"It's you," she said, "I'm so glad it's you," but she understood immediately that something was wrong. He held her for a moment and stroked her hair when she stood up from the swing, glanced over his shoulder before he looked at her again.
"Anna, we have to leave again," he said. "I think he knows you're here."
Four
The morning after the dinner with his sister Gavin woke early in his room in the Ramada Inn, troubled, and lay still in the bed for a few minutes before he remembered the photograph. He turned on the bedside light and went to the desk to retrieve it. The girl stared back at him, ten years old and the image of his sister, half-smiling in an unfurnished room.
He showered and packed quickly, checked out of the hotel, and drove toward the airport for five minutes before he remembered that he still had one last interview. A woman in a planned community far out near the swamps, a friend of William Chandler's. He pulled into a parking lot to check the directions and had to read them three times. It took him twice as long to reach his destination as it should have. He kept forgetting street names, making wrong turns, looking for roads he was already driving on. Where had they been all these years, Anna and the girl? They were all he could think of. If the house where the girl had been staying had been foreclosed, what if she was in a homeless shelter? Or what if it was worse than that, what if she was on the street? The thought of his daughter sleeping under an overpass. He found the condominium complex— far from anywhere, almost beyond Sebastian city limits— and sat in his car for a full two minutes staring at the photograph before he went in.
He sat drinking a glass of water in a large bright kitchen, taking notes and trying to concentrate on what the woman was saying. Her name was Ella Thompson and she wanted to tell him about her children.
"When I was out with William Chandler the other day," he said, "he told me you saw a Burmese python in your backyard."
"Oh, I did," she said. "Well, not in the backyard exactly, but there's this point where the yard sort of blends into the canal, and—" She was interrupted by the chime of a doorbell. It was her neighbor, a beautiful woman of about fifty with very high cheekbones and silver hair, here to see if she might borrow a stepladder, and yes, she would be delighted to speak with the reporter from New York for a few minutes. She talked about the beauty of Florida, the flowers and the palm trees and the endless summertime, blue pools.
"And how long have you lived out here," Gavin asked, "by the swamps?"
"A few years." The neighbor smiled. "It's funny. We thought we were coming closer to nature," she said, "but all along nature was creeping closer to us."
Gavin said his good-byes and drove to the airport. He found himself staring at children in the terminal lounge. On the flight north out of Florida he tried not to think about anything except the story he was writing, William Chandler in hip waders standing up to his knees in the swamps at the far edge of the suburbs, a radio-tracking device beeping in his hand, "This means there's a python right at our feet, Gavin, right at our feet, you just can't see it because the water's so murky." The nervous residents of the outer suburbs, gazing out their back windows at canals. The conservationist who'd told him that the creatures in the swamps meant they were entering a time when every place would look the same as every other place, the same pythons, the same parrots, the same palm trees from Florida to Indonesia to Argentina, an ecological flattening of experience. He worked steadily until the island of Manhattan appeared below his window, and then he closed his laptop and tried not to think about the girl during the descent.
Th e f i r s t thing Gavin heard when he opened the door to his apartment was the leaking shower. It seemed to be getting worse, the drips more frequent, but he still didn't know where the landlord's phone number was and now he was too distracted to care. He left his suitcase in the apartment and took the subway to work. The newsroom seemed somehow changed in his absence. There were fewer people here than usual. A sense of dissipation hung in the air. It reminded him of the time when he'd come in late on a Christmas Eve to wrap up a piece and found the newsroom a shadow of itself, a ghost town. But the difference now, he realized with a lurching feeling in his stomach, was that a dozen desks had been cleared. Silas's papers and notebooks and the photograph of his wife had vanished, his computer monitor a dark window reflecting Gavin back at himself and behind him a ghostly version of the newsroom, all shadows and pale smudges of light.
"You missed all the fun," his editor said when he came to her.
"Where's Silas?"
"Sit down." There was a tiredness around her eyes that he hadn't seen before. He sat by her desk. "We were treated to a speech the day after you left," she said. "Declining ad revenue, ever fewer subscribers, the relentless expectation of free online content, et cetera. You've heard it before. It's a boring story."
"Why didn't you tell me?"
"Why didn't I take the time to call you in Florida and explain that twelve of your colleagues had been laid off? Because believe it or not, kiddo, I've been a little busy in their absence." She told him the names and some of them were friends of his.
"Christ," he said. "Can you tell me anything else?"
"You're wondering about your job. I'm wondering about mine too." Julie sighed. "I don't know what to tell you," she said. "You're in a strange position. On the one hand, you're not that senior. On the other hand, that means you're relatively cheap. No offense."
"None taken. I've seen my pay stubs."
She took off her glasses and massaged her temples for a moment before she spoke again. "Listen," she said, "just between us, there's likely to be a second round of layoffs."
"Do you know who . . . ?"
"No. But I know they're looking to make some cuts in the newsroom." She put her glasses back on and blinked at him. He liked her glasses. They were a stylish rectangular shape that he admired. "Gavin, your stories are always good," she said, "but if there was ever a time to make them better, this is it. There's going to be some scrutiny over the coming weeks."
"Whoever writes the best stories gets to stay employed? Are you serious, Julie?"
"Just write the best stories you can, Gavin, and try not to think about it too much. I'm giving you a heads-up because I don't want to lose you."
He settled back at his desk with his notes from Florida and tried to concentrate. He'd reached this morning's interview. Ella Thompson in her house by the canal, her neighbor. We thought we were coming closer to nature, but all along nature was creeping closer to us. He'd decided this was the quote that would close the story, but then he glanced again at the page and his breath caught in his throat. He'd written the neighbor's name as Chloe Montgomery.
Gavin swore softly. Whatever the neighbor's name had been, he was certain it wasn't Chloe. He was almost certain it had started with an L. Lara, Lana, Laurie, Louise? He tried to transport himself back to the scene: the kitchen island with the stools and the cup of coffee before him, Ella telling him about her children, the doorbell ringing and the neighbor walking into the room. "Gavin, this is L——!" Ella Thompson says brightly, but the name is a blank.
Gavin flipped through the pages of the notebook. He had been so distracted that morning, all his thoughts taken up by Anna and Chloe, that he'd seemingly neglected to write down the neighbor's telephone number. He called Ella Thompson, but her phone only rang endlessly, and he remembered her telling him that she was about to leave on vacation. He found contact information for the management office and spent some time arguing with a secretary and then her boss, but they refused to reveal names of residents.
He knew that if he went to Julie, she would tell him to cut the quote. The story worked without it but the quote was the grace note, the quote was sublime. It was evening now, lights gleaming softly on the empty desks. He wished Silas were here.
Gavin submitted the story, went home to eat takeout food and stare at his television. He didn't sleep well. In the morning he sat at his desk again, reading the paper, and the last few lines of
the piece filled him with dread.
But for residents of the houses closest to the canals, the matter has become more pressing. "We thought we were coming closer to nature," said Lemuria Gardens resident Chloe Silas, "but all along nature was creeping closer to us."
Ei l o , " G a v i n said, "do you think I should be looking for the girl?" It had been only two weeks since he'd returned from Florida, but it seemed much longer. It was a particularly dark March in New York that year. The rain was unceasing. He hadn't been sleeping well. He had dreams where Anna was in some unspecified trouble and it was entirely his fault but he couldn't find her, and other dreams where he was losing his job. He had taken to staying in the newsroom for twelve hours at a time to escape the emptiness of the apartment and his own racing thoughts, but he couldn't concentrate on his work. Silas's desk remained empty. He hadn't realized how much he'd depended on Silas, his jokes and his freakish grasp of grammar, his company in the cafeteria at lunchtime. They went out drinking twice, but without the shared newsroom there wasn't much to talk about.
"I don't know, Gavin. I'm not sure what I'd do in your place," Eilo said.
"And you've never heard anything about what became of Anna?"
"Nothing," Eilo said. "No rumors, no sightings. I heard her sister Sasha had a gambling problem, but that was years ago already."
The clamor of the newsroom was all around him. Usually this was his favorite place in the world but today the sound jangled his nerves.
He f e l t that he was slipping, but it wasn't just him. The city of New York had gone dark so quickly, and at times Gavin was dazzled by the speed of the fall. Because it hadn't actually been that long since he'd been walking hand in hand with Karen down Columbus Avenue and they'd come upon a newsstand with a New York Magazine cover that read "The Second Gilded Age" in gold letters, and the headline had seemed perfect to him. This is the second gilded age, he'd tell himself, looking around at his fellow diners at expensive restaurants or studying photographs of $1.3 million one-bedroom apartments in the windows of real estate offices. The phrase fit the era. But within months the stock market had plummeted and banks were collapsing, everyone was losing their jobs and there were food shortages in the soup kitchens, and the second gilded age seemed distant.
J u l i e p u t him on the team covering the Jonathan Alkaitis story. The investment adviser had cheated unsuspecting investors of billions in an elaborate Ponzi scheme until his daughter had turned him in to the authorities. In that time of collapse and dissipation the stories all but wrote themselves— there were charities that had lost everything overnight, former senior executives who'd taken up employment at Starbucks, entire families living in motel rooms— but the Alkaitis story wasn't coming together. Everyone already knew the bare facts, the staggering sums lost and the collapse of charitable foundations, the ruined retirements, the litigations and blame. Gavin needed a quote, a good one, but none of Alkaitis's victims had anything to say that was worth printing or that hadn't already appeared in another paper. Proud old men in business suits averted their eyes and brushed past him on the sidewalk, which made Gavin feel despised and invisible. A twenty-one-year-old recently deprived of his trust fund gave a quote that made Gavin close his notebook and walk out of the room—"I can't believe I have to work for a living now. I mean, who the fuck works? It is so unfair"—and one or two people all but snarled as they turned away from him. Gavin talked his way into a series of offices and was escorted out of all of them. A woman laughed bitterly and said "Fuck you think my reaction to losing my retirement savings is? Go fuck yourself" before she hung up on him. One man who had lost everything, a retired businessman in his eighties, broke down and began to sob when Gavin called him. "It's okay," Gavin kept saying, "listen, it's going to be okay. . . ." but the man kept crying. Gavin listened until he couldn't take it anymore and gently placed the receiver of his desk phone back on the cradle. He thought all evening about the man weeping into the dial tone and couldn't sleep that night.
On the morning of a particular deposition he stood for two hours under low gray skies outside the law office where several of Alkaitis's victims were being interviewed, lying in wait, but he kept seeing the same people who'd refused comment on all his other attempts. Until a man came through the doors whom he recognized from his research— Arnold Lander, former COO of a midtown consulting firm, an investor who'd lost a little under two million dollars— but who was the woman by his side? She looked about twenty, extravagantly blond with red lipstick, and he realized he'd seen her earlier. She'd been waiting on the sidewalk for a while too, before she'd gone inside to wait in the lobby. She hadn't been in the deposition hearing, then. It was beginning to rain, the first fat drops before the cloudburst, and she was holding a newspaper over her head. Her heels clicked sharply on the sidewalk.
"Excuse me, Mr. Lander," Gavin said, "may I have a moment?"
"No comment," Lander said, without looking at him. He was hailing a cab. He was a tall man, imposing in a dark coat.
"Mr. Lander, please, if I could just—"
"You want a comment?" The woman's voice was high-pitched. She sounded like a child. "It's a nightmare that we can't wake up from."
"Don't talk to him," Lander snapped. "What did I tell you about reporters?"
"Wait," Gavin said, "what's your name?" But the rain had turned to a cold downpour and they were gone, half-running toward a cab that had stopped on the corner. "Excuse me!" he shouted, "please, wait—" The door closed and the car pulled away into a river of taillights.
He looked up photographs of Arnold Lander later at his desk. Lander's image was everywhere— charity balls, a corporate website, various industry events— but who was the woman? She'd appeared to be a solid thirty years younger than Lander. She certainly wasn't the wife in the most recent charity ball photo, but that had been a year ago already. A daughter, secretary, mistress, fourth wife? He'd helped her into the cab, Gavin remembered, but perhaps an older man might do that for a secretary? Men of a particular era and class were taught to treat certain women like porcelain. Gavin knew it was the era he himself belonged to — fedoras! Mechanical cameras! Good table manners!—but this thought was a digression. What mattered was that the author of the perfect quote had walked away from him and he had no idea who she was.
"I need the Alkaitis story," Julie said. "You just about done?"
But for Alkaitis's victims, the disaster continues to unfold. Amy Torren and her husband lost their life savings. "I feel like I'm caught up in a bad dream," she said of Alkaitis's deception. "It's just a nightmare that we can't wake up from. I feel like there's maybe less good in the world than I thought there was. It's hard to take in, to be honest with you. I don't know how I'm going to aff ord my mother's medical expenses now."
"Hell of a quote," Julie said, when he saw her in the staff kitchen the next morning. He was helping himself to his third cup of coffee. He hadn't slept.
" Thank you," Gavin said. He returned to his desk with a strange feeling of floating. No one could prove that no investor had said those words to him but he still felt sick every time he thought about it. Amy Torren was the name of his eleventh grade English teacher.
As days passed without incident it seemed that both this and the
Floridian woman whose name wasn't Chloe had passed under the radar. But the point, Gavin realized, wasn't whether the woman who'd climbed into the cab with Lander was an investor, or even whether he'd gotten away with referring to her as such when he wrote dialogue for her and gave her a name. The point was that Gavin had opened a door, cracked it just slightly, and he could see through to the disgrace and shadows on the other side. If you tell a lie it's easier to tell another. An abyss yawns suddenly at your feet. At night he went home and stared into the flickering blue of the television and felt almost nothing.
Th e s e c o n d round of layoffs came without fanfare. The first time, Julie told him, when he'd been in Florida, there'd been an anguished speech in the middle of the newsroom by
the executive editor, who'd stood on a chair to be better seen but hadn't been able to make eye contact with anyone. Two weeks later the second round was well under way before anyone realized what was happening. The executive editor's assistant called the victims one at a time and asked them to drop by the office, and eleven people didn't come to work the next day. The executive editor sent out a regretful memorandum that began with the words "As you may have noticed . . ." and included the phrases "online content" and "a changing media landscape." The word "rightsizing" was used. There was a regrettable possibility, the memo concluded, of future cuts.
Gavin read it twice, put on his fedora and went for a walk. He'd always thought of the newspaper as a ship sailing over a digital sea. Now that it was obvious the ship was sinking he didn't know what to do with himself, he couldn't imagine not being a newspaperman and in Karen's absence the newspaper was all he really had. Everyone he'd liked had been laid off now except Julie. He sometimes caught himself composing letters in his head. Dear Chloe, dear Anna, I wish I knew where you were. I have failed in my responsibilities. The thought of you keeps me up at night. It was raining in his apartment and he kept forgetting to shave in the mornings. The newsroom an ocean of empty desks. He sat in front of his computer, marooned.
The Lola Quartet Page 2
