She was high above them so she could see everything clearly. House, laundry on the line, pillowcases, sheets, shirts that were his size. When a heron cries, the salt falls to the earth below. The world of the air meant nothing to her. She couldn’t taste anything but her own blood. She tried to be human, pulling out her feathers, but there were too many and she was unchanged. She believed love was everlasting.
Out of Mind
He saw the feathers on the ground. Blood, bone, blue. He remembered things that the fall to earth had shaken out of his mind. He thought of nests, heartbeats, wind, her body beside his. He believed he had made a promise, but to whom had it been spoken?
Out of Honor
He couldn’t ignore the before just to get to the after. He had seen a trail of blood, feathers plucked from her own chest. He cast off his cloak and became who he’d been before. The earth became distant, but he could hear it calling him back. He believed he could leave and never look back, even though he saw it spinning, so beautiful and blue, whenever he closed his eyes.
Out of Hope
She waited every day. She waded far out in the water. Crabs, shadows, songbirds. She took the feathers she found on the ground and sewed them to her dress. She pinned them to her shoes, her hair, her coat. She climbed into the highest tree, where the branches shook in the wind. She looked like blue leaves about to rise. She looked like heartbreak, faith, desire. Why wouldn’t he love her, come back to her? Why couldn’t she fly away? She believed she could find him, but more than that, she believed in fate.
Out of Ashes
They both saw him, his wife on the earth and his wife beside him, and then they didn’t. He was between them and then he wasn’t. Hunters shot him as though he were a crow, as though no one had ever loved him, yearned for him, mourned him. The sky looked smaller than it ever had. A cloud stretched across the earth. They had believed love would keep him safe.
Out of Somewhere
They were standing in the marsh and everything was blue. Water, clouds, reeds. They did this every day. His wife on earth and his heron wife. They never spoke. They didn’t have to. They believed love was more complicated than it seemed.
Reading Group Guide
About This Guide
Three women linked over time by love and redemption. Three weddings riddled with secrecy and betrayal. Three generations wounded by heartbreak and loss. Traveling backward through time, The Third Angel moves from modern-day London where Maddy Heller seduces her sister’s fiancé, to the wild days of the ’60s where Frieda Lewis falls for a musician in search of a muse, and finally to the buttoned-down ’50s where Bryn Evans can’t give up her complicated ex-husband. At the center of this intricate web is Lucy Green, who as a twelve-year-old girl witnesses a tragic lovers’ quarrel in a London hotel. Already rocked by the death of her mother, Lucy withdraws into books and dreams. If love inevitably leads to pain and sorrow, why go on? Only by discovering the Third Angel, an angel in disguise on Earth, can each of the characters embrace the transforming nature of love. With this beautifully wrought and elegant novel, Alice Hoffman once again tells an unforgettable story of love and faith.
1. At the beginning of the first part of the novel, entitled “The Heron’s Wife,” Maddy is the reckless loner and Allie is the perfectionist who does what’s expected of her. How did their mother’s battle with cancer in their childhood shape their characters? Do you see Maddy as the weak one and Allie as the strong one? Are there ways in which Maddy is stronger than Allie?
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2. Why is Maddy so quick to betray her sister? Do you believe that she’s in love with Paul? Or does Maddy commit an act of revenge and, if so, why?
3. When Allie explains her relationship with Paul, she says she’s not a person who leaves in the midst of a crisis. How do you feel about Allie’s decision to marry Paul? Could she stand by him without marrying him? Why is loyalty so important to her?
4. What does the blue heron represent? Who is the heron for each sister and does that change by the end of their story?
5. The Lion Park Hotel in 1966 is a place that offers “privacy at all costs, no questions asked and none answered; secrecy even among friends” [p. 153]. What words do you associate with privacy? What sort of guests are looking for “privacy at all costs”?
6. When Frieda goes on a house call with her father to Jenny Foley’s house, she is not afraid to see the corpse of Jenny’s husband. “It was only a body. If anything, it was the dead man’s wife she was afraid of, all those tears, all that emotion” [p. 132]. Why is it the widow’s grief that affects Frieda so profoundly?
7. Frieda moves to London and takes a job as a maid largely as a rebuke to her father. How does Frieda’s view of her parents change over the course of her relationship with Jamie? Does Frieda truly love Jamie or does she love feeling needed? Why does she return to the life that she previously rejected? Is Frieda’s marriage to Bill a birdcage or does it free her? Whom do you think Jamie truly loved?
8. The third section of the novel is called “The Rules of Love.” What are the rules? Should the basis for marriage be romantic love? Can the love between parent and child or between siblings be equally profound? Based on the pairings in the book, do you think love is complicated or simple?
9. At the beginning of “The Rules of Love,” Lucy is reading Anne Frank: The Diary of a Young Girl. Later, she buys Alice in Wonderland and Through the Looking-Glass. What is the significance of these books and how do they reflect her emotional landscape?
10. When Lucy follows Teddy Healy up to the seventh floor of the Lion Park hotel, she discovers the ghost is not Michael Macklin but Teddy raging in the moment of his betrayal. The ghost continues to haunt Teddy and the hotel for four more decades, until Lucy returns. Why does Teddy need Lucy in order to vanquish his ghost? Have you ever been haunted by an action that you later regretted? What is the novel’s message about betrayal and forgiveness?
11. The story begins in the present and moves backward in time. Why do you think the author chose to structure the novel this way? Would the book have been as satisfying if it had been written in chronological order?
12. Doctor Lewis wears two watches. Lucy drops her watch in the water. Characters are noted for their punctuality or lateness. Why is time such a central preoccupation? What are the various ways in which characters escape time? What is the relationship between time and love?
13. Though set in the city of London, parks and gardens are described in vivid detail. What role does nature play for the characters? Discuss the symbolism of the white roses in “The Heron’s Wife,” yellow foliage in “Lion Park,” and the white rabbits in “The Rules of Love.”
14. Many of the characters lose loved ones to illness, particularly cancer. Think about the cycle of love, secrecy, and betrayal. How do illness and cancer serve as metaphors?
15. “You think you’re doing him a kindness,” says Frieda as she explains the concept of the Third Angel. “You think you’re the one taking caring of him, while all the while, he’s the one who’s saving your life” [p. 95]. Which characters meet their Third Angel and how are they transformed? Are there examples in your own life where an act of kindness reaffirmed your faith in people?
About the Author
ALICE HOFFMAN is the author of twenty-five works of fiction. Here on Earth was an Oprah Book Club selection. Practical Magic and Aquamarine were both bestsellers and Hollywood movies. Her novels have been ranked as notable books of the year by the New York Times, Entertainment Weekly, Los Angeles Times, and People, while her short fiction and nonfiction have appeared in the New York Times, Boston Globe Magazine, Kenyon Review, Redbook, Architectural Digest, The Harvard Review, and Ploughshares. She divides her time between Boston and New York City.
About the Type
This book was set in Granjon, an oldstyle typeface designed by George William Jones in 1928 for the Mergenthaler Linotype Company. It was modeled after sixteenth-century letterforms of Claude Garamond and was name
d for Garamond's contemporary, Robert Granjon, who was known for his italic types.
ALSO BY ALICE HOFFMAN
Skylight Confessions
The Ice Queen
Blackbird House
The Probable Future
Blue Diary
The River King
Local Girls
Here on Earth
Practical Magic
Second Nature
Turtle Moon
Seventh Heaven
At Risk
Illumination Night
Fortune's Daughter
White Horses
Angel Landing
The Drowning Season
Property Of
Incantation
The Foretelling
Green Angel
[FOR CHILDREN]
Indigo
Aquamarine
Moondog (with Wolfe Martin)
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2008, 2009 by Alice Hoffman
Reading Group Guide copyright © 2009 by Random House, Inc.
All rights reserved. Published in the United States by Broadway Books, an imprint of the Crown Publishing Group, a division of Random House LLC, a Penguin Random House Company, New York.
www.crownpublishing.com
BROADWAY BOOKS and its logo, B D W Y, are trademarks of Random House LLC.
Originally published in hardcover in slightly different form in the United States by Shaye Areheart Books, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York, in 2008, and subsequently published in paperback in the United States by Three Rivers Press, an imprint of the Crown Publishing Group, a division of Random House LLC, a Penguin Random House Company, New York, in 2009.
Library of Congress Cataloging-in-Publication Data
Hoffman, Alice.
The third angel : a novel / Alice Hoffman.—1st ed.
1. Psychological fiction. I. Title.
PS3558.O3447T48 2008
813’.54—dc22 2007028071
ISBN 978-0-307-40595-1
eBook ISBN: 978-0-307-40933-1
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