by Dave Eggers
“Looking for water,” Hand said.
Pilar went back to their room and filled a bowl with water. She came back; Hand’s face was skeptical. She walked toward the horse. It backed away and trotted up the hill. She held the water at stomach level, dejected.
Hand walked over to comfort her. But when his arms were supposed to wrap around her shoulders, he knocked the bowl from below, overturning it deliberately, soaking her shirt.
“Oops,” he said.
She slapped him hard across the mouth and the crisp flat sound of it made her laugh in one great burst.
There were animals everywhere. Underfoot there was always something moving—lizards, crickets, mice. There were iguanas. They could see them scurrying through woodpiles and through the forest. In the thin trees below their hotel they saw an iguana being chased by a yellow truck plowing away the underbrush.
The woman at the mercado had dirty blond hair, like margarine full of crumbs. Pilar and Hand bought ice cream from a freezer in the market. They tore the thin shiny plastic and ate the chocolate coating first, then the white cold ice cream. The sun made it soft.
At night they jogged through the alley behind the neighboring hotel, El Jardín del Edén, and down the dark dirt road to where the loosely strung Christmas lights smiled between columns, and techno taunted from speakers hidden in the armpits of trees. Most of the restaurants were still open, their attached bars ill attended. At the end of the road, past the pay phones and the surfers waiting patiently in line next to the local women, toddlers at their feet, they stopped into the Earth Bar, its half-heart-half-globe logo hung low over the open doorway.
Inside, people holding drinks. Shirtless thin tan surfers and white men, young, with black dreads, were barefoot or wore sandals, always with woven bracelets, beaded necklaces. The women were more varied. Plenty of the surf-girl sort but also backpackers of the Scandinavian breed—white-blond hair and bikini tops, plastic digital watches, reckless sunburns.
Pilar and Hand stood hip to hip by the bumper-pool table and drank very cold Imperials. The first two went quick— they realized how hot it was and how thirsty they were. They took their third bottles onto the deck, facing the black ocean. The darkness was close and concrete. They talked about the babies their friends were having, about Pete and April and their triplets. The last time Hand had seen April and Pete, they’d left the kids with the fifteen-year-old babysitter and stayed out until 3 a.m., refusing to let go of the night. They’d come home to find the babysitter asleep in their closet, their shoes piled up on the side. One of the babies had a bruise on his back the size of a wallet.
“In the closet?” Pilar said, and Hand didn’t say anything, or maybe he hadn’t heard. The story was missing many details and it made Pilar angry. But the music was suddenly loud and they didn’t say anything for a full minute. A dog ran in circles on the beach, chased by a smaller dog.
Hand pulled Pilar into his body and held her.
“It’s good that you came,” he said. She murmured her agreement. He kissed the top of her head.
In front of their hotel room there was an anteater.
“It’s not an anteater,” Hand said, crouching down. “It’s a sloth.”
“Sloths don’t have noses like that,” Pilar said, “long noses like that.”
It wasn’t moving, but from its side they could see it breathing, the rise and fall of its coarse fur.
“They sometimes do,” Hand said. “Down here they do. Look at his toes—they’re three-toed, like—”
“You don’t know what you’re talking about.”
Hand opened his mouth then closed it.
“Maybe it is an anteater,” he said.
It was bleeding. From its long snout there was a viscous substance that connected to the tile hallway, a stream of blood and mucus.
Pilar brought a saucer of milk. The animal made no movement toward it.
“It’s dying, isn’t it?” she asked.
“I don’t know. It doesn’t look hurt anywhere. Just the blood coming out the snout.”
They decided to leave the animal outside. There was no animal hospital in Alta, and there was nothing they could do for it inside.
“But how the hell did it get here?” Hand asked. “It can barely move. How’d it climb all these stairs? It must have started weeks ago. And why’d it stop at our door? This is too strange. There has to be a reason. We have to bring him inside.”
So they brought him inside. Hand did it.
“Like lifting a very fat cat,” he said.
Now the anteater was lying under a chair near the door. Pilar put the saucer of milk near it again, and added another saucer of water. The animal looked dead.
“If it dies tonight, it’ll smell,” Pilar said.
“It won’t die,” Hand said.
Hand sat on her bed and Pilar stood before him. For a moment, Hand continued to watch the anteater. Then he looked up, grabbed her shorts from the front and pulled her toward him. She sat on his lap and leaned into him, but when she wanted to put her mouth all over his, he spoke.
“It’s resting. It came here to rest.”
The only graffiti Pilar had ever found thought-provoking was the line she’d seen again and again in bathrooms: Sex invented God. Each time she saw those words, for hours afterward, it was the way she saw the world, as stupid as she felt about it. She loved her life, but the only transcendent experiences she’d had began with provocation of her skin.
The animal unmoving, Pilar and Hand were side to side, and kissing slowly. Pilar wanted to kiss him harder and push him onto his back and stand on his chest and dance, but she didn’t, because now they couldn’t talk and they were strangers. She continued to kiss him quietly as they lay on their sides, facing each other. They waited for judgment, they wondered if this was working, they hoped they would get excited.
“Hi,” she said.
“Hey,” he said. “We should leave the door open. In case he wants to leave.”
Hand got up, opened the door a crack, and jumped back to the bed. Pilar swung her leg around him. She was above him, straddling, and from her vantage point Hand looked so far away, so old and dead. She leaned down and held his face in her hands. “This face,” she said. It was like holding a rock painted gold.
They took their clothes off and she lay on top of him, placed her ear to his sternum, and the water inside him went shuckashucka and kissed her again and again.
Where had she been snorkeling before? Florida, near Pensacola—another place where everything was for sale. It had rained all day and she and her father had gone in anyway, with rented equipment and just a few hundred yards out.
They hadn’t seen anything then, everything so murky there, close to the breaks. But this, here, is what one wanted from snorkeling. The coral was dull colored, and there were no schools of fish. Here the fish traveled alone, loud blue ones, and very orange ones, small, and there was one with black and white stripes from stem to stern, and red on the hull. There was an especially bright yellow one that wanted to join Pilar inside her mask. It followed her, almost perched on her nose.
They had paddled a shoddy two-person inflatable kayak out to an island in the bay, hoping to watch the sunset here, closer to it. They’d pulled the kayak onto the island, which was not, as expected, covered with sand, but was made of shells. All of its white—the island was white when seen from the beach— was shells. Millions, edges and distinctions worn irrelevant. Pilar and Hand broke a dozen of them with each step. The outermost Pacific-facing side of the island was settled by what seemed to be pelicans but weren’t; they were more elegant than pelicans, and numbered about fifty. The surface was lavalike, but was more cartilaginous than that. It was the consistency and color of burned flesh.
From the kayak they retrieved the snorkeling things, putting their mouths on plastic mouthed by hundreds before. With the cold fins snug they fell in.
All the fish on the floor were being pushed and pulled by the tide. And thou
gh this was their home, it didn’t look like they were the least bit accustomed to the underwater wind. They seemed baffled and cautious, like Californians driving cars through rain. Pilar’s hands, propelling her forward, appeared in front of her mask, glowing in the sun, angelic. She was an angel, she thought. But what were these fish doing here, where they were pushed and pulled by this bastard tide? This was nowhere to live. But these bright fish, existing only to be looked at, or pushed around, or eaten. She thought of people she had known. She forced metaphors. The sun shot through the surface like God imagined it, in straight and fabulous rays. The water was full of fish she’d seen in pictures and pet stores.
Pilar and Hand had woken up facing opposite walls but their ankles entwined. They smiled at each other and he reached over and grabbed her nose, as if to pluck it off. She knew that they would continue to sleep together because the night before had been good, and nothing wrong had happened. It would be this way: at night they would brush their teeth and sit on the bed and pull their legs around and under the thin blanket. They would scoot toward each other, their hands searching like those of children pretending to be blind.
To Pilar’s left came three small sharks, striped, built like jets. They were headed for her. She was calm and knew she could make it safely. She pointed her head toward the shore and with her flippers gave the sharks a flurry of waved good-byes, the fins like handkerchiefs in a breeze. Close to shore she stood in the warm shallows, feet slipping over the mossy rocks, and looked for Hand. He wasn’t anywhere. She wanted him not to be attacked by sharks. She wanted to sit on him, on this island, facing the sunset—it was all the colors of a bloody wound.
But there was a man on the island. She hadn’t seen him before. Or he’d just shown up, and Hand was not visible but the man, not far away, waved to her and stepped toward her. He was about forty, and wearing a small swimsuit and sunglasses, neon-framed, reflective lenses. She jumped back into the water, not fearing the sharks. He followed her to the water and then screamed at her, slapping his chest.
On the way back to shore, after she recounted the episode and described the man—Hand had not seen him—Hand scolded her for wearing clothes that invited the attention of men in the town whom the two of them didn’t know enough about and couldn’t necessarily trust.
“I’ve always wondered what it would be like to be seen as prey,” he said.
He went into great detail about what the men in the town had been doing when she’d been walking by. There was the guard in front of the bank, who carried a semiautomatic rifle and, according to Hand, looked Pilar up and down and inside out each time they went into the bank or passed by. How does she decide not to wear a bra? Hand wanted to know this. Not to alarm her, he said, but men covet certain women, women they see every day. So perhaps it would behoove her—he used this word—to do more to disinvite the gaze of these men.
She was speechless. She was furious and confused and ashamed and wanted to club him and kick him and jump on his head.
“I care about you, Pilar,” he said. “Don’t get pissed. And don’t make that face.”
Her lower teeth were jutting out, like a piranha’s. She knew she did this. She was angry that it was now this way with them, and so soon: she was not free. She would be given advice, or whatever it was. They paddled and she focused on the broken hillside. She put Hand in a new category. He was that. This was this, and nothing more.
In the evenings the sun dropped through the ocean and the sky would darken quickly. Armadillos scurried below their deck, under the streetlamp, their shiny shells sniffling through the high grass. Under the bed where Pilar and Hand slept, platoons of ants circled around crumbs and moved them to the door, under, and on to parts unknown. Geckos squiggled up and down the wall above the screen door, heading to and from what appeared to be their home, in the beam in the center of the room. The dusty white light during the day never wavered. There were three or four clouds all week.
For a few days Pilar and Hand were married. They surfed and rested their boards fin-up on the hard sand, sat on the flat beach, ate round crackers and drank Fanta. They watched the water, eating nuts and cookies. After they finished eating they would nap, her head in his stomach, and in an hour they would paddle out again. They would stay in the water until the water became black, and then stay until the sun set into it and the black water was striped orange loosely.
At night the surfers roamed the streets barefoot but with hair fluffy from having been finally washed. Couples walked, leaning into each other while glancing at people they found more attractive. Or maybe not. There was no way to know what they were thinking.
Every night, after dinner, Pilar and Hand bought ice cream from a man who had been burned on half of his face. Burned or perhaps it was coming from below—his face had great growths on it, oval and coarse, like the ass of a boar. Usually the moon was yellow behind Vaseline. Sometimes there was hay on the street.
One night they went to see the huge migratory turtles huff ashore and lay their eggs, hundreds of eggs, all of them soft and slathered in gel. They stood behind one enormous one as it swept sand into its hole, sprinkling each group of eggs.
Some days they could hear people playing tennis, but they could not see the court, and even looked for it one day and could not find it. They watched a man painting a picture of the beach; he welcomed their watching and talking. He was from Philadelphia and had had a bad year, a litigious divorce and a friend dead, killed driving to Tahoe.
They slept together once sober and it was awkward—they were not lovers but friends playing Twister. They went back to their original plan the next night. They drank a bit, and then went to bed, just under the surface of consciousness, feeling no edges. Someone watching them from afar might ask: How did they speak to each other? The answer: With the warmth of very old friends, though they were not yet old. How did he touch her? Clumsily, for he was clumsy and she was critical. How did she kiss him? Desperately, pulling and pushing, like a woman trying to get to the bottom of a deep pool.
When they walked usually there were stones in their shoes, because the road was dotted with pebbles and their shoes were loose.
They were leaving Alta the next afternoon—Pilar for home and Hand for Granada and there were no future plans—so they rented boards early and were in the water by nine. It was an uncomplicated day.
Hand was out in the sea before her and she watched him until she was too hot to stay dry. She paddled past the breaks, which meant pushing through four full waves collapsing, like drunks, onto her. Each time she would have to either push the board’s nose into the wave and hope she stayed on, or would preemptively surrender, diving off, waiting for the board to bungee away and come back to her. She had never been so tired.
Hand soon shot past her, on a bigger wave, one that would have crushed Pilar had she tried it. She watched him speed into the beach, looking like he was going faster than the wave. She noticed that people riding waves seem to be moving much faster than waves do when they’re traveling without passengers. Hand had caught this one at the perfect moment and was riding it left, on and on, as it sped away and toward the estuary. It seemed endless. He waved to Pilar. She waved back. It’s weird, Pilar thought, to wave to someone while they’re standing on water. She maybe loved him.
She sat up again, watching the flat blue for growths.
If there were a question that needed to be answered in this story it would be not one but many, and would be these: How can a world allow all this? Allow these people to live so long? To travel all these miles south, to a place so different but still so comfortable, and in that place, meet again? To allow them to be naked together for the first time? What would their parents think? What would their friends think? Would anyone object? Who would plan for them? How many times in life can we make decisions that are important but will not hurt anyone? Are we obligated—maybe we are—to say yes to any choice when no one will be hurt? We use the word hurt when talking about things like this because wh
en these things go wrong it can feel as if you were hit in the sternum by a huge animal that’s run for miles just to strike you.
In two hours, she found two waves. Waves were something she cared about now. But she began to care more about seeing them than catching them, and more about catching them than riding them, and above all she wanted to simply stay out beyond the breaks. Because after each ride, the trip back, past the breaks, was too much.
Her arms seemed so thin, like narrow dowels being pushed through syrup. The ache at her shoulders brought her near tears. It wasn’t right that it should be so hard, especially here. The waves would crash ahead of her and the tall strong foam would roll at her, and would then run over her. Knocked off the board, she would scrape the water off her face, spit, expel snot, jump back on the board, paddle twice, achieve maybe ten feet of progress out, and then get knocked over again. Her spirit was broken many times.
She closed her eyes. Opened them, closed them. She could end this world or allow it. This was a moment when a believer, a thoughtful believer, would think of God’s work, and how good it was. The waves were perfect to the right and perfect to the left. Far away there were loud long hoots from the man in the cowboy hat, riding a long low slow breaker all the way in. Pilar thought of the man at her church group who taught everyone how to win at pinball. She thought of curved penises. For a while she was enchanted by those who proposed that God was in nature, was all around us, was the accumulated natural world. “God,” they would suggest, “is in all living things. God is beauty, God is in the long grass and the foam finishing a waterfall.” That sort of thing. She liked that idea, God being in things that she could see, because she liked seeing things and wanted to believe in these things that she loved looking at—loved the notion that it was all here and easily observable, with one’s eyes being in some way the clergy, the connection between God and—
