A Malibu Kind of Romance

by Synithia Williams

  Rhythm of their hearts

  Slick lines and sweet nothings have zero effect on ambitious real estate developer Julie Dominick. Her love rules have thankfully saved her from dealing with messy relationship complications. But since R & B superstar Dante Wilson hired her to open his new Malibu nightclub, he’s determined to add some pleasure to their business dealings. And Julie’s strategy to protect her heart may not stand up to his seductive appeal.

  Growing up in a music dynasty, Dante enjoys all the female attention that comes with his fame. For the first time, he knows what it feels like to be brushed off by someone he’s falling for. When his usual moves fall flat, he has to show Julie the real man behind all the glitz and glamour. Will it be enough to convince Julie that it’s better to break the rules rather than risk losing love’s passionate melody?

  She slid her foot back to step away. His hand shot out and latched on to her waist. Dante closed the scant distance between them and pressed his solid body against hers.

  “Don’t stand so close if you don’t want to get caught.”

  Desire coated every nuance of his voice. The air around them shifted, crackling and sparking with the anger, annoyance and attraction simmering between them. The line between anger and desire was thin, and when his long fingers flexed against her waist, the line snapped. He infuriated her. The audacity of him paying for the meal, declaring himself competition, insisting that being zapped by the electric current between them was inevitable. Yet she couldn’t listen to the faint voice in her mind that said to pull away. Sucking in a breath, she didn’t smell cologne; instead, the clean smell of masculine soap and the intoxicating heat of his body made her mouth water.

  “Now that I’ve got you,” he said, his tenor lowering to a seductive bass, “what are you going to do?”

  Dear Reader,

  If you have young kids you probably spend a lot of your television time watching cartoons and kids’ shows (it can’t be just me). Little did I know that a guest appearance by a group called Nuttin’ But Stringz on my kid’s favorite show would not only inspire me to create a Pandora station, but later a book. Dante Wilson is the hero in A Malibu Kind of Romance and an R & B superstar. He’s been in the music industry since he was thirteen, and now he wants to try something new. I knew immediately the music he wanted to play would be similar to the music of Nuttin’ But Stringz, who play a blend of classical, hip-hop, jazz and R & B.

  While you’re reading A Malibu Kind of Romance, if you have a hard time “hearing” the music, check out the group. Maybe you’ll get a little inspiration, too.

  Synithia

  Synithia Williams has been an avid romance novel lover since picking up her first at the age of thirteen. It was only natural that she would begin penning her own romances soon after—much to the chagrin of her high school math teachers. She’s a native of South Carolina and now writes romances as hot as their southern settings. Outside of writing, she works on water quality and sustainability issues for local government. She’s married to her own personal hero, and they have two sons, who’ve convinced her that professional wrestling and superheroes are supreme entertainment. When she isn’t working, writing or being a wife and mother, she’s usually bingeing on TV series, playing around on social media or planning her next girls’ night out with friends. You can learn more about Synithia by visiting her website, www.synithiawilliams.com, where she blogs about writing, life and relationships.

  Books by Synithia Williams

  Harlequin Kimani Romance

  A New York Kind of Love

  A Malibu Kind of Romance

  Visit the Author Profile page at

  Harlequin.com for more titles.

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  To my parents, Lisa and Sam,

  thank you for always supporting my dreams.

  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 1

  Dante Wilson stared at the supermodel twins dancing together at his post-concert party in Vegas and had one thought: he loved his life! What wasn’t there to love? He was one of the world’s bestselling artists, his family ran a music dynasty, he’d finished a sold-out world tour and he was pretty sure he’d be going home with one or both of the twins. He leaned back against the plush leather sofa, took a sip of the champagne in his hand and grinned.

  The Vegas strip was a colorful backdrop outside the window of the penthouse suite, which was filled with celebrities, their entourages and musicians—all there to help him celebrate. The guy to Dante’s right, basketball star Jacobe Jenkins, pulled his long designer-jean-clad legs in and leaned forward, resting his elbows on his knees. “I know what you’re thinking.”

  Dante shifted in his seat. He’d lost his dress shirt earlier while dancing, and wore only a white T-shirt and black slacks. “If you’re assuming my thoughts have something to do with the twins, then you’re right.”

  Jacobe chuckled. “I should have bet money on that. You go through more women than any other guy I know. And I’m surrounded by professional basketball players all day.”

  “Perks of the job,” Dante said. “But after tonight I’m slowing down with the female distractions. Tonight’s about releasing some steam after the tour before getting back into the studio. Though I love partying, I’m going to have to do less of this for a while.” He waved his hand to indicate the energetic crowd.

  “Damn, Dante,” Jacobe said, once again stretching out his legs. “You just got back in the country, and you’re going back to the studio.”

  “To stay on top of my game, I can never really take a break. Plus, I’m excited to get back to Malibu and get to work on the music I want to do.”

  Jacobe raised a brow. “That classical stuff?”

  Dante shook his head. “It’s not classical stuff. It’s a fusion of hip-hop, jazz and rock with classical influence. Wait until you hear it—you’ll dig it.”

  Jacobe gave Dante a skeptical look before he turned to watch one of the many beauties at the party walking by. Jacobe’s skepticism didn’t deter Dante’s confidence in his next move. Not much anyway. Dante had built a solid career using the Wilson family legacy and his own talent. He could sing, play several different instruments and dance. After seventeen years doing the music his family and their label wanted him to do, Dante was ready to do his own thing.

  Not that he regretted seventeen years of pop stardom. Show business was in his family’s blood—starting with his great-grandfather, who’d performed on the Chitlin’ Circuit in the 1950s, to his grandfather, who’d started his own record label in the 1970s. Then to Dante’s father, who with a smooth baritone singing
voice, hit songs and a shrewd business sense, turned that label into one of the country’s most successful. The biggest names in music signed with W. M. Records.

  Dante was fiercely proud of his family’s legacy. But pride didn’t diminish a growing frustration with the pressure to keep doing the same type of music that everyone else was doing.

  “Are you sure the music you’re doing will be successful?” Jacobe asked.

  Dante shrugged. “I can’t say one hundred percent, but I know there’s an audience. The group I’m working with, Strings A Flame, they’ve got a following. If I sign them to W. M. Records and record an album with them, then that’s all it’ll take.”

  “You’re pretty confident in your pull,” Jacobe said, turning away from the woman he’d been watching.

  “I’ve been around for nearly twenty years. I’m allowed to be confident in my staying power. I know the market isn’t as big—that’s why I’m opening a nightclub. I’ll debut the music there, see how the fans react, then go from there.”

  “You’ve got it all planned out.”

  “Always,” he said with a confidence that he couldn’t allow to waiver. The only hitch in his perfect plan was his dad. Otis Wilson wanted hip-hop and R&B right now, the more commercial the better. He’d originally brushed off Dante’s plans to sign S.A.F. and hadn’t shown any interest in backing an album. He needed the nightclub to be successful to convince his dad otherwise.

  Jacobe looked at Dante. “What do you know about opening a nightclub?”

  “Nothing. I’m partnering with Raymond, but we may still need someone to come in and handle the day-to-day.” Dante pointed to Raymond, who was walking over to where he and Jacobe were sitting.

  Raymond was an up-and-coming star in the R&B world with two hit albums in the past five years. He had enough popularity to make some people think Raymond’s future in the Rock and Roll Hall of Fame was set, but Dante had seen enough artists crash and burn to know two hit albums didn’t mean a thing. However, the kid was smart and had invested his money in other ventures outside the entertainment industry, including a nightclub called Masquerade in Atlanta that he and another rapper opened a few years ago. It was now the hottest spot in the city. When Raymond mentioned opening a place on the West Coast, Dante immediately brought up his idea. Raymond had agreed after listening to some of the music Dante and S.A.F. had put together.

  “Dante,” Raymond said with a grin on his face. He held out his hand and gave Dante a fist bump before doing the same with Jacobe.

  “This party is where it’s at,” Raymond said.

  “I told you the best way to celebrate the end of a tour is with a party in Vegas,” Dante said as he and Raymond slapped hands again.

  The song changed, and the same twin models who’d had Dante’s attention before gyrated to the music. Dante sipped the champagne in his hand and grinned at the women, who both blew kisses his way.

  “Most definitely the way to end a tour,” Raymond said, grinning. “Did you tell Jacobe about our plans for the club?”

  “I was just telling him about that.”

  Raymond nodded and grinned. “It’s going to be hot, right?”

  Jacobe lifted his chin in agreement. “Nothing Dante has done thus far has failed. I don’t see why this would. Even though I’m still trying to imagine the music. I keep imagining symphonies with rapping when I think about it.”

  “I’ll send you one of our songs. That’ll help,” Dante said, still not bothered. Jacobe was a die-hard classic hip-hop fan, and he had a hard time with any other variation in the genre.

  Dante looked at Raymond. “It wouldn’t hurt to find another partner to come in and help oversee the details of the development,” he said. “W. M. Records has a firm it’s used for the other nightclubs the label has invested in, but I don’t want to use them. They’ll go to my dad for his influence, and he’ll turn the place into another carbon copy of an LA club. That’s not what I’m going for.”

  Raymond snapped his finger. “I’ve got someone in mind.”

  “Really? Who?”

  “You ever heard of Julie Dominick?”

  Dante ran through the females he may have heard about but came up empty. “Should I know her?”

  “She’s the woman that handled the development of Masquerade.”

  Dante’s brows rose. “Really?”

  “That’s my girl, Julie. She negotiated the deal to land that prime location in Buckhead and kept other investors from snagging it up. She oversaw the entire operation, from acquisition to construction, and did a damn good job.”

  Jacobe chuckled. “What, is she paying you to be her public relations person?”

  Raymond shook his head. “Nah, I just wanted you to know the type of work she can do. We should consider her.”

  “Working her magic in Atlanta isn’t the same as working her magic in California,” Dante said. “I’d rather go with someone who knows the ins and outs on this side of the country.”

  “I know Julie—she can do it.” Confidence and affection filled Raymond’s voice.

  Dante’s eyes narrowed. “How do you know her? This isn’t some old girlfriend you’re trying to give the hookup to?”

  “Nah, not like that. Julie and I are cool. We met in college, and she’s been my homegirl ever since. She got me started in music actually, promoting my music and getting me gigs in and around Atlanta. Now she’s started her own development firm, and I want to help her out.”

  “Is that all? No guy I know just helps out a female for no reason.”

  Raymond rubbed his jaw and lifted a shoulder. “I wouldn’t mind if Julie and I became more than friends one day.”

  “I figured.”

  “But it’s not like that. Julie is the kind of woman you make your number one chick. We’ve talked about finally getting together if both of us were single when we turned thirty. That’s only a few years away. Who knows—this may bring us together.”

  A sexy woman in a skimpy red dress walked past. Raymond and Jacobe both went slack jawed and watched her walk by with more than a little interest. Raymond, ever bold, reached out and took her hand, then pulled her against his side. The woman giggled, wrapping her arms around Raymond’s neck.

  Dante chuckled and shook his head. “You’re ready to settle down, huh?”

  Raymond wiggled his brows. “I said a few years off. Come on—look up Julie. She’s opened some other spots on the East Coast. We can at least meet with her and then decide.”

  Dante’s cell phone vibrated in his pocket. He pulled it out to find a picture of his father, in his best blue pinstripe suit sitting behind his desk at W. M. Records, on the screen. “I’ll think about meeting her. Excuse me, fellas.” He stood and punched the button to answer the call.

  Dante put the phone to his ear. “Dad, hold on a minute.”

  He walked away from the main area of the party and into the suite’s master bedroom, which was, thankfully, empty. “You still there?”

  “Sounds like one hell of a party.” Otis Wilson’s deep baritone, which was the hallmark of his career, came through the phone.

  “You know I like to celebrate the end of a tour in style.”

  Otis laughed. “I don’t blame you. Man, if you could have seen the parties we had back in the day.”

  “I heard the stories. You guys partied too hard for me.”

  “That’s the truth,” Otis said, his voice laced with nostalgia. “What are you doing after you leave Vegas?”

  Dante fought not to sigh. He’d told his dad during the entire concert tour what he planned to do. “I’m going to Malibu to look into opening my club.”

  “You’re still on that? Come on, Dante—why are you wasting your time?”

  “It’s not wasting time. I’ve spent seventeen years doing what the market told me
to do. Now I want to pursue my own things.”

  “Dante, you can dabble in that classical–hip-hop fusion mess on the side, but the money is in mainstream music. I just left a meeting with Antwan, and he’s interested in doing a joint album with you.” Antwan was the biggest name in hip-hop, and the fact that he was unhappy with his label was no secret. Ever since that news had gone public, Otis had let Dante know he would try to recruit Antwan to W. M. Records. Hard.

  “Having Raymond on your concert tour gave you a boost with the younger generation. If you do an album with Antwan, then follow it with your own R&B, you’ll sell even more.”

  The same song Otis had sung since Dante announced his tour. Otis always followed the money, which normally meant following the mainstream trends.

  “I’ve sold enough that I trust being able to try something new. I’ll consider a collaboration with Antwan after the club is up and going.”

  “You put out that crappy music and your name will be nothing. We can’t afford the hit. Not after what your sister pulled last year.”

  Dante pinched the bridge of his nose. His sister had a strong pop music career, but, for some reason, she’d tried to go hard-core hip-hop the previous year. The only thing hard about her album was how hard it hit the bottom of the charts.

  “What Star tried and what I’m trying are not the same.”

  “Dante, I need you to do the album with Antwan.” The urgency of Otis’s tone was unexpected.

  Dante frowned. “What’s going on?”

  “The thing with your sister was just the icing on the cake. We’ve got artists that are considering not resigning, and sales are down. We need Antwan to breathe new life into W. M. Records and another set of hit albums to rebuild confidence with our current artists.”

  “How bad are sales?”

  “I didn’t want to get into this, but we’ve gone down about five percent the past two years. I wouldn’t worry, we’ve had down years before, but if we lose some artists and can’t sign a big name, then we may be talking double-digit losses. They haven’t crucified us in the business news yet. But another year with profit losses, and they will.”