‘He’s not half a bad fellow — for a parson,’ said Horatio, condescendingly.
‘And wouldn’t he make a jolly schoolmaster?’ exclaimed Reginald. ‘Boys would get on capitally with Jardine. They’d never try to bosh him.’
‘Schoolmaster, indeed?’ echoed Bessie, with an offended air.
‘I suppose you think it wouldn’t be good enough for him? You expect him to be made an archbishop off-hand, without being educated up to his work by the rising generation. No doubt you forget that there have been such men as Arnold, and Temple, and Moberly. Pray what higher office can a man hold in this world than to form the minds of the rising generation?’
‘I wish your master would form your manners,’ said Bessie, ‘for they are simply detestable.’
It was nearly the end of June, and the song of the nightingales was growing rarer in the twilight woods.
Ida started early one heavenly midsummer morning, with her book and her luncheon in a little basket, to see the old lodge-keeper at Wendover Abbey, who had nursed the elder Wendovers when they were babies in the nurseries at the Abbey, and who had lived in a Gothic cottage at the gate — built on purpose for her by the last squire — ever since her retirement from active service. This walk to the Abbey was one of Ida’s favourite rambles, and on this June morning the common, the wood, the corn-fields, and distant hills were glorious with that fleeting beauty of summer which gives a glamour to the most commonplace scenery.
She had a long idle morning before her, a thing which happened rarely. Miss Wendover had driven to Romsey with the Colonel and his wife, to lunch with some old friends in the neighbourhood of that quiet town, and was not likely to be home till afternoon tea. Bessie was left in charge of the younger members of the household, and was further deeply engaged in an elaborate piece of ecclesiastical embroidery, all crimson and gold, and peacock floss, which she hoped to finish before All Saints’ Day.
Old Mrs. Rowse, the gatekeeper, was delighted to see Miss Palliser. The young lady was a frequent visitor, for the old woman was entitled to particular attention as a sufferer from chronic rheumatism, unable to do more than just crawl into her little patch of garden, or to the grass-plat before her door on a sunny afternoon. Her days were spent, for the most part, in an arm-chair in front of the neat little grate, where a handful of fire burnt, winter and summer, diffusing a turfy odour.
Ida liked to hear the old woman talk of the past. She had been a bright young girl, under-nurse when the old squire was born; and now the squire had been lying at rest in the family vault for nigh upon fifteen years, and here she was still, without kith or kin, or a friend in the world except the Wendovers.
She liked to hold forth upon the remarkable events of her life — from her birth in a labourer’s cottage, about half a mile from the Abbey, to the last time she had been able to walk as far as the parish church, now five years ago. She was cheerful, yet made the most of her afflictions, and seemed to think that chronic rheumatism of her particular type was a social distinction. She was also proud of her advanced age, and had hopes of living into the nineties, and having her death recorded in the county papers.
That romantic feeling about the Abbey, which had taken possession of Ida’s mind on her first visit, had hardly been lessened by familiarity with the place, or even by those painful associations which made the spot fatal to her. The time-old deserted mansion was still to her fancy a poem in stone; and although she could not think about its unknown master without a shudder, recalling her miserable delusion, she could not banish his image from her thoughts, when she roamed about the park, or explored the house, where the few old servants had grown fond of her and suffered her to wander at will.
When she had spent an hour with Mrs. Rowse, she walked on to the Abbey, and seated herself to eat her sandwiches and read her beloved Shelley under the cedar beneath which she and the Wendover party had picnicked so gaily on the day of her first visit. Shelley harmonized with her thoughtful moods, for with most of his longer poems there is interwoven that sense of wrong and sorrow, that idea of a life spoiled and blighted by the oppression of stern social laws, which could but remind Ida of her own entanglement. She had bound herself by a chain that could never be broken, and here she read of how all noblest and grandest impulses are above the law, and refuse to be so bound; and how, in such cases, it is noble to defy and trample upon the law. A kind of heroic lawlessness, spiritualized and diffused in a cloud of exquisite poetry, was what she found in her Shelley; and it comforted her to know that before her time there had been lofty souls caught in the web of their own folly.
When she was tired of reading she went into the Abbey. The great hall door stood open to admit the summer air and sunshine. Ida wandered from one room to another as freely as if she had been in her own house, knowing that any servant she met would be pleased to see her there. The old housekeeper was a devoted admirer of Miss Palliser; the two young housemaids were her pupils in a class which met every Sunday afternoon for study of the Scriptures. She had no fear of being considered an intruder. Many of the casements stood open, and there was the scent of flowers in the silent old rooms, where all was neat and prim, albeit a little faded and gray.
Ida loved to explore the library, where the books were for the most part quaint and old, original editions of seventeenth and eighteenth century books, in sober, substantial bindings. It was pleasant to take out a volume of one of the old poets, or the eighteenth century essayists, and to read a few stanzas, or a paper of Addison’s or Steele’s, standing by the open window in the air and sunlight.
The rooms in which she roamed at will were the public apartments of the Abbey, and, although beautiful in her eyes, they had the stiffness and solemnity of rooms which are not for the common uses of daily life.
But on one occasion Mrs. Mawley, the housekeeper, in a particularly communicative mood, showed her the suite of rooms in which Mr. Wendover lived when he was alone; and here, in the study where he read, and wrote, and smoked, and brooded in the long quiet days, she saw those personal belongings which gave at least some clue to the character of the man. Here, on shelves which lined the room from floor to ceiling, she saw the books which Brian Wendover had collected for his own especial pleasure, and the neatness of their arrangement and classification told her that the master of Wendover Abbey was a man of calm temper and orderly habits.
‘You’ll never see a book out of place when he leaves the room,’ said Mrs. Mawley. ‘I’ve seen him take down fifty volumes of a morning, when he’s at his studies. I’ve seen the table covered with books, and books piled up on the carpet at each side of his chair, but they’d all be back on their shelves, as neat as a new pin, when I went to tidy up the room after him. I never allow no butter-fingered girls in this room, except to sweep or scrub, under my own eye. There’s not many ornaments, but what there is is precious, and the apple of master’s eye.’
It was a lovely room, with a panelled oak ceiling, and a fine old oak mantel-piece, on which were three or four pieces of Oriental crackle. The large oak writing-table was neatly arranged with crimson leather blotting-book, despatch-box, old silver inkstand, and a pair of exquisite bronze statuettes of Apollo and Mercury, which seemed the presiding geniuses of the place.
‘I don’t believe Mr. Wendover could get on with his studies if those two figures weren’t there,’ said Mrs. Mawley.
The rooms were kept always aired and ready — no one knew at what hour the master might return. He was a good master, honoured and beloved by the old servants, who had known him from his infancy; and his lightest whim was respected. The fact that he should have given the best part of his life since he left Oxford to roving about foreign countries was lamented; but this roving temper was regarded as only an eccentric manner of sowing those wild oats which youth must in some wise scatter; and it was hoped that with ripening years he would settle down and spend his days in the home of his ancestors. He might come home at any time, he had informed Mrs. Mawley in his last letter, rece
ived six weeks ago.
That glimpse of the room in which he lived gave Ida a vivid idea of the man — the calm, orderly student who had won high honours at the University, and was never happier than when absorbed in books that took him back to the past — to that very past which was presided over by the two pagan gods on the writing-table. She noted that the wide block of books nearest Mr. Wendover’s chair were all Greek and Latin; and straying round the room she found Homers and Horaces, Greek playwrights and historians, repeating themselves many times, in various quaint costly editions. A scholar evidently — perhaps pragmatical and priggish. Bessie’s coolness about her cousin implied that he was not altogether agreeable.
‘Perhaps I should have liked him no better than the false Brian,’ she said to herself to-day, as she stood musing before the old brown books in the library, thinking of that more individual collection which she had been allowed to inspect on her last visit.
She shuddered at the image of that other Brian, remembering but too vividly how she had last seen him, kneeling to her, claiming her as his own. God! could he so claim her? Was she verily his, to summon at his will? — his by the law of heaven and earth, and only enjoying her liberty by his sufferance?
The thought was horrible. She snatched a book from the shelf — anything to distract her mind. Happily, the book was Shakespeare, and she was soon lost in Lear’s woes, wilder, deeper than any sorrow she had ever tasted.
She read for an hour, the soft air fanning her, the sun shining upon her, the scent of roses and lilies breathing gently round her as she sat in the deep oak window-seat. Then the clock struck three, and it was time to think of leaving this enchanted castle, where no prince or princess of fairy tale ever came.
There was no need for haste. She might depart at her leisure, and dawdle as much as she pleased on her homeward way. All she wanted was to be seated neat and trim in a carefully arranged room, ready to pour out Aunt Betsy’s afternoon tea, when the cobs returned from Romsey. She put Lear back in his place, and strolled slowly through the rooms, opening one into another, to the hall, where she stopped idly to look at her favourite picture, that portrait of Sir Tristram Wendover which was attributed to Vandyke — a noble portrait, and with much of Vandyke’s manner, whoever the painter. It occupied the place of honour in a richly-carved panel above the wide chimney-piece, a trophy of arms arranged on each side.
Ida stood gazing dreamily at that picture — the dark, earnest eyes, under strongly marked brows, the commanding features, somewhat ruggedly modelled, but fine in their general effect — a Rembrandt face — every line telling; a face in which manhood and intellect predominated over physical beauty; and yet to Ida’s fancy the face was the finest she had ever seen. It was her ideal of the knightly countenance, the face of the man who has won many a hard fight over all comers, and has beaten that last and worst enemy, his own lower nature, leaving the lofty soul paramount over the world, the flesh, and the devil. So must Lancelot have looked, Ida thought, towards the close of life, when conscience had conquered passion. It was a face that showed the traces of sorrows lived down and temptations overcome — a face which must have been a living reproof to the butterfly sybarites of Charles the Second’s Court. Ida knew no more of Sir Tristram’s history than that he had been a brave soldier and a faithful servant of the Stuarts in evil and good fortune; that he had married somewhat late in life, to become the father of an only son, from whom the present race of Wendovers were descended. Ida had tried in vain to discover any resemblance to this pictured face in the Colonel or his sister; but it was only to be supposed that the characteristics of the loyal knight had dwindled and vanished from the Wendover countenance with the passage of two centuries.
‘No, there is not one of them has that noble look,’ murmured Ida, thinking aloud, as she turned to leave the hall.
She found herself face to face with a man, who stood looking at her with friendly eyes, which in their earnest expression and grave dark brows curiously resembled the eyes of the picture. Her heart gave one leap, and then seemed to stand still. There could be only one man in the world with such a face as that, and in that house. Yes, it was a modified copy of the portrait — younger, the features less rugged, the skin paler and less tawny, the expression less intense. Yet even here, despite the friendly smile, there was a gravity, a look of determination which verged upon severity.
This time she was not deceived. This was that very Brian Wendover whom she had thought of in her foolish day-dreams, the first romantic fancy of her girlhood, last year; and now, in the flush and glory of summer, he stood before her, smiling at her with eyes which seemed to invite her friendship.
‘I am glad you like my ancestor’s portrait,’ he said. ‘I could not resist watching you for the last five minutes, as you stood in rapt contemplation of the hero of our race; so unlike the manner of most visitors to the Abbey, who give Sir Tristram a casual glance, and go on to the next feature in the housekeeper’s catalogue.’
She stood with burning cheeks, looking downward, like a guilty thing, and for a moment or two could hardly speak. Then she said, faltering —
‘It is a very interesting portrait,’ after which brilliant remark she stood looking helplessly towards the open door, which she could not reach without passing the stranger.
‘I think I have the pleasure of speaking to Miss Palliser,’ he said. ‘Old
Mrs. Rowse told me you were here. I am Brian Wendover.’
Ida made him a little curtsey, so fluttering, so uncertain, as to have elicited the most severe reproof from Madame Rigolette could she have seen her pupil at this moment.
‘I hope you do not mind,’ she said, hesitatingly. ‘Bessie and I have roamed about the Abbey often, while you were away, and to-day I came alone, and have been reading in the library for an hour or so.’
‘I am delighted that the old house should not be quite abandoned.’
How different his tone in speaking of the Abbey from the false Brian’s!
There was tenderness and pride of race in every word.
‘And I hope that my return will not scare either you or Bessie away; that you will come here as often as you feel inclined. I am something of a recluse when I am at home.’
‘You are very kind,’ said Ida, moving a little way towards the door.
‘Have you been to The Knoll yet?’
‘I have only just come from Winchester. I landed at Hull yesterday afternoon, and I have been travelling ever since. But I am very anxious to see my aunts and cousins, especially Aunt Betsy. If you will allow me, I will walk back to Kingthorpe with you.’
Ida looked miserable at the suggestion.
‘I — I — don’t think Miss Wendover will be at home just yet,’ she said.
‘She has gone to The Grange, near Romsey, you know, to luncheon.’
‘But a luncheon doesn’t last for ever. What time do you expect her back?’
‘Not till five, at the earliest.’
‘And it is nearly half-past three. If you’ll allow me to come with you I can lounge in that dear old orchard till Aunt Betsy comes home to give me some tea.’
What could Ida say to this very simple proposition? To object would have been prudish in the last degree. Brian Wendover could not know what manifold and guilty reasons she had for shrinking from any association with him. He could not know that for her there was something akin to terror in his name, that a sense of shame mingled with her every thought of him. For him she must needs be as other women, and it was her business to make him believe that he was to her as other men.
‘I shall be very happy,’ she said, and then, with a final effort, she added, ‘but are you not tired after your journey? Would it not be wiser to rest, and go to the Homestead a little later, at half-past seven, when you are sure of finding Miss Wendover at home?’
‘I had rather risk it, and go now. I am only tired of railway travelling, smoke and sulphur, dust and heat. A quiet walk across the common and through the wood will be abso
lute refreshment and repose.’
After this there was nothing to be said, and they went out into the carriage-way in front of the Abbey, side by side, and across the broad expanse of turf, on which the cedars flung their wide stretching shadows, and so by the Park to the corn-fields, where the corn waved green and tall, and to the open common, above which the skylarks were soaring and singing as if the whole world were wild with joy.
They had not much to talk about, being such utter strangers to each other, and Brian Wendover naturally reserved and inclined to silence; but the little he did say was made agreeable by a voice of singular richness and melody — just such a voice as that deep and thrilling organ which Canon Mozley has described in the famous Provost of Oriel, and which was a marked characteristic of at least one of Bishop Coplestone’s nephews — a voice which gives weight and significance to mere commonplace.
Ida, not prone to shyness, was to-day as one stricken dumb. She could not think of this man walking by her side, so unconscious of evil, without unutterable humiliation. If he had been an altogether commonplace man — pompous, underbred, ridiculous in any way — the situation would have been a shade less tragic. But he came too near her ideal. This was the kind of man she had dreamed of, and she had accepted in his stead the first frivolous, foppish youth whom chance had presented to her, under a borrowed name. Her own instinct, her own imagination, had told her the kind of man Brian of the Abbey must needs be, and, in her sordid craving for wealth and social status, she had allowed herself to be fobbed off with so poor a counterfeit. And now her very ideal — the dark-browed knight, with quiet dignity of manner, and that deep, earnest voice — had come upon the scene; and she thought of her folly with a keener shame than had touched her yet.
Delphi Works of M. E. Braddon Page 812
