by Leo Tolstoy
"Where is he?" she asked again, addressing them all.
"He is downstairs. Natasha is with him," answered Sonya, flushing. "We have sent to ask. I think you must be tired, Princess."
Tears of vexation showed themselves in Princess Mary's eyes. She turned away and was about to ask the countess again how to go to him, when light, impetuous, and seemingly buoyant steps were heard at the door. The princess looked round and saw Natasha coming in, almost running--that Natasha whom she had liked so little at their meeting in Moscow long since.
But hardly had the princess looked at Natasha's face before she realized that here was a real comrade in her grief, and consequently a friend. She ran to meet her, embraced her, and began to cry on her shoulder.
As soon as Natasha, sitting at the head of Prince Andrew's bed, heard of Princess Mary's arrival, she softly left his room and hastened to her with those swift steps that had sounded buoyant to Princess Mary.
There was only one expression on her agitated face when she ran into the drawing room--that of love--boundless love for him, for her, and for all that was near to the man she loved; and of pity, suffering for others, and passionate desire to give herself entirely to helping them. It was plain that at that moment there was in Natasha's heart no thought of herself or of her own relations with Prince Andrew.
Princess Mary, with her acute sensibility, understood all this at the first glance at Natasha's face, and wept on her shoulder with sorrowful pleasure.
"Come, come to him, Mary," said Natasha, leading her into the other room.
Princess Mary raised her head, dried her eyes, and turned to Natasha. She felt that from her she would be able to understand and learn everything.
"How..." she began her question but stopped short.
She felt that it was impossible to ask, or to answer, in words. Natasha's face eyes would have to tell her all more clearly and profoundly.
Natasha was gazing at her, but seemed afraid and in doubt whether to say all she knew or not; she seemed to feel that before those luminous eyes which penetrated into the very depths of her heart, it was impossible not to tell the whole truth which she saw. And suddenly, Natasha's lips twitched, ugly wrinkles gathered round her mouth, and covering her face with her hands she burst into sobs.
Princess Mary understood.
But she still hoped, and asked, in words she herself did not trust:
"But how is his wound? What is his general condition?"
"You, you... will see," was all Natasha could say.
They sat a little while downstairs near his room till they had left off crying and were able to go to him with calm faces.
"How has his whole illness gone? Is it long since he grew worse? When did this happen?" Princess Mary inquired.
Natasha told her that at first there had been danger from his feverish condition and the pain he suffered, but at Troitsa that had passed and the doctor had only been afraid of gangrene. That danger had also passed. When they reached Yaroslavl the wound had begun to fester (Natasha knew all about such things as festering) and the doctor had said that the festering might take a normal course. Then fever set in, but the doctor had said the fever was not very serious.
"But two days ago this suddenly happened," said Natasha, struggling with her sobs. "I don't know why, but you will see what he is like."
"Is he weaker? Thinner?" asked the princess.
"No, it's not that, but worse. You will see. O, Mary, he is too good, he cannot, cannot live, because..."
CHAPTER XV
When Natasha opened Prince Andrew's door with a familiar movement and let Princess Mary pass into the room before her, the princess felt the sobs in her throat. Hard as she had tried to prepare herself, and now tried to remain tranquil, she knew that she would be unable to look at him without tears.
The princess understood what Natasha had meant by the words: "two days ago this suddenly happened." She understood those words to mean that he had suddenly softened and that this softening and gentleness were signs of approaching death. As she stepped to the door she already saw in imagination Andrew's face as she remembered it in childhood, a gentle, mild, sympathetic face which he had rarely shown, and which therefore affected her very strongly. She was sure he would speak soft, tender words to her such as her father had uttered before his death, and that she would not be able to bear it and would burst into sobs in his presence. Yet sooner or later it had to be, and she went in. The sobs rose higher and higher in her throat as she more and more clearly distinguished his form and her shortsighted eyes tried to make out his features, and then she saw his face and met his gaze.
He was lying in a squirrel-fur dressing gown on a divan, surrounded by pillows. He was thin and pale. In one thin, translucently white hand he held a handkerchief, while with the other he stroked the delicate mustache he had grown, moving his fingers slowly. His eyes gazed at them as they entered.
On seeing his face and meeting his eyes Princess Mary's pace suddenly slackened, she felt her tears dry up and her sobs ceased. She suddenly felt guilty and grew timid on catching the expression of his face and eyes.
"But in what am I to blame?" she asked herself. And his cold, stern look replied: "Because you are alive and thinking of the living, while I..."
In the deep gaze that seemed to look not outwards but inwards there was an almost hostile expression as he slowly regarded his sister and Natasha.
He kissed his sister, holding her hand in his as was their wont.
"How are you, Mary? How did you manage to get here?" said he in a voice as calm and aloof as his look.
Had he screamed in agony, that scream would not have struck such horror into Princess Mary's heart as the tone of his voice.
"And have you brought little Nicholas?" he asked in the same slow, quiet manner and with an obvious effort to remember.
"How are you now?" said Princess Mary, herself surprised at what she was saying.
"That, my dear, you must ask the doctor," he replied, and again making an evident effort to be affectionate, he said with his lips only (his words clearly did not correspond to his thoughts):
"Merci, chere amie, d'etre venue."*
*"Thank you for coming, my dear."
Princess Mary pressed his hand. The pressure made him wince just perceptibly. He was silent, and she did not know what to say. She now understood what had happened to him two days before. In his words, his tone, and especially in that calm, almost antagonistic look could be felt an estrangement from everything belonging to this world, terrible in one who is alive. Evidently only with an effort did he understand anything living; but it was obvious that he failed to understand, not because he lacked the power to do so but because he understood something else--something the living did not and could not understand--and which wholly occupied his mind.
"There, you see how strangely fate has brought us together," said he, breaking the silence and pointing to Natasha. "She looks after me all the time."
Princess Mary heard him and did not understand how he could say such a thing. He, the sensitive, tender Prince Andrew, how could he say that, before her whom he loved and who loved him? Had he expected to live he could not have said those words in that offensively cold tone. If he had not known that he was dying, how could he have failed to pity her and how could he speak like that in her presence? The only explanation was that he was indifferent, because something else, much more important, had been revealed to him.
The conversation was cold and disconnected and continually broke off.
"Mary came by way of Ryazan," said Natasha.
Prince Andrew did not notice that she called his sister Mary, and only after calling her so in his presence did Natasha notice it herself.
"Really?" he asked.
"They told her that all Moscow has been burned down, and that..."
Natasha stopped. It was impossible to talk. It was plain that he was making an effort to listen, but could not do so.
"Yes, they say it's burned," he
said. "It's a great pity," and he gazed straight before him, absently stroking his mustache with his fingers.
"And so you have met Count Nicholas, Mary?" Prince Andrew suddenly said, evidently wishing to speak pleasantly to them. "He wrote here that he took a great liking to you," he went on simply and calmly, evidently unable to understand all the complex significance his words had for living people. "If you liked him too, it would be a good thing for you to get married," he added rather more quickly, as if pleased at having found words he had long been seeking.
Princess Mary heard his words but they had no meaning for her, except as a proof of how far away he now was from everything living.
"Why talk of me?" she said quietly and glanced at Natasha.
Natasha, who felt her glance, did not look at her. All three were again silent.
"Andrew, would you like..." Princess Mary suddenly said in a trembling voice, "would you like to see little Nicholas? He is always talking about you!"
Prince Andrew smiled just perceptibly and for the first time, but Princess Mary, who knew his face so well, saw with horror that he did not smile with pleasure or affection for his son, but with quiet, gentle irony because he thought she was trying what she believed to be the last means of arousing him.
"Yes, I shall be very glad to see him. Is he quite well?"
When little Nicholas was brought into Prince Andrew's room he looked at his father with frightened eyes, but did not cry, because no one else was crying. Prince Andrew kissed him and evidently did not know what to say to him.
When Nicholas had been led away, Princess Mary again went up to her brother, kissed him, and unable to restrain her tears any longer began to cry.
He looked at her attentively.
"Is it about Nicholas?" he asked.
Princess Mary nodded her head, weeping.
"Mary, you know the Gosp..." but he broke off.
"What did you say?"
"Nothing. You mustn't cry here," he said, looking at her with the same cold expression.
When Princess Mary began to cry, he understood that she was crying at the thought that little Nicholas would be left without a father. With a great effort he tried to return to life and to see things from their point of view.
"Yes, to them it must seem sad!" he thought. "But how simple it is.
"The fowls of the air sow not, neither do they reap, yet your Father feedeth them," he said to himself and wished to say to Princess Mary; "but no, they will take it their own way, they won't understand! They can't understand that all those feelings they prize so--all our feelings, all those ideas that seem so important to us, are unnecessary. We cannot understand one another," and he remained silent.
Prince Andrew's little son was seven. He could scarcely read, and knew nothing. After that day he lived through many things, gaining knowledge, observation, and experience, but had he possessed all the faculties he afterwards acquired, he could not have had a better or more profound understanding of the meaning of the scene he had witnessed between his father, Mary, and Natasha, than he had then. He understood it completely, and, leaving the room without crying, went silently up to Natasha who had come out with him and looked shyly at her with his beautiful, thoughtful eyes, then his uplifted, rosy upper lip trembled and leaning his head against her he began to cry.
After that he avoided Dessalles and the countess who caressed him and either sat alone or came timidly to Princess Mary, or to Natasha of whom he seemed even fonder than of his aunt, and clung to them quietly and shyly.
When Princess Mary had left Prince Andrew she fully understood what Natasha's face had told her. She did not speak any more to Natasha of hopes of saving his life. She took turns with her beside his sofa, and did not cry any more, but prayed continually, turning in soul to that Eternal and Unfathomable, whose presence above the dying man was now so evident.
CHAPTER XVI
Not only did Prince Andrew know he would die, but he felt that he was dying and was already half dead. He was conscious of an aloofness from everything earthly and a strange and joyous lightness of existence. Without haste or agitation he awaited what was coming. That inexorable, eternal, distant, and unknown the presence of which he had felt continually all his life--was now near to him and, by the strange lightness he experienced, almost comprehensible and palpable...
Formerly he had feared the end. He had twice experienced that terribly tormenting fear of death--the end--but now he no longer understood that fear.
He had felt it for the first time when the shell spun like a top before him, and he looked at the fallow field, the bushes, and the sky, and knew that he was face to face with death. When he came to himself after being wounded and the flower of eternal, unfettered love had instantly unfolded itself in his soul as if freed from the bondage of life that had restrained it, he no longer feared death and ceased to think about it.
During the hours of solitude, suffering, and partial delirium he spent after he was wounded, the more deeply he penetrated into the new principle of eternal love revealed to him, the more he unconsciously detached himself from earthly life. To love everything and everybody and always to sacrifice oneself for love meant not to love anyone, not to live this earthly life. And the more imbued he became with that principle of love, the more he renounced life and the more completely he destroyed that dreadful barrier which--in the absence of such love--stands between life and death. When during those first days he remembered that he would have to die, he said to himself: "Well, what of it? So much the better!"
But after the night in Mytishchi when, half delirious, he had seen her for whom he longed appear before him and, having pressed her hand to his lips, had shed gentle, happy tears, love for a particular woman again crept unobserved into his heart and once more bound him to life. And joyful and agitating thoughts began to occupy his mind. Recalling the moment at the ambulance station when he had seen Kuragin, he could not now regain the feeling he then had, but was tormented by the question whether Kuragin was alive. And he dared not inquire.
His illness pursued its normal physical course, but what Natasha referred to when she said: "This suddenly happened," had occurred two days before Princess Mary arrived. It was the last spiritual struggle between life and death, in which death gained the victory. It was the unexpected realization of the fact that he still valued life as presented to him in the form of his love for Natasha, and a last, though ultimately vanquished, attack of terror before the unknown.
It was evening. As usual after dinner he was slightly feverish, and his thoughts were preternaturally clear. Sonya was sitting by the table. He began to doze. Suddenly a feeling of happiness seized him.
"Ah, she has come!" thought he.
And so it was: in Sonya's place sat Natasha who had just come in noiselessly.
Since she had begun looking after him, he had always experienced this physical consciousness of her nearness. She was sitting in an armchair placed sideways, screening the light of the candle from him, and was knitting a stocking. She had learned to knit stockings since Prince Andrew had casually mentioned that no one nursed the sick so well as old nurses who knit stockings, and that there is something soothing in the knitting of stockings. The needles clicked lightly in her slender, rapidly moving hands, and he could clearly see the thoughtful profile of her drooping face. She moved, and the ball rolled off her knees. She started, glanced round at him, and screening the candle with her hand stooped carefully with a supple and exact movement, picked up the ball, and regained her former position.
He looked at her without moving and saw that she wanted to draw a deep breath after stooping, but refrained from doing so and breathed cautiously.
At the Troitsa monastery they had spoken of the past, and he had told her that if he lived he would always thank God for his wound which had brought them together again, but after that they never spoke of the future.
"Can it or can it not be?" he now thought as he looked at her and listened to the light click of the steel need
les. "Can fate have brought me to her so strangely only for me to die?... Is it possible that the truth of life has been revealed to me only to show me that I have spent my life in falsity? I love her more than anything in the world! But what am I to do if I love her?" he thought, and he involuntarily groaned, from a habit acquired during his sufferings.
On hearing that sound Natasha put down the stocking, leaned nearer to him, and suddenly, noticing his shining eyes, stepped lightly up to him and bent over him.
"You are not asleep?"
"No, I have been looking at you a long time. I felt you come in. No one else gives me that sense of soft tranquillity that you do... that light. I want to weep for joy."
Natasha drew closer to him. Her face shone with rapturous joy.
"Natasha, I love you too much! More than anything in the world."
"And I!"--She turned away for an instant. "Why too much?" she asked.
