Lavendale had been riding as in a dream, with head bent, and rein loose in a careless hand. A horse less sure-footed than his famous black Styx might have stumbled and thrown him. He was thinking of Lady Judith Topsparkle; wondering why she had so urgently invited him to Ringwood Abbey, when, if she had his sense of peril, she would assuredly have avoided his company. It might be that for her the past was utterly past; so completely forgotten that she could afford to indulge herself in the latest whim of the moment. What but a whim could be her friendship for him, her eagerness to mate him with wealth and beauty? How completely indifferent must she have become to those old memories which had still such potency with him!
“Why, if she can forget, so can I,” he told himself. “Should Horace be truer than Lydia to an expired love? and yet, and yet, were Thracian Chloe ten times as fair, one of those old familiar glances from Lydia’s starry eyes would send my blood to fever-point.”
The gentlemen escorted the coach to the very door of Mr. Bosworth’s house, much to Lady Tredgold’s contentment, as she suspected marauders even among the old elm-trunks in Fairmile avenue. Arrived at the house, her ladyship honoured Lord Lavendale with a cordial invitation to supper; but as she ignored his companion Lavendale declined her hospitality, on the ground that the horses had done so heavy a day’s work that they must needs require the comfort of their own stables. And so the two gentlemen said good-night, and rode away to Lavendale Manor, after promising to be in attendance upon the ladies at eight next morning.
Nurse Bridget was in the hall, eager to welcome her dear charge, from whom she had never been parted until this winter. Nurse and nursling hugged each other affectionately, and then Bridget put back Irene’s black silk hood, and contemplated the fair young face in warmest admiration.
“You have grown prettier than ever,” she exclaimed, “and taller too; I protest you are taller. I hope your ladyship will pardon me for loving my pet too much to be mannerly,” she added, curtsying to Lady Tredgold.
“There is nothing, my good creature, unmannerly in affection. Yes, Miss Bosworth has certainly grown; and then she has had her stays made by my French staymaker, and that improves any young woman’s figure and gives a taller air. I hope they have got us a decent supper. I am positively famished. And I hope there are good fires, for my niece and I have been starved this last two hours. The night is horribly cold. And have you aired a room for my maids?”
“Yes, my lady,” and “Yes, my lady,” said Bridget, with low curtsies, in reply to all these eager questions; and then Lady Tredgold and her niece followed the fat old butler — he had contrived to keep fat by sheer inactivity, in spite of Mrs. Layburne’s meagre housekeeping — to the long white drawing-room, where there was a blazing log fire, and where Irene flew to her harpsichord and began to play the Sparrow Symphony from Rinaldo. There are moments of happiness, joyous impulses in the lives of women, which can only find expression in music.
CHAPTER XII.
“LOVE IN THESE LABYRINTHS HIS SLAVES DETAINS.”
At Lavendale Manor there was no note of expectancy, no stir among the old servants. His lordship had given no intimation of his return. The grooms had to rouse their underlings in the stable from the state of beery somnolence which followed upon a heavy supper. The butler bustled his subordinates and sent off the housemaids to light fires in all the rooms his lordship affected, and in the bedroom and dressing-room known as Mr. Durnford’s, and urged cook and scullions to be brisk in the preparation of a pretty little supper. Happily there was a goose hanging in the larder, ready to be clapped on the spit, and this, with the chine which had been cooked for the servants’ dinner, and a large venison pasty, with half a dozen speedy sweet dishes, would make a tolerable supper for two gentlemen. The old Italian never joined his patron at meals. He fed apart upon a diet of his own choosing, and on principles laid down by Roger Bacon and Paracelsus — taking only the lightest food, and selecting all those roots and herbs which conduce to long life.
Lavendale went straight to the old chapel, without even waiting to take off his boots. The student’s attitude amidst his books and crucibles might have suggested that he had been sitting there like Frederick Barbarossa in his cave, ever since that summer evening upon which his lordship had with equal suddenness burst in upon his studies.
“Well, old friend, how do thy researches thrive? Is Hermes propitious?” asked Lavendale gaily. “Hast thou hit upon an easy way of manufacturing diamonds, or turning vulgar lead into the golden rain in which Danaë’s ravisher veiled his divinity? Art thou any nearer the great secret?”
“Do you remember the infinitely little to which distance is reduced in that fable of Achilles and the tortoise?” asked Vincenti; “and how by descending to infinitesimals the logician gives the idea of progress, and thus establishes a paradox? My progress has been infinitely little; but yes, I think there has been something gained since we parted.”
The sigh with which his sentence closed was not indicative of triumph. The finely cut features were drawn with thought and care; the skin, originally a pale olive, was withered and yellow, and had a semitransparent look, like old parchment. Death could hardly be more wan and wasted than life appeared in this searcher into the dark mysteries of man and Nature.
“You have been absent longer than usual,” said the old man, “or at least it seems to me that it has been so. I may be mistaken, for I keep no actual count of time — except this bare record of years.”
He turned to a flyleaf in a black-letter volume at his right hand; and on that, beginning in ink that had grown brown and pale with time, there appeared a calendar of years, and opposite each the name of a place.
This was the only record of the philosopher’s existence. Lavendale’s keen eye noted that it began early in the previous century, and that the handwriting was uniform throughout, though the colour of the ink varied. Could this man, whom he had guessed at about seventy years old, have really seen the beginning of the last century? Vincenti had been ever curiously reticent about his past life — had told his patron only one fact in his history, namely, that he was by birth and parentage a Venetian.
“No, my dear friend, you are not mistaken; I stayed longer in town than I intended when I left you. People seemed glad to see me — mere seeming, of course, since in that selfish town of ours there is not a mortal who cares a snap of the fingers for any other mortal; except lovers, and theirs is but a transient semi-selfish liking. But there is a fascination in crowds; and I saw a woman who has quite forgotten me, but whom I never can forget.”
“How do you know she has forgotten you?”
“By her indifference.”
“Assumed as likely as not. There is no such hypocrisy as a woman’s. There are liars and traitors among men, I grant you, but with them falsehood is an acquired art. In a woman deceit is innate: a part of her very being. She will smile at you and lie to you with the virginal sweetness of sixteen as cleverly as with the wrinkled craftiness of sixty. Never believe in a woman’s affectation of indifference. It is the safest mask for passion. They all wear it.”
“If I thought that it were so: if I thought Judith Topsparkle still loved me—”
“Topsparkle!” muttered the old man, staring at him in blank wonder.
“Did I think those old embers were not quite extinct, did I think that one lingering spark remained, I would risk the world to rekindle them, would perish in the blaze, die in a savage triumph of love and despair, like Dido on her pyre. But no, she is a woman of fashion pure and simple, cares no more for me than Belinda cared for Sir Plume.”
“Topsparkle!” repeated Vincenti; “whom do you know of that name?”
“Only the famous Vyvyan Topsparkle, dilettante, eccentric, and Crœsus. A gentleman whose name is familiar, and even illustrious, in all the countries where works of art are to be seen and fine music is to be heard. A gentleman who left England forty years ago with a very vile reputation, and who has not improved it on the Continent; but we do not ha
ng men of fabulous fortune: we visit them at their country houses, ride their horses, win their money at basset, and revile them behind their backs. Mr. Topsparkle is a very fine gentleman, and has been lucky enough to marry the loveliest woman in London, who has made his house the fashion.”
“Vyvyan Topsparkle! I thought he had gone into a Portuguese monastery — turned Trappist, and repented of his sins. I was told so ten years ago.”
“Yes, I remember there was a rumour of that kind soon after I left the University. I believe the gentleman disappeared for some time, and stimulated the inventive powers of his friends by a certain mysteriousness of conduct; but I can assure you there is nothing of the monk about Mr. Topsparkle nowadays. He is altogether the fop and man of fashion, and, if wrinkles counted for nothing, would be almost a young man.”
“He is a scoundrel, and may he meet with a scoundrel’s doom!” muttered Vincenti gloomily.
“What, have you any personal acquaintance with him? Did you ever meet him in Italy?”
“Yes, more than forty years ago.”
Lavendale flushed and paled again in his agitation. Here was one who perchance might help him to some clue to that old mystery, the scandal and suspected crime related by Tom Philter. He told Vincenti the story exactly as Philter had told it to him.
The old man listened intently, those dark eyes of his shining under the bushy white brows, shining with the reflected light of the fire, shining with a fiercer light from within.
“I have heard this story before,” he said.
“And do you believe it? Do you believe there was foul play?”
“Yes, I believe Vyvyan Topsparkle was a murderer as well as a seducer. It is not true that his mistress was a dancing-girl. She was a girl of respectable birth, brought up in a convent — highly gifted, a genius, with the voice and face of an angel.”
“Good Heaven, you speak of her with the utmost familiarity! Did you know her?”
There was a pause before the old man answered. He turned over the pages of the book he had been reading when Lavendale entered, and seemed for the moment as if he had forgotten the subject of their conversation.
“Did you know that unhappy girl?” Lavendale asked eagerly.
“I knew something of her people,” answered Vincenti, without looking up. “They belonged to the trading class of Venice, but had noble blood in their veins. The father was a jeweller and something of an artist. The girl’s disappearance made a scandal in Venice. She had but just left her convent school. It was not known where the seducer had taken her. A near relative followed them — tracked them to Paris — followed them from Paris to London — in time to see a coffin carried out of the house in Soho Square, and to hear dark hints of poison. He stayed in London for nearly a year; wore out his heart in useless efforts to discover any proof of the crime which was suspected by more than one, most of all by an apothecary who was called in to see the dying girl; tried to get an order for the exhumation of the body, but in vain. He was a foreigner, and poor; Mr. Topsparkle was an Englishman of large fortune. The government scented a Jacobite Jesuit in the Italian, or at any rate pretended to think him dangerous, and he had notice to leave the country. He left, but not before Topsparkle had fled from the blast of scandal. His attempt to become a senator confounded him. Slander had slept until the Brentford election.”
“Yes, that chimes in with Philter’s account,” answered Lavendale. “Do you know what became of the girl’s father?”
Vincenti shrugged his shoulders.
“Died, I suppose, of a broken heart. He was too insignificant to make any mark upon history.”
“Well, I am quite ready to believe Mr. Topsparkle to be a double-dyed scoundrel — and yet I am going to sit at his table and sleep under his roof. That is what good company means nowadays. Nobody asks any searching questions about a host’s character. If his wines and his cook are faultless, and his wife is handsome, every one is satisfied: and on this occasion Mr. Topsparkle’s company is to be exceptionally distinguished. Swift is to be there, the Irish patriot and ecclesiastical Jack Pudding, who is just now puffed with importance at the success of his queer hook about giants, pigmies, and what not; and there is a talk of Voltaire, the young French wit, who has been twice beaten for his bon-mots, and twice a prisoner in the Bastille, and who is in England only because France is too hot to hold him. There is a promise of Bolingbroke, too, and a hint of my queer kinswoman, Lady Mary, who made such a figure the other night at the Prince’s ball. We shall doubtless make a strange medley, and I would not be out of the fun for anything in this world, even though in his hot youth Mr. Topsparkle may have played the character of Othello with a phial of poison instead of a bolster. After all, Vincenti, jealousy is a noble passion, and a man may have worse motives for murder.”
The old man made no answer, and as supper was announced at this moment, the conversation ended.
There was something in Lavendale’s manner which told of a mind ill at ease, perchance even of a remorseful conscience; but he had the air of a man who defied Fate, and who meant to be happy in his own way.
To the belated peasant tramping homeward beside the lessor Avon, Ringwood Abbey in the December gloaming must have looked as like an enchanted palace as it is possible for any earthly habitation ever to look. Provided always that the peasant had heard of fairyland and its wonderful castles, which shine suddenly out upon wandering princes, luminous with multitudinous windows, and joyous with the buzz and clatter of an army of servants and a court of fine ladies and gentlemen. Ringwood Abbey was all ablaze with wax candles, and reflected its Gothic casements in yonder sedgy stream until it seemed to outshine the stars in the cold clear winter sky. This earthly illumination was so much nearer than the stars, and to the agricultural labourer tramping homeward after a day at the plough-tail was suggestive of pleasanter thoughts than were inspired by yonder cold and distant lights of heaven. Ringwood Abbey meant broken victuals in abundance, and money flung about recklessly by the Squire and his London guests. It meant horse and hound, and all the concomitants of a big hunting-stable. It meant custom for every little tradesman in the village, and charities on a large scale to the poor. It meant beauty and splendour and stateliness and music to gladden the eye and the ear. It meant bribery at elections, largesse at all times and seasons. It meant all that a large country house, carried on with a noble disregard of cost, can ever mean to the surrounding neighbourhood. Needless, therefore, to add that in this little corner of Hampshire, beside the lesser Avon, Mr. Topsparkle was a very popular gentleman, and Lady Judith a queen among women, a goddess to be worshipped by all who came but to the outermost edge of her enchanted circle.
It was the cheery eventide after a five-o’clock dinner. They dined late at this season on account of the hunting-men, and even then there were some eager sportsmen who would rather miss their dinner than draw bridle before the doom of Reynard; and these came in ravenous to the ten-o’clock supper, full of their adventures over heath and through stream, and a most intolerable nuisance to the non-hunting people.
My Lord Bolingbroke, lolling at ease yonder in a carved oak armchair, coquetting with Lady Judith, had once been the keenest of sportsmen, and was fond of hunting still, but not quite so reluctant to miss a day’s sport as he had been a few years ago.
“Do you remember our wolf-hunt at La Source, the winter you were with us, Arouet?” he asked, following up a conversation half in French and half in English, in which he and Lady Judith, a young gentleman standing in front of the fireplace, and Lord Lavendale had been engaged for the last quarter of an hour. “I had some very fine hounds that Lord Gore sent me, and I was curious to see whether they would attack a wolf boldly, or sneak off as soon as he stood at bay. ’Twas a stirring business for men, horses, and hounds; but, after all, I think there is nothing better than a genuine British fox-hunt.”
“In France we study the picturesque and romantic in sport,” said the tall slim gentleman lounging in front of the wide mediæval fi
replace, whom Bolingbroke addressed sometimes familiarly as Arouet, and anon by his newly assumed name of Voltaire. “You English seem only to regard the practical — so many miles ridden over, so many foxes slaughtered, so many pheasants shot. With you the chase is a matter of statistics; with us it is a royal ceremony, diversion for kings and courtiers. Our hunting-parties are as stately and picturesque under Louis as they were under Charlemagne. Ours is the poetry of the chase, yours the prose.”
“True, my dear Voltaire, but for horseflesh and pedigree hounds we are as far your superiors as you excel us in gold-lace coats and jewelled hunting-knives, or in the noise and fuss of your curée; while for hard riding — well, you hunt for the most part in a country that scarcely admits of fine horsemanship.”
“It is one of our misfortunes not to be a nation of centaurs, my lord,” answered Voltaire lightly and in English, which he spoke admirably, although he dropped into his own language occasionally. “I envy you English gentlemen your superb capacity for outdoor sports and your noble independence of intellectual amusements. Of course I except your lordship from the category of average Englishmen, who devote their days to killing birds and beasts, and their evenings to the study of blood and murder tragedies by their favourite Shakespeare.”
“0, don’t be too hard upon our sturdy British taste, my dear friend. We read Shakespeare occasionally, I admit, but we very seldom act his plays. That pretty foolish comedy, As You Like It, has never been represented since the author’s death; and I protest there are some love-making scenes in it that would not disgrace Dryden or Wycherley.”
“Do you know, Monsieur de Voltaire, that I delight in Shakespeare?” said Lady Judith, who sat on a sofa by the fire, fanning herself with a superb listlessness, and leaning down now and then to caress her favourite pug.
Delphi Works of M. E. Braddon Page 854
