Delphi Complete Works of Walter Pater

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by Walter Pater


  Returning to this ancient “pantheism,” after so long a reign of a seemingly opposite faith, Bruno unfalteringly asserts “the vision of all things in God” to be the aim of all metaphysical speculation, as of all inquiry into nature: the Spirit of God, in countless variety of forms, neither above, nor, in any way, without, but intimately within, all things — really present, with equal integrity, in the sunbeam ninety millions of miles long, and the wandering drop of water as it evaporates therein. The divine consciousness would have the same relation to the production of things, as the human intelligence to the production of true thoughts concerning them. Nay! those thoughts are themselves God in man: a loan, there, too, of his assisting Spirit, who, in truth, creates all things in and by his own contemplation of them. For Him, as for man in proportion as man thinks truly, thought and, being are identical, and things existent only in so far as they are known. Delighting in itself, in the sense of its own energy, this sleepless, capacious, fiery intelligence, evokes all the orders of nature, all the revolutions of history, cycle upon cycle, in ever new types. And God the Spirit, the soul of the world, being really identical with his own soul, Bruno, as the universe shapes itself to his reason, his imagination, ever more and more articulately, shares also the divine joy in that process of the formation of true ideas, which is really parallel to the process of creation, to the evolution of things. In a certain mystic sense, which some in every age of the world have understood, he, too, is creator, himself actually a participator in the creative function. And by such a philosophy, he assures us, it was his experience that the soul is greatly expanded: con questa filosofia l’anima, mi s’aggrandisce: mi se magnifica l’intelletto!

  For, with characteristic largeness of mind, Bruno accepted this theory in the whole range of its consequences. Its more immediate corollary was the famous axiom of “indifference,” of “the coincidence of contraries.” To the eye of God, to the philosophic vision through which God sees in man, nothing is really alien from Him. The differences of things, and above all, those distinctions which schoolmen and priests, old or new, Roman or Reformed, had invented for themselves, would be lost in the length and breadth of the philosophic survey; nothing, in itself, either great or small; and matter, certainly, in all its various forms, not evil but divine. Could one choose or reject this or that? If God the Spirit had made, nay! was, all things indifferently, then, matter and spirit, the spirit and the flesh, heaven and earth, freedom and necessity, the first and the last, good and evil, would be superficial rather than substantial differences. Only, were joy and sorrow also to be added to the list of phenomena really coincident or indifferent, as some intellectual kinsmen of Bruno have claimed they should?

  The Dominican brother was at no distant day to break far enough away from the election, the seeming “vocation” of his youth, yet would remain always, and under all circumstances, unmistakably a monk in some predominant qualities of temper. At first it only by way of thought that he asserted his liberty — delightful, late-found privilege! — traversing, in mental journeys, that spacious circuit, as it broke away before him at every moment into ever-new horizons. Kindling thought and imagination at once, the prospect draws from him cries of joy, a kind of religious joy, as in some new “canticle of the creatures,” a new monkish hymnal or antiphonary. “Nature” becomes for him a sacred term. “Conform thyself to Nature” — with what sincerity, what enthusiasm, what religious fervour, he enounces the precept to others, to himself! Recovering, as he fancies, a certain primeval sense of Deity broadcast on things, in which Pythagoras and other inspired theorists of early Greece had abounded, in his hands philosophy becomes a poem, a sacred poem, as it had been with them. That Bruno himself, in “the enthusiasm of the idea,” drew from his axiom of the “indifference of contraries” the practical consequence which is in very deed latent there, that he was ready to sacrifice to the antinomianism, which is certainly a part of its rigid logic, the purities of his youth for instance, there is no proof. The service, the sacrifice, he is ready to bring to the great light that has dawned for him, which occupies his entire conscience with the sense of his responsibilities to it, is that of days and nights spent in eager study, of a plenary, disinterested utterance of the thoughts that arise in him, at any hazard, at the price, say! of martyrdom. The work of the divine Spirit, as he conceives it, exalts, inebriates him, till the scientific apprehension seems to take the place of prayer, sacrifice, communion. It would be a mistake, he holds, to attribute to the human soul capacities merely passive or receptive. She, too, possesses, not less than the soul of the world, initiatory power, responding with the free gift of a light and heat that seem her own.

  Yet a nature so opulently endowed can hardly have been lacking in purely physical ardours. His pantheistic belief that the Spirit of God was in all things, was not inconsistent with, might encourage, a keen and restless eye for the dramatic details of life and character for humanity in all its visible attractiveness, since there, too, in truth, divinity lurks. From those first fair days of early Greek speculation, love had occupied a large place in the conception of philosophy; and in after days Bruno was fond of developing, like Plato, like the Christian platonist, combining something of the peculiar temper of each, the analogy between intellectual enthusiasm and the flights of physical love, with an animation which shows clearly enough the reality of his experience in the latter. The Eroici Furori, his book of books, dedicated to Philip Sidney, who would be no stranger to such thoughts, presents a singular blending of verse and prose, after the manner of Dante’s Vita Nuova. The supervening philosophic comment re-considers those earlier physical impulses which had prompted the sonnet in voluble Italian, entirely to the advantage of their abstract, incorporeal equivalents. Yet if it is after all but a prose comment, it betrays no lack of the natural stuff out of which such mystic transferences must be made. That there is no single name of preference, no Beatrice or Laura, by no means proves the young man’s earlier desires merely “Platonic;” and if the colours of love inevitably lose a little of their force and propriety by such deflection, the intellectual purpose as certainly finds its opportunity thereby, in the matter of borrowed fire and wings. A kind of old, scholastic pedantry creeping back over the ardent youth who had thrown it off so defiantly (as if Love himself went in for a degree at the University) Bruno developes, under the mask of amorous verse, all the various stages of abstraction, by which, as the last step of a long ladder, the mind attains actual “union.” For, as with the purely religious mystics, union, the mystic union of souls with each other and their Lord, nothing less than union between the contemplator and the contemplated — the reality, or the sense, or at least the name of it — was always at hand. Whence that instinctive tendency, if not from the Creator of things himself, who has doubtless prompted it in the physical universe, as in man? How familiar the thought that the whole creation longs for God, the soul as the hart for the water-brooks! To unite oneself to the infinite by breadth and lucidity of intellect, to enter, by that admirable faculty, into eternal life — this was the true vocation of the spouse, of the rightly amorous soul— “a filosofia e necessario amore.” There would be degrees of progress therein, as of course also of relapse: joys and sorrows, therefore. And, in interpreting these, the philosopher, whose intellectual ardours have superseded religion and love, is still a lover and a monk. All the influences of the convent, the heady, sweet incense, the pleading sounds, the sophisticated light and air, the exaggerated humour of gothic carvers, the thick stratum of pagan sentiment beneath (“Santa Maria sopra Minerva!”) are indelible in him. Tears, sympathies, tender inspirations, attraction, repulsion, dryness, zeal, desire, recollection: he finds a place for them all: knows them all well in their unaffected simplicity, while he seeks the secret and secondary, or, as he fancies, the primary, form and purport of each.

  A light on actual life, or mere barren scholastic subtlety, never before had the pantheistic doctrine been developed with such completeness, never before connect
ed with so large a sense of nature, so large a promise of the knowledge of it as it really is. The eyes that had not been wanting to visible humanity turned with equal liveliness on the natural world in that region of his birth, where all its force and colour is twofold. Nature is not only a thought in the divine mind; it is also the perpetual energy of that mind, which, ever identical with itself, puts forth and absorbs in turn all the successive forms of life, of thought, of language even. But what seemed like striking transformations of matter were in truth only a chapter, a clause, in the great volume of the transformations of the Spirit. To that mystic recognition that all is divine had succeeded a realisation of the largeness of the field of concrete knowledge, the infinite extent of all there was actually to know. Winged, fortified, by this central philosophic faith, the student proceeds to the reading of nature, led on from point to point by manifold lights, which will surely strike on him, by the way, from the intelligence in it, speaking directly, sympathetically, to the intelligence in him. The earth’s wonderful animation, as divined by one who anticipates by a whole generation the “philosophy of experience:” in that, the bold, flighty, pantheistic speculation became tangible matter of fact. Here was the needful book for man to read, the full revelation, the detailed story of that one universal mind, struggling, emerging, through shadow, substance, manifest spirit, in various orders of being — the veritable history of God. And nature, together with the true pedigree and evolution of man also, his gradual issue from it, was still all to learn. The delightful tangle of things! it would be the delightful task of man’s thoughts to disentangle that. Already Bruno had measured the space which Bacon would fill, with room perhaps for Darwin also. That Deity is everywhere, like all such abstract propositions, is a two-edged force, depending for its practical effect on the mind which admits it, on the peculiar perspective of that mind. To Dutch Spinosa, in the next century, faint, consumptive, with a hold on external things naturally faint, the theorem that God was in all things whatever, annihilating, their differences suggested a somewhat chilly withdrawal from the contact of all alike. In Bruno, eager and impassioned, an Italian of the Italians, it awoke a constant, inextinguishable appetite for every form of experience — a fear, as of the one sin possible, of limiting, for oneself or another, that great stream flowing for thirsty souls, that wide pasture set ready for the hungry heart. Considered from the point of view of a minute observation of nature, the Infinite might figure as “the infinitely little;” no blade of grass being like another, as there was no limit to the complexities of an atom of earth, cell, sphere, within sphere. But the earth itself, hitherto seemingly the privileged centre of a very limited universe, was, after all, itself but an atom in an infinite world of starry space, then lately displayed to the ingenuous intelligence, which the telescope was one day to verify to bodily eyes. For if Bruno must needs look forward to the future, to Bacon, for adequate knowledge of the earth — the infinitely little; he looked back, gratefully, to another daring mind, which had already put the earth into its modest place, and opened the full view of the heavens. If God is eternal, then, the universe is infinite and worlds innumerable. Yes! one might well have supposed what reason now demonstrated, indicating those endless spaces which sidereal science would gradually occupy, an echo of the creative word of God himself,

  “Qui innumero numero innumerorum nomina dicit.”

  That the stars are suns: that the earth is in motion: that the earth is of like stuff with the stars: now the familiar knowledge of children, dawning on Bruno as calm assurance of reason on appeal from the prejudice of the eye, brought to him an inexpressibly exhilarating sense of enlargement of the intellectual, nay! the physical atmosphere. And his consciousness of unfailing unity and order did not desert him in that larger survey, making the utmost one could ever know of the earth seem but a very little chapter in that endless history of God the Spirit, rejoicing so greatly in the admirable spectacle that it never ceases to evolve from matter new conditions. The immovable earth beneath one’s feet! one almost felt the movement, the respiration of God in it. And yet how greatly even the physical eye, the sensible imagination (so to term it) was flattered by the theorem. What joy in that motion, the prospect, the music, the music of the spheres! — he could listen to it in a perfection such as had never been conceded to Plato, to Pythagoras even.

  “Veni, Creator Spiritus,

  Mentes tuorum visita,

  Imple superna gratia,

  Quae tu creasti pectora!”

  Yes! the grand old Christian hymns, perhaps the grandest of them, seemed to blend themselves in the chorus, to deepen immeasurably under this new intention. It is not always, or often, that men’s abstract ideas penetrate the temperament, touch the animal spirits, affect conduct. It was what they did with Bruno. The ghastly spectacle of the endless material universe, infinite dust, in truth, starry as it may look to our terrestrial eyes — that prospect from which Pascal’s faithful soul recoiled so painfully — induced in Bruno only the delightful consciousness of an ever-widening kinship and sympathy, since every one of those infinite worlds must have its sympathetic inhabitants. Scruples of conscience, if he felt such, might well be pushed aside for the “excellency” of such knowledge as this. To shut the eyes, whether of the body or the mind, would be a kind of dark ingratitude; the one sin, to believe directly or indirectly in any absolutely dead matter anywhere, because involving denial of the indwelling spirit. A free spirit, certainly, as of old! Through all his pantheistic flights, from horizon to horizon, it was still the thought of liberty that presented itself to the infinite relish of this “prodigal son” of Dominic. God the Spirit had made all things indifferently, with a largeness, a beneficence, impiously belied by any theory of restrictions, distinctions, absolute limitations. Touch, see, listen, eat freely of all the trees of the garden of Paradise with the voice of the Lord God literally everywhere: here was the final counsel of perfection. The world was even larger than youthful appetite, youthful capacity. Let theologian and every other theorist beware how he narrowed either. The plurality of worlds! how petty in comparison seemed the sins, to purge which was the chief motive for coming to places like this convent, whence Bruno, with vows broken, or obsolete for him, presently departed. A sonnet, expressive of the joy with which he returned to so much more than the liberty of ordinary men, does not suggest that he was driven from it. Though he must have seemed to those who surely had loved so lovable a creature there to be departing, like the prodigal of the Gospel, into the furthest of possible far countries, there is no proof of harsh treatment, or even of an effort to detain him.

  It happens, of course most naturally, that those who undergo the shock of spiritual or intellectual change sometimes fail to recognise their debt to the deserted cause: how much of the heroism, or other high quality, of their rejection has really been the growth of what they reject? Bruno, the escaped monk, is still a monk: his philosophy, impious as it might seem to some, a new religion. He came forth well fitted by conventual influences to play upon men as he was played upon. A challenge, a war-cry, an alarum; everywhere he seemed to be the creature of some subtly materialized spiritual force, like that of the old Greek prophets, like the primitive “enthusiasm” he was inclined to set so high, or impulsive Pentecostal fire. His hunger to know, fed at first dreamily enough within the convent walls as he wandered over space and time an indefatigable reader of books, would be fed physically now by ear and eye, by large matter-of-fact experience, as he journeys from university to university; yet still, less as a teacher than a courtier, a citizen of the world, a knight-errant of intellectual light. The philosophic need to try all things had given reasonable justification to the stirring desire for travel common to youth, in which, if in nothing else, that whole age of the later Renaissance was invincibly young. The theoretic recognition of that mobile spirit of the world, ever renewing its youth, became, sympathetically, the motive of a life as mobile, as ardent, as itself; of a continual journey, the venture and stimulus of which w
ould be the occasion of ever new discoveries, of renewed conviction.

 

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