Christie realized that James didn’t need or want much interaction with others. He seemed happy with his own company, his own thoughts and routines.
“It keeps me busy when I’m not driving for Bobby,” he added.
Christie could have stayed exactly as she was at that moment and found contentment. Was this love? She couldn’t say; Christie wasn’t sure she knew what it was to be in love. Lust, passion, desire—those feelings were familiar to her. But they never lasted. Every single time, what looked like a promising relationship had failed. The flames of attraction always died out, leaving nothing but bitterness and anger behind.
In the past she’d been quick to jump into bed, and the fact that she hadn’t slept with James, that they’d only kissed on three occasions, would shock her previous lovers. They’d wonder if there was something wrong with her—or with James. The reality was that for the first time there was something right.
“You know my secrets, too,” she said. “And mine are a lot more disreputable than yours.” She wished he’d told her about his past earlier. She thought he might have continued to keep it to himself if the reporter hadn’t shown up today. That hurt, but she tried not to dwell on it.
James kissed the top of her head.
“Do you and Bobby ever talk about when you were young?”
“No. It’s in the past.” His chest heaved. “I choose to live as I do. Bobby needs me and he was a friend when I needed one.”
“What about your family?”
He shrugged. “I was their ticket to wealth and fame. They never forgave me. And they never spoke to me again.”
“Oh, James. I’m so sorry.”
“My parents are both dead. Bobby is all the family I have. Bobby and now Teri.”
Christie longed to tell him that she loved him and wanted to be his family, too.
But she knew instinctively that it was too soon. James wasn’t ready for that kind of intimacy. The habits of reserve and self-protection were too ingrained. Slowly, though, very slowly, he’d come to love her as much as she loved him.
She was counting on it.
Twenty-Eight
As soon as the end-of-day bell rang, Tanni Bliss hurried out to the parking lot where Shaw was waiting for her. She climbed into the passenger seat of his old blue station wagon and leaned toward him. Shaw didn’t hesitate to kiss her.
“How was school?” he asked as he checked his rearview mirror before pulling into the heavy flow of traffic.
“The usual.” With only a week before the holiday break, no one was concentrating on schoolwork. Even the teachers seemed distracted and eager to escape.
“How was work?” she asked, already knowing how much Shaw disliked his job at the coffee shop. He was grateful to his aunt and uncle, grateful to be employed but it didn’t help him advance toward what he really wanted, and that was a career in art.
Living at home allowed him to put away funds for art school. He’d applied for scholarships but had been turned down because of his lack of a high school diploma. His father, an attorney, had pressured him to follow in his footsteps. Shaw had rebelled, and the friction at home had become intolerable. It was because of his father and the constant battle of wills between them that Shaw had dropped out of high school just weeks before graduation. When the art school was unable to accept him, the registrar encouraged him to obtain his GED and apply again as a mature student. He was taking the test in January.
“All right, I guess.”
He rarely said anything more about his job or what he did there.
“Did you do any work?” The question didn’t refer to Mocha Mama’s, but his current art project.
“Some.”
“Are you going to show me?” Shaw generally didn’t until he was satisfied his drawing or painting was the best he could make it.
He momentarily looked away from the traffic and grinned at her. “Maybe.”
“Shaw!” she said. “Please?”
His grin broadened. “I might.”
For a week or two now, he’d been working on something he wouldn’t even tell her about. He usually did his sketches at the coffee shop, because doing them at the house seemed to infuriate his father.
“Do you want me to take you home?” Shaw asked.
Tanni had a surprise of her own. “Not yet.”
“Where to, then?”
Tanni studied him, anticipating his reaction. “The Harbor Street Gallery.”
His eyes left the road as he glanced in her direction. “Why?”
Holding back this particular surprise had been difficult; she’d nearly told him a hundred times. “I have a meeting with the new owner, Mr. Jefferson.”
“You didn’t mention that before, did you?” In other words, Shaw would have remembered.
“No.”
“What’s the meeting about?”
“You.”
“Me?” he exploded in disbelief.
“Yes, you. Or rather, your portrait work. He’s got the ones of Kurt Cobain, Jimi Hendrix and James Dean.” Shaw had chosen people, public figures, who’d lived—and died—on the edge.
“Tanni…”
“I showed my mom a few of your other portraits, too, and she took them to Mr. Jefferson.”
“Your mom did that for me?”
Tanni nodded. “Mr. Jefferson met with Mom and asked for ideas about the gallery.” Her mother had come back, excited about the change in ownership and the new possibilities. “He asked her how to get the community involved, and one thing she recommended was showing the work of young artists.”
“Cool.”
Tanni smiled over at him, knowing he must be curious as to what Mr. Jefferson had said about his portraits. At the same time, he was probably afraid to ask.
“So…what did he think?” Shaw spoke casually as he turned onto Harbor Street.
“He wants to meet you,” she breathed.
Shaw paled. “Tanni, I can’t!”
“What do you mean, you can’t?” She was dismayed by his response, which was the last thing she’d expected. “You’re good, Shaw! You have real talent, and more than that, you have a vision.”
“You go talk to him for me, all right?”
Shaw was serious. She was astonished by his lack of confidence, but she would do this for him without a qualm. After all, he’d helped her in ways she couldn’t begin to calculate. For the first time since her father’s death, she didn’t feel like she wanted to die, too. Some days were better than others. She still grieved, still longed for him, but she could imagine a future now. A future without him. And that was largely thanks to Shaw. So if he needed her to do this, then she would. No questions asked.
“Okay,” she said.
“You should’ve told me…you shouldn’t have done this without letting me know.” He frowned, as if her intervention displeased him, as if he thought she’d been presumptuous.
His lack of appreciation hurt her. “Why not? My mom and I wanted to help you.”
“Tanni.” Shaw whispered her name. He seemed to understand how badly he’d upset her. “I’m not ready…. I don’t have the training or the talent…. Not like you.”
“Yes, you do,” she insisted. “You’re every bit as talented as I am.” It was true that he didn’t have the formal training or encouragement she’d been blessed to receive, but he had the desire and his work revealed passion and honesty.
Shaw found a parking spot and pulled in. He turned off the engine but kept his hands on the steering wheel, holding so tightly that his knuckles went white.
“If you want, I’ll go in with you,” Tanni suggested, thinking all he really needed was her presence and support.
Shaw shook his head. “You go.”
“But…”
“I’ll wait here.”
Reluctantly, she got out of the car.
Until they’d started seeing each other, Shaw had shown his work to very few. His friends knew he liked to draw but that was about it. The only people who
really understood were Anson Butler and now Tanni.
The gallery was situated on the steepest part of the street, and she was almost out of breath when she reached the side entrance. Mr. Jefferson had asked Shaw to meet him there because of the renovations still in progress.
Looking back at Shaw, she gave him a small wave and then stepped into the gallery.
“Mr. Jefferson?” she called out, standing just inside the door. She heard the sound of hammering and the whining of an electric sander and called again, more loudly.
Will Jefferson came out, wearing a tool belt. He was tall and about the same age as her father had been when he died. Maybe older. He stared at her blankly. “I’m Tanni Bliss. My mom’s Shirley Bliss,” she told him. “Mom gave you a few pieces by my friend Shaw. And…and he asked me to stop by for him.” She felt a little nervous, despite her unwavering faith in Shaw’s talent.
Mr. Jefferson nodded, as if he’d suddenly made the connection. “Shirley’s daughter. Right.”
“Hi.”
They shook hands, once he’d brushed the sawdust off his.
What if Will Jefferson didn’t understand and appreciate her friend’s talent the way she did? Tanni didn’t know how she’d tell Shaw. A rejection like this could set him back, which was something she hadn’t considered until now.
“So, you’re here to talk about the projects your mother dropped off the other day.”
She nodded.
Mr. Jefferson invited her over to a table, where sketches were carefully arranged in folders; paintings, both framed and unframed, leaned against the wall, covered with plastic dropcloths. “Your mother suggested it would be a good idea to involve young people in the gallery.”
Tanni nodded again. She knew all about that.
“I had Maryellen Bowman and an artist friend of mine take a look at these pieces,” Mr. Jefferson said. “I wanted some expert opinions.”
Tanni held her breath, then released it as she asked the question that pounded in her head. “What…what did they say?” Her heart felt as if it had stopped beating.
“Maryellen has an eye for what will sell in this area. She liked Shaw’s work and recommended that I offer him a contract.”
“And your friend—the artist?” she asked, her voice shaking just a bit.
“He had high praise for Shaw’s work, too.”
“High praise,” Tanni repeated. What beautiful words! Relief, excitement, pure happiness spread through her.
“He felt that Shaw’s talent is still pretty raw, but he definitely sees potential in these drawings. I’d like to have them on display.”
“You would?”
“These portraits reveal maturity and sensitivity. And they have a vivid sense of energy.”
“Yes, I agree,” she said solemnly, trying to sound professional. She’d worked hard with Shaw to focus on the kind of art that suited his vision and his skills—and might also have some commercial appeal. Portraiture seemed the best choice.
“Is Shaw in art school?”
She wasn’t sure how to respond. Tanni had the advantage of having attended art classes and camps through the years. In turn, she’d taught Shaw everything she’d learned, or as much as she could in the time they’d been together. If she said he was in art school, she was afraid Mr. Jefferson would discover she’d lied.
“Not yet.”
Mr. Jefferson nodded. “I have an agreement here that I’ll need Shaw to sign. Two copies, one for me, one for him. Once he agrees to my terms, which I think are fair to both of us, I’ll be happy to display his work.”
“What about the prices?” She didn’t want Shaw to give his drawings away, but she didn’t want them to be priced so high they wouldn’t sell, either.
Mr. Jefferson named a price that felt exactly right. Apparently he’d taken the advice of Maryellen Bowman, who was obviously a good judge, not only of art but of the market.
“That sounds reasonable,” she said, accepting the paperwork. “I’ll be back later.” She fairly danced out of the gallery.
Tanni ran to the car, breathless with joy and excitement. Shaw was pacing outside, his breath steaming in the cold air. He stopped abruptly when he saw her.
“What did he say?” he blurted out the instant she was within earshot.
“You have to sign these papers,” she said and thrust them into his hand.
“Why?” He stared at her as he took the two sets of pages from her.
Tanni broke into a wheezing laugh. “This is the agreement to sell your work.”
“He likes my stuff?”
“Yes.” She grinned widely. “A lot.”
“You’re not making this up, are you?” Shaw studied her skeptically.
“Did I make up those papers?”
Shaw clutched them so tightly, the edges had started to crumple.
“Read the agreement first,” she said. “If you want, I can have my mother look it over. She’s had contracts with this gallery before. Other galleries, too.”
Shaw frowned uncertainly. “I’ll do whatever you think is best.”
She exhaled. “Then we’ll ask my mother to read it.”
“Okay.”
Tanni slipped her arms around his waist and hugged him tight. “Are you excited?”
Shaw hugged her back, the papers still in his hand. “More than I thought possible. I can’t believe you’d do this for me.”
“I love you.” She hadn’t meant to tell him that, but it was too late. She’d said it.
Shaw’s breathing became labored. And yet he didn’t release his grasp on her.
“I shouldn’t have said that.” She was embarrassed now and wished she could take back the words.
“I love you, too.”
“Oh, Shaw.” She wanted to weep with joy. Her mother would say she was too young to be in love and maybe she was. All she knew was how she felt about Shaw. He was constantly in her thoughts. Their times together brought her happiness and peace—in sharp contrast to the intense grief of losing her father.
Her improved outlook was noticeable to those around her, particularly her friends at school, but her mother, too. Since Tanni had met Shaw, everything in her life had become a little better.
He continued to hold her. “I never understood why Anson would risk his freedom by calling Allison,” he said close to her ear.
Tanni remembered how Anson had been unjustly accused of starting the fire that had destroyed The Lighthouse Restaurant. Then he’d disappeared, and no one other than Shaw knew he’d enlisted in the army. The evidence was all circumstantial. No formal charges were filed against him, but Anson was considered a “person of interest,” so if the police had learned of his whereabouts, he would’ve been taken in for questioning. And if there wasn’t a more plausible suspect by then, he could actually have faced arrest.
Even with that risk hanging over his head, Anson had phoned Allison. Not once or twice but repeatedly.
“I told Anson he was an idiot,” Shaw explained. “He could’ve ended up in jail. You know what he said?”
“What?”
“He said it didn’t matter, he needed to hear the sound of Allison’s voice. I couldn’t imagine loving someone so much I’d take that kind of chance.” He kissed her hair. “I understand it now, though.”
“Oh, Shaw…”
Tanni noticed a couple of women coming down the street toward them and nudged Shaw. Reluctantly they broke away from each other.
“Can I ask you something?” he said.
“Of course.”
“You’re so talented, but you don’t seem to care if anyone sees your work.”
“I care,” she said. “But a lot of what I draw right now is just for me.” Her sketches were what had kept her sane—somewhat sane, anyway—after the accident. They were too private to share with anyone other than Shaw. Certainly not her mother, who’d probably get hysterical if she saw some of them.
Despite his lack of training and encouragement and everything she’d
taken for granted, Shaw was an artist. He would succeed.
Tanni knew it as clearly and precisely as if she could look into the future. A few drawings in a small-town gallery was just the beginning.
Twenty-Nine
Dave Flemming folded his hands in his lap. He sat in Roy McAfee’s office, across from the one man he trusted to help him.
“What can I do for you?” Roy asked. “I have to admit I was surprised to see you’d made an appointment with me.”
Dave had never, ever thought he’d be in this position. He’d promised Emily, though, and he kept his promises. “I have a problem,” Dave said. He didn’t mince words; he felt the best way to clear himself of suspicion was to be as honest as possible.
He was busy, and he didn’t have time to squander on speculation, worry and doubt. He wanted this resolved, preferably by Christmas Eve. If Roy could manage that, then Dave would thank him heartily.
“And you think I can help with this problem?” Roy asked.
“I don’t know. I hope so.” Dave still needed to visit a couple of ill parishioners, check with Cliff Harding about the Nativity scene animals and prepare an agenda for one of his committee meetings. The charity food baskets were being assembled that afternoon and he had to pick up some canned goods and get them to the church before the volunteers arrived at five. Then he’d head over to the bank for his shift.
“I take it this has to do with Martha Evans’s missing jewelry?”
That question told Dave the rumor mill had been churning at full speed and his name had been bandied about town in connection with the theft. “It does.”
Roy leaned back in his chair, crossing his arms, and his body language caused Dave a moment’s chagrin. He wondered if his friend was attempting to distance himself from him and his problems.
“You don’t want to talk to an attorney?” Roy asked.
Dave had considered this option and rejected it. “Do you think I should?”
Roy shrugged. “That depends. Are you guilty of anything?”
Of being foolish, perhaps. But the question stung his pride. “No.” He didn’t elaborate, didn’t qualify his answer. He couldn’t make it any plainer than that. He had absolutely nothing to do with Martha Evans’s missing jewelry.
Debbie Macomber's Cedar Cove Series, Volume 2 Page 56
