Harlan Ellison's Watching

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Harlan Ellison's Watching Page 59

by Harlan Ellison


  Movement continues in The Daisy as the nights grow inexorably toward their tomorrows. All the tomorrows in which careers will crumble like castles of spiderwebs and the owners of those careers—which are, in fact, their lives—will hesitate to come into The Daisy, for fear they will not be in the coterie, laughing and scratching in the proper corner.

  And Petula Clark sings "I Couldn't Live Without Your Love" on the Warner Bros. label making you suddenly aware that of all the words used about The Daisy and its customers, not once has anyone but the amplified singer mentioned the word love.

  Who, then, are the real Mrs. Stockmeiers?

  Los Angeles / September 1966

  THE END

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  Harlan Ellison's Watching

  Table of Contents

  PREFACE

  by Leonard Maltin

  FOREWORD

  by George Kirgo

  INTRODUCTION

  Crying "Water!" In A Crowded Theater

  DARKNESS IN MAGIC CAVERNS:

  A nostalgic appreciation of moviegoing

  CINEMA [1965–68]

  THE TRAIN

  VON RYAN'S EXPRESS

  MASQUERADE

  MICKEY ONE

  THE WAR LORD

  THE BATTLE OF THE BULGE

  JULIET OF THE SPIRITS

  YOU'RE A BIG BOY NOW!

  BEAU GESTE

  UP THE DOWN STAIRCASE

  ROSEMARY'S BABY

  LES CARABINIERS

  DIVERS PUBLICATIONS

  HARD CONTRACT

  HARLAN ELLISON'S HANDY GUIDE TO 2001: A SPACE ODYSSEY

  JOE

  SILENT RUNNING

  HARLAN ELLISON: SCREENING ROOM [1973]

  1st INSTALLMENT

  2nd INSTALLMENT

  A SORT OF AN INTERVIEW WITH PETER BOYLE

  3rd INSTALLMENT

  4th INSTALLMENT

  HARLAN ELLISON'S WATCHING [FIRST SERIES, 1977–'78]

  1st INSTALLMENT

  STAR TREK—THE MOTIONLESS PICTURE

  HARLAN ELLISON'S WATCHING [SECOND SERIES, 1984–]

  INSTALLMENT 1:

  In Which We Begin Our Journey

  INSTALLMENT 2:

  In Which Sublime And Ridiculous Pass Like Ships In The Night

  INSTALLMENT 3:

  In Which We Scuffle Through The Embers

  INSTALLMENT 4:

  In Which We Discover Why The Children Don't Look Like Their Parents

  INSTALLMENT 5:

  In Which The Left Hand Giveth Praise And The Right Hand Sprayeth For Worms Of Evil

  INSTALLMENT 6:

  In Which We Learn What Is Worse Than Finding A Worm of Evil In The Apple

  INSTALLMENT 7:

  In Which An Attempt Is Made To Have One's Cake And Eat It, Too

  INSTALLMENT 8:

  In Which Some Shrift Is Given Shortly, Some Longly, And The Critic's Laundry Is Reluctantly Aired

  INSTALLMENT 9:

  In Which The Fortunate Reader Gets To Peek Inside The Fabled Black Tower

  INSTALLMENT 10:

  In Which The Fabled Black Tower Meets Dune With As Much Affection As Godzilla Met Ghidrah

  INSTALLMENT 11:

  In Which Nothing Terribly Profound Occurs

  INSTALLMENT 12:

  In Which Several Things Are Held Up To The Light . . . Not A Brain In Sight

  INSTALLMENT 13:

  In Which Numerous Ends (Loose) Are Tied Up; Some In The Configuration Of A Noose (Hangman's)

  INSTALLMENT 14:

  In Which We Sail To The Edge Of The World And Confront The Abyss, Having Run Out Of Steam

  INSTALLMENT 14 ½:

  In Which The Unheard-Of Is Heard, Kind Of

  INSTALLMENT 15:

  In Which A Gourmet Feast Is Prepared Of Words A Mere Two Months Old

  INSTALLMENT 16:

  In Which A Forest Is Analyzed Without Recourse To Any Description Of A Tree

  INSTALLMENT 17:

  In Which We Unflinchingly Look A Gift Horse In The Choppers

  INSTALLMENT 18:

  In Which Youth Goeth Before A Fall

  INSTALLMENT 19:

  In Which We Long For The Stillness Of The Lake, The Smooth Swell Of The Lea

  INSTALLMENT 20:

  In Which Manifestations Of Arrested Adolescence Are Shown To Be Symptoms Of A Noncommunicable Dopiness, Thank Goodness

  INSTALLMENT 21:

  In Which You And A Large Group Of Total Strangers Are Flipped The Finger By The Mad Masters Of Anthropomorphism

  INSTALLMENT 22:

  In Which The Land Echoes To The Sound Of An Ox Of A Different Color Being Gored

  INSTALLMENT 23:

  In Which Premonitions Of The Future Lie In Wait To Swallow Shadows Of The Past

  INSTALLMENT 24:

  In Which Flora And Fauna Come To A Last Minute Rescue, Thereby Preventing The Forlorn From Handing It All Over To The Cockroaches

  INSTALLMENT 25:

  In Which The Specter At The Banquet Takes A Healthy Swig From The Flagon With The Dragon, Or Maybe The Chalice From The Palace

  INSTALLMENT 26:

  In Which A Good Time Was Had By All And An Irrelevant Name-Dropping Of Fritz Leiber Occurs For No Better Reason Than To Remind Him How Much We Love And Admire Him

  INSTALLMENT 27:

  In Which The Fur Is Picked Clean of Nits, Gnats, Nuts, Naggers And Nuhdzes

  INSTALLMENT 28:

  In Which, With Wiles And Winces, We Waft Words Warranting, To Wit, Wonderful Wit

  INSTALLMENT 29:

  In Which Li'l White Lies Are Revealed To Be At Least Tattletale Gray

  INSTALLMENT 30 ½:

  In Which 3 Cinematic Variations On "The Whimper of Whipped Dogs" Are Presented

  INSTALLMENT 30:

  In Which The LI'l White Lies Thesis (Part Two) Takes Us By The Snout And Drags Us Unwillingly Toward A Door We Fear To Open

  INSTALLMENT 31:

  In Which The LI'l White Lies Thesis (Part Three) Approaches A Nascent State, Approaches The Dreadful Door, And En Route Questions Meat Idolatry

  INSTALLMENT 32:

  In Which The Switch Is Thrown

  INSTALLMENT 33:

  In Which The Canine Of Vacuity Is Wagged By The Far More Interesting Tale Of O'Bannon

  INSTALLMENT 34:

  In Which We Praise Those Whose Pants're On Fire, Noses Long As A Telephone Wire

  APPENDIX A

  Twentieth Century Fox Film Has Science Fiction Theme

  APPENDIX B

  Nightmare Nights At The Daisy

  As referenced on page LII of the Introduction.

  Table of Contents

  PREFACE

  FOREWORD

  INTRODUCTION Crying "Water!" In A Crowded Theater

  DARKNESS IN MAGIC CAVERNS: A nostalgic appreciation of moviegoing

  CINEMA [1965–68]

  THE TRAIN

  VON RYAN'S EXPRESS

  MASQUERADE

  MICKEY ONE

  THE WAR LORD

  THE BATTLE OF THE BULGE

  JULIET OF THE SPIRITS

  YOU'RE A BIG BOY NOW!

  BEAU GESTE

  UP THE DOWN STAIRCASE

  ROSEMARY'S BABY

  LES CARABINIERS

  DIVERS PUBLICATIONS

  HARD CONTRACT

  HARLAN ELLISON'S HANDY GUIDE TO 2001: A SPACE ODYSSEY

  JOE

  SILENT RUNNING

  HARLAN ELLISON: SCREENING ROOM [1973]

  1st INSTALLMENT

  2nd INSTALLMENT

  A SORT OF AN INTERVIEW WITH PETER BOYLE

  3rd INSTALLMENT

  4th INSTALLMENT

  HARLAN ELLISON'S WATCHING [FIRST SERIES, 1977–'78]

  1st INSTALLMENT

  STAR TREK—THE MOTIONLESS PICTURE

  HARLAN ELLISON'S WATCHING [SECOND SERIES, 1984–]

  INSTALLMENT 1: In Which We Begin Our Journey

 
; INSTALLMENT 2: In Which Sublime And Ridiculous Pass Like Ships In The Night

  INSTALLMENT 3: In Which We Scuffle Through The Embers

  INSTALLMENT 4: In Which We Discover Why The Children Don't Look Like Their Parents

  INSTALLMENT 5: In Which The Left Hand Giveth Praise And The Right Hand Sprayeth For Worms Of Evil

  INSTALLMENT 6: In Which We Learn What Is Worse Than Finding A Worm of Evil In The Apple

  INSTALLMENT 7: In Which An Attempt Is Made To Have One's Cake And Eat It, Too

  INSTALLMENT 8: In Which Some Shrift Is Given Shortly, Some Longly, And The Critic's Laundry Is Reluctantly Aired

  INSTALLMENT 9: In Which The Fortunate Reader Gets To Peek Inside The Fabled Black Tower

  INSTALLMENT 10: In Which The Fabled Black Tower Meets Dune With As Much Affection As Godzilla Met Ghidrah

  INSTALLMENT 11: In Which Nothing Terribly Profound Occurs

  INSTALLMENT 12: In Which Several Things Are Held Up To The Light . . . Not A Brain In Sight

  INSTALLMENT 13: In Which Numerous Ends (Loose) Are Tied Up; Some In The Configuration Of A Noose (Hangman's)

  INSTALLMENT 14: In Which We Sail To The Edge Of The World And Confront The Abyss, Having Run Out Of Steam

  INSTALLMENT 14 ½: In Which The Unheard-Of Is Heard, Kind Of

  INSTALLMENT 15: In Which A Gourmet Feast Is Prepared Of Words A Mere Two Months Old

  INSTALLMENT 16: In Which A Forest Is Analyzed Without Recourse To Any Description Of A Tree

  INSTALLMENT 17: In Which We Unflinchingly Look A Gift Horse In The Choppers

  INSTALLMENT 18: In Which Youth Goeth Before A Fall

  INSTALLMENT 19: In Which We Long For The Stillness Of The Lake, The Smooth Swell Of The Lea

  INSTALLMENT 20: In Which Manifestations Of Arrested Adolescence Are Shown To Be Symptoms Of A Noncommunicable Dopiness, Thank Goodness

  INSTALLMENT 21: In Which You And A Large Group Of Total Strangers Are Flipped The Finger By The Mad Masters Of Anthropomorphism

  INSTALLMENT 22: In Which The Land Echoes To The Sound Of An Ox Of A Different Color Being Gored

  INSTALLMENT 23: In Which Premonitions Of The Future Lie In Wait To Swallow Shadows Of The Past

  INSTALLMENT 24: In Which Flora And Fauna Come To A Last Minute Rescue, Thereby Preventing The Forlorn From Handing It All Over To The Cockroaches

  INSTALLMENT 25: In Which The Specter At The Banquet Takes A Healthy Swig From The Flagon With The Dragon, Or Maybe The Chalice From The Palace

  INSTALLMENT 26: In Which A Good Time Was Had By All And An Irrelevant Name-Dropping Of Fritz Leiber Occurs For No Better Reason Than To Remind Him How Much We Love And Admire Him

  INSTALLMENT 27: In Which The Fur Is Picked Clean of Nits, Gnats, Nuts, Naggers And Nuhdzes

  INSTALLMENT 28: In Which, With Wiles And Winces, We Waft Words Warranting, To Wit, Wonderful Wit

  INSTALLMENT 29: In Which Li'l White Lies Are Revealed To Be At Least Tattletale Gray

  INSTALLMENT 30 ½: In Which 3 Cinematic Variations On "The Whimper of Whipped Dogs" Are Presented

  INSTALLMENT 30: In Which The LI'l White Lies Thesis (Part Two) Takes Us By The Snout And Drags Us Unwillingly Toward A Door We Fear To Open

  INSTALLMENT 31: In Which The LI'l White Lies Thesis (Part Three) Approaches A Nascent State, Approaches The Dreadful Door, And En Route Questions Meat Idolatry

  INSTALLMENT 32: In Which The Switch Is Thrown

  INSTALLMENT 33: In Which The Canine Of Vacuity Is Wagged By The Far More Interesting Tale Of O'Bannon

  INSTALLMENT 34: In Which We Praise Those Whose Pants're On Fire, Noses Long As A Telephone Wire

  APPENDIX A Twentieth Century Fox Film Has Science Fiction Theme

  APPENDIX B Nightmare Nights At The Daisy As referenced on page LII of the Introduction.

 

 

 


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