Complete Works of Stephen Crane

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Complete Works of Stephen Crane Page 3

by Stephen Crane


  A fire engine was enshrined in his heart as an appalling thing that he loved with a distant dog-like devotion. They had been known to overturn street-cars. Those leaping horses, striking sparks from the cobbles in their forward lunge, were creatures to be ineffably admired. The clang of the gong pierced his breast like a noise of remembered war.

  When Jimmie was a little boy, he began to be arrested. Before he reached a great age, he had a fair record.

  He developed too great a tendency to climb down from his truck and fight with other drivers. He had been in quite a number of miscellaneous fights, and in some general barroom rows that had become known to the police. Once he had been arrested for assaulting a Chinaman. Two women in different parts of the city, and entirely unknown to each other, caused him considerable annoyance by breaking forth, simultaneously, at fateful intervals, into wailings about marriage and support and infants.

  Nevertheless, he had, on a certain star-lit evening, said wonderingly and quite reverently: “Deh moon looks like hell, don’t it?”

  Chapter V

  The girl, Maggie, blossomed in a mud puddle. She grew to be a most rare and wonderful production of a tenement district, a pretty girl.

  None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it.

  When a child, playing and fighting with gamins in the street, dirt disguised her. Attired in tatters and grime, she went unseen.

  There came a time, however, when the young men of the vicinity said: “Dat Johnson goil is a puty good looker.” About this period her brother remarked to her: “Mag, I’ll tell yeh dis! See? Yeh’ve edder got teh go teh hell or go teh work!” Whereupon she went to work, having the feminine aversion of going to hell.

  By a chance, she got a position in an establishment where they made collars and cuffs. She received a stool and a machine in a room where sat twenty girls of various shades of yellow discontent. She perched on the stool and treadled at her machine all day, turning out collars, the name of whose brand could be noted for its irrelevancy to anything in connection with collars. At night she returned home to her mother.

  Jimmie grew large enough to take the vague position of head of the family. As incumbent of that office, he stumbled up-stairs late at night, as his father had done before him. He reeled about the room, swearing at his relations, or went to sleep on the floor.

  The mother had gradually arisen to that degree of fame that she could bandy words with her acquaintances among the police-justices. Court-officials called her by her first name. When she appeared they pursued a course which had been theirs for months. They invariably grinned and cried out: “Hello, Mary, you here again?” Her grey head wagged in many a court. She always besieged the bench with voluble excuses, explanations, apologies and prayers. Her flaming face and rolling eyes were a sort of familiar sight on the island. She measured time by means of sprees, and was eternally swollen and dishevelled.

  One day the young man, Pete, who as a lad had smitten the Devil’s Row urchin in the back of the head and put to flight the antagonists of his friend, Jimmie, strutted upon the scene. He met Jimmie one day on the street, promised to take him to a boxing match in Williamsburg, and called for him in the evening.

  Maggie observed Pete.

  He sat on a table in the Johnson home and dangled his checked legs with an enticing nonchalance. His hair was curled down over his forehead in an oiled bang. His rather pugged nose seemed to revolt from contact with a bristling moustache of short, wire-like hairs. His blue double-breasted coat, edged with black braid, buttoned close to a red puff tie, and his patent-leather shoes looked like murder-fitted weapons.

  His mannerisms stamped him as a man who had a correct sense of his personal superiority. There was valor and contempt for circumstances in the glance of his eye. He waved his hands like a man of the world, who dismisses religion and philosophy, and says “Fudge.” He had certainly seen everything and with each curl of his lip, he declared that it amounted to nothing. Maggie thought he must be a very elegant and graceful bartender.

  He was telling tales to Jimmie.

  Maggie watched him furtively, with half-closed eyes, lit with a vague interest.

  “Hully gee! Dey makes me tired,” he said. “Mos’ e’ry day some farmer comes in an’ tries teh run deh shop. See? But dey gits t’rowed right out! I jolt dem right out in deh street before dey knows where dey is! See?”

  “Sure,” said Jimmie.

  “Dere was a mug come in deh place deh odder day wid an idear he wus goin’ teh own deh place! Hully gee, he wus goin’ teh own deh place! I see he had a still on an’ I didn’ wanna giv ‘im no stuff, so I says: ‘Git deh hell outa here an’ don’ make no trouble,’ I says like dat! See? ‘Git deh hell outa here an’ don’ make no trouble’; like dat. ‘Git deh hell outa here,’ I says. See?”

  Jimmie nodded understandingly. Over his features played an eager desire to state the amount of his valor in a similar crisis, but the narrator proceeded.

  “Well, deh blokie he says: ‘T’hell wid it! I ain’ lookin’ for no scrap,’ he says (See?), ‘but’ he says, ‘I’m ‘spectable cit’zen an’ I wanna drink an’ purtydamnsoon, too.’ See? ‘Deh hell,’ I says. Like dat! ‘Deh hell,’ I says. See? ‘Don’ make no trouble,’ I says. Like dat. ‘Don’ make no trouble.’ See? Den deh mug he squared off an’ said he was fine as silk wid his dukes (See?) an’ he wanned a drink damnquick. Dat’s what he said. See?”

  “Sure,” repeated Jimmie.

  Pete continued. “Say, I jes’ jumped deh bar an’ deh way I plunked dat blokie was great. See? Dat’s right! In deh jaw! See? Hully gee, he t’rowed a spittoon true deh front windee. Say, I taut I’d drop dead. But deh boss, he comes in after an’ he says, ‘Pete, yehs done jes’ right! Yeh’ve gota keep order an’ it’s all right.’ See? ‘It’s all right,’ he says. Dat’s what he said.”

  The two held a technical discussion.

  “Dat bloke was a dandy,” said Pete, in conclusion, “but he hadn’ oughta made no trouble. Dat’s what I says teh dem: ‘Don’ come in here an’ make no trouble,’ I says, like dat. ‘Don’ make no trouble.’ See?”

  As Jimmie and his friend exchanged tales descriptive of their prowess, Maggie leaned back in the shadow. Her eyes dwelt wonderingly and rather wistfully upon Pete’s face. The broken furniture, grimey walls, and general disorder and dirt of her home of a sudden appeared before her and began to take a potential aspect. Pete’s aristocratic person looked as if it might soil. She looked keenly at him, occasionally, wondering if he was feeling contempt. But Pete seemed to be enveloped in reminiscence.

  “Hully gee,” said he, “dose mugs can’t phase me. Dey knows I kin wipe up deh street wid any t’ree of dem.”

  When he said, “Ah, what deh hell,” his voice was burdened with disdain for the inevitable and contempt for anything that fate might compel him to endure.

  Maggie perceived that here was the beau ideal of a man. Her dim thoughts were often searching for far away lands where, as God says, the little hills sing together in the morning. Under the trees of her dream-gardens there had always walked a lover.

  Chapter VI

  Pete took note of Maggie.

  “Say, Mag, I’m stuck on yer shape. It’s outa sight,” he said, parenthetically, with an affable grin.

  As he became aware that she was listening closely, he grew still more eloquent in his descriptions of various happenings in his career. It appeared that he was invincible in fights.

  “Why,” he said, referring to a man with whom he had had a misunderstanding, “dat mug scrapped like a damn dago. Dat’s right. He was dead easy. See? He tau’t he was a scrapper. But he foun’ out diff’ent! Hully gee.”

  He walked to and fro in the small room, which seemed then to grow even smaller and unfit to hold his dignity, the attribute of a supreme warrior. That swing of the shoulders that had frozen the timid when he was but a lad had increased with his growth and e
ducation at the ratio of ten to one. It, combined with the sneer upon his mouth, told mankind that there was nothing in space which could appall him. Maggie marvelled at him and surrounded him with greatness. She vaguely tried to calculate the altitude of the pinnacle from which he must have looked down upon her.

  “I met a chump deh odder day way up in deh city,” he said. “I was goin’ teh see a frien’ of mine. When I was a-crossin’ deh street deh chump runned plump inteh me, an’ den he turns aroun’ an’ says, ‘Yer insolen’ ruffin,’ he says, like dat. ‘Oh, gee,’ I says, ‘oh, gee, go teh hell and git off deh eart’,’ I says, like dat. See? ‘Go teh hell an’ git off deh eart’,’ like dat. Den deh blokie he got wild. He says I was a contempt’ble scoun’el, er somet’ing like dat, an’ he says I was doom’ teh everlastin’ pe’dition an’ all like dat. ‘Gee,’ I says, ‘gee! Deh hell I am,’ I says. ‘Deh hell I am,’ like dat. An’ den I slugged ‘im. See?”

  With Jimmie in his company, Pete departed in a sort of a blaze of glory from the Johnson home. Maggie, leaning from the window, watched him as he walked down the street.

  Here was a formidable man who disdained the strength of a world full of fists. Here was one who had contempt for brass-clothed power; one whose knuckles could defiantly ring against the granite of law. He was a knight.

  The two men went from under the glimmering street-lamp and passed into shadows.

  Turning, Maggie contemplated the dark, dust-stained walls, and the scant and crude furniture of her home. A clock, in a splintered and battered oblong box of varnished wood, she suddenly regarded as an abomination. She noted that it ticked raspingly. The almost vanished flowers in the carpet-pattern, she conceived to be newly hideous. Some faint attempts she had made with blue ribbon, to freshen the appearance of a dingy curtain, she now saw to be piteous.

  She wondered what Pete dined on.

  She reflected upon the collar and cuff factory. It began to appear to her mind as a dreary place of endless grinding. Pete’s elegant occupation brought him, no doubt, into contact with people who had money and manners. It was probable that he had a large acquaintance of pretty girls. He must have great sums of money to spend.

  To her the earth was composed of hardships and insults. She felt instant admiration for a man who openly defied it. She thought that if the grim angel of death should clutch his heart, Pete would shrug his shoulders and say: “Oh, ev’ryt’ing goes.”

  She anticipated that he would come again shortly. She spent some of her week’s pay in the purchase of flowered cretonne for a lambrequin. She made it with infinite care and hung it to the slightly-careening mantel, over the stove, in the kitchen. She studied it with painful anxiety from different points in the room. She wanted it to look well on Sunday night when, perhaps, Jimmie’s friend would come. On Sunday night, however, Pete did not appear.

  Afterward the girl looked at it with a sense of humiliation. She was now convinced that Pete was superior to admiration for lambrequins.

  A few evenings later Pete entered with fascinating innovations in his apparel. As she had seen him twice and he had different suits on each time, Maggie had a dim impression that his wardrobe was prodigiously extensive.

  “Say, Mag,” he said, “put on yer bes’ duds Friday night an’ I’ll take yehs teh deh show. See?”

  He spent a few moments in flourishing his clothes and then vanished, without having glanced at the lambrequin.

  Over the eternal collars and cuffs in the factory Maggie spent the most of three days in making imaginary sketches of Pete and his daily environment. She imagined some half dozen women in love with him and thought he must lean dangerously toward an indefinite one, whom she pictured with great charms of person, but with an altogether contemptible disposition.

  She thought he must live in a blare of pleasure. He had friends, and people who were afraid of him.

  She saw the golden glitter of the place where Pete was to take her. An entertainment of many hues and many melodies where she was afraid she might appear small and mouse-colored.

  Her mother drank whiskey all Friday morning. With lurid face and tossing hair she cursed and destroyed furniture all Friday afternoon. When Maggie came home at half-past six her mother lay asleep amidst the wreck of chairs and a table. Fragments of various household utensils were scattered about the floor. She had vented some phase of drunken fury upon the lambrequin. It lay in a bedraggled heap in the corner.

  “Hah,” she snorted, sitting up suddenly, “where deh hell yeh been? Why deh hell don’ yeh come home earlier? Been loafin’ ‘round deh streets. Yer gettin’ teh be a reg’lar devil.”

  When Pete arrived Maggie, in a worn black dress, was waiting for him in the midst of a floor strewn with wreckage. The curtain at the window had been pulled by a heavy hand and hung by one tack, dangling to and fro in the draft through the cracks at the sash. The knots of blue ribbons appeared like violated flowers. The fire in the stove had gone out. The displaced lids and open doors showed heaps of sullen grey ashes. The remnants of a meal, ghastly, like dead flesh, lay in a corner. Maggie’s red mother, stretched on the floor, blasphemed and gave her daughter a bad name.

  Chapter VII

  An orchestra of yellow silk women and bald-headed men on an elevated stage near the centre of a great green-hued hall, played a popular waltz. The place was crowded with people grouped about little tables. A battalion of waiters slid among the throng, carrying trays of beer glasses and making change from the inexhaustible vaults of their trousers pockets. Little boys, in the costumes of French chefs, paraded up and down the irregular aisles vending fancy cakes. There was a low rumble of conversation and a subdued clinking of glasses. Clouds of tobacco smoke rolled and wavered high in air about the dull gilt of the chandeliers.

  The vast crowd had an air throughout of having just quitted labor. Men with calloused hands and attired in garments that showed the wear of an endless trudge for a living, smoked their pipes contentedly and spent five, ten, or perhaps fifteen cents for beer. There was a mere sprinkling of kid-gloved men who smoked cigars purchased elsewhere. The great body of the crowd was composed of people who showed that all day they strove with their hands. Quiet Germans, with maybe their wives and two or three children, sat listening to the music, with the expressions of happy cows. An occasional party of sailors from a war-ship, their faces pictures of sturdy health, spent the earlier hours of the evening at the small round tables. Very infrequent tipsy men, swollen with the value of their opinions, engaged their companions in earnest and confidential conversation. In the balcony, and here and there below, shone the impassive faces of women. The nationalities of the Bowery beamed upon the stage from all directions.

  Pete aggressively walked up a side aisle and took seats with Maggie at a table beneath the balcony.

  “Two beehs!”

  Leaning back he regarded with eyes of superiority the scene before them. This attitude affected Maggie strongly. A man who could regard such a sight with indifference must be accustomed to very great things.

  It was obvious that Pete had been to this place many times before, and was very familiar with it. A knowledge of this fact made Maggie feel little and new.

  He was extremely gracious and attentive. He displayed the consideration of a cultured gentleman who knew what was due.

  “Say, what deh hell? Bring deh lady a big glass! What deh hell use is dat pony?”

  “Don’t be fresh, now,” said the waiter, with some warmth, as he departed.

  “Ah, git off deh eart’,” said Pete, after the other’s retreating form.

  Maggie perceived that Pete brought forth all his elegance and all his knowledge of high-class customs for her benefit. Her heart warmed as she reflected upon his condescension.

  The orchestra of yellow silk women and bald-headed men gave vent to a few bars of anticipatory music and a girl, in a pink dress with short skirts, galloped upon the stage. She smiled upon the throng as if in acknowledgment of a warm welcome, and began to walk to an
d fro, making profuse gesticulations and singing, in brazen soprano tones, a song, the words of which were inaudible. When she broke into the swift rattling measures of a chorus some half-tipsy men near the stage joined in the rollicking refrain and glasses were pounded rhythmically upon the tables. People leaned forward to watch her and to try to catch the words of the song. When she vanished there were long rollings of applause.

  Obedient to more anticipatory bars, she reappeared amidst the half-suppressed cheering of the tipsy men. The orchestra plunged into dance music and the laces of the dancer fluttered and flew in the glare of gas jets. She divulged the fact that she was attired in some half dozen skirts. It was patent that any one of them would have proved adequate for the purpose for which skirts are intended. An occasional man bent forward, intent upon the pink stockings. Maggie wondered at the splendor of the costume and lost herself in calculations of the cost of the silks and laces.

  The dancer’s smile of stereotyped enthusiasm was turned for ten minutes upon the faces of her audience. In the finale she fell into some of those grotesque attitudes which were at the time popular among the dancers in the theatres up-town, giving to the Bowery public the phantasies of the aristocratic theatre-going public, at reduced rates.

  “Say, Pete,” said Maggie, leaning forward, “dis is great.”

  “Sure,” said Pete, with proper complacence.

  A ventriloquist followed the dancer. He held two fantastic dolls on his knees. He made them sing mournful ditties and say funny things about geography and Ireland.

  “Do dose little men talk?” asked Maggie.

  “Naw,” said Pete, “it’s some damn fake. See?”

  Two girls, on the bills as sisters, came forth and sang a duet that is heard occasionally at concerts given under church auspices. They supplemented it with a dance which of course can never be seen at concerts given under church auspices.

 

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