There was a sermon by the Bishop of Chester, very evangelical and practical. On the whole, a more peculiar or more lovely scene I never saw. The elegant arches of St. Paul's could have no more beautiful adornment than those immortal flowers.
After service we lunched with a large party, with Mrs. Milman, at the deanery near by. Mrs. Jameson was there, and Mrs. Gaskell, authoress of Mary Barton and Ruth. She has a very lovely, gentle face, and looks capable of all the pathos that her writings show. I promised her a visit when I go to Manchester. Thackeray was there with his fine figure, and frank, cheerful bearing. He spoke in a noble and brotherly way of America, and seemed to have highly enjoyed his visit in our country.
After this we made a farewell call at the lord mayor's. We found the lady mayoress returned from the queen's drawing room. From her accounts I should judge the ceremonial rather fatiguing. Mrs. M. asked me yesterday if I had any curiosity to see one. I confessed I had not. Merely to see public people in public places, in the way of parade and ceremony, was never interesting to me. I have seen very little of ceremony or show in England. Well, now, I have brought you down to this time. I have omitted, however, that I went with Lady Hatherton to call on Mr. and Mrs. Dickens, and was sorry to find him too unwell to be able to see us. Mrs. Dickens, who was busy in attending him, also excused herself, and we saw his sister.
To-morrow we go—go to quiet, to obscurity, to peace; to Paris—to Switzerland: there we shall find the loneliest glen, and, as the Bible says, “fall on sleep.” For our adventures on the way, meanwhile, I refer you to C.'s journal.
JOURNAL.
LONDON TO PARIS
June 4, 1853. Bade adieu with regret to dear Surrey parsonage, and drove to the great south-western station house.
“Paris?” said an official at our cab door. “Paris, by Folkestone and Boulogne,” was our answer. And in a few moments, without any inconvenience, we were off. Reached Folkestone at nine, and enjoyed a smooth passage across the dreaded channel. The steward's bowls were paraded in vain. At Boulogne came the long-feared and abhorred ordeal of passports and police. It was nothing. We slipped through quite easily. A narrow ladder, the quay, gens-d'armes, a hall, a crowd, three whiskers, a glance at the passport, the unbuckling of a bundle, voila tout. The moment we issued forth, however, upon the quay again, there was a discharge of forty voices shouting in French. For a moment, completely stunned, I forgot where we were, which way going, and what we wanted. Up jumped a lively little gamin.
“Monsieur veut aller a Pan's, n'est ce pas?” “Going to Paris, are you not, sir?”
“Oui.“
“Is monsieur's baggage registered?”
“Yes.”
“Does monsieur's wish to go to the station house?”
“Can one find any thing there to eat?”
“Yes, just as at a hotel.”
We yielded at discretion, and garcon took possession of us.
“English?” said garcon, as we enjoyed the pleasant walk on the sunny quay.
“No. American,” we replied.
“Ah!” (his face brightening up, and speaking confidentially,) “you have a republic there.”
We gave the lad a franc, dined, and were off for Paris. The ride was delightful. Cars seating eight; clean, soft-cushioned, nice. The face of the country, though not striking, was pleasing. There were many poplars, with their silvery shafts, and a mingling of trees of various kinds. The foliage has an airy grace—a certain spirituelle expression—as if the trees knew they were growing in la belle France, and must be refined. Then the air is so different from the fog and smoke of London. There is more oxygen in the atmosphere. A pall is lifted. We are led out into sunshine. Fields are red with a scarlet white-edged poppy, or blue with a flower like larkspur. Wheat fields half covered with this unthrifty beauty! But alas! the elasticity is in Nature's works only. The works of man breathe over us a dismal, sepulchral, stand-still feeling. The villages have the nightmare, and men wear wooden shoes. The day's ride, however, was memorable with novelty; and when we saw Mont Martre, and its moth-like windmills, telling us we were coming to Paris, it was almost with regret at the swiftness of the hours. We left the cars, and flowed with the tide into the Salle d'Attente, to wait till the baggage was sorted. Then came the famous ceremony of unlocking. The officer took my carpet bag first, and poked his hand down deep in one end.
“What is this?”
“That is my collar box.”
“Ah, ca” And he put it back hastily, and felt of my travelling gown. “What is this?”
“Only a wrapping gown.”
“Ah, ca” After fumbling a little more, he took sister H.'s bag, gave a dive here, a poke there, and a kind of promiscuous rake with his five fingers, and turned to the trunk. There he seemed somewhat dubious. Eying the fine silk and lace dresses,—first one, then the other,—“Ah, ah!” said he, and snuffed a little. Then he peeped under this corner, and cocked his eye under that corner; then, all at once, plunged his arm down at one end of the trunk, and brought up a little square box. “What's that?” said he. He unrolled and was about to open it, when suddenly he seemed to be seized with an emotion of confidence. “Non, non” said he, frankly, and rolled it up, shoved it back, stuffed the things down, smoothed all over, signed my ticket, and passed on. We locked up, gave the baggage to porters, and called a fiacre. As we left the station two ladies met us.
“Is there any one here expecting to see Mrs. C.?” said one of them.
“Yes, madam,” said I; “we do.”
“God bless you,” said she, fervently, and seized me by the hand. It was Mrs. C. and her sister. I gave He into their possession.
Our troubles were over. We were at home. We rode through streets whose names were familiar, crossed the Carrousel, passed the Seine, and stopped before an ancient mansion in the Hue de Verneuil, belonging to M. le Marquis de Brige. This Faubourg St. Germain is the part of Paris where the ancient nobility lived, and the houses exhibit marks of former splendor. The marquis is one of those chivalrous legitimists who uphold the claims of Henri VI. He lives in the country, and rents this hotel. Mrs. C. occupies the suite of rooms on the lower floor. We entered by a ponderous old gateway, opened by the concierge, passed through a large paved quadrangle, traversed a short hall, and found ourselves in a large, cheerful parlor, looking out into a small flower garden. There was no carpet, but what is called here a parquet floor, or mosaic of oak blocks, waxed and highly polished. The sofas and chairs were covered with a light chintz, and the whole air of the apartment shady and cool as a grotto. A jardiniere filled with flowers stood in the centre of the room, and around it a group of living flowers—mother, sisters, and daughters—scarcely less beautiful. In five minutes we were at home. French life is different from any other. Elsewhere you do as the world pleases; here you do as you please yourself. My spirits always rise when I get among the French.
Sabbath, June 5. Headache all the forenoon. In the afternoon we walked to the Madeleine, and heard a sermon on charity; listened to the chanting, and gazed at the fantastic ceremonial of the altar. I had anticipated so much from Henry's description of the organs, that I was disappointed. The music was fine; but our ideal had outstripped the real. The strangest part of the performance was the censer swinging at the altar. It was done in certain parts of the chant, with rhythmic sweep, and glitter, and vapor wreath, that produced a striking effect. There was an immense audience—quiet, orderly, and to all appearance devout. This was the first Romish service I ever attended. It ought to be impressive here, if any where. Yet I cannot say I was moved by it Rome-ward. Indeed, I felt a kind of Puritan tremor of conscience at witnessing such a theatrical pageant on the Sabbath. We soon saw, however, as we walked home, across the gardens of the Tuileries, that there is no Sabbath in Paris, according to our ideas of the day.
Monday, June 6. This day was consecrated to knick-knacks. Accompanied by Mrs. C., whom years of residence have converted into a perfect Parisienne, we visited shop after shop, an
d store after store. The politeness of the shopkeepers is inexhaustible. I felt quite ashamed to spend a half hour looking at every thing, and then depart without buying; but the civil Frenchman bowed, and smiled, and thanked us for coming.
In the evening, we rode to L'Arc de Triomphe d'Etoile, an immense pile of massive masonry, from the top of which we enjoyed a brilliant panorama. Paris was beneath us, from the Louvre to the Bois de Boulogne, with its gardens, and moving myriads; its sports, and games, and light-hearted mirth—a vast Vanity Fair, blazing in the sunlight. A deep and strangely-blended impression of sadness and gayety sunk into our hearts as we gazed. All is vivacity, gracefulness, and sparkle, to the eye; but ah, what fires are smouldering below! Are not all these vines rooted in the lava and ashes of the volcano side?
Tuesday, June 7. A la Louvre! But first the ladies must “shop” a little. I sit by the counter and watch the pretty Parisian shopocracy. A lady presides at the desk. Trim little grisettes serve the customers so deftly, that we wonder why awkward men should ever attempt to do such things. Nay, they are so civil, so evidently disinterested and solicitous for your welfare, that to buy is the most natural thing imaginable.
But to the Louvre! Provided with catalogues, I abandoned the ladies, and strolled along to take a kind of cream-skimming look at the whole. I was highly elated with one thing. There were three Madonnas with dark hair and eyes: one by Murillo, another by Carracci, and another by Guido. It showed that painters were not so utterly hopeless as a class, and given over by common sense to blindness of mind, as I had supposed.
H. begins to recant her heresy in regard to Rubens. Here we find his largest pieces. Here we find the real originals of several real originals we saw in English galleries. It seems as though only upon a picture as large as the side of a parlor could his exuberant genius find scope fully to lay itself out.
When I met II. at last—after finishing the survey—her cheek was flushed, and her eye seemed to swim. “Well, H.,” said I, “have you drank deep enough this time?”
“Yes,” said she, “I have been satisfied, for the first time.”
Wednesday, June 8. A day on foot in Paris. Surrendered H. to the care of our fair hostess. Attempted to hire a boat, at one of the great bathing establishments, for a pull on the Seine. Why not on the Seine, as well as on the Thames? But the old Triton demurred. The tide marched too strong—“Il marche trop fort.” Onward, then, along the quays; visiting the curious old book stalls, picture stands, and flower markets. Lean over the parapet, and gaze upon this modern Euphrates, rushing between solid walls of masonry through the heart of another Babylon. The river is the only thing not old. These waters are as turbid, tumultuous, unbridled, as when forests covered all these banks—fit symbol of peoples and nations in their mad career, generation after generation. Institutions, like hewn granite, may wall them in, and vast arches span their flow, and hierarchies domineer over the tide; but the scorning waters burst into life unchangeable, and sweep impetuous through the heart of Vanity Fair, and dash out again into the future, the same grand, ungovernable Euphrates stream. I do not wonder Egypt adored her Nile, and Rome her Tiber. Surely, the life artery of Paris is this Seine beneath my feet! And there is no scene like this, as I gaze upward and downward, comprehending, in a glance, the immense panorama of art and architecture—life, motion, enterprise, pleasure, pomp, and power. Beautiful Paris! What city in the world can compare with thee?
And is it not chiefly because, either by accident or by instinctive good taste, her treasures of beauty and art are so disposed along the Seine as to be visible at a glance to the best effect? As the instinct of the true Parisienne teaches her the mystery of setting off the graces of her person by the fascinations of dress, so the instinct of the nation to set off the city by the fascinations of architecture and embellishment. Hence a chief superiority of Paris to London. The Seine is straight, and its banks are laid out in broad terraces on either side, called quais, lined with her stateliest palaces and gardens. The Thames forms an elbow, and is enveloped in dense smoke and fog. London lowers; the Seine sparkles; London shuts down upon the Thames, and there is no point of view for the whole river panorama. Paris rises amphitheatrically, on either side the Seine, and the eye from the Pont d'Austerlitz seems to fly through the immense reach like an arrow, casting its shadow on every thing of beauty or grandeur Paris possesses.
Rapidly now I sped onward, paying brief visits to the Palais de Justice, the Hotel de Ville, and spending a cool half hour in Notre Dame. I love to sit in these majestic fanes, abstracting them from the superstition which does but desecrate them, and gaze upward to their lofty, vaulted arches, to drink in the impression of architectual sublimity, which I can neither analyze nor express. Cathedrals do not seem to me to have been built. They seem, rather, stupendous growths of nature, like crystals, or cliffs of basalt. There is little ornament here. That roof looks plain and bare; yet I feel that the air is dense with sublimity. Onward I sped, crossing a bridge by the Hotel Dieu, and, leaving the river, plunged into narrow streets. Explored a quadrangular market; surveyed the old church of St Genevieve, and the new—now the Pantheon; went onward to the Jardin des Plantes, and explored its tropical bowers. Many things remind me to-day of New Orleans, and its levee, its Mississippi, its cathedral, and the luxuriant vegetation of the gulf. In fact, I seem to be walking in my sleep in a kind of glorified New Orleans, all the while. Yet I return to the gardens of the Tuileries and the Place Vendome, and in the shadow of Napoleon's Column the illusion vanishes. Hundreds of battles look down upon me from their blazonry.
In the evening I rested from the day's fatigue by an hour in the garden of the Palais Royal. I sat by one of the little tables, and called for an ice. There were hundreds of ladies and gentlemen eating ices, drinking wine, reading the papers, smoking, chatting; scores of pretty children were frolicking and enjoying the balmy evening. Here six or eight midgets were jumping the rope, while papa and mamma swung it for them. Pretty little things, with their flushed cheeks and sparkling eyes, how they did seem to enjoy themselves! What parent was ever far from home that did not espy in every group of children his own little ones—his Mary or his Nelly, his Henry or Charlie? So it was with me. There was a ring of twenty or thirty singing and dancing, with a smaller ring in the centre, while old folks and boys stood outside. But I heard not a single oath, nor saw a rough or rude action, during the whole time I was there. The boys standing by looked on quietly, like young gentlemen. The best finale of such a toilsome day of sightseeing was a warm bath in the Rue du Bac, for the trifling sum of fifteen sous. The cheapness and convenience of bathing here is a great recommendation of Paris life. They will bring you a hot bath at your house for twenty-five cents, and that without bustle or disorder. And nothing so effectually as an evening bath, as my experience testifies, cures fatigue and propitiates to dreamless slumber.
Thursday, June 9. At the Louvre. Studied three statues half an hour each—the Venus Victrix, Polyhymnia, and Gladiateur Combattant. The first is mutilated; but if disarmed she conquers all hearts, what would she achieve in full panoply? As to the Gladiator, I noted as follows on my catalogue: A pugilist; antique, brown with age; attitude, leaning forward; left hand raised on guard, right hand thrown out back, ready to strike a side blow; right leg bent; straight line from the head to the toe of left foot; muscles and veins most vividly revealed in intense development; a wonderful petrifaction, as if he had been smitten to stone at the instant of striking.
Here are antique mosaics, in which colored stones seem liquefied, realizing the most beautiful effects of painting—quadrigae, warriors, arms, armor, vases, streams, all lifelike. Ascending to the hall of French paintings I spent an hour in studying one picture—La Meduse, by Gericault. It is a shipwrecked crew upon a raft in mid ocean. I gazed until all surrounding objects disappeared, and I was alone upon the wide Atlantic. Those transparent emerald waves are no fiction; they leap madly, hungering for their prey. That distended sail is filled with the lurid air. T
hat dead man's foot hangs off in the seething brine a stark reality. What a fixed gaze of despair in that father's stony eye! What a group of deathly living ones around that frail mast, while one with intense eagerness flutters a signal to some far-descried bark! Coleridge's Ancient Mariner has no colors more fearfully faithful to his theme. Heaven pities them not. Ocean is all in uproar against them. And there is no voice that can summon the distant, flying sail! So France appeared to that prophet painter's eye, in the subsiding tempests of the revolution. So men's hearts failed them for fear, and the dead lay stark and stiff among the living, amid the sea and the waves roaring; and so mute signals of distress were hung out in the lurid sky to nations afar.
For my part, I remain a heretic. Give to these French pictures the mellowing effects of age, impregnating not merely the picture, but the eye that gazes on it, with its subtle quality; let them be gazed at through the haze of two hundred years, and they will—or I cannot see why they will not—rival the productions of any past age. I do not believe that a more powerful piece ever was painted than yon raft by Gericault, nor any more beautiful than several in the Luxembourg; the “Decadence de Rome,” for example, exhibiting the revels of the Romans during the decline of the empire. Let this Decadence unroll before the eyes of men the cause, that wreck by Gericault symbolize the effect, in the great career of nations, and the two are sublimely matched.
After visiting the Luxembourg, I resorted to the gardens of the Tuileries. The thermometer was at about eighty degrees in the shade. From the number of people assembled one would have thought, if it had been in the United States, that some great mass convention was coming off. Under the impenetrable screen of the trees, in the dark, cool, refreshing shade, are thousands of chairs, for which one pays two cents apiece. Whole families come, locking up their door, bringing the baby, work, dinner, or lunch, take a certain number of chairs, and spend the day. As far as eye can reach you see a multitude seated, as if in church, with other multitudes moving to and fro, while boys and girls without number are frolicking, racing, playing ball, driving hoop, &c., but contriving to do it without making a hideous racket. How French children are taught to play and enjoy themselves without disturbing every body else, is a mystery. “C'est gentil” seems to be a talismanic spell; and “Ce n'est pas gentil ca” is sufficient to check every rising irregularity. O that some savant would write a book and tell us how it is done! I gazed for half an hour on the spectacle. A more charming sight my eyes never beheld. There were grayheaded old men, and women, and invalids; and there were beautiful demoiselles working worsted, embroidery, sewing; men reading papers; and, in fact, people doing every thing they would do in their own parlors. And all were graceful, kind, and obliging; not a word nor an act of impoliteness or indecency. No wonder the French adore Paris, thought I; in no other city in the world is a scene like this possible! No wonder that their hearts die within them at thoughts of exile in the fens of Cayenne!
Sunny Memories of Foreign Lands - Vol. 2 Page 13
