by Tom Clancy
He was wearing a darker than olive green suit, a fortunate circumstance, Caruso thought, heading right. First he’d look at the van. He walked normally, but his eyes were locked on the windows of the shabby house, halfway hoping to see a face, but, on reflection, glad that none appeared.
The Ford van was about six years old, he judged. Minor dings and dents on the bodywork. The driver had backed it in. That put the sliding door close to the house, the sort of thing a carpenter or plumber might do. Or a man moving a small, resisting body. He kept his right hand free, and his coat unbuttoned. Quick-draw was something every cop in the world practiced, often in front of a mirror, though only a fool fired as part of the motion, because you just couldn’t hit anything that way.
Caruso took his time. The window was down on the driver-side door. The interior was almost entirely empty, bare, unpainted metal floor, the spare tire and jack . . . and a large roll of duct tape . . .
There was a lot of that stuff around. The free end of the roll was turned down, as though to make sure he’d be able to pull some off the roll without having to pick at it with his fingernails. A lot of people did that, too. There was, finally, a throw rug, tucked—no, taped, he saw, to the floor, just behind the right-side passenger seat... and was that some tape dangling from the metal seat framing? What might that mean?
Why there? Caruso wondered, but suddenly the skin on his forearms started tingling. It was a first for that sensation. He’d never made an arrest himself, had not yet been involved in a major felony case, at least not to any sort of conclusion. He’d worked fugitives in Newark, briefly, and made a total of three collars, always with another, more experienced agent to take the lead. He was more experienced now, a tiny bit seasoned... But not all that much, he reminded himself.
Caruso’s head turned to the house. His mind was moving quickly now. What did he really have? Not much. He’d looked into an ordinary light truck with no direct evidence at all in it, just an empty truck with a roll of duct tape and a small rug on the steel floor.
Even so . . .
The young agent took the cell phone out of his pocket and speed-dialed the office.
“FBI. Can I help you?” a female voice asked.
“Caruso for Ellis.” That moved things quickly.
“What you got, Dom?”
“White Ford Econoline van, Alabama tag Echo Romeo Six Five Zero One, parked at my location. Sandy—”
“Yeah, Dominic?”
“I’m going to knock on this guy’s door.”
“You want backup?”
Caruso took a second to think. “Affirmative—roger that.”
“There’s a county mountie about ten minutes away. Stand by,” Ellis advised.
“Roger, standing by.”
But a little girl’s life was on the line . . .
He headed toward the house, careful to keep out of the sight lines from the nearest windows. That’s when time stopped.
He nearly jumped out of his skin when he heard the scream. It was an awful, shrill sound, like someone looking at Death himself. His brain processed the information, and he suddenly found that his automatic pistol was in his hands, just in front of his sternum, pointed up into the sky, but in his hands even so. It had been a woman’s scream, he realized, and something just went click inside his head.
As quickly as he could move without making much noise, he was on the porch, under the uneven, cheaply made roof. The front door was mostly wire screening to keep the bugs out. It needed painting, but so did the whole house. Probably a rental, and a cheap one at that. Looking through the screen he could see what seemed to be a corridor, leading left to the kitchen and right to a bathroom. He could see into it. A white porcelain toilet and a sink were all that was visible from this perspective.
He wondered if he had probable cause to enter the house, and instantly decided that he had enough. He pulled the door open and slipped in as stealthily as he could manage. A cheap and dirty rug leading down the corridor. He headed that way, gun up, senses sandpapered to ultimate alertness. As he moved, the angles of vision changed. The kitchen became invisible, but he could see into the bathroom better . . .
Penny Davidson was in the bathtub, naked, china blue eyes wide open, and her throat cut from ear to ear, with a whole body’s supply of blood covering her flat chest and the sides of the tub. So violently had her neck been slashed that it lay open like a second mouth.
Strangely, Caruso didn’t react physically. His eyes recorded the snapshot image, but for the moment all he thought about was that the man who’d done it was alive, and just a few feet away.
He realized that the noise he heard came from the left and ahead. The living room. A television. The subject would be in there. Might there be a second one? He didn’t have time for that, nor did he particularly care at the moment.
Slowly, carefully, his heart going like a trip-hammer, he edged forward and peeked around the corner. There he was, late thirties, white male, hair thinning, watching the TV with rapt attention—it was a horror movie, the scream must have come from that—and sipping Miller Lite beer from an aluminum can. His face was content and in no way aroused. He’d probably been through that, Dominic thought. And right in front of him—Jesus—was a butcher knife, a bloody one, on the coffee table. There was blood on his T-shirt, as if sprayed. From a little girl’s throat.
“The trouble with these mutts is that they never resist,” an instructor had told his class at the FBI Academy. “Oh, yeah, they’re John Wayne with an attitude when they have little kids in their hands, but they don’t resist armed cops—ever. And, you know, that’s a damned shame,” the instructor had concluded.
You are not going in to jail today. The thought entered Caruso’s mind seemingly of its own accord. His right thumb pulled back the spurless hammer until it clicked in place, putting his side arm fully in battery. His hands, he noted briefly, felt like ice.
Just at the corner, where you turned left to enter the room, was a battered old end table. Octagonal in shape, atop it was a transparent blue glass vase, a cheap one, maybe from the local Kmart, probably intended for flowers, but none were there today. Slowly, carefully, Caruso cocked his leg, then kicked the table over. The glass vase shattered loudly on the wooden floor.
The subject started violently, and turned to see an unexpected visitor in his house. His defensive response was instinctive rather than reasoned—he grabbed for the butcher knife on the coffee table. Caruso didn’t even have time to smile, though he knew the subject had made the final mistake of his life. It’s regarded as holy gospel in American police agencies that a man with a knife in his hand less than twenty-one feet away is an immediate and lethal threat. He even started to rise to his feet.
But he never made it.
Caruso’s finger depressed the trigger of his Smith, sending the first round straight through the subject’s heart. Two more followed in less than a second. His white T-shirt blossomed in red. He looked down at his chest, then up at Caruso, total surprise on his face, and then he sat back down, without speaking a word or crying out in pain.
Caruso’s next action was to reverse direction and check out the house’s only bedroom. Empty. So was the kitchen, the rear door still locked from the inside. There came a moment’s relief. Nobody else in the house. He took another look at the kidnapper. The eyes were still open. But Dominic had shot true. First he disarmed and handcuffed the dead body, because that was how he’d been trained. A check of the carotid pulse came next, but it was wasted energy. The guy saw nothing except the front door of hell. Caruso pulled his cell phone out and speed-dialed the office again.
“Dom?” Ellis asked when he got the phone.
“Yeah, Sandy, it’s me. I just took him down.”
“What? What do you mean?” Sandy Ellis asked urgently.
“The little girl, she’s here, dead, throat cut. I came in, and the guy came up at me with a knife. Took him down, man. He’s dead, too, dead as fuckin’ hell.”
�
��Jesus, Dominic! The county sheriff is just a couple of minutes out. Stand by.”
“Roger, standing by, Sandy.”
Not another minute passed before he heard the sound of a siren. Caruso went out on the porch. He decocked and holstered his automatic; then he took his FBI credentials out of his coat pocket, and held them up in his left hand as the sheriff approached, his service revolver out.
“It’s under control,” Caruso announced in as calm a voice as he could muster. He was pumped up now. He waved Sheriff Turner into the house, but stayed outside by himself while the local cop went inside. A minute or two later, the cop came back out, his own Smith & Wesson holstered.
Turner was the Hollywood image of a southern sheriff, tall, heavyset, with beefy arms, and a gun belt that dug deeply into his waistline. Except he was black. Wrong movie.
“What happened?” he asked.
“Want to give me a minute?” Caruso took a deep breath and thought for a moment how to tell the story. Turner’s understanding of it was important, because homicide was a local crime, and he had jurisdiction over it.
“Yeah.” Turner reached into his shirt pocket and pulled out a pack of Kools. He offered one to Caruso, who shook his head.
The young agent sat down on the unpainted wooden deck and tried to put it all together in his head. What, exactly, had happened? What, exactly, had he just done? And how, exactly, was he supposed to explain it? The whispering part of his mind told him that he felt no regret at all. At least not for the subject. For Penelope Davidson—too damned late. An hour sooner? Maybe even a half hour? That little girl would not be going home tonight, would never more be tucked into bed by her mother, or hug her father. And so Special Agent Dominic Caruso felt no remorse at all. Just regret for being too slow.
“Can you talk?” Sheriff Turner asked.
“I was looking for a place like this one, and when I drove past, I saw the van parked...” Caruso began. Presently, he stood and led the sheriff into the house to relate the other details.
“Anyway, I tripped over the table. He saw me, and went for his knife, turned toward me—and so, I drew my pistol and shot the bastard. Three rounds, I think.”
“Uh-huh.” Turner went over to the body. The subject hadn’t bled much. All three rounds had gone straight through the heart, ending its ability to pump almost instantly.
Paul Turner wasn’t anywhere nearly as dumb as he looked to a government-trained agent. He looked at the body, and turned to look back at the doorway from which Caruso had taken his shots. His eyes measured distance and angle.
“So,” the sheriff said, “you tripped on that end table. The suspect sees you, grabs his knife, and you, being in fear of your life, take out your service pistol and take three quick shots, right?”
“That’s how it went down, yeah.”
“Uh-huh,” observed a man who got himself a deer almost every hunting season.
Sheriff Turner reached into his right-side pants pocket and pulled out his key chain. It was a gift from his father, a Pullman porter on the old Illinois Central. It was an old-fashioned one, with a 1948 silver dollar soldered onto it, the old kind, about an inch and a half across. He held it over the kidnapper’s chest, and the diameter of the old coin completely covered all three of the entrance wounds. His eyes took a very skeptical look, but then they drifted over toward the bathroom, and his eyes softened before he spoke his verdict on the incident.
“Then that’s how we’ll write it up. Nice shootin’, boy.”
FULLY A dozen police and FBI vehicles appeared within as many minutes. Soon thereafter came the lab truck from the Alabama Department of Public Safety to perform the crime-scene investigative work. A forensic photographer shot twenty-three rolls of 400-speed color film. The knife was taken from the subject’s hand and bagged for fingerprints and blood-type matching with the victim—it was all less than a formality, but criminal procedure was especially strict in a murder case. Finally, the body of the little girl was bagged and removed. Her parents would have to identify her, but blessedly her face was reasonably intact.
One of the last to arrive was Ben Harding, the Special Agent in Charge of the Birmingham Field Office of the Federal Bureau of Investigation. An agent-involved shooting meant a formal report from his desk to that of Director Dan Murray, a distant friend. First, Harding came to make sure that Caruso was in decent physical and psychological shape. Then he went to pay respects to Paul Turner, and get his opinion of the shooting. Caruso watched from a distance, and saw Turner gesture through the incident, accompanied by nods from Harding. It was good that Sheriff Turner was giving his official stamp of approval. A captain of state troopers listened in as well, and he nodded, too.
The truth of the matter was that Dominic Caruso didn’t really give a damn. He knew he’d done the right thing, just an hour later than it ought to have been. Finally, Harding came over to his young agent.
“How you feeling, Dominic?”
“Slow,” Caruso said. “Too damned slow—yeah, I know, unreasonable to expect otherwise.”
Harding grabbed his shoulder and shook it. “You could not have done much better, kid.” He paused. “How’d the shooting go down?”
Caruso repeated his story. It had almost acquired the firmness of truth in his mind now. He could probably have spoken the exact truth and not been hammered for it, Dom knew, but why take the chance? It was, officially, a clean shoot, and that was enough, so far as his Bureau file was concerned.
Harding listened, and nodded thoughtfully. There’d be paperwork to complete and FedEx up the line to D.C. But it would not look bad in the newspapers for an FBI agent to have shot and killed a kidnapper the very day of the crime. They’d probably find evidence that this was not the only such crime this mutt had committed. The house had yet to be thoroughly searched. They’d already found a digital camera in the house, and it would surprise no one to see that the mutt had a record of previous crimes on his Dell personal computer. If so, Caruso had closed more than one case. If so, Caruso would get a big gold star in his Bureau copybook.
Just how big, neither Harding nor Caruso could yet know. The talent hunt was about to find Dominic Caruso, too.
And one other.
CHAPTER 1
THE CAMPUS
THE TOWN of West Odenton, Maryland, isn’t much of a town at all, just a post office for people who live in the general area, a few gas stations and a 7-Eleven, plus the usual fast-food places for people who need a fat-filled breakfast on the drive from Columbia, Maryland, to their jobs in Washington, D.C. And half a mile from the modest post office building was a mid-rise office building of government-undistinguished architecture. It was nine stories high, and on the capacious front lawn a low decorative monolith made of gray brick with silvery lettering said HENDLEY ASSOCIATES, without explaining what, exactly, Hendley Associates was. There were few hints. The roof of the building was flat, tar-and-gravel over reinforced concrete, with a small penthouse to house the elevator machinery and another rectangular structure that gave no clue about its identity. In fact, it was made of fiberglass, white in color, and radio-transparent. The building itself was unusual only in one thing: Except for a few old tobacco barns that barely exceeded twenty-five feet in height, it was the only building higher than two stories that sat on a direct line of sight from the National Security Agency located at Fort Meade, Maryland, and the headquarters of the Central Intelligence Agency at Langley, Virginia. Some other entrepreneurs had wished to build on that sight line, but zoning approval had never been granted, for many reasons, all of them false.
Behind the building was a small antenna farm not unlike that found next to a local television station—a half-dozen six-meter parabolic dishes sat inside a twelve-foot-high, razor-wire-crowned Cyclone fence enclosure and pointed at various commercial communications satellites. The entire complex, which wasn’t terribly complex at all, comprised fifteen and a third acres in Maryland’s Howard County, and was referred to as “The Campus” by the peo
ple who worked there. Nearby was the Johns Hopkins University Applied Physics Laboratory, a government-consulting establishment of long standing and well-established sensitivity of function.
To the public, Hendley Associates was a trader in stocks, bonds, and international currencies, though, oddly, it did little in the way of public business. It was not known to have any clients, and while it was whispered to be quietly active in local charities (the Johns Hopkins University School of Medicine was rumored to be the main recipient of Hendley’s corporate largesse), nothing had ever leaked to the local media. In fact, it had no public-relations department at all. Neither was it rumored to be doing anything untoward, though its chief executive officer was known to have had a somewhat troubled past, as a result of which he was shy of publicity, which, on a few rare occasions, he’d dodged quite adroitly and amiably, until, finally, the local media had stopped asking. Hendley’s employees were scattered about locally, mostly in Columbia, lived upper-middle-class lifestyles, and were generally as remarkable as Beaver’s father, Ward Cleaver.
Gerald Paul Hendley, Jr., had had a stellar career in the commodities business, during which he’d amassed a sizable personal fortune and then turned to elected public service in his late thirties, soon becoming a United States senator from South Carolina. Very quickly, he’d acquired a reputation as a legislative maverick who eschewed special interests and their campaign money offers, and followed a rather ferociously independent political track, leaning toward liberal on civil-rights issues, but decidedly conservative on defense and foreign relations. He’d never shied away from speaking his mind, which had made him good and entertaining copy for the press, and eventually there were whispered-about presidential aspirations.
