Chapter 33
Harry Davis gave his class a phony-baloney read-this-chapter-now assignment and headed out. His students were surprised. Other teachers played that card all the time, the do-busy-silent-work-soI-can-catch-a-smoke card. But Mr. D, Teacher of the Year four years running, never did that . The corridors at Livingston High were ridiculously long. When he was alone in one, like right now, looking down to the end made him dizzy. But that was Harry Davis. He didn't like it quiet. He liked it lively, when this artery was loaded with noise and kids and backpacks and adolescent angst . He found the classroom, gave the door a quick knock, and stuck his head in. Drew Van Dyne taught mostly malfeasants. The room reflected that. Half the kids had iPods in their ears. Some sat on top of their desks. Others leaned against the window. A beefy guy was making out with a girl in the back corner, their mouths open and wide. You could see the saliva . Drew Van Dyne had his feet on the desk, his hands folded on his lap. He turned toward Harry Davis . Mr. Van Dyne? May I speak with you a moment?Drew Van Dyne gave him the cocky grin. Van Dyne was probably thirty-five, ten years younger than Davis. He'd come in as a music teacher eight years ago. He looked the part, the former rock 'n' roller who woulda-shoulda made it to the top except the stupid record companies could never understand his true genius. So now he gave guitar lessons and worked in a music store where he scoffed at your pedestrian taste in CDs . Recent cutbacks in the music department had forced Van Dyne into whatever class was closest to babysitting . Why of course, Mr. D. The two teachers stepped into the hallway. The doors were thick. When it closed, the corridor was silent again . Van Dyne still had the cocky grin. I'm just about to start my lesson, Mr. D. What can I do for you?Davis whispered because every sound echoed out here. Did you hear about Aimee Biel?Who?Aimee Biel. A student here . I don't think she's one of mine . She's missing, Drew . Van Dyne said nothing . Did you hear me?I just said I don't know her . Drew And, Van Dyne interrupted, I think we'd be notified if a student had gone missing, don't you?The police think she's a runaway . A nd you don't? Van Dyne held on to the grin, maybe even spread it a bit. The police will want to know why you feel that way, Mr. D. Maybe you should go to them. Tell them all you know . I might just do that . Good. Van Dyne leaned closer and whispered. I think the police would definitely want to know when you last saw Aimee, don't you?Van Dyne leaned back and waited for Davis's reaction . You see, Mr. D, Van Dyne went on, they'll need to know everything. They'll need to know where she went, who she talked to, what they talked about. They'll probably look into all that, don't you think? Maybe open up a full investigation into the wonderful works of our Teacher of the Year . How do you...? Davis felt the quake start in his legs. You have more to lose than I do . Really? Drew Van Dyne was so close now that Davis could feel the spittle in his face. Tell me, Mr. D. What exactly do I have to lose?My lovely house in scenic Ridgewood? My sterling reputation as a beloved teacher? My perky wife who shares my passion for educating the young? Or maybe my lovely daughters who look up to me so?They stood there for a moment, still in each other's face. Davis couldn't speak. Somewhere in the distance, another world maybe, he heard a bell ring. Doors flew open. Students poured out. The arteries filled with their laughter and angst. It all grabbed hold of Harry Davis. He closed his eyes and let it, let it sweep him away to someplace far away from Drew Van Dyne, someplace he'd much rather be . The Livingston Mall was aging and trying hard not to show it, but the improvements came across more like a bad face-lift than true youth . Bedroom Rendezvous was located on the lower level. To some, the lingerie store was like Victoria's Secret's trailer-park cousin, but the truth was, the cousins were really a lot alike. It was all about presentation. The sexy models on the big posters were closer to porno stars, with wagging tongues and suggestive hand placement. The Bedroom Rendezvous slogan, which was centered across the buxom models' cleavage, read: WHAT KIND OF WOMAN DO YOU WANT TO TAKE TO BED?A hot one, Myron said out loud. It was again not that different from Victoria's Secret commercials, the one where Tyra and Frederique are all oiled up and ask, What is sexy? Answer: Really hot women. The clothing seems beside the point . The saleswoman wore a tight tiger print. She had big hair and chewed gum, but there was a confidence there that somehow made it work. Her tag read SALLY ANN. Looking to make a purchase? Sally Ann asked . I doubt you have anything in my size, Myron said . You'd be surprised. So what's the deal? She motioned toward the poster. You just like staring at the cleavage?Well, yes. But that's not why I'm here. Myron pulled out a photograph of Aimee. Do you recognize this girl?Are you a cop?I might be . Nah . What makes you say that?Sally Ann shrugged. So what are you after?This girl is missing. I'm trying to find her . Let me take a look . Myron handed her the photograph. Sally Ann studied it. She looks familiar . A customer maybe?No. I remember customers . Myron reached into a plastic bag and pulled out the white outfit he'd found in Aimee's drawer. This look familiar?Sure. It's from our Naughty-pout line . Did you sell this one?It could be. I've sold a few . The tag is still on it. Do you think you could trace down who purchased it?Sally Ann frowned and pointed at the picture of Aimee. You think your missing girl bought it?I found it in her drawer . Yeah, but still . Still what?It's too slutty and uncomfortable . A nd, what, she looks classy?No, not that. Women rarely buy this one. Men do. The material is itchy. It rides up the crotch. This is a man's fantasy, not a woman's. It's a bit like porno videos. Sally Ann cocked her head and worked the gum. Have you ever watched a porno flick?Myron kept his face blank. Never, ever, never, he said . Sally Ann laughed. Right. Anyway, when a woman picks out the film, it's totally different. It usually has a story or maybe a title with the word 'sensuous' or 'loving' in it. It might be raunchy or whatever, but it usually isn't called something like Dirty Whore 5. You know what I mean?Let's assume I do. And this outfit?It's the equivalent . Of Dirty Whore Whatever?Right. No woman would pick it out . So how do I find out who bought it for her?We don't keep records or anything like that. I could ask some of the other girls, but . . . Sally Ann shrugged . Myron thanked her and headed out. As a young boy, Myron had come here with his dad. They had frequented Herman's Sporting Goods back then. The store was now out of business. But as he exited Bedroom Rendezvous, he still looked down the corridor, to where Herman's used to be. And two doors down, he spotted a store with a familiar name . PLANET MUSIC. Myron flashed back to Aimee's room. Planet Music. The guitars had been from Planet Music. There had been receipts in Aimee's drawer from there. And here it was, her favorite music shop, located two stores down from Bedroom Rendezvous . A nother coincidence?In Myron's youth, the store in this spot had sold pianos and organs. Myron had always wondered about that. Piano-organ stores at malls. You go to the mall to buy clothes, a CD, a toy, maybe a stereo. Who goes to the mall to buy a piano?Clearly not many people . The pianos and organs were gone. Planet Music sold CDs and smaller instruments. They had signs for rentals. Trumpets, clarinets, violins probably did a big business with the schools . The kid behind the counter was maybe twenty-three, wore a hemp poncho, and looked like a seedier version of the average Starbucks barista. He had a dusty knit hat atop a shaved head. He sported the now seemingly prerequisite soul patch . Myron gave him the stern eye and slapped the picture down on the counter. You know her?The kid hesitated a second too long. Myron jumped in . You answer my questions, you don't get busted . Busted for what?Do you know her?He nodded. That's Aimee . She shops here?Sure, all the time, he said, his eyes darting everywhere but on Myron. And she understands music too. Most people come in here, they ask for boy bands. He said boy bands the way most people say bestiality. But Aimee, she rocks . How well do you know her?Not very. I mean, she doesn't come here for me . The poncho kid stopped then . Who does she come here for?Why do you want to know?Because I don't want to make you empty your pockets . He raised his hands. Hey, I'm totally clean . Then I'll plant something on you . What the . . . You serious?Cancer serious. Myron worked the stern eye again. He wasn't great at the stern eye. The strain was giving him a headache. Who does she come here to see?My
assistant manager . He have a name?Drew. Drew Van Dyne . I s he here?No. He comes in this afternoon . You got an address for him? A phone number?Hey, the kid said, suddenly wise. Let me see your badge . Bye now . Myron headed out of the store. He found Sally Ann again . She clacked the gum. Back so soon?Couldn't stay away, Myron said. Do you know a guy who works at Planet Music named Drew Van Dyne?Oh, she said, nodding as though it all made sense now. Oh yes.
Chapter 34
Claire jumped at the sound of the phone. She had not slept since Aimee had gone missing. In the past two days Claire had imbibed enough coffee, and thus the caffeine, to be wired for sound. She kept going back to the Rochesters' visit, the father's anger, the mother's meekness. The mother. Joan Rochester. Something was definitely up with that woman . Claire spent the morning going through Aimee's room while wondering about how to get Joan Rochester to talk. A mother-to-mother approach, maybe. Aimee's room held no new surprises. Claire started going through old boxes, stuff she'd saved from what seemed like two weeks ago. The pencil holder Aimee made Erik in preschool. Her firstgrade report card all As, plus Mrs. Rohrbach's comment that Aimee was a gifted student, fun to have in class, and had a bright future. She stared at the words bright future, letting them mock her . The phone jangled a nerve. She dove for it, hoping once again that it was Aimee, that this was all some silly misunderstanding, that there was a perfectly reasonable explanation for where she was . Hello?She's fine . The voice was robotic. Neither male nor female. Like an edgier version of the one who tells you that your call is valued and to hold for the next available representative . Who is this?She's fine. Just let it be. You have my word . Who is this? Let me speak to Aimee . But the only response was a dial tone . Joan Rochester said, Dominick isn't home right now . I know, Myron said. I want to talk to you . Me? As if the very idea of someone wanting to talk to her was a shock on par with a Mars landing. But why?Please, Mrs. Rochester, it's very important . I think we should wait for Dominick . Myron pushed past her. I don't . The house was neat and orderly. It was all straight lines and right angles. No curves, no surprising splashes of color, everything standing upright, as if the very room didn't want to draw attention to itself . Can I fix you some coffee?Where is your daughter, Mrs. Rochester?She blinked maybe a dozen times in rapid succession. Myron knew men who blinked like that. They were always the guys who were bullied in school as kids and never got over it. She managed to stammer out the word, What?Where is Katie?I . . . I don't know . That's a lie . More blinking. Myron did not let himself feel sorry for her. Why . . . I'm not lying . You know where Katie is. I assume you have a reason for keeping quiet about it. I assume it involves your husband. That isn't my concern . Joan Rochester tried to straighten her back. I'd like you to leave this house . No . Then I'm going to call my husband . I have phone records, Myron said . More blinking. She put up her hand like she was warding off a blow . For your mobile. Your husband wouldn't check that. And even if he did, an incoming call from a pay phone in New York City probably wouldn't mean much. But I know about a woman named Edna Skylar . Confusion replaced the fear. Who?She's a doctor at St. Barnabas. She spotted your daughter in Manhattan. More specifically, near Twenty-third Street. You've received several phone calls at seven P. M. from a phone booth four blocks away, which is close enough . Those calls weren't from my daughter . No?They were from a friend . Uh-huh . My friend shops in the city. She likes to call when she finds something interesting. To get my opinion . On a pay phone?Yes . Her name?I'm not going to tell you that. And I insist you leave this very instant . Myron shrugged, threw up his hands. I guess this is a dead end for me then . Joan Rochester was blinking again. She was about to start blinking some more . But maybe your husband will have more luck . A ll color drained from her face . I might as well tell him what I know. You can explain about your friend who likes to shop. He'll believe you, don't you think?Terror widened her eyes. You have no idea what he's like . I think I do. He had two goons try to torture me . That's because he thought you knew what happened to Katie . A nd you let him, Mrs. Rochester. You'd have let him torture and maybe kill me, and you knew that I had nothing to do with it . She stopped blinking. You can't tell my husband. Please . I have no interest in harming your daughter. I'm only interested in finding Aimee Biel . I don't know anything about that girl . But your daughter might . Joan Rochester shook her head. You don't understand . Don't understand what?Joan Rochester walked away, just leaving him there. She crossed the room. When she turned back to him, her eyes were filled with tears. If he finds out. If he finds her . . . He won't . She shook her head again . I promise, he said . His words yet another seemingly empty promise echoed in the still room . Where is she, Mrs. Rochester? I just need to talk to her . Her eyes started moving around the room as if she suspected her breakfront might overhear them. She stepped toward the back door and opened it. She signaled for him to go outside . Where is Katie? Myron asked . I don't know. That's the truth . Mrs. Rochester, I really don't have time The calls . What about them?You said they came from New York?Yes . She looked off . What?Maybe that's where she is . You really don't know?Katie wouldn't tell me. I didn't ask either . Why not?Joan Rochester's eyes were perfect circles. If I don't know, she said, finally meeting his eye, then he can't make me tell . Next door a lawn mower started up, shattering the silence. Myron waited a moment. But you've heard from Katie?Yes . A nd you know she's safe . Not from him . But in general, I mean. She wasn't kidnapped or anything like that . She nodded slowly . Edna Skylar spotted her with a dark-haired man. Who is he?You're underestimating Dominick. Please don't do that. Just let us be. You're trying to find another girl. Katie has nothing to do with her . They both used the same ATM machine . That's a coincidence . Myron did not bother arguing. When is Katie calling again?I don't know . Then you're not much use to me . What's that supposed to mean?I need to talk to your daughter. If you can't help me, I'll have to take the chance that your husband can . She just shook her head . I know she's pregnant, Myron said . Joan Rochester groaned . You don't understand, she said again . Then tell me . The dark-haired man . . . His name is Rufus. If Dom finds out, he'll kill him. It is that simple. And I don't know what he'll do to Katie . So what's their plan? Hide forever?I doubt they have a plan . A nd Dominick doesn't know about any of this?He's not stupid. He thinks Katie probably ran away . Myron thought about it. Then I don't get something. If he suspects Katie ran away, why did he go to the press?Joan Rochester smiled then, but it was the saddest smile Myron had ever seen. Don't you see?No . He likes to win. No matter what the cost . I still don't He did it to put pressure on them. He wants to find Katie. He doesn't care about anything else. That's his strength. He doesn't mind taking hits. Big hits. Dom doesn't embarrass. He never feels shame. He's willing to lose or suffer to make you hurt and suffer more. That's the kind of man he is . They fell quiet. Myron wanted to ask why she stayed married to him, but that wasn't his business. There were so many cases of abused women in this country. He'd like to help, but Joan Rochester wouldn't accept it and he had more pressing matters on his mind. He thought back to the Twins, about not being bothered by their deaths, about Edna Skylar and the way she handled what she thought of as her purer patients . Joan Rochester had made her choice. Or maybe she was just a little less innocent than the others . You should tell the police, Myron said . Tell them what?That your daughter is a runaway . She snorted. You don't get it, do you? Dom would find out. He has sources in the department. How do you think he found out about you so fast?But, Myron realized, he hadn't learned about Edna Skylar. Yet. So his sources weren't infallible. Myron wondered if he could use that, but he didn't see how. He moved closer now. He took Joan Rochester's hands in his and made her look him in the eye . Your daughter will be safe. I guarantee it. But I need to talk to her. That's all. Just talk. Do you understand?She swallowed. I don't have much choice, do I?Myron said nothing . I f I don't cooperate, you'll go to Dom . Yes, Myron said . Katie is supposed to call me tonight at seven, she said. I'll let you talk to her then.
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Promise Me (2006) Page 18
