Salvador Estrella Sadhalá’s gratitude and admiration for Monsignor Zanini increased when, a few weeks after their conversation in the nunciature, he learned that the Sisters of Mercy had decided to transfer Gisela, his sister who was a nun—Sor Paulina—from Santiago to Puerto Rico. Gisela, his pampered little sister, Salvador’s favorite. Even more so since she had embraced the religious life. On the day she made her vows and adopted Mama Paulina’s name, huge tears ran down Turk’s cheeks. Whenever he could spend time with Sor Paulina, he felt redeemed, comforted, more spiritual, touched by the serenity and joy emanating from his beloved sister, the tranquil certainty with which she lived her life of service to God. Had Father Fortín told the nuncio how frightened he was about what might happen to his sister if the regime discovered that he was conspiring? Not for a moment did he believe that the transfer of Sor Paulina to Puerto Rico was coincidental. It was a wise and generous decision by the Church of Christ to place a pure, innocent young woman, whom Johnny Abbes’s killers would devour, beyond the reach of the Beast. It was one of the regime’s customs that most angered Salvador: venting its wrath on the families of those it wanted to punish, on their parents, children, brothers and sisters, confiscating all they had, imprisoning them, taking away their jobs. If the plan failed, the reprisals against his sisters and brothers would be implacable. Not even his father, General Piro Estrella, the Benefactor’s good friend, who gave banquets in Trujillo’s honor at his ranch in Las Lavas, would be excused. He had weighed all of this, over and over again. He had made his decision. And it was a relief to know that criminal hands could not touch Sor Paulina in her convent in Puerto Rico. From time to time she sent him a letter filled with affection and good humor, written in her clear, upright hand.
In spite of his religious devotion, it had never occurred to Salvador to do what Giselita had done and enter an order. It was a vocation he admired and envied, but one from which the Lord had excluded him. He never would have been able to keep the vows, especially the one of chastity. God had made him too earthbound, too willing to surrender to the instincts that a shepherd of Christ had to annihilate in order to fulfill his mission. He had always liked women; even now, when he led a life of marital fidelity with only occasional slips that tore at his conscience for a long time afterward, the presence of a brunette with a narrow waist and rounded hips, a sensual mouth and flashing eyes—the typical Dominican beauty with mischief in her glance, her walk, her talk, the movements of her hands—aroused Salvador and inflamed him with fantasies and desires.
These were temptations he usually resisted. His friends often made fun of him, in particular Antonio de la Maza, who, after Tavito’s murder, had turned to the wild life, because Turk refused to join them on their all-night visits to brothels, or to the houses where the madams had young girls rumored to be virgins. True, sometimes he succumbed. And then the bitterness lasted many days. For some time he had held Trujillo responsible when he gave in to these temptations. It was the fault of the Beast that so many Dominicans turned to whores, drinking binges, and other dissipations in order to ease their anguish at leading a life without a shred of liberty or dignity, in a country where human life was worth nothing. Trujillo had been one of Satan’s most effective allies.
“That’s him!” roared Antonio de la Maza.
And Amadito and Tony Imbert:
“It’s him! That’s him!”
“Pull out, damn it!”
Antonio Imbert already had, and the Chevrolet that had been parked facing Ciudad Trujillo whirled around, tires screeching—Salvador thought of a police movie—and headed for San Cristóbal, following Trujillo’s car along the dark, deserted highway. Was it him? Salvador didn’t see, but his companions seemed so certain it had to be him that it had to be him. His heart pounded in his chest. Antonio and Amadito lowered the windows, and as Imbert, who leaned over the wheel like a rider making his horse jump, accelerated, the wind was so strong that Salvador could barely keep his eyes open. He protected them with his free hand—the other was holding the revolver—as their distance from the red taillights gradually diminished.
“Are you sure it’s the Goat’s Chevrolet, Amadito?” he shouted.
“I’m sure, I’m sure,” the lieutenant cried. “I recognized the driver, Zacarías de la Cruz. Didn’t I tell you he would come?”
“Step on it, damn it,” Antonio de la Maza repeated for the third or fourth time. He had put his head, and the sawed-off barrel of his carbine, out the window.
“You were right, Amadito,” Salvador heard himself shout. “He came, and without an escort, just like you said.”
The lieutenant held his rifle in both hands. He leaned to one side, his back was turned, and with his finger on the trigger, he rested the butt of the M-1 on his shoulder. “Thank you, God, in the name of your Dominican children,” Salvador prayed.
Antonio de la Maza’s Chevrolet Biscayne raced along the highway, gaining on the light blue Chevrolet Bel Air that Amadito García Guerrero had described to them so many times. Turk identified the official black-and-white license plate, number 0–1823, and the cloth curtains on the windows. It was, yes, it was, the car the Chief used to go to his Mahogany House in San Cristóbal. Salvador had been having a recurrent nightmare about the Chevrolet Biscayne that Tony Imbert was driving. In it, they were driving just as they were now, under a moonlit, star-filled sky, and suddenly this brand-new car, specially prepared for pursuit, began to decelerate, to go more slowly, until, with all of them cursing, it stopped dead. And Salvador watched the Benefactor’s automobile disappear into the darkness.
The Chevrolet Bel Air continued to speed—it must have been going more than a hundred kilometers an hour—and was clearly outlined in the high beams that Imbert turned on. Salvador had heard in detail the story of this vehicle ever since, following Lieutenant García Guerrero’s proposal, they had agreed to ambush Trujillo on his weekly drive to San Cristóbal. It was evident that their success would depend on a fast car. Antonio de la Maza had a passion for cars. At Santo Domingo Motors they were not surprised that someone whose job near the Haitian border required him to drive hundreds of kilometers a week would want a special automobile. They recommended a Chevrolet Biscayne and ordered it for him from the United States. It had arrived in Ciudad Trujillo three months ago. Salvador remembered the day they took it out for a test drive, and how they laughed when they read in the brochure that this car was identical to the ones used by the New York police to pursue criminals. Air conditioning, automatic transmission, hydraulic brakes, and a 350 cc eight-cylinder engine. It cost seven thousand dollars and Antonio had said, “Pesos have never been put to better use.” They tested it on the outskirts of Moca, and the brochure did not exaggerate: it could reach a hundred sixty kilometers an hour.
“Careful, Tony,” he heard himself say after a jolt that must have dented a fender. Antonio and Amadito did not seem to notice; their weapons and heads were still leaning out the windows, waiting for Imbert to pass Trujillo’s car. They were less than twenty meters away, the wind was choking him, and Salvador did not take his eyes off the closed curtains on the back window. They would have to shoot blindly, riddle the entire seat with bullets. He prayed to God that the Goat was not accompanied by one of those unfortunate women he often took to his Mahogany House.
As if, suddenly, it had noticed that they were in pursuit, or as if its sporting instinct refused to let any other car pass, the Chevrolet Bel Air pulled ahead a few meters.
“Step on it, damn it,” ordered Antonio de la Maza. “Faster, damn it!”
In a few seconds the Chevrolet Biscayne made up the distance and kept drawing closer. And the others? Why hadn’t Pedro Livio and Huáscar Tejeda shown up? They were in the Oldsmobile—it also belonged to Antonio de la Maza—only a couple of kilometers away, and they should have intercepted Trujillo’s car by now. Did Imbert forget to turn the headlights on and off three times in a row? Fifí Pastoriza in Salvador’s old Mercury, waiting two kilometers beyond the Olds
mobile, had not appeared either. They already had driven two, three, four, or more kilometers. Where were they?
“You forgot the signals, Tony,” shouted Turk. “We left Pedro Livio and Fifí behind.”
They were about eight meters from Trujillo’s car, and Tony was trying to pass, flashing the headlights and blowing the horn.
“Step on it, faster!” roared Antonio de la Maza.
They drove even closer, but the Chevrolet Bel Air, indifferent to Tony’s signals, would not leave the center of the highway. Where the hell was the Oldsmobile with Pedro Livio and Huáscar? Where was his Mercury with Fifí Pastoriza? Finally, Trujillo’s car moved to the right. It left them enough room to pass.
“Step on it, step on it,” Antonio de la Maza pleaded hysterically.
Tony Imbert accelerated and in a few seconds they were beside the Chevrolet Bel Air. The side curtains were also closed, so that Salvador did not see Trujillo, but he had a clear view, through the driver’s window, of the heavy, coarse face of the famous Zacarías de la Cruz at the moment his eardrums seemed to burst with the explosion of simultaneous shots from Antonio and Amadito. The cars were so close that when the back window of the other automobile shattered, pieces of glass hit them and Salvador felt tiny stings on his face. As if he were having a hallucination, he saw Zacarías’s head move in a strange way, and, a moment later, Salvador fired over Amadito’s shoulder.
It did not last very long, and now—the squeal of the tires made his skin crawl—a violent braking left Trujillo’s car behind them. Turning his head, he saw through the rear window that the Chevrolet Bel Air was swerving as if it would turn over before it came to a stop. It did not make a turn, it did not try to escape.
“Stop, stop!” Antonio de la Maza was shouting. “Put it in reverse, damn it!”
Tony knew what he was doing. He had braked at almost the same time as Trujillo’s bullet-ridden car, but he took his foot off the brake when the vehicle gave a violent jolt, as if it were about to overturn, and then he braked again until the Chevrolet Biscayne stopped. Without wasting a second he turned the car—no other vehicle was coming—in the opposite direction, and then drove toward Trujillo’s automobile, which had stopped, absurdly, with its headlights on, less than a hundred meters away, as if it were waiting for them. When they had driven half the distance, the lights of the parked car turned off, but Turk could still see it in Tony Imbert’s high beams.
“Heads down, get down,” said Amadito. “They’re going to shoot.”
The glass in the window on his left shattered. Salvador felt pinpricks on his face and neck, and was thrown forward by the car’s braking. The Biscayne screeched, swerved, drove off the road before it stopped. Imbert turned off the headlights. Everything was in darkness. Salvador heard shouts around him. When had he, Amadito, Tony, and Antonio jumped onto the highway? The four of them were out of the car, hiding behind the fenders and open doors, firing toward Trujillo’s car, toward where it ought to be. Who was shooting at them? Was someone else with the Goat besides the driver? Because, no doubt about it, somebody was firing, the bullets resonated all around, chinked as they pierced the metal of the car, and had just wounded one of his friends.
“Turk, Amadito, cover us,” said Antonio de la Maza. “Tony, let’s finish it.”
Almost at the same time—his eyes were beginning to make out profiles and silhouettes in the tenuous bluish light—he saw two crouching figures running toward Trujillo’s automobile.
“Don’t fire, Turk,” said Amadito; with one knee on the ground, he aimed his rifle. “We have them. Keep an eye open. We don’t want him to get past if he tries to run away.”
For five, eight, ten seconds, the silence was absolute. As if in a nightmare, Salvador noticed that on the lane to his right, two cars were speeding toward Ciudad Trujillo. A moment later, another explosion of rifle and revolver fire. It lasted a few seconds. Then the booming voice of Antonio de la Maza filled the night:
“He’s dead, damn it!”
He and Amadito began to run. Seconds later, Salvador stopped, craned his head over the shoulders of Tony Imbert and Antonio de la Maza, who, one with a lighter and the other with matches, were examining the blood-soaked body dressed in olive green, the face destroyed, that lay on the asphalt in a puddle of blood. The Beast was dead. He did not have time to give thanks to God, he heard the sound of running and was certain he heard shots, there, behind Trujillo’s car. Without thinking, he raised his revolver and fired, convinced they were caliés or military adjutants coming to the aid of the Chief, and very close by he heard the moans of Pedro Livio Cedeño, who had been hit by his bullets. It was as if the earth had opened up, as if, from the bottom of the abyss, he could hear the sound of the Evil One laughing at him.
13
“You really don’t want a little more arepa?” Aunt Adelina insists affectionately. “Go on, have some. When you were little, every time you came to the house you asked for corn cake. Don’t you like it anymore?”
“Of course I like it, Aunt Adelina,” Urania protests. “But I’ve never eaten so much in my life. I won’t be able to sleep a wink.”
“All right, we’ll just leave it here in case you want a little more later,” says a resigned Aunt Adelina.
Her firm voice and mental lucidity contrast with how decrepit she looks: bent, almost bald—patches of scalp can be seen through her white hair—her face puckered into a thousand wrinkles, dentures that shift when she eats or speaks. She is a shrunken little woman, half lost in the rocking chair where Lucinda, Manolita, Marianita, and the Haitian maid settled her after carrying her downstairs. Her aunt was determined to have supper in the dining room with her brother Agustín’s daughter, who had suddenly reappeared after so many years. She speaks energetically, and in her small, deep-set eyes there is a flashing intelligence. “I never would have recognized her,” thinks Urania. Or Lucinda, and certainly not Manolita, whom she last saw when she was eleven or twelve and who is now a prematurely aged matron with wrinkles on her face and neck, and hair badly dyed a rather vulgar blue-black. Marianita, Lucinda’s daughter, must be about twenty: thin, very pale, her hair almost in a crew cut, and melancholy eyes. She doesn’t stop looking at Urania, as if she were under a spell. What has her niece heard about her?
“I can’t believe it’s you, that you’re really here.” Aunt Adelina fixes her penetrating eyes on her. “I never thought I’d see you again.”
“Well, Aunt Adelina, here I am. It makes me so happy.”
“Me too, darling. You must have made Agustín even happier. My brother had resigned himself to never seeing you again.”
“I don’t know, Aunt Adelina.” Urania puts up her defenses, foresees recriminations and indiscreet questions. “I spent all day with him, and I don’t think he even recognized me.”
Her two cousins react in unison:
“Of course he recognized you, Uranita,” declares Lucinda.
“He can’t speak, so it’s hard to tell,” Manolita concurs. “But he understands everything, his mind still works.”
“He’s still Egghead,” says Aunt Adelina with a laugh.
“We know because we see him every day,” Lucinda continues. “He recognized you, and your coming back made him happy.”
“I hope so, Lucinda.”
A silence that is prolonged, glances that cross the old table in the narrow dining room, with a china closet that Urania vaguely recognizes, and religious pictures on faded green walls. Nothing is familiar here either. In her memory, the house of her Aunt Adelina and Uncle Aníbal, where she came to play with Manolita and Lucinda, was large, bright, elegant, and airy; this is a cave crowded with depressing furniture.
“Breaking my hip separated me from Agustín forever.” She shakes her small fist, the fingers deformed by sclerosis. “Before it happened, I used to spend hours with him. We had long conversations. He didn’t need to talk for me to understand what he wanted to say. My poor brother! I would have brought him here. But where would I
put him, in this rat hole?”
She speaks angrily.
“The death of Trujillo was the beginning of the end for the family,” Lucindita says with a sigh. And then she becomes alarmed. “I’m sorry, Urania. You hate Trujillo, don’t you?”
“It started before that,” Aunt Adelina corrects her, and Urania becomes interested in what she is saying.
“When, Grandma?” Lucinda’s oldest daughter asks in a thin little voice.
“With the letter in ‘The Public Forum,’ a few months before they killed Trujillo,” Aunt Adelina declares; her eyes pierce the emptiness. “In January or February of 1961. We gave the news to your papa, early in the morning. Aníbal was the first to read it.”
“A letter in ‘The Public Forum’?” Urania is searching, searching through her memories. “Ah, yes.”
“I assume it’s nothing important, a foolish mistake that will be straightened out,” his brother-in-law said on the phone; he sounded so agitated, so vehement, so false, that Senator Agustín Cabral was taken aback: what was wrong with Aníbal? “Haven’t you read El Caribe?”
“They’ve just brought it in, I haven’t opened it yet.”
He heard a nervous little cough.
“Well, there’s a letter, Egghead.” His brother-in-law tried to be casual, lighthearted. “It’s all nonsense. Clear it up as soon as you can.”
The Feast of the Goat Page 24
