by Walter Pater
Alas! one result of its coming was that it encouraged delay. If he set hand to the page, the firm halo, here a moment since, was gone, had flitted capriciously to the wall; passed next through the window, to the wall of the garden; was dancing back in another moment upon the innermost walls of one’s own miserable brain, to swell there — that astounding white light! — rising steadily in the cup, the mental receptacle, till it overflowed, and he lay faint and drowning in it. Or he rose above it, as above a great liquid surface, and hung giddily over it — light, simple, and absolute — ere he fell. Or there was a battle between light and darkness around him, with no way of escape from the baffling strokes, the lightning flashes; flashes of blindness one might rather call them. In truth, the intuitions of the night (for they worked still, or tried to work, by night) became the sickly nightmares of the day, in which Prior Saint-Jean slept, or tried to sleep, or lay sometimes in a trance without food for many hours, from which he would spring up suddenly to crowd, against time, as much as he could into his book with pen or brush; winged flowers, or stars with human limbs and faces, still intruding themselves, or mere notes of light and darkness from the actual horizon. There it all is still in the faded gold and colours of the ancient volume— “Prior Saint-Jean’s folly”: — till on a sudden the hand collapses, as he becomes aware of that real, prosaic, broad daylight lying harsh upon the page, making his delicately toned auroras seem but a patch of grey, and himself for a moment, with a sigh of disgust, of self-reproach, to be his old unimpassioned monastic self once more.
The boy, for his part, was grown at last full of misgiving. He ponders how he may get the Prior away, or escape by himself, find his way back to the convent and report his master’s condition, his strange loss of memory for names and the like, his illusions about himself and others. And he is more than ever distrustful now of his late beloved playmate, who quietly obstructs any movement of the kind, and has undertaken, at the Prior’s entreaty, to draw down the moon from the sky, for some shameful price, known to the magicians of that day.
Yet Apollyon, at all events, would still play as gaily as ever on occasion. Hitherto they had played as young animals do; without playthings namely, applying hand or foot only to their games. But it happened about this time that a grave was dug, a grave of unusual depth, to be ready, in that fiery plaguesome weather, the first heat of veritable summer come suddenly, for the body of an ancient villager then at the point of death. In the drowsy afternoon Hyacinth awakes Apollyon, to see the strange thing he has found at the grave-side, among the gravel and yellow bones cast up there. He had wrested it with difficulty from the hands of the half-crippled gravedigger, at eighty still excitable by the mere touch of metal.
The like of it had indeed been found before, within living memory, in this place of immemorial use as a graveyard— “Devil’s penny-pieces” people called them. Five such lay hidden already in a dark corner of the chapel, to keep them from superstitious employment. To-day they came out of hiding at last. Apollyon knew the use of the thing at a glance; had put an expert hand to it forthwith; poises the discus; sets it wheeling. How easily it spins round under one’s arm, in the groove of the bent fingers, slips thence smoothly like a knife flung from its sheath, as if for a course of perpetual motion! Splendescit eundo: it seems to burn as it goes. It is heavier many times than it looks, and sharp-edged. By night they have scoured and polished the corroded surfaces. Apollyon promises Hyacinth and himself rare sport in the cool of the evening — an evening however, as it turned out, not less breathless than the day.
In the great heat Apollyon had flung aside, as if for ever, the last sorry remnant of his workman’s attire, and challenged the boy to do the same. On the moonlit turf there, crouching, right foot foremost, and with face turned backwards to the disk in his right hand, his whole body, in that moment of rest, full of the circular motion he is about to commit to it, he seemed — beautiful pale spectre — to shine from within with a light of his own, like that of the glow-worm in the thicket, or the dead and rotten roots of the old trees. And as if they had a proper motion of their own in them, the disks, the quoits, ran, amid the delighted shouts and laughter of the boy, as he follows, scarcely less swift, to score the points of their contact with the grass. Again and again they recommence, forgetful of the hours; while the death-bell cries out harshly for the grave’s occupant, and the corpse itself is borne along stealthily not far from them, and, unnoticed by either, the entire aspect of things has changed. Under the overcast sky it is in darkness they are playing, by guess and touch chiefly; and suddenly an icy blast of wind has lifted the roof from the old chapel, the trees are moaning in wild circular motion, and their devil’s penny-piece, when Apollyon throws it for the last time, is itself but a twirling leaf in the wind, till it sinks edgewise, sawing through the boy’s face, uplifted in the dark to trace it, crushing in the tender skull upon the brain.
His shout of laughter is turned in an instant to a cry of pain, of reproach; and in that which echoed it — an immense cry, as from the very heart of ancient tragedy, over the Picard wolds — it was as if that half-extinguished deity, its proper immensity, its old greatness and power, were restored for a moment. The villagers in their beds wondered. It was like the sound of some natural catastrophe.
The storm which followed was still in possession, still moving tearfully among the poplar groves, though it had spent its heat and thunder. The last drops of the blood of Hyacinth still trickled through the thick masses of dark hair, where the tonsure had been. An abundant rain, mingling with the copious purple stream, had coloured the grass all around where the corpse lay, stealing afar in tiny channels.
So it was, when Apollyon, reduced in the morning light to his smaller self, came with the other people of the Grange to gaze, to enquire, and found the Prior already there, speechless. Clearly this was no lightning stroke; and Apollyon straightway conceives certain very human fears that, coming upon those antecedent suspicions of himself, the boy’s death may be thought the result of intention on his part. He proposes to bury the body at once, with no delay for religious rites, in that still uncovered grave, the bearers having fled from it in the tempest.
And next day, fulfilling his annual custom, he went his way northward, without a word of farewell to Prior Saint-Jean, whom he leaves in fact under suspicion of murder. From the profound slumber which had followed the excitements of yesterday, the Prior awoke amid the sound of voices, the voices of the peasants singing no Christian song, certainly, but a song which Apollyon himself had taught them, to dismiss him on his journey. For, strange or not as it might be, they loved him, perhaps in spite of themselves; would certainly protect him at any risk. Prior Saint-Jean arose, and looked forth — with wonder. A brief spell of sunshine amid the rain had clothed the vale with a marvel of blue flowers, if it were not rather with remnants of the blue sky itself, fallen among the woods there. But there too, in the little courtyard, the officers of justice are already in waiting to take him, on the charge of having caused the death of his young server by violence, in a fit of mania, induced by dissolute living in that solitary place. One hitherto so prosperous in life would, of course, have his enemies.
The monastic authorities, however, claim him from the secular power, to correct his offence in their own way, and with friendly interpretation of the facts. Madness, however wicked, being still madness, Prior, now simple Brother, Saint-Jean, is detained in a sufficiently cheerful apartment, in a region of the atmosphere likely to restore lost wits, whence indeed he can still see the country — vallis monachorum. The one desire which from time to time fitfully rouses him again to animation for a few moments is to return thither. Here then he remains in peace, ostensibly for the completion of his great work. He never again set pen to it, consistent and clear now on nothing save that longing to be once more at the Grange, that he may get well, or die and be well so. He is like the damned spirit, think some of the brethren, saying “I will return to the house whence I came out.” Gazing thithe
r daily for many hours, he would mistake mere blue distance, when that was visible, for blue flowers, for hyacinths, and wept at the sight; though blue, as he observed, was the colour of Holy Mary’s gown on the illuminated page, the colour of hope, of merciful omnipresent deity. The necessary permission came with difficulty, just too late. Brother Saint-Jean died, standing upright with an effort to gaze forth once more, amid the preparations for his departure.
NOTES
142. *Published in Harper’s New Monthly Magazine, Nov. 1893, and now reprinted by the kind permission of the proprietors.
154. *Or sundial, as some maintain, though turned from the south.
154. Latin Vulgate (ed. Saint Jerome) Psalm 126, verse 1: “canticum graduum Salomonis nisi Dominus aedificaverit domum in vanum laboraverunt qui aedificant eam nisi Dominus custodierit civitatem frustra vigilavit qui custodit.” King James Bible’s translation: “When the Lord turned again the captivity of Zion, we were like them that dream.”
THE CHILD IN THE HOUSE*
As Florian Deleal walked, one hot afternoon, he overtook by the wayside a poor aged man, and, as he seemed weary with the road, helped him on with the burden which he carried, a certain distance. And as the man told his story, it chanced that he named the place, a little place in the neighbourhood of a great city, where Florian had passed his earliest years, but which he had never since seen, and, the story told, went forward on his journey comforted. And that night, like a reward for his pity, a dream of that place came to Florian, a dream which did for him the office of the finer sort of memory, bringing its object to mind with a great clearness, yet, as sometimes happens in dreams, raised a little above itself, and above ordinary retrospect. The true aspect of the place, especially of the house there in which he had lived as a child, the fashion of its doors, its hearths, its windows, the very scent upon the air of it, was with him in sleep for a season; only, with tints more musically blent on wall and floor, and some finer light and shadow running in and out along its curves and angles, and with all its little carvings daintier. He awoke with a sigh at the thought of almost thirty years which lay between him and that place, yet with a flutter of pleasure still within him at the fair light, as if it were a smile, upon it. And it happened that this accident of his dream was just the thing needed for the beginning of a certain design he then had in view, the noting, namely, of some things in the story of his spirit — in that process of brain-building by which we are, each one of us, what we are. With the image of the place so clear and favourable upon him, he fell to thinking of himself therein, and how his thoughts had grown up to him. In that half-spiritualised house he could watch the better, over again, the gradual expansion of the soul which had come to be there — of which indeed, through the law which makes the material objects about them so large an element in children’s lives, it had actually become a part; inward and outward being woven through and through each other into one inextricable texture — half, tint and trace and accident of homely colour and form, from the wood and the bricks; half, mere soul-stuff, floated thither from who knows how far. In the house and garden of his dream he saw a child moving, and could divide the main streams at least of the winds that had played on him, and study so the first stage in that mental journey.
The old house, as when Florian talked of it afterwards he always called it, (as all children do, who can recollect a change of home, soon enough but not too soon to mark a period in their lives) really was an old house; and an element of French descent in its inmates — descent from Watteau, the old court-painter, one of whose gallant pieces still hung in one of the rooms — might explain, together with some other things, a noticeable trimness and comely whiteness about everything there — the curtains, the couches, the paint on the walls with which the light and shadow played so delicately; might explain also the tolerance of the great poplar in the garden, a tree most often despised by English people, but which French people love, having observed a certain fresh way its leaves have of dealing with the wind, making it sound, in never so slight a stirring of the air, like running water.
The old-fashioned, low wainscoting went round the rooms, and up the staircase with carved balusters and shadowy angles, landing half-way up at a broad window, with a swallow’s nest below the sill, and the blossom of an old pear-tree showing across it in late April, against the blue, below which the perfumed juice of the find of fallen fruit in autumn was so fresh. At the next turning came the closet which held on its deep shelves the best china. Little angel faces and reedy flutings stood out round the fireplace of the children’s room. And on the top of the house, above the large attic, where the white mice ran in the twilight — an infinite, unexplored wonderland of childish treasures, glass beads, empty scent-bottles still sweet, thrum of coloured silks, among its lumber — a flat space of roof, railed round, gave a view of the neighbouring steeples; for the house, as I said, stood near a great city, which sent up heavenwards, over the twisting weather-vanes, not seldom, its beds of rolling cloud and smoke, touched with storm or sunshine. But the child of whom I am writing did not hate the fog because of the crimson lights which fell from it sometimes upon the chimneys, and the whites which gleamed through its openings, on summer mornings, on turret or pavement. For it is false to suppose that a child’s sense of beauty is dependent on any choiceness or special fineness, in the objects which present themselves to it, though this indeed comes to be the rule with most of us in later life; earlier, in some degree, we see inwardly; and the child finds for itself, and with unstinted delight, a difference for the sense, in those whites and reds through the smoke on very homely buildings, and in the gold of the dandelions at the road-side, just beyond the houses, where not a handful of earth is virgin and untouched, in the lack of better ministries to its desire of beauty.
This house then stood not far beyond the gloom and rumours of the town, among high garden-wall, bright all summer-time with Golden-rod, and brown-and-golden Wall-flower — Flos Parietis, as the children’s Latin-reading father taught them to call it, while he was with them. Tracing back the threads of his complex spiritual habit, as he was used in after years to do, Florian found that he owed to the place many tones of sentiment afterwards customary with him, certain inward lights under which things most naturally presented themselves to him. The coming and going of travellers to the town along the way, the shadow of the streets, the sudden breath of the neighbouring gardens, the singular brightness of bright weather there, its singular darknesses which linked themselves in his mind to certain engraved illustrations in the old big Bible at home, the coolness of the dark, cavernous shops round the great church, with its giddy winding stair up to the pigeons and the bells — a citadel of peace in the heart of the trouble — all this acted on his childish fancy, so that ever afterwards the like aspects and incidents never failed to throw him into a well-recognised imaginative mood, seeming actually to have become a part of the texture of his mind. Also, Florian could trace home to this point a pervading preference in himself for a kind of comeliness and dignity, an urbanity literally, in modes of life, which he connected with the pale people of towns, and which made him susceptible to a kind of exquisite satisfaction in the trimness and well-considered grace of certain things and persons he afterwards met with, here and there, in his way through the world.
So the child of whom I am writing lived on there quietly; things without thus ministering to him, as he sat daily at the window with the birdcage hanging below it, and his mother taught him to read, wondering at the ease with which he learned, and at the quickness of his memory. The perfume of the little flowers of the lime-tree fell through the air upon them like rain; while time seemed to move ever more slowly to the murmur of the bees in it, till it almost stood still on June afternoons. How insignificant, at the moment, seem the influences of the sensible things which are tossed and fall and lie about us, so, or so, in the environment of early childhood. How indelibly, as we afterwards discover, they affect us; with what capricious attractions and associatio
ns they figure themselves on the white paper, the smooth wax, of our ingenuous souls, as “with lead in the rock for ever,” giving form and feature, and as it were assigned house-room in our memory, to early experiences of feeling and thought, which abide with us ever afterwards, thus, and not otherwise. The realities and passions, the rumours of the greater world without, steal in upon us, each by its own special little passage-way, through the wall of custom about us; and never afterwards quite detach themselves from this or that accident, or trick, in the mode of their first entrance to us. Our susceptibilities, the discovery of our powers, manifold experiences — our various experiences of the coming and going of bodily pain, for instance — belong to this or the other well-remembered place in the material habitation — that little white room with the window across which the heavy blossoms could beat so peevishly in the wind, with just that particular catch or throb, such a sense of teasing in it, on gusty mornings; and the early habitation thus gradually becomes a sort of material shrine or sanctuary of sentiment; a system of visible symbolism interweaves itself through all our thoughts and passions; and irresistibly, little shapes, voices, accidents — the angle at which the sun in the morning fell on the pillow — become parts of the great chain wherewith we are bound.
