After a brief silence, Velmont laughed and said:
“Certainly, it doesn’t throw a dazzling light upon the subject.”
“No; but Father Gélis claims that Sully concealed the key to the mystery in this strange sentence in order to keep the secret from the secretaries to whom he dictated his memoirs.”
“That is an ingenious theory,” said Velmont.
“Yes, and it may be nothing more; I cannot see that it throws any light on the mysterious riddle.”
“And was it also to receive the visit of a lady that Louis the Sixteenth caused the passage to be opened?”
“I don’t know,” said Mon. Devanne. “All I can say is that the king stopped here one night in 1784, and that the famous Iron Casket found in the Louvre contained a paper bearing these words in the king’s own writing: ‘Thibermesnil 3-4-11.’”
Horace Velmont laughed heartily, and exclaimed:
“At last! And now that we have the magic key, where is the man who can fit it to the invisible lock?”
“Laugh as much as you please, monsieur,” said Father Gèlis, “but I am confident the solution is contained in those two sentences, and some day we will find a man able to interpret them.”
“Sherlock Holmes is the man,” said Mon. Devanne, “unless Arsène Lupin gets ahead of him. What is your opinion, Velmont?”
Velmont arose, placed his hand on Devanne’s shoulder, and declared:
“I think that the information furnished by your book and the book of the National Library was deficient in a very important detail which you have now supplied. I thank you for it.”
“What is it?”
“The missing key. Now that I have it, I can go to work at once,” said Velmont.
“Of course; without losing a minute,” said Devanne, smiling.
“Not even a second!” replied Velmont. “To-night, before the arrival of Sherlock Holmes, I must plunder your castle.”
“You have no time to lose. Oh! by the way, I can drive you over this evening.”
“To Dieppe?”
“Yes. I am going to meet Monsieur and Madame d’Androl and a young lady of their acquaintance who are to arrive by the midnight train.”
Then addressing the officers, Devanne added:
“Gentlemen, I shall expect to see all of you at breakfast to-morrow.”
The invitation was accepted. The company dispersed, and a few moments later Devanne and Velmont were speeding toward Dieppe in an automobile. Devanne dropped the artist in front of the Casino, and proceeded to the railway station. At twelve o’clock his friends alighted from the train. A half hour later the automobile was at the entrance to the castle. At one o’clock, after a light supper, they retired. The lights were extinguished, and the castle was enveloped in the darkness and silence of the night.
The moon appeared through a rift in the clouds, and filled the drawing-room with its bright white light. But only for a moment. Then the moon again retired behind its ethereal draperies, and darkness and silence reigned supreme. No sound could be heard, save the monotonous ticking of the clock. It struck two, and then continued its endless repetitions of the seconds. Then, three o’clock.
Suddenly, something clicked, like the opening and closing of a signal-disc that warns the passing train. A thin stream of light flashed to every corner of the room, like an arrow that leaves behind it a trail of light. It shot forth from the central fluting of a column that supported the pediment of the bookcase. It rested for a moment on the panel opposite like a glittering circle of burnished silver, then flashed in all directions like a guilty eye that scrutinizes every shadow. It disappeared for a short time, but burst forth again as a whole section of the bookcase revolved on a pivot and disclosed a large opening like a vault.
A man entered, carrying an electric lantern. He was followed by a second man, who carried a coil of rope and various tools. The leader inspected the room, listened a moment, and said:
“Call the others.”
Then eight men, stout fellows with resolute faces, entered the room, and immediately commenced to remove the furnishings. Arsène Lupin passed quickly from one piece of furniture to another, examined each, and, according to its size or artistic value, he directed his men to take it or leave it. If ordered to be taken, it was carried to the gaping mouth of the tunnel, and ruthlessly thrust into the bowels of the earth. Such was the fate of six armchairs, six small Louis XV chairs, a quantity of Aubusson tapestries, some candelabra, paintings by Fragonard and Nattier, a bust by Houdon, and some statuettes. Sometimes, Lupin would linger before a beautiful chest or a superb picture, and sigh:
“That is too heavy.... too large.... what a pity!”
In forty minutes the room was dismantled; and it had been accomplished in such an orderly manner and with as little noise as if the various articles had been packed and wadded for the occasion.
Lupin said to the last man who departed by way of the tunnel:
“You need not come back. You understand, that as soon as the auto-van is loaded, you are to proceed to the grange at Roquefort.”
“But you, patron?”
“Leave me the motor-cycle.”
When the man had disappeared, Arsène Lupin pushed the section of the bookcase back into its place, carefully effaced the traces of the men’s footsteps, raised a portière, and entered a gallery, which was the only means of communication between the tower and the castle. In the center of this gallery there was a glass cabinet which had attracted Lupin’s attentions. It contained a valuable collection of watches, snuff-boxes, rings, chatelaines and miniatures of rare and beautiful workmanship. He forced the lock with a small jimmy, and experienced a great pleasure in handling those gold and silver ornaments, those exquisite and delicate works of art.
He carried a large linen bag, specially prepared for the removal of such knick-knacks. He filled it. Then he filled the pockets of his coat, waistcoat and trousers. And he was just placing over his left arm a number of pearl reticules when he heard a slight sound. He listened. No, he was not deceived. The noise continued. Then he remembered that, at one end of the gallery, there was a stairway leading to an unoccupied apartment, but which was probably occupied that night by the young lady whom Mon. Devanne had brought from Dieppe with his other visitors.
Immediately he extinguished his lantern, and had scarcely gained the friendly shelter of a window-embrasure, when the door at the top of the stairway was opened and a feeble light illuminated the gallery. He could feel — for, concealed by a curtain, he could not see — that a woman was cautiously descending the upper steps of the stairs. He hoped she would come no closer. Yet, she continued to descend, and even advanced some distance into the room. Then she uttered a faint cry. No doubt she had discovered the broken and dismantled cabinet.
She advanced again. Now he could smell the perfume, and hear the throbbing of her heart as she drew closer to the window where he was concealed. She passed so close that her skirt brushed against the window-curtain, and Lupin felt that she suspected the presence of another, behind her, in the shadow, within reach of her hand. He thought: “She is afraid. She will go away.” But she did not go. The candle, that she carried in her trembling hand, grew brighter. She turned, hesitated a moment, appeared to listen, then suddenly drew aside the curtain.
They stood face to face. Arsène was astounded. He murmured, involuntarily:
“You — you — mademoiselle.”
It was Miss Nelly. Miss Nelly! his fellow passenger on the transatlantic steamer, who had been the subject of his dreams on that memorable voyage, who had been a witness to his arrest, and who, rather than betray him, had dropped into the water the Kodak in which he had concealed the bank-notes and diamonds. Miss Nelly! that charming creature, the memory of whose face had sometimes cheered, sometimes saddened the long hours of imprisonment.
It was such an unexpected encounter that brought them face to face in that castle at that hour of the night, that they could not move, nor utter a word; they
were amazed, hypnotized, each at the sudden apparition of the other. Trembling with emotion, Miss Nelly staggered to a seat. He remained standing in front of her.
Gradually, he realized the situation and conceived the impression he must have produced at that moment with his arms laden with knick-knacks, and his pockets and a linen sack overflowing with plunder. He was overcome with confusion, and he actually blushed to find himself in the position of a thief caught in the act. To her, henceforth, he was a thief, a man who puts his hand in another’s pocket, who steals into houses and robs people while they sleep.
A watch fell upon the floor; then another. These were followed by other articles which slipped from his grasp one by one. Then, actuated by a sudden decision, he dropped the other articles into an armchair, emptied his pockets and unpacked his sack. He felt very uncomfortable in Nelly’s presence, and stepped toward her with the intention of speaking to her, but she shuddered, rose quickly and fled toward the salon. The portière closed behind her. He followed her. She was standing trembling and amazed at the sight of the devastated room. He said to her, at once:
“To-morrow, at three o’clock, everything will be returned. The furniture will be brought back.”
She made no reply, so he repeated:
“I promise it. To-morrow, at three o’clock. Nothing in the world could induce me to break that promise....To-morrow, at three o’clock.”
Then followed a long silence that he dared not break, whilst the agitation of the young girl caused him a feeling of genuine regret. Quietly, without a word, he turned away, thinking: “I hope she will go away. I can’t endure her presence.” But the young girl suddenly spoke, and stammered:
“Listen.... footsteps....I hear someone....”
He looked at her with astonishment. She seemed to be overwhelmed by the thought of approaching peril.
“I don’t hear anything,” he said.
“But you must go — you must escape!”
“Why should I go?”
“Because — you must. Oh! do not remain here another minute. Go!”
She ran, quickly, to the door leading to the gallery and listened. No, there was no one there. Perhaps the noise was outside. She waited a moment, then returned reassured.
But Arsène Lupin had disappeared.
As soon as Mon. Devanne was informed of the pillage of his castle, he said to himself: It was Velmont who did it, and Velmont is Arsène Lupin. That theory explained everything, and there was no other plausible explanation. And yet the idea seemed preposterous. It was ridiculous to suppose that Velmont was anyone else than Velmont, the famous artist, and club-fellow of his cousin d’Estevan. So, when the captain of the gendarmes arrived to investigate the affair, Devanne did not even think of mentioning his absurd theory.
Throughout the forenoon there was a lively commotion at the castle. The gendarmes, the local police, the chief of police from Dieppe, the villagers, all circulated to and fro in the halls, examining every nook and corner that was open to their inspection. The approach of the maneuvering troops, the rattling fire of the musketry, added to the picturesque character of the scene.
The preliminary search furnished no clue. Neither the doors nor windows showed any signs of having been disturbed. Consequently, the removal of the goods must have been effected by means of the secret passage. Yet, there were no indications of footsteps on the floor, nor any unusual marks upon the walls.
Their investigations revealed, however, one curious fact that denoted the whimsical character of Arsène Lupin: the famous Chronique of the sixteenth century had been restored to its accustomed place in the library and, beside it, there was a similar book, which was none other than the volume stolen from the National Library.
At eleven o’clock the military officers arrived. Devanne welcomed them with his usual gayety; for, no matter how much chagrin he might suffer from the loss of his artistic treasures, his great wealth enabled him to bear his loss philosophically. His guests, Monsieur and Madame d’Androl and Miss Nelly, were introduced; and it was then noticed that one of the expected guests had not arrived. It was Horace Velmont. Would he come? His absence had awakened the suspicions of Mon. Devanne. But at twelve o’clock he arrived. Devanne exclaimed:
“Ah! here you are!”
“Why, am I not punctual?” asked Velmont.
“Yes, and I am surprised that you are.... after such a busy night! I suppose you know the news?”
“What news?”
“You have robbed the castle.”
“Nonsense!” exclaimed Velmont, smiling.
“Exactly as I predicted. But, first escort Miss Underdown to the dining-room. Mademoiselle, allow me—”
He stopped, as he remarked the extreme agitation of the young girl. Then, recalling the incident, he said:
“Ah! of course, you met Arsène Lupin on the steamer, before his arrest, and you are astonished at the resemblance. Is that it?”
She did not reply. Velmont stood before her, smiling. He bowed. She took his proffered arm. He escorted her to her place, and took his seat opposite her. During the breakfast, the conversation related exclusively to Arsène Lupin, the stolen goods, the secret passage, and Sherlock Holmes. It was only at the close of the repast, when the conversation had drifted to other subjects, that Velmont took any part in it. Then he was, by turns, amusing and grave, talkative and pensive. And all his remarks seemed to be directed to the young girl. But she, quite absorbed, did not appear to hear them.
Coffee was served on the terrace overlooking the court of honor and the flower garden in front of the principal façade. The regimental band played on the lawn, and scores of soldiers and peasants wandered through the park.
Miss Nelly had not forgotten, for one moment, Lupin’s solemn promise: “To-morrow, at three o’clock, everything will be returned.”
At three o’clock! And the hands of the great clock in the right wing of the castle now marked twenty minutes to three. In spite of herself, her eyes wandered to the clock every minute. She also watched Velmont, who was calmly swinging to and fro in a comfortable rocking chair.
Ten minutes to three!....Five minutes to three!....Nelly was impatient and anxious. Was it possible that Arsène Lupin would carry out his promise at the appointed hour, when the castle, the courtyard, and the park were filled with people, and at the very moment when the officers of the law were pursuing their investigations? And yet....Arsène Lupin had given her his solemn promise. “It will be exactly as he said,” thought she, so deeply was she impressed with the authority, energy and assurance of that remarkable man. To her, it no longer assumed the form of a miracle, but, on the contrary, a natural incident that must occur in the ordinary course of events. She blushed, and turned her head.
Three o’clock! The great clock struck slowly: one.... two.... three....Horace Velmont took out his watch, glanced at the clock, then returned the watch to his pocket. A few seconds passed in silence; and then the crowd in the courtyard parted to give passage to two wagons, that had just entered the park-gate, each drawn by two horses. They were army-wagons, such as are used for the transportation of provisions, tents, and other necessary military stores. They stopped in front of the main entrance, and a commissary-sergeant leaped from one of the wagons and inquired for Mon. Devanne. A moment later, that gentleman emerged from the house, descended the steps, and, under the canvas covers of the wagons, beheld his furniture, pictures and ornaments carefully packaged and arranged.
When questioned, the sergeant produced an order that he had received from the officer of the day. By that order, the second company of the fourth battalion were commanded to proceed to the crossroads of Halleux in the forest of Arques, gather up the furniture and other articles deposited there, and deliver same to Monsieur Georges Devanne, owner of the Thibermesnil castle, at three o’clock. Signed: Col. Beauvel.
“At the crossroads,” explained the sergeant, “we found everything ready, lying on the grass, guarded by some passers-by. It seemed very strange, bu
t the order was imperative.”
One of the officers examined the signature. He declared it a forgery; but a clever imitation. The wagons were unloaded, and the goods restored to their proper places in the castle.
During this commotion, Nelly had remained alone at the extreme end of the terrace, absorbed by confused and distracted thoughts. Suddenly, she observed Velmont approaching her. She would have avoided him, but the balustrade that surrounded the terrace cut off her retreat. She was cornered. She could not move. A gleam of sunshine, passing through the scant foliage of a bamboo, lighted up her beautiful golden hair. Some one spoke to her in a low voice:
“Have I not kept my promise?”
Arsène Lupin stood close to her. No one else was near. He repeated, in a calm, soft voice:
“Have I not kept my promise?”
He expected a word of thanks, or at least some slight movement that would betray her interest in the fulfillment of his promise. But she remained silent.
Her scornful attitude annoyed Arsène Lupin; and he realized the vast distance that separated him from Miss Nelly, now that she had learned the truth. He would gladly have justified himself in her eyes, or at least pleaded extenuating circumstances, but he perceived the absurdity and futility of such an attempt. Finally, dominated by a surging flood of memories, he murmured:
“Ah! how long ago that was! You remember the long hours on the deck of the ‘Provence.’ Then, you carried a rose in your hand, a white rose like the one you carry to-day. I asked you for it. You pretended you did not hear me. After you had gone away, I found the rose — forgotten, no doubt — and I kept it.”
She made no reply. She seemed to be far away. He continued:
“In memory of those happy hours, forget what you have learned since. Separate the past from the present. Do not regard me as the man you saw last night, but look at me, if only for a moment, as you did in those far-off days when I was Bernard d’Andrezy, for a short time. Will you, please?”
Delphi Collected Works of Maurice Leblanc (Illustrated) (Delphi Series Nine Book 17) Page 17
