by Dan Ames
I heard the shuffle of loafers on the dusty tile behind the door. A faint scraping of a sleeve on the doorknob before the lock's latch was thrown and the door opened to reveal Paul Jenkins. This time his sweater was a cardigan, and worn blue slacks.
"Ah, Mr. Ashland," he said. His voice as dry and crackly as a sheaf of parchment paper.
"Mr. Jenkins. Thank you for contacting me."
"Come in, come in." He held the door for me and I walked past him, catching the scent of coffee and perhaps a pipe. Aromatic tobacco.
The gray clouds hovered outside the tall windows at the far end of the room and filled the space with a gloomy, shadowy light.
"Come to my office, please." I followed him in and sat on the opposite side of his desk.
"If you may recall, when you approached me with these photos, such as they are," he began, and held up the stills I'd pulled from the fuck film Fred and I had watched. "I told you that I was intrigued, and that was the truth."
"I figured you for an honest man," I said.
"I was intrigued," Mr. Jenkins continued, "I began to work on the project immediately. I began, as any historical research project proceeds, by talking with relatives. Now, you're probably wondering, how could I know who the relatives are if I don't know who the people are to begin with?" He tapped his temple with his index finger. "Simple, I spoke with several of the oldest living people in Milwaukee, people who were 'connected' socially and historically, so to speak."
Here, Mr. Jenkins reached into a desk drawer and pulled out a thick scrapbook of sorts. The cover had seen better days. It was battered and sported frayed edges. From the same drawer, he pulled out a second item, a bulging manila folder stuffed with photographs.
"I started with a dear friend of mine, her name is Gloria Streusen. She was the daughter of one of Milwaukee's early prominent politicians. She's an amazing woman, one hundred and one years old. I should think neither one of us will live that long. If we do, I highly doubt we will have the same mental and physical competence that Gloria demonstrates."
"I've been eating a lot of bran, Paul, I might make it,” I said.
"Gloria," he continued, "Did not recognize the man in the photograph, but she had an inclination that the young girl," and here Mr. Jenkins slapped a hand on the picture of the girl, "may have been one of the Schletterhorn girls."
"The Schletterhorn girls?"
"...were the daughters of William Schletterhorn, a prominent banker in Milwaukee during the early 1900s. He moved in the circles of the rich and famous."
"And his daughters did, too, I assume?"
Jenkins pulled a pipe from the top drawer of his desk and tamped some tobacco into the bowl. He puffed, got it going and exhaled a cloud of smoke into the air.
" They were quite the...butterflies...I believe is the correct term these days."
"Are any of them still alive?"
"One. Mary. The youngest."
"What do you know about her?"
"I’ve never had the pleasure of meeting Ms. Schletterhorn. You see, she’s a bit of a legend around the Milwaukee art circles. She is a patron saint, bestowing, from time to time, enormous sums of money on carefully selected entities."
"What do you consider enormous?"
"Upwards of seven figures."
I let out a low whistle. "So do I."
"Quite," Mr. Jenkins responded. He continued, "I called Ms. Schletterhorn, hoping to ask her about the photo as well as talk to her about supporting the Historical Society."
"And what did she say?"
"She said no." He flipped open the scrapbook, and turned a few pages, then back a page. He grabbed a pencil and with the eraser hand, tapped a photo.
"Here she is."
I looked, and felt my heart skip a beat.
"Where does she live?" I asked.
"She shuns publicity, and values her privacy above all else. When she has made donations, she has summoned the recipients to her home. There have never been any public ceremonies to mark her philanthropy. You'll never see her standing with a six-foot long check posing for reporters."
"And that home would be located where?" I asked.
"On Pewaukee Lake," he said.
"Do you have an address?"
He jotted it down on a notepad, tore off the sheet and handed it to me.
I looked at my still photo pulled from the film, and compared it to the photo in Jenkins' scrapbook. Studied the young woman in both pictures.
They were one in the same.
"Can I borrow that?"
He nodded silently.
I stood and scooped up the photos from his desk.
"I hardly suspect she would agree to see you, Mr. Ashland."
I looked at the photo in my hands.
At the door, I turned back to him, peered at him through the thick cloud of pipe smoke.
"Thanks for your help, Mr. Jenkins. I’ll tell her you say hello."
17
Seventeen
Pewaukee Lake offers some of the state's best muskie fishing, although you'd never know it because the majority of boats on the lake during the summer are drunken water-skiers from Illinois. The lake is long and narrow, with lots of small bays that during the summer are choked with weeds. Now, during the winter, it was a frozen wasteland save for the occasional ice fishing shanty surrounded by its orange-flagged tip-ups.
I drove along Highway G as it began to dip and wind through the postcard-quality scenery. The homes surrounding Pewaukee Lake were a hodgepodge of architectural styles and sometimes, atrocities. A quaint Victorian cottage could be side-by-side with a broken down trailer home that looked like something out of the Depression-era South. Most of the nicer-looking cottages appeared to be vacant, while the more run-down homes most often had a telltale tendril of smoke curling from a chimney pipe, signifying year-round inhabitants.
I passed at least ten corner bars in the first five minutes on the frontage road. Bars with names like Tasmanian Devil, Pete's, and Frog's Landing. I made a mental note to stop at a couple of them on my way out for a beer or three.
Across the road was property that commanded a view of the lake, but didn't come with any lake frontage. Here it was mostly new construction. Big three and four bedroom monstrosities with giant picture windows set high in an attempt to overlook, both physically and psychologically, some of the real estate eyesores that lay below them.
I rounded a curve and pulled into the town of Pewaukee, which during the winter months was really more of a hovel than a town. The sign said 'Population, 1,058." But I suspected that it was less than that. Maybe they'd counted the muskies in the lake when they'd taken the census.
I passed through the small town and as I wound my way around the lake, the sun peeked out from the thick, gray clouds, and the shadows of branches fell across the road. A dead deer lay on the shoulder of the road, its tongue lolling to the side, its stomach bloated.
I checked the slip of paper Jenkins had given me and spotted an address number. I still had a way to go. I watched as the yards continued to get bigger, the homes more elaborate, the forest thicker, most likely to disguise the increasing wealth of the property's inhabitants.
This was Pewaukee's version of the Gold Coast, home to the summer "cottages" of Milwaukee's titans of commerce. They all had summer homes out here; the bankers, the brewers, the lumber barons. Even some of Chicago's rich and famous had summer homes here.
To call them cottages of course, was a gross misrepresentation of fact. I braked the Audi as I came down a small hill and gazed upon a mansion that had to have at least ten bedrooms, and at least that many bathrooms. It was a three-story monument in rock.
This is where the wealthy families gathered and allowed their children to play together, to form alliances, both physical and political, with other members of the landed gentry. Where sons were introduced to daughters and daughters were pointed in the direction of certain young men. This is where picnic baskets overflowed with champagne and shrimp, fine br
eads and cheeses, and of course, beer. I pictured the men in their starched shirts and ties, the women in long white dresses with elaborate sun hats, prim and proper in stilted photographs.
The driveways here were gated, with their addresses posted clearly, which made it easier for me. I double-checked the number on the slip of paper, then looked ahead for it. Two more driveways down, I found it.
I pulled into the driveway and rang the buzzer on the gate. The trees that surrounded the estate were thick but since it was winter, were totally without leaves. There were some evergreens scattered about, but not enough to entirely block the view.
Even among the homes that surrounded it, the Schletterhorn estate was spectacular. A gigantic, sprawling three-story home with three turrets, at least seven fireplaces, judging from that same number of chimneys, and God knew how many rooms. It’d been built with stone. Probably imported from the old country, whichever old country that might be. During the summer months, ivy most likely clung to a good portion of the structure’s face, because now I could see the bare vines clinging to the rock.
Huge windows carved out of stone looked out over the sprawling grounds. I caught a glimpse behind the house of the servants cottage, which was nearly twice as big as my house.
I pulled up, rolled down the window and pushed a small button at the base of what looked to be an intercom system. A man appeared from the side entrance to the massive house. He walked toward the driveway without an ounce of urgency. As he got closer, I could see that he was a big man. He had on white pants and a dark blue winter jacket that was buttoned firmly against the chill. He had on thick black leather shoes. I had the fleeting idea that he might turn out to be Sasquatch in disguise.
When he got to the gate, he stepped inside a glass enclosed booth, moved slightly to the side and pushed a button. Next to my ear, along the gate's wall, a speaker popped. I turned, and saw the small speaker recessed into the stone.
"How may I help you, sir?" the man asked.
"I'm here to see Mary Schletterhorn."
"Do you have an appointment?"
"No." He looked at me, bored.
"I apologize sir, but I'm afraid you need an appointment. Good day."
He let go of the button and started to turn.
"Tell her I'm a big fan of her early work in film."
His stride caught, and he turned back to me. His eyes ran over my car and he peered more closely at my face. He then gave an imperceptible nod and headed back toward the house, his gait patient and measured.
I turned on the radio and listened to the song, a jazzy piano instrumental that had me tapping along in rhythm on the steering wheel.
Suddenly, I felt good, I felt like I was doing something. Taking action. Making progress. I didn’t know if the woman in the big house before me could help me find out who threw my best friend out a third-story window, but I was going to try to find out.
Without warning, the iron gate slowly began sliding open. When it clanged into place, I pulled through and drove slowly toward the house.
18
Eighteen
The driveway, made of old brick fastidiously placed to look quaintly haphazard, wound its way through the winter-thinned trees and spilled its travelers out onto a semicircular drive. In the center was a giant fountain that looked like a Roman sculpture created by an ancient artisan in the last stages of hemlock poisoning.
I pulled the Audi directly in front of the house's main entrance, four huge wooden doors that looked like something out of medieval times. I half-expected them to lower like a drawbridge. Upon closer inspection, the house wasn't massive. It was gargantuan. It was without a doubt the largest private residence I'd ever bullied my way into. I craned my neck in order to look toward the roof, and felt like I was at the bottom of a mountain, wondering how I would ever be able to achieve its summit.
I looked back toward the massive doors and looked for a doorbell, probably some kind of giant iron knocker. I caught sight of the small video camera nestled between two giant wood beams that supported a small overhanging roof and knew there would be no doorbell or iron knocker. The alarm and security system on the house would be extensive to say the least.
With perfect timing the big doors opened and instead of a stony grate, there was a faint whisper of frequently oiled machinery. The man appeared again. His coat was gone revealing a stiffly starched white shirt. A nurse, most likely.
Albeit a nurse with broad, thick shoulders and powerful arms. Two beady blue eyes hovered above his nose that had been broken at least once, if not several times.
His face had apparently been chiseled from the same type of stone that was used in the driveway fountain.
"Come this way," he said to me, his voice smooth and metered. He turned and walked back through the large doors, not bothering to wait for me. I walked up the three steps that led to the doors, then walked through them, and saw that the man had in fact waited for me just inside, his fingers resting on a level of sorts that acted as a switch for the giant doors. I had the idea that he may have considered throwing that switch a bit early and catching me in the middle.
Once I passed by, he threw the switch and the doors closed. He turned and breezed past me. I caught a faint scent of cheap cologne and industrial strength mouthwash. I followed him as he walked down a long hallway that was so cavernous and cold that it reminded me of caves bored by molten lava, straight out of National Geographic.
I peered at the walls, trying to see if it was plaster or stone.
The man ahead of me, his back still to me, said, "The walls are stone. Imported from Germany."
"Shipping costs must have been exorbitant," I said. The man made no response and simply kept walking.
Halfway down the hallway was the first giant portraiture, an original work in oil. It was of a stern-faced man with a long gray beard. In the background was a dark rendering of the Milwaukee harbor. The man wore a dark suit, his prominent belly forced the vest to jut out, displaying the elaborate pocketwatch that encircled his paunch. There was no nameplate.
My guide continued up ahead and I hurried to catch up, passing more paintings along the way, all of them stiff people who, just before they posed, looked like they'd had terribly large bugs shoved up their asses.
The nurse opened another heavy door and we entered a startling room. It was relatively small, but with at least an eighteen foot high ceiling. Tall windows adorned one wall, their impressive lengths bordered by gold crepe curtains. The room itself was painted a burgundy red, with olive green frieze borders. The ceiling was painted as well, a bright mosaic resplendent with gold edges and ivory diamonds. A thick beige carpet covered the floor. My feet felt as if they were sinking in quicksand with each step I took.
The man gestured toward a chair and told me to sit.
"Would you care for tea or coffee?" he asked.
"I’ll take a beer, please,” I said. Then added, "Thanks."
He left through a different door, one that seemed almost to be camouflaged by its proximity to one of the large windows. I got the feeling that there were lots of secrets in the house, not just having to do with hidden doors.
An ancient clock on the wall tick-tocked. The house had a strange smell, equal parts musty history and fresh Pine Sol. I wondered how big a cleaning staff a house like this required. At least ten, perhaps twenty.
Several minutes later a short, squat woman with bright red hair and decked out in an old-fashioned maid's uniform entered with a sterling silver coffee pot and one cup and saucer. And a bottle of beer. She popped the top to the beer, and poured it into a beautiful pilsner glass. She handed it to me. Then she poured a cup of tea. She added a dollop of cream to the then plunked in two sugar cubes. She stirred with an equally bright sterling silver spoon. The whole time she never looked me in the eye. When she was done, she turned to go and I said, "Thank you." Like the man, she gave no sign that she heard me, other than a slight hesitation in her step.
I took a drink of beer and h
eard soft footsteps on the carpet, looked up, and saw an ancient woman standing in front of me.
Startled, I rose, and sloshed a little beer onto the tabletop. Halfway up, I reached back down and mopped up the spilled beer with a napkin that appeared to have a higher thread count than the most expensive bed sheets I'd ever bought. I felt my face flush red at my clumsiness.
"Oh, God, I'm sorry, look at this." I dabbed, but now the beer was on my hand. I wiped off my hand before extending it. "Hi, I'm Michael Ashland," I said.
She was old, to say the least. Tall, with erect posture, her skin hung on her in folds. Her gray hair was thin and despite an attempt to cut it stylishly, was a mess. She had on a powder white dress, with a necklace of dark pearls. A very old necklace that was probably worth a yacht or two.
She extended her hand to me, which I took. It felt like leather.
As we shook, her eyes swirled.
"Are you..." I started to ask.
"I'm the woman," she said, "to whose films you've no doubt been masturbating."
19
Nineteen
For want of a witty comeback, I sat back and sipped my beer as she sat down across from me at the small table.
"Yes, I'd love some coffee, thank you," she said. Her hand shook slightly as she reached for her cup, and I detected a twitch in her face.
"Excuse me, I don't know where my manners are," I said. "Any gentleman knows to offer a lady coffee, especially after she's just accused you of masturbating."
"Tell me, Mr. Ashland," she said, ignoring me, a fact to which I was rapidly becoming accustomed to in this house. "Are you married? Or are you a whoremonger?"
"No, I am not married," I responded.
"Ever been?"
"Married? No. And you?"
"Never," she said. "I've been asked a few times, but the concept of sharing a life with someone seemed such a dreary idea. Our life is all we have, why share it? I want it all for myself. What do you do, Mr. Ashland?"
