Light in August

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Light in August Page 7

by William Faulkner


  “Why do you spend your Saturday afternoons working at the mill while other men are taking pleasure down town?” Hightower said.

  “I don’t know,” Byron said. “I reckon that’s just my life.”

  “And I reckon this is just my life, too,” the other said. ‘But I know now why it is,’ Byron thinks. ‘It is because a fellow is more afraid of the trouble he might have than he ever is of the trouble he’s already got. He’ll cling to trouble he’s used to before he’ll risk a change. Yes. A man will talk about how he’d like to escape from living folks. But it’s the dead folks that do him the damage. It’s the dead ones that lay quiet in one place and don’t try to hold him, that he can’t escape from.’

  They have thundered past now and crashed silently on into the dusk; night has fully come. Yet he still sits at the study window, the room still dark behind him. The street lamp at the corner flickers and glares, so that the bitten shadows of the unwinded maples seem to toss faintly upon the August darkness. From a distance, quite faint though quite clear, he can hear the sonorous waves of massed voices from the church: a sound at once austere and rich, abject and proud, swelling and falling in the quiet summer darkness like a harmonic tide.

  Then he sees a man approaching along the street. On a week night he would have recognised the figure, the shape, the carriage and gait. But on Sunday evening, and with the echo of the phantom hooves still crashing soundlessly in the duskfilled study, he watches quietly the puny, unhorsed figure moving with that precarious and meretricious cleverness of animals balanced on their hinder legs; that cleverness of which the man animal is so fatuously proud and which constantly betrays him by means of natural laws like gravity and ice, and by the very extraneous objects which he has himself invented, like motor cars and furniture in the dark, and the very refuse of his own eating left upon floor or pavement; and he thinks quietly how right the ancients were in making the horse an attribute and symbol of warriors and kings, when he sees the man in the street pass the low sign and turn into his gate and approach the house. He sits forward then, watching the man come up the dark walk toward the dark door; he hears the man stumble heavily at the dark bottom step. “Byron Bunch,” he says. “In town on Sunday night. Byron Bunch in town on Sunday.”

  Chapter 4

  THEY sit facing one another across the desk. The study is lighted now, by a greenshaded reading lamp sitting upon the desk. Hightower sits behind it, in an ancient swivel chair, Byron in a straight chair opposite. Both their faces are just without the direct downward pool of light from the shaded lamp. Through the open window the sound of singing from the distant church comes. Byron talks in a flat, level voice.

  “It was a strange thing. I thought that if there ever was a place where a man would be where the chance to do harm could not have found him, it would have been out there at the mill on a Saturday evening. And with the house burning too, right in my face, you might say. It was like all the time I was eating dinner and I would look up now and then and see that smoke and I would think, ‘Well, I won’t see a soul out here this evening, anyway. I ain’t going to be interrupted this evening, at least.’ And then I looked up and there she was, with her face all fixed for smiling and with her mouth all fixed to say his name, when she saw that I wasn’t him. And I never knowed any better than to blab the whole thing.” He grimaces faintly. It is not a smile. His upper lip just lifts momentarily, the movement, even the surface wrinkling, travelling no further and vanishing almost at once. “I never even suspicioned then that what I didn’t know was not the worst of it.”

  “It must have been a strange thing that could keep Byron Bunch in Jefferson over Sunday,” Hightower says. “But she was looking for him. And you helped her to find him. Wasn’t what you did what she wanted, what she had come all the way from Alabama to find?”

  “I reckon I told her, all right. I reckon it ain’t any question about that. With her watching me, sitting there, swolebellied, watching me with them eyes that a man could not have lied to if he had wanted. And me blabbing on, with that smoke right yonder in plain sight like it was put there to warn me, to make me watch my mouth only I never had the sense to see it.”

  “Oh,” Hightower says. “The house that burned yesterday. But I don’t see any connection between—Whose house was it? I saw the smoke, myself, and I asked a passing negro, but he didn’t know.”

  “That old Burden house,” Byron says. He looks at the other. They look at one another. Hightower is a tall man, and he was thin once. But he is not thin now. His skin is the color of flour sacking and his upper body in shape is like a loosely filled sack falling from his gaunt shoulders of its own weight, upon his lap. Then Byron says, “You ain’t heard yet.” The other watches him. He says in a musing tone: “That would be for me to do too. To tell on two days to two folks something they ain’t going to want to hear and that they hadn’t ought to have to hear at all.”

  “What is this that you think I will not want to hear? What is it that I have not heard?”

  “Not the fire,” Byron says. “They got out of the fire all right.”

  “They? I understood that Miss Burden lived there alone.”

  Again Byron looks at the other for a moment. But Hightower’s face is merely grave and interested. “Brown and Christmas,” Byron says. Still Hightower’s face does not change in expression. “You ain’t heard that, even,” Byron says. “They lived out there.”

  “Lived out there? They boarded in the house?”

  “No. In a old nigger cabin in the back. Christmas fixed it up three years ago. He’s been living in it ever since, with folks wondering where he slept at night. Then when him and Brown set up together, he took Brown in with him.”

  “Oh,” Hightower said. “But I don’t see ... If they were comfortable, and Miss Burden didn’t—”

  “I reckon they got along. They were selling whiskey, using that old place for a headquarters, a blind. I don’t reckon she knew that, about the whiskey. Leastways, folks don’t know if she ever knew or not. They say that Christmas started it by himself three years ago, just selling to a few regular customers that didn’t even know one another. But when he took Brown in with him, I reckon Brown wanted to spread out. Selling it by the half a pint out of his shirt bosom in any alley and to anybody. Selling what he never drunk, that is. And I reckon the way they got the whiskey they sold would not have stood much looking into. Because about two weeks after Brown quit out at the mill and taken to riding around in that new car for his steady work, he was down town drunk one Saturday night and bragging to a crowd in the barbershop something about him and Christmas in Memphis one night, or on a road close to Memphis. Something about them and that new car hid in the bushes and Christmas with a pistol, and a lot more about a truck and a hundred gallons of something, until Christmas come in quick and walked up to him and jerked him out of the chair. And Christmas saying in that quiet voice of his, that ain’t pleasant and ain’t mad either: ‘You ought to be careful about drinking so much of this Jefferson hair tonic. It’s gone to your head. First thing you know you’ll have a hairlip.’ Holding Brown up he was with one hand and slapping his face with the other. They didn’t look like hard licks. But the folks could see the red even through Brown’s whiskers when Christmas’ hand would come away between licks. ‘You come out and get some fresh air,’ Christmas says. ‘You’re keeping these folks from working.’ ” He muses. He speaks again: “And there she was, sitting there on them staves, watching me and me blabbing the whole thing to her, and her watching me. And then she says, ‘Did he have a little white scar right here by his mouth?’ ”

  “And Brown is the man,” Hightower says. He sits motionless, watching Byron with a sort of quiet astonishment. There is nothing militant in it, nothing of outraged morality. It is as though he were listening to the doings of people of a different race. “Her husband a bootlegger. Well, well, well.” Yet Byron can see in the other’s face something latent, about to wake, of which Hightower himself is unaware, as if so
mething inside the man were trying to warn or prepare him. But Byron thinks that this is just the reflection of what he himself already knows and is about to tell.

  “And so I had already told her before I knew it. And I could have bit my tongue in two, even then, even when I thought that that was all.” He is not looking at the other now. Through the window, faint yet clear, the blended organ and voices come from the distant church, across the still evening. I wonder if he hears it too, Byron thinks. Or maybe he has listened to it so much and so long that he don’t even hear it anymore. Don’t even need to not listen. “And she set there all the evening while I worked, and the smoke dying away at last, and me trying to think what to tell her and what to do. She wanted to go right on out there, for me to tell her the way. When I told her it was two miles she just kind of smiled, like I was a child or something. ‘I done come all the way from Alabama,’ she said. ‘I reckon I ain’t going to worry about two miles more.’ And then I told her ...” His voice ceases. He appears to contemplate the floor at his feet. He looks up. “I lied, I reckon. Only in a way it was not a lie. It was because I knowed there would be folks out there watching the fire, and her coming up, trying to find him. I didn’t know myself, then, the other. The rest of it. The worst of it. So I told her that he was busy at a job he had, and that the best time to find him would be down town after six o’clock. And that was the truth. Because I reckon he does call it work, carrying all them cold little bottles nekkid against his chest, and if he ever was away from the square it was just because he was a little behind in getting back or had just stepped into a alley for a minute. So I persuaded her to wait and she set there and I went on working, trying to decide what to do. When I think now how worried I was on what little I knowed, now when I know the rest of it, it don’t seem like I had anything then to worry me at all. All day I have been thinking how easy it would be if I could just turn back to yesterday and not have any more to worry me than I had then.”

  “I still cannot see what you have to worry about,” Hightower says. “It is not your fault that the man is what he is or she what she is. You did what you could. All that any stranger could be expected to do. Unless ...” His voice ceases also. Then it dies away on that inflection, as if idle thinking had become speculation and then something like concern. Opposite him Byron sits without moving, his face lowered and grave. And opposite Byron, Hightower does not yet think love. He remembers only that Byron is still young and has led a life of celibacy and hard labor, and that by Byron’s telling the woman whom he has never seen possesses some disturbing quality at least, even though Byron still believes that it is only pity. So he watches Byron now with a certain narrowness neither cold nor warm, while Byron continues in that flat voice: about how at six o’clock he had still decided on nothing; that when he and Lena reached the square he was still undecided. And now there begins to come into Hightower’s puzzled expression a quality of shrinking and foreboding as Byron talks quietly, telling about how he decided after they reached the square to take Lena on to Mrs. Beard’s. And Byron talking quietly, thinking, remembering: It was like something gone through the air, the evening, making the familiar faces of men appear strange, and he, who had not yet heard, without having to know that something had happened which made of the former dilemma of his innocence a matter for children, so that he knew before he knew what had happened, that Lena must not hear about it. He did not even have to be told in words that he had surely found the lost Lucas Burch; it seemed to him now that only crassest fatuousness and imbecility should have kept unaware. It seemed to him that fate, circumstance, had a warning in the sky all day long in that pillar of yellow smoke, and he too stupid to read it. And so he would not let them tell—the men whom they passed, the air that blew upon them full of it—lest she hear too. Perhaps he knew at the time that she would have to know, hear, it sooner or later; that in a way it was her right to know. It just seemed to him that if he could only get her across the square and into a house his responsibility would be discharged. Not responsibility for the evil to which he held himself for no other reason than that of having spent the afternoon with her while it was happening, having been chosen by circumstance to represent Jefferson to her who had come afoot and without money for thirty days in order to reach there. He did not hope nor intend to avoid that responsibility. It was just to give himself and her time to be shocked and surprised. He tells it quietly, fumbling, his face lowered, in his flat, inflectionless voice, while across the desk Hightower watches him with that expression of shrinking and denial.

  They reached the boarding house at last and entered it. It was as though she felt foreboding too, watching him as they stood in the hall, speaking for the first time: “What is it them men were trying to tell you? What is it about that burned house?”

  “It wasn’t anything,” he said, his voice sounding dry and light to him. “Just something about Miss Burden got hurt in the fire.”

  “How got hurt? How bad hurt?”

  “I reckon not bad. Maybe not hurt at all. Just folks talking, like as not. Like they will.” He could not look at her, meet her eyes at all. But he could feel her watching him, and he seemed to hear a myriad sounds: voices, the hushed tense voices about the town, about the square through which he had hurried her, where men met among the safe and familiar lights, telling it. The house too seemed filled with familiar sounds, but mostly with inertia, a terrible procrastination as he gazed down the dim hall, thinking Why don’t she come on. Why don’t she come on Then Mrs. Beard did come: a comfortable woman, with red arms and untidy grayish hair. “This here is Miz Burch,” he said. His expression was almost a glare: importunate, urgent. “She just got to town from Alabama. She is looking to meet her husband here. He ain’t come yet. So I brought her here, where she can rest some before she gets mixed up in the excitement of town. She ain’t been in town or talked to anybody yet, and so I thought maybe you could fix her up a place to get rested some before she has to hear talking and ...” His voice ceased, died, recapitulant, urgent, importunate. Then he believed that she had got his meaning. Later he knew that it was not because of his asking that she refrained from telling what he knew that she had also heard, but because she had already noticed the pregnancy and that she would have kept the matter hidden anyway. She looked at Lena, once, completely, as strange women had been doing for four weeks now.

  “How long does she aim to stay?” Mrs. Beard said.

  “Just a night or two,” Byron said. “Maybe just tonight. She’s looking to meet her husband here. She just got in, and she ain’t had time to ask or inquire—” His voice was still recapitulant, meaningful. Mrs. Beard watched him now. He thought that she was still trying to get his meaning. But what she was doing was watching him grope, believing (or about to believe) that his fumbling had a different reason and meaning. Then she looked at Lena again. Her eyes were not exactly cold. But they were not warm.

  “I reckon she ain’t got any business trying to go anywhere right now,” she said.

  “That’s what I thought,” Byron said, quickly, eagerly. “With all the talk and excitement she might have to listen to, after not hearing no talk and excitement ... If you are crowded tonight, I thought she might have my room.”

  “Yes,” Mrs. Beard said immediately. “You’ll be taking out in a few minutes, anyway. You want her to have your room until you get back Monday morning?”

  “I ain’t going tonight,” Byron said. He did not look away. “I won’t be able to go this time.” He looked straight into cold, already disbelieving eyes, watching her in turn trying to read his own, believing that she read what was there instead of what she believed was there. They say that it is the practiced liar who can deceive. But so often the practiced and chronic liar deceives only himself; it is the man who all his life has been selfconvicted of veracity whose lies find quickest credence.

  “Oh,” Mrs. Beard said. She looked at Lena again. “Ain’t she got any acquaintances in Jefferson?”

  “She don’t know nobo
dy here,” Byron said. “Not this side of Alabama. Likely Mr. Burch will show up in the morning—”

  “Oh,” Mrs. Beard said. “Where are you going to sleep?” But she did not wait for an answer. “I reckon I can fix her up a cot in my room for tonight. If she won’t object to that.”

  “That’ll be fine,” Byron said. “It’ll be fine.”

  When the supper bell rang, he was all prepared. He had found a chance to speak to Mrs. Beard. He had spent more time in inventing that lie than any yet. And then it was not necessary; that which he was trying to shield was its own protection. “Them men will be talking about it at the table,” Mrs. Beard said. “I reckon a woman in her shape (and having to find a husband named Burch at the same time, she thought with dry irony) ain’t got no business listening to any more of man’s devilment. You bring her in later, after they have all et.” Which Byron did. Lena ate heartily again, with that grave and hearty decorum, almost going to sleep in her plate before she had finished.

 

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