They were at the crap table. She could hear herself shouting to the dice. She was rolling them, winning; the counters were piling up in front of her as Popeye drew them in, coaching her, correcting her in his soft, querulous voice. He stood beside her, shorter than she.
He had the cup himself. She stood beside him cunningly, feeling the desire going over her in wave after wave, involved with the music and with the smell of her own flesh. She became quiet. By infinitesimal inches she moved aside until someone slipped into her place. Then she was walking swiftly and carefully across the floor toward the door, the dancers, the music swirling slowly about her in a bright myriad wave. The table where the two men had sat was empty, but she did not even glance at it. She entered the corridor. A waiter met her.
“Room,” she said. “Hurry.”
The room contained a table and four chairs. The waiter turned on the light and stood in the door. She jerked her hand at him; he went out. She leaned against the table on her braced arms, watching the door, until Red entered.
He came toward her. She did not move. Her eyes began to grow darker and darker, lifting into her skull above a half moon of white, without focus, with the blank rigidity of a statue’s eyes. She began to say Ah-ah-ah-ah in an expiring voice, her body arching slowly backward as though faced by an exquisite torture. When he touched her she sprang like a bow, hurling herself upon him, her mouth gaped and ugly like that of a dying fish as she writhed her loins against him.
He dragged his face free by main strength. With her hips grinding against him, her mouth gaping in straining protrusion, bloodless, she began to speak. “Let’s hurry. Anywhere. I’ve quit him. I told him so. It’s not my fault. Is it my fault? You dont need your hat and I dont either. He came here to kill you but I said I gave him his chance. It wasn’t my fault. And now it’ll just be us. Without him there watching. Come on. What’re you waiting for?” She strained her mouth toward him, dragging his head down, making a whimpering moan. He held his face free. “I told him I was. I said if you bring me here. I gave you your chance I said. And now he’s got them there to bump you off. But you’re not afraid. Are you?”
“Did you know that when you telephoned me?” he said.
“What? He said I wasn’t to see you again. He said he’d kill you. But he had me followed when I telephoned. I saw him. But you’re not afraid. He’s not even a man, but you are. You’re a man. You’re a man.” She began to grind against him, dragging at his head, murmuring to him in parrotlike underworld epithet, the saliva running pale over her bloodless lips. “Are you afraid?”
“Of that dopey bastard?” Lifting her bodily he turned so that he faced the door, and slipped his right hand free. She did not seem to be aware that he had moved.
“Please. Please. Please. Please. Dont make me wait. I’m burning up.”
“All right. You go on back. You wait till I give you the sign. Will you go on back?”
“I cant wait. You’ve got to. I’m on fire, I tell you.” She clung to him. Together they blundered across the room toward the door, he holding her clear of his right side; she in a voluptuous swoon, unaware that they were moving, straining at him as though she were trying to touch him with all of her body-surface at once. He freed himself and thrust her into the passage.
“Go on,” he said. “I’ll be there in a minute.”
“You wont be long? I’m on fire. I’m dying, I tell you.”
“No. Not long. Go on, now.”
The music was playing. She moved up the corridor, staggering a little. She thought that she was leaning against the wall, when she found that she was dancing again; then that she was dancing with two men at once; then she found that she was not dancing but that she was moving toward the door between the man with the chewing gum and the one with the buttoned coat. She tried to stop, but they had her under the arms; she opened her mouth to scream, taking one last despairing look about the swirling room.
“Yell,” the man with the buttoned coat said. “Just try it once.”
Red was at the crap table. She saw his head turned, the cup in his lifted hand. With it he made her a short, cheery salute. He watched her disappear through the door, between the two men. Then he looked briefly about the room. His face was bold and calm, but there were two white lines at the base of his nostrils and his forehead was damp. He rattled the cup and threw the dice steadily.
“Eleven,” the dealer said.
“Let it lay,” Red said. “I’ll pass a million times tonight.”
They helped Temple into the car. The man in the buttoned coat took the wheel. Where the drive joined the lane that led to the highroad a long touring car was parked. When they passed it Temple saw, leaning to a cupped match, Popeye’s delicate hooked profile beneath the slanted hat as he lit the cigarette. The match flipped outward like a dying star in miniature, sucked with the profile into darkness by the rush of their passing.
25
The tables had been moved to one end of the dance floor. On each one was a black table-cloth. The curtains were still drawn; a thick, salmon-colored light fell through them. Just beneath the orchestra platform the coffin sat. It was an expensive one: black, with silver fittings, the trestles hidden by a mass of flowers. In wreaths and crosses and other shapes of ceremonial mortality, the mass appeared to break in a symbolical wave over the bier and on upon the platform and the piano, the scent of them thickly oppressive.
The proprietor of the place moved about among the tables, speaking to the arrivals as they entered and found seats. The negro waiters, in black shirts beneath their starched jackets, were already moving in and out with glasses and bottles of ginger ale. They moved with swaggering and decorous repression; already the scene was vivid, with a hushed, macabre air a little febrile.
The archway to the dice-room was draped in black. A black pall lay upon the crap table, upon which the overflow of floral shapes was beginning to accumulate. People entered steadily, the men in dark suits of decorous restraint, others in the light, bright shades of spring, increasing the atmosphere of macabre paradox. The women—the younger ones—wore bright colors also, in hats and scarves; the older ones in sober gray and black and navy blue, and glittering with diamonds: matronly figures resembling housewives on a Sunday afternoon excursion.
The room began to hum with shrill, hushed talk. The waiters moved here and there with high, precarious trays, their white jackets and black shirts resembling photograph negatives. The proprietor went from table to table with his bald head, a huge diamond in his black cravat, followed by the bouncer, a thick, muscle-bound, bullet-headed man who appeared to be on the point of bursting out of his dinner-jacket through the rear, like a cocoon.
In a private dining-room, on a table draped in black, sat a huge bowl of punch floating with ice and sliced fruit. Beside it leaned a fat man in a shapeless greenish suit, from the sleeves of which dirty cuffs fell upon hands rimmed with black nails. The soiled collar was wilted about his neck in limp folds, knotted by a greasy black tie with an imitation ruby stud. His face gleamed with moisture and he adjured the throng about the bowl in a harsh voice:
“Come on, folks. It’s on Gene. It dont cost you nothing. Step up and drink. There wasn’t never a better boy walked than him.” They drank and fell back, replaced by others with extended cups. From time to time a waiter entered with ice and fruit and dumped them into the bowl; from a suit case under the table Gene drew fresh bottles and decanted them into the bowl; then, proprietorial, adjurant, sweating, he resumed his harsh monologue, mopping his face on his sleeve. “Come on, folks. It’s all on Gene. I aint nothing but a bootlegger, but he never had a better friend than me. Step up and drink, folks. There’s more where that come from.”
From the dance hall came a strain of music. The people entered and found seats. On the platform was the orchestra from a downtown hotel, in dinner coats. The proprietor and a second man were conferring with the leader.
“Let them play jazz,” the second man said. “Never nobody liked dan
cing no better than Red.”
“No, no,” the proprietor said. “Time Gene gets them all ginned up on free whiskey, they’ll start dancing. It’ll look bad.”
“How about the Blue Danube?” the leader said.
“No, no; dont play no blues, I tell you,” the proprietor said. “There’s a dead man in that bier.”
“That’s not blues,” the leader said.
“What is it?” the second man said.
“A waltz. Strauss.”
“A wop?” the second man said. “Like hell. Red was an American. You may not be, but he was. Dont you know anything American? Play I Cant Give You Anything but Love. He always liked that.”
“And get them all to dancing?” the proprietor said. He glanced back at the tables, where the women were beginning to talk a little shrilly. “You better start off with Nearer, My God, To Thee,” he said, “and sober them up some. I told Gene it was risky about that punch, starting it so soon. My suggestion was to wait until we started back to town. But I might have knowed somebody’d have to turn it into a carnival. Better start off solemn and keep it up until I give you the sign.”
“Red wouldn’t like it solemn,” the second man said. “And you know it.”
“Let him go somewheres else, then,” the proprietor said. “I just done this as an accommodation. I aint running no funeral parlor.”
The orchestra played Nearer, My God, To Thee. The audience grew quiet. A woman in a red dress came in the door unsteadily. “Whoopee,” she said, “so long, Red. He’ll be in hell before I could even reach Little Rock.”
“Shhhhhhhh!” voices said. She fell into a seat. Gene came to the door and stood there until the music stopped.
“Come on, folks,” he shouted, jerking his arms in a fat, sweeping gesture, “come and get it. It’s on Gene. I dont want a dry throat or eye in this place in ten minutes.” Those at the rear moved toward the door. The proprietor sprang to his feet and jerked his hand at the orchestra. The cornetist rose and played In That Haven of Rest in solo, but the crowd at the back of the room continued to dwindle through the door where Gene stood waving his arm. Two middle-aged women were weeping quietly beneath flowered hats.
They surged and clamored about the diminishing bowl. From the dance hall came the rich blare of the cornet. Two soiled young men worked their way toward the table, shouting “Gangway. Gangway” monotonously, carrying suit cases. They opened them and set bottles on the table, while Gene, frankly weeping now, opened them and decanted them into the bowl. “Come up, folks. I couldn’t a loved him no better if he’d a been my own son,” he shouted hoarsely, dragging his sleeve across his face.
A waiter edged up to the table with a bowl of ice and fruit and went to put them into the punch bowl. “What the hell you doing?” Gene said, “putting that slop in there? Get to hell away from here.”
“Ra-a-a-a-y-y-y-y!” they shouted, clashing their cups, drowning all save the pantomime as Gene knocked the bowl of fruit from the waiter’s hand and fell again to dumping raw liquor into the bowl, sploshing it into and upon the extended hands and cups. The two youths opened bottles furiously.
As though swept there upon a brassy blare of music the proprietor appeared in the door, his face harried, waving his arms. “Come on, folks,” he shouted, “let’s finish the musical program. It’s costing us money.”
“Hell with it,” they shouted.
“Costing who money?”
“Who cares?”
“Costing who money?”
“Who begrudges it? I’ll pay it. By God, I’ll buy him two funerals.”
“Folks! Folks!” the proprietor shouted. “Dont you realise there’s a bier in that room?”
“Costing who money?”
“Beer?” Gene said. “Beer?” he said in a broken voice. “Is anybody here trying to insult me by—”
“He begrudges Red the money.”
“Who does?”
“Joe does, the cheap son of a bitch.”
“Is somebody here trying to insult me—”
“Let’s move the funeral, then. This is not the only place in town.”
“Let’s move Joe.”
“Put the son of a bitch in a coffin. Let’s have two funerals.”
“Beer? Beer? Is somebody—”
“Put the son of a bitch in a coffin. See how he likes it.”
“Put the son of a bitch in a coffin,” the woman in red shrieked. They rushed toward the door, where the proprietor stood waving his hands above his head, his voice shrieking out of the uproar before he turned and fled.
In the main room a male quartet engaged from a vaudeville house was singing. They were singing mother songs in close harmony; they sang Sonny Boy. The weeping was general among the older women. Waiters were now carrying cups of punch in to them and they sat holding the cups in their fat, ringed hands, crying.
The orchestra played again. The woman in red staggered into the room. “Come on, Joe,” she shouted, “open the game. Get that damn stiff out of here and open the game.” A man tried to hold her; she turned upon him with a burst of filthy language and went on to the shrouded crap table and hurled a wreath to the floor. The proprietor rushed toward her, followed by the bouncer. The proprietor grasped the woman as she lifted another floral piece. The man who had tried to hold her intervened, the woman cursing shrilly and striking at both of them impartially with the wreath. The bouncer caught the man’s arm; he whirled and struck at the bouncer, who knocked him halfway across the room. Three more men entered. The fourth rose from the floor and all four of them rushed at the bouncer.
He felled the first and whirled and sprang with unbelievable celerity, into the main room. The orchestra was playing. It was immediately drowned in a sudden pandemonium of chairs and screams. The bouncer whirled again and met the rush of the four men. They mingled; a second man flew out and skittered along the floor on his back; the bouncer sprang free. Then he whirled and rushed them and in a whirling plunge they bore down upon the bier and crashed into it. The orchestra had ceased and were now climbing onto their chairs, with their instruments. The floral offerings flew; the coffin teetered. “Catch it!” a voice shouted. They sprang forward, but the coffin crashed heavily to the floor, coming open. The corpse tumbled slowly and sedately out and came to rest with its face in the center of a wreath.
“Play something!” the proprietor bawled, waving his arms; “play! Play!”
When they raised the corpse the wreath came too, attached to him by a hidden end of wire driven into his cheek. He had worn a cap which, tumbling off, exposed a small blue hole in the center of his forehead. It had been neatly plugged with wax and was painted, but the wax had been jarred out and lost. They couldn’t find it, but by unfastening the snap in the peak, they could draw the cap down to his eyes.
As the cortège neared the downtown section more cars joined it. The hearse was followed by six Packard touring cars with the tops back, driven by liveried chauffeurs and filled with flowers. They looked exactly alike and were of the type rented by the hour by the better class agencies. Next came a nondescript line of taxis, roadsters, sedans, which increased as the procession moved slowly through the restricted district where faces peered from beneath lowered shades, toward the main artery that led back out of town, toward the cemetery.
On the avenue the hearse increased its speed, the procession stretching out at swift intervals. Presently the private cars and the cabs began to drop out. At each intersection they would turn this way or that, until at last only the hearse and the six Packards were left, each carrying no occupant save the liveried driver. The street was broad and now infrequent, with a white line down the center that diminished on ahead into the smooth asphalt emptiness. Soon the hearse was making forty miles an hour and then forty-five and then fifty.
One of the cabs drew up at Miss Reba’s door. She got out, followed by a thin woman in sober, severe clothes and gold nose-glasses, and a short plump woman in a plumed hat, her face hidden by a handkerchief, and
a small bullet-headed boy of five or six. The woman with the handkerchief continued to sob in snuffy gasps as they went up the walk and entered the lattice. Beyond the house door the dogs set up a falsetto uproar. When Minnie opened the door they surged about Miss Reba’s feet. She kicked them aside. Again they assailed her with snapping eagerness; again she flung them back against the wall in muted thuds.
“Come in, come in,” she said, her hand to her breast. Once inside the house the woman with the handkerchief began to weep aloud.
“Didn’t he look sweet?” she wailed. “Didn’t he look sweet!”
“Now, now,” Miss Reba said, leading the way to her room, “come in and have some beer. You’ll feel better. Minnie!” They entered the room with the decorated dresser, the safe, the screen, the draped portrait. “Sit down, sit down,” she panted, shoving the chairs forward. She lowered herself into one and stooped terrifically toward her feet.
“Uncle Bud, honey,” the weeping woman said, dabbing at her eyes, “come and unlace Miss Reba’s shoes.”
The boy knelt and removed Miss Reba’s shoes. “And if you’ll just reach me them house slippers under the bed there, honey,” Miss Reba said. The boy fetched the slippers. Minnie entered, followed by the dogs. They rushed at Miss Reba and began to worry the shoes she had just removed.
“Scat!” the boy said, striking at one of them with his hand. The dog’s head snapped around, its teeth clicking, its half-hidden eyes bright and malevolent. The boy recoiled. “You bite me, you thon bitch,” he said.
“Uncle Bud!” the fat woman said, her round face, ridged in fatty folds and streaked with tears, turned upon the boy in shocked surprise, the plumes nodding precariously above it. Uncle Bud’s head was quite round, his nose bridged with freckles like splotches of huge summer rain on a sidewalk. The other woman sat primly erect, in gold nose-glasses on a gold chain and neat iron-gray hair. She looked like a school-teacher. “The very idea!” the fat woman said. “How in the world he can learn such words on a Arkansaw farm, I dont know.”
Sanctuary Page 19
