob Mendel, that genius of prices and titles, that nameless master of the science of antiquarian books.
By trade, to be sure, Jakob Mendel was known to the ignorant only as a little dealer in second-hand books. Every Sunday the same standard advertisement appeared in the Neue Freie Presse and the Neues Wiener Tagblatt: “Old books bought, best prices paid, apply to Mendel, Obere Alserstrasse”, and then a telephone number which in fact was the number of the Café Gluck. He would search through stockrooms, and every week, with an old servant bearded like the Emperor Joseph, brought back new booty to his headquarters and conveyed it on from there, since he had no licence for a proper bookshop. So he remained a dealer in a small way, not a very lucrative occupation. Students sold him their textbooks, and his hands passed them on from one academic year to the next, while in addition he sought out and acquired any particular work that was wanted, asking a small extra charge. He was free with good advice. But money had no place within his world, for he had never been seen in anything but the same shabby coat, consuming milk and two rolls in the morning, the afternoon and the evening, and at mid-day eating some small dish that they fetched him from the restaurant. He didn’t smoke, he didn’t gamble, you might even say he didn’t live, but the two lively eyes behind his glasses were constantly feeding words, titles and names to this strange being’s brain. And the soft, fertile substance of that brain absorbed this wealth of words greedily, like a meadow soaking up thousands upon thousands of raindrops. Human beings did not interest him, and of all the human passions perhaps he knew only one, although that, for sure, is the most human of them all: vanity. If someone came to him for information, after laboriously searching for it elsewhere to no avail, and he could provide it at once, that alone made him feel satisfaction, pleasure; and so too perhaps did the fact that a few dozen people who respected and needed his knowledge lived in and outside Vienna. Every one of those massive conglomerations of millions of people, a place that we would call a metropolis, is sprinkled here and there with several small facets reflecting one and the same universe in miniature, invisible to most and valuable only to the expert, who is related to another expert by virtue of the same passion. And these bibliophiles all knew Jakob Mendel. Just as if you wanted advice on sheet music you turned to Eusebius Mandyczewski at the Viennese Music Association, a friendly presence sitting there in his grey cap among his files and his scores, and he would solve the most difficult problem with a smile as he first looked up at you; just as today everyone wanting to know about the Altwiener Theater and its culture would still turn infallibly to Karl Glossy, who knows all about the subject—so a few devout Viennese bibliophiles, when they had a tough nut to crack, made their pilgrimage to the Café Gluck and Jakob Mendel.
Watching Mendel during one of these conversations gave me, as a young man full of curiosity, a particular kind of pleasure. If you put an inferior book in front of him he would close it scornfully, muttering only, “Two crowns”; but faced with some rarity, or a unique specimen, he would lean respectfully back, place a sheet of paper under it, and you could see that he was suddenly ashamed of his grubby, inky fingers with their black
-rimmed nails. Then he would begin leafing tenderly, cautiously and with immense reverence through the rare volume, page by page. No one could disturb him at a moment like that, as little as you can disturb a devout believer at prayer; and indeed that looking, touching, smelling and assessing, each of those single acts, had about it something of the succession of rituals in a religious ceremony. His hunched back shifted to and fro, meanwhile he muttered and growled, scratched his head, uttered curious vowel sounds, a long-drawn-out, almost awe-stricken, “Ah” or “Oh” of captivated admiration, or then again a swift and alarmed, “Oy!” or “Oy vey!” if a page turned out to be missing, or had been nibbled by a woodworm. Finally he would weigh up the thick tome respectfully in his hands, sniff at the large rectangle and absorb its smell with half-closed eyes, as delighted as a sentimental girl enjoying the scent of tuberose. During this rather elaborate procedure, the owner of the book of course had to possess his soul in patience. Having ended his examination, however, Mendel was very happy, indeed positively delighted to give any information, which infallibly came with wide-ranging anecdotes and dramatic accounts of the prices of similar copies. At these moments he seemed to become brighter, younger, livelier, and only one thing could embitter him beyond all measure: that was if a novice tried to offer him money for his opinion. Then he would draw back with an air of injury, for all the world like the distinguished curator of a gallery when an American tourist passing through the city tries to press a tip into his hand.
Holding a precious book meant to Mendel what an assignment with a woman might to another man. These moments were his platonic nights of love. Books had power over him; money never did. Great collectors, including the founder of a collection in Princeton University Library, tried in vain to recruit him as an adviser and buyer for their libraries—Jakob Mendel declined; no one could imagine him anywhere but in the Café Gluck. Thirty-three years ago, when his beard was still soft and black and he had ringlets over his forehead, he had come from the east to Vienna, a crookbacked lad, to study for the rabbinate, but he had soon abandoned Jehovah the harsh One God to give himself up to idolatry in the form of the brilliant, thousand-fold polytheism of books. That was when he had first found his way to the Café Gluck, and gradually it became his workplace, his headquarters, his post office, his world. Like an astronomer alone in his observatory, studying myriads of stars every night through the tiny round lens of the telescope, observing their mysterious courses, their wandering multitude as they are extinguished and then appear again, so Jakob Mendel looked through his glasses out from that rectangular table into the other universe of books, also eternally circling and being reborn in that world above our own.
Of course he was highly esteemed in the Café Gluck, the fame of which was linked, so far as we were concerned, with Mendel at his invisible teacher’s lectern rather than with the nominal patronage of that great magician Christoph Willibald Gluck, the composer of Alceste and Iphigénie. Mendel was as much a part of the fixtures and fittings as the old cherrywood cash desk, the two badly mended cues and the copper coffee pot, and his table was protected like a shrine—for his many customers and seekers after information were always urged by the staff, in a friendly manner, to place an order of some kind, thus ensuring that most of the profits of his knowledge disappeared into the broad leather bag worn at his hip by Deubler the head waiter. In return, Mendel the bibliophile enjoyed many privileges. He was free to use the telephone, his letters were fetched and anything he ordered from the restaurant brought in, the good old lady who looked after the toilets brushed his coat and sewed on buttons, and every week she took a little bundle of washing to the laundry for him. Lunch could be brought over from the nearby restaurant for him alone, and every day Herr Standhartner, the owner of the café, came to his table in person and said good morning (although usually Jakob Mendel, deep in his books, failed to notice the greeting). He arrived promptly at seven-thirty in the morning, and he left the café only when the lights were switched off. He never spoke to the other customers, and when Herr Standhartner once asked him courteously if he didn’t find reading better by electric light than in the pallid, fitful illumination from the old Auer gas lamps, he gazed in surprise at the electric light bulbs; in spite of the noise and hammering of an installation lasting several days, this change had entirely passed him by. Only through the twin circles of his glasses, only through those two sparkling lenses that sucked everything in, did the billions of tiny organisms formed by the letters filter into his brain; everything else streamed over him as meaningless noise. In fact he had spent over thirty years, the entire waking part of his life, here at his rectangular table reading, comparing and calculating, in a continual daydream interrupted only by sleep.
So I was overcome by a kind of horror when I saw that the marble-topped table where Jakob Mendel made his oracular utterances now stood in this room as empty as a gravestone. Only now that I was older did I understand how much dies with such a man, first because anything unique is more and more valuable in a world now becoming hopelessly uniform. And then because, out of a deep sense of premonition, the young, inexperienced man I once was had been very fond of Jakob Mendel. In him, I had come close for the first time to the great mystery of the way what is special and overwhelming in our existence is achieved only by an inner concentration of powers, a sublime monomania akin to madness. And I had seen that a pure life of the mind, total abstraction in a single idea, can still be found even today, an immersion no less than that of an Indian yogi or a medieval monk in his cell, and indeed can be found in a café illuminated by electric light and next to a telephone—as a young man, I had sensed it far more in that entirely anonymous little book dealer than in any of our contemporary writers. Yet I had been able to forget him—admittedly in the war years, and in an absorption in my own work not unlike his. Now, however, looking at that empty table, I felt a kind of shame, and at the same time a renewed curiosity.
For where had he gone, what had happened to him? I called the waiter over and asked. No, he was sorry, he didn’t know a Herr Mendel, no gentleman of that name frequented the café. But perhaps the head waiter would know. The head waiter ponderously steered his pot belly towards me, hesitated, thought it over. No, he didn’t know any Herr Mendel either. But maybe I meant Mandl, Herr Mandl from the haberdashery shop in Florianigasse? A bitter taste rose to my mouth, the taste of transience: what do we live for, if the wind carries away the last trace of us from beneath our feet? For thirty years, perhaps forty, a man had breathed, read, thought and talked in this room of a few square metres, and only three or four years had to pass before there arose up a new king over Egypt, which knew not Joseph. No one in the Café Gluck knew anything now about Jakob Mendel, Mendel the bibliophile! Almost angrily I asked the head waiter if I could speak to Herr Standhartner, or was there anyone else from the old staff left in the house? Oh, Herr Standhartner, oh, dear God, he had sold the café long ago, he had died, and the old head waiter was living on his little property in the town of Krems. No, there was no one from the old staff here now… or yes! Yes, there was—Frau Sporschil was still here, the toilet lady (known in vulgar parlance as the chocolate lady). But he was sure she wouldn’t be able to remember individual customers now. I thought at once, you don’t forget a man like Jakob Mendel, and I asked her to come and see me.
She came, Frau Sporschil with her untidy white hair, her dropsical feet taking the few steps from her area of responsibility in the background to the front of the café and still hastily rubbing her red hands on a cloth; obviously she had just been sweeping or cleaning the windows of her dismal domain. From her uncertain manner I noticed at once that she felt uneasy to be summoned so suddenly into the smarter part of the café, under the large electric lights—in Vienna ordinary people suspect detectives and the police everywhere, as soon as anyone wants to ask them questions. So she looked at me suspiciously at first, glancing at me from under her brows, a very cautious, surreptitious glance. What good could I want of her? But as soo
n as I asked about Jakob Mendel she stared at me with full, positively streaming eyes, and her shoulders began to shake.
“Oh, my God, poor Herr Mendel—to think of anyone remembering him now! Yes, poor Herr Mendel”—she was almost weeping, she was so moved in the way of old people when they are reminded of their youth, of some good, forgotten acquaintanceship. I asked if he was still alive.
“Oh, my God, poor Herr Mendel, it must be five or six years he’s been dead, no, seven years. Such a kind, good man, and when I think how long I knew him, more than twenty-five years, he was already coming here when I joined the staff. And it was a shame, a real shame, the way they let him die.” She was growing more and more agitated, and asked if I was a relation. Because no one had ever troubled about him, she said, no one had ever asked after him—didn’t I know what had happened to him?
