—Zeen.
—What me want to know though, in part one you say is eleven people get kill. So how come you only write ’bout seven?
I don’t know if I should answer. Five minutes ago I told them I needed to pee and the Eubie dude said, Me not stopping you. I got up and Ren-Dog punched me square in the face and loosened my left molar. Before that, Pig Tails kicked me on the floor. Before that, Eubie told Ren-Dog to deal with me and he grabbed my shirt and ripped it off. Then somebody behind me hit me in the head and my knees hit the floor. Can’t remember when they pulled my pants off or my boots. They dragged me upstairs by my hands, making my head bump into each step, and they were laughing or shouting or screaming, I don’t know. Ren-Dog grabbed me by the neck and we’re in my bathroom and somebody laughed again and he pushed me and I tripped backways and landed in the tub and I tried to get up but slipped and he’s so fucking strong. He grabbed me by the neck again and I punched and scratched and slapped and tore at him, and somebody else just laughed and shoved me right underneath the tap and turned it on full blast. Water hit my forehead and eyes and I tried to remember not to breathe, but water got in my nose anyway and my mouth and every time I tried to scream my mouth would fill up. I felt a boot pinning my chest down and couldn’t move my hand and the water was just blasting and punching and slapping my lips and punching my teeth and digging into my eye and in my nose and I started to choke and cough and cry and he still held me by the neck and that’s all I remember. I came to on the chair wet and in my brief and choking. Eubie threw The New Yorker at me and told me to read.
—I . . . I really need to pee. I really need . . .
They look at me and laugh.
—Please. Please. I need to use the bathroom.
—You just come from the bathroom, little boy.
They all laugh.
—Please. I need to—
—So piss, fool.
I’m on the stool and I’m a fucking man, I want to say I’m a fucking man and you can’t treat people like this and I . . . I want to sleep so bad and I want to stand up and I want to hold it, just to show them I can do something, but I can’t do so many things, I can’t even remember to breathe deep, and my eyes burn and the front of my brief gets wet and yellow.
—Boss, him really a piss up himself?
—What, him be six-year-old? Nasty r’ass.
—Guess him couldn’t hold it. Detention for this little boy.
They laugh. All of them but Eubie. I have to rub my eyes every few minutes because they get blurry. And I read this thing slow, because once I get to the end of the article they’re going to kill me. I can smell myself and feel my toes in my piss.
—Couldn’t find any info on the other four. Besides, seven is a good round number.
—Baby need a nappy, Ren-Dog says.
—Continue, Eubie says.
He’s walking to me again and I push back so hard I fall over. He pulls me up and I’m crying again and he says, Collect yourself, boy.
—Now continue.
—But . . . but . . . but . . . but then, but then, but then came a—
—Brethren, from the last sentence. You think we still remember it?
—I’m sor . . . I’m sorry.
—Is alright. Take control of yourself. We not going nowhere.
—She was . . . she was, according to her sister, hell-bent on escaping the life that fate had all but drawn up with just numbers left to color. But then came a boy.
“There’s always some f——boy,” her sister says. At Shelly’s Diner in Flatbush she has already cried twice in between quiet sips of her ice cream soda. Short, chubby and—
—Why you have to describe her so ghetto?
—Huh? I don’t unders—
—Short, chubby, and I remember the rest, “dark with hair that looked like the extensions were just removed.” What the fuck, white boy, you think she going like to read that?
—It’s what—
—It’s what, what?
He was right behind me and I was trying not to shake. My face hurt every single time I opened my mouth.
—How you like if me write “Alexander Pierce step out of the bathroom having shaked the piss from his one-inch penis.”
—You . . . you telling me how to write?
—I see the smartass Alexander Pierce finally coming back. I’m telling you I don’t know shit about your fucking penis. And you don’t know nothing about black woman hair.
His hand is on my neck. He just grasped it. Not soft as I can feel his calluses rub against me, but not firm either and I just don’t know. Then he squeezes slight.
—You understand me yet? I want you to understand I not playing. Me is the man who will cut your head off and ship it to your mother. And I not saying that for dramatic effect. You understand me?
—Yes.
—Say it.
—Say it?
—Say I understand you.
—I understand you.
—Good. Continue.
I cough for one minute.
—Ex . . . extensions were just removed. “Money-Luv was just about to get out, you hear me? She look at Bushwick and girl was like, see yah. You could just feel it, you know what I’m saying? I mean, she was just wicked smart—”
—Haha, nothing make a white man sound more white than when he try to sound like a black girl.
—Ah . . . “just wicked smart. And then that mofo just come out of nowhere and ruins her life. I don’t even blame the drug dealer for killing her. I blame him.” Whether or not she picked up the crack habit from sharing a needle with her old boyfriend or not, by 1984 Monifah was totally hooked on crack and an addict before the drug exploded in popularity by the mid to late eighties. A drug whose light-speed rise in New York City can be traced to a few men. Including the gang that killed her.
It’s not uncommon for addicts to have one last score before they go clean. In fact Moni—
—Enough about that sorry bitch. Move down.
—Okay. To where exactly?
—The part where you start to talk about the crack house. You know, like in part two. That was killing number two, right? Part two did more real for true. At least you didn’t spend so much time trying to show off how you know pretty word. Move to where she turn into killing number three.
—Ah . . . well . . . ah . . . one second.
—You don’t know you own story?
He squeezes my neck.
—Okay, okay. From where?
—The crack house.
—Thanks. There is a Bushwick seen at street level, crack level that all but vanishes as soon as you look up. For all the drug deals, connections, amateur prostitutes, scammers, junkies, hustlers and rap music, Bushwick was still one of those rare places in New York where the Gilded Age stared down on you. Ruined Boss Tweed–style houses of processed-meat millionaires with gaudy pillars and huge front facades ripped from European mansions with imported brick and masonry. The remnants of galley windows and fire escapes outside, dumbwaiters and secret passages inside. It was as if the robber barons had built Bushwick for crack barons.
The crack house on the corner of Gates and Central still had most of its regal, brick-red color. Two stairways led to two doorway arches and a third arch in between, with wide windows to reveal from outside what was once a drawing room. Both doorways still popped with green paint. But the rest of the house was from haunted house central casting, hollow gaps where French windows used to be, holes patched with wood, or stuffed with newspaper, other windows shuttered down with weather-rotten wood, graffiti all over the first floor and stray dogs running in and out of garbage heaps as high as snowdrifts. By 1984, the top floor was so unsafe that an addict fell through the wood and got his neck stuck on a nail. He bled to death and hung there for seven days before somebody called the police. The—
—Jesus Christ, white boy, get to the killing, no man. You no see Ren-Dog almost sleeping?
Ren-Dog yawns big and dramatic.—True that, he s
ays.
I read,
—It’s not uncommon for a crack addict or any addict for that matter to score one last time before they get clean, so nobody was surprised when Monifah headed to the crack house. Even with this knowledge her friends still believe she would have gotten herself straight starting the next day. If you scored crack in Brooklyn, the crack house at Gates and Central was your mecca—
The entire kitchen groaned.
—Jesus Christ, white boy, you really write that? he says.
—I wrote what?
—That. You just compare one of the holiest place in the world to a crack house. You want we staple the passage to your chest and dump you off at Nation of Islam.
—I didn’t mean to—
—You didn’t think. I should make one of them shoot you just for that. Fucking idiot. Fucking irresponsible.
—Didn’t think some drug dealer was going to preach to me all of a sudd—
He kicks the stool and I go down.
—Get up.
I get up, but the pain hits me in the stomach again and I fall over. I can’t even breathe. He just looks at me, waiting and annoyed. I get up again, just to my knees, fix the stool and sit. Part of me hopes it’s spit on my cheek, not tears, and part of me is starting to not care.
—Read the rest. Read.
—Just two blocks down from the dealers, but still on Central Avenue. Nobody can confirm her relationship with G-Money, a former dealer from the area who got kicked out of the ring because he consumed too much of his own stash, but they did share a crack habit. G-Money, half Mexican with thick curly hair and wide smile, had ambitions pre-crack as well. That night his brothers saw him leave at around eight p.m. with someone he assumed was a man, but was Monifah dressed in a hoodie and oversized jeans more to hide her pregnancy than to pass as a man—a pregnant woman would have given even a seasoned crack dealer pause.
An old mansion such as the one on Gates Street had many rooms, corners, passages, and hallways, which is why scoring crack, selling it, smoking it, shooting it, even prostituting for it could all transpire under the same roof. G-Money secured the second-floor bedroom near the staircase, the only one that still had a bed, and Monifah, pulling her hoodie back over her head, scored the crack up the street. Though she preferred to shoot up on her own, she always smoked with G-Money. One floor up in a room all to themselves, they had no idea all hell had broken loose below them. A gang of assailants, men connected with the drug gang that ran most of the streets in Bushwick, had burst into the crack house and started killing everyone in their midst. Preacher Bob, cooking in what was left of the kitchen, and Mr. Cee were both already dead. Addicts on the first floor were in a panic, caught between trying to run for their lives and not wanting to lose their pipes, needles or vials in the dark. On the second floor, a woman jumped through a window at the end of the corridor, breaking both legs when she fell. Right outside their door another man fell from two shots to the chest, from both a Glock and another semiautomatic. The gang kicked down the door, shot Monifah straight in the head, the force knocking her down on the bed, her pregnant belly a dead mound on the mattress. G-Money, before he even knew what was going on, grabbed her pipe and took the hit.
The gang continued. There were more to kill. They called themselves the Storm Posse and police records show they operated the same crack house. The killing might have been a warning. A witness claimed it was not a gang doing the shooting but one member, perhaps the leader. Regardless, this was typical M.O. for the gang: the Storm Posse, a loose alliance of Jamaican thugs bred on Third World violence and Colombian drug money that had become in just a few years the most feared crime syndicate on the East Coast.
Eubie takes The New Yorker from me.
—Part four: T-Ray Benitez and the Jamdown Connection. You send this piece in yet?
—Yes.
—Too bad. Because you going to call them right now and make a whole heap o’ changes.
Ten
Josey. Seriously, hombre. Josey.
I can’t even see him. The mattress has been blocking my view ever since he grabbed it with both hands and threw it at me. I jumped back before he pulled up the metal bed frame until it was standing and toppled it over to crash against the cell bars. The mattress took the blow but the bed head struck the bars and sparks were flying everywhere. I jumped backward and fell, even though there was no way he was going to break through those bars. Off in the dark he was grunting and growling and some other beasty shit and trying to pull the damn sink out of the wall when he couldn’t knock it over.
—Josey.
Josey.
Josef.
—What the bombocloth you want?
—You’re not the first guy in lockdown to try to break the sink or the toilet.
—FUCK.
I’m at the gate. Trying to push away the mattress and the bed with my left hand. Neither would budge. I try to push with my right hand and he grabs it.
—What the fuck, Josey?
—Don’t fucking Josey me, pussyhole. If I don’t fucking business ’bout shooting some pregnant bitch what you think I would do to you?
He yanks me hard and my temple and right brow slam into the iron.
—Everybody seem to think they can fuck with me all of a sudden.
—Josey.
He yanks me again, pulling my whole shoulder in. The bars crush my chest—he’s pulling me through it.
—Josey.
A flash of light and I think it’s because I’m blinking.
—Josey, let go. Please.
The flash is a machete, shiny like it’s new.
—Want to know what happen to the fourth policeman who come in here trying to kill me?
—Oh my God, Josey.
—But since me and you bonafied I giving you choice. Above the elbow or below? Choose good, because I hear false arm not cheap.
—Oh my God.
—Uh-huh. Look at Doctor Love, think because he can blow up plane and kill old people who want to die anyway, that he bad. Come strolling in here like me on me knees waiting for whichever bone you want to fucking give me. Huh? You no tired of underestimating me, pussyhole? You no tired of me showing you say me have handle and you have blade? Now, pussyhole, me say to choose.
He swipes the machete above my elbow, cuts through the skin and draws blood.
—Above the elbow . . .
He swipes the machete below my elbow this time deeper and draws blood again.
—Or below? Decide in five seconds or I going choose and I might take the whole shoulder.
—Josey, no.
—Five, four—
—Oh my God.
—Three, two.
—You have another one, Josey.
—Another one what? Another second? Is you who don’t.
—You have another son, Josey.
The shiny blade swings up and disappears in the dark.
—You have another son.
The machete reappears right at my throat. He’s still pulling my hand through the bars.
—Jesus Christ, Josey.
—What you just say?
—You fucking heard what I just said! You have another son. You think we don’t know? Your firstborn dead, your girl dead, you only got one left, Josey, and if you don’t think we won’t come for him I swear to God I’ll take this other hand and gut him like a fucking fish.
—Uh-huh? How you going do that when you bleed to death before you even get to the door?
—Because you’re right, Josey. It’s not just me. What the fuck d’you think, hombre? That I would just waltz in here like a fucking idiot? Like I don’t know you? You think Daddy’s little thugs can protect him from me? I’m Doctor Love, motherfucker. You seem to forget my motherfucking skill set. So you fucking let me go.
—Me must look like a r’asscloth idiot. Let you go so you can press two wire and blow up me fucking house?
—No, mijo, so that I can pull the two wires apart and stop it.
He drops the machete before he lets go. I grab my arm but there’s nothing to do but wait until it stops bleeding.
—I don’t suppose they gave you a roll of toilet paper in there? I guess no.
—I should have killed you.
—And so what if you kill me, Josef? They’ll just send another one. They’ll just send another one.
He steps away from me and pulls the bed frame enough for it to fall and shake the whole room. The mattress slides to the ground. He sits on the bedspring but doesn’t look at me.
—What Eubie want with my son?
—He doesn’t want anything with your damn son. He doesn’t even want anything from you. Only that you stay the fuck out of New York, I’m guessing.
—What the CIA want?
—Rasta don’t work for the CIA. Sorry, bad joke. I’m not here to tell you who sent me, Josey. Relax, nobody wants your son. He could become another you for all we care, at least that’s the status quo, which believe or not, everybody was quite fine with until you fucked it up. You didn’t even have the smarts to get caught when your own government was in power.
—I don’t want nobody touch my son, Luis.
—I said I’m not after your son, Josey.
—But you wire my house for real?
—Of course I wired your fucking house. You and I both know you can smell a bluff.
He laughs and I laugh too. Wish there was somewhere to sit. He’s still laughing when I stoop down to the floor and lean back against the wall facing him.
—All this and you still won’t tell me who send you.
—Oh, I figured you’d have guessed by now. I only answer to two or three people.
—You answer to whoever paying the biggest cheque.
—Not so. I have been known to do one or two things pro bono.
—I don’t even know what that mean.
—Don’t worry about it.
—It funny how nobody come in to check out what going on, specially with all the bangarang going on in here.
—Nobody is coming back tonight, hombre.
—Should have guessed that one from the second you walk in. You not going tell me who, don’t it?
A Brief History of Seven Killings Page 67
