Roundabout Papers

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by William Makepeace Thackeray


  * "Tithonus," by Tennyson, had appeared in the preceding (the 2nd) number of the Cornhill Magazine.

  So, you see, I told the lady the inevitable story. I was egotistical. I was selfish, no doubt; but I was natural, and was telling the truth. You say you are angry with a man for talking about himself. It is because you yourself are selfish, that that other person's Self does not interest you. Be interested by other people and with their affairs. Let them prattle and talk to you, as I do my dear old egotists just mentioned. When you have had enough of them, and sudden hazes come over your eyes, lay down the volume; pop out the candle, and dormez bien. I should like to write a nightcap book—a book that you can muse over, that you can smile over, that you can yawn over—a book of which you can say, "Well, this man is so and so and so and so; but he has a friendly heart (although some wiseacres have painted him as black as bogey), and you may trust what he says." I should like to touch you sometimes with a reminiscence that shall waken your sympathy, and make you say, Io anche have so thought, felt, smiled, suffered. Now, how is this to be done except by egotism? Linea recta brevissima. That right line "I" is the very shortest, simplest, straightforwardest means of communication between us, and stands for what it is worth and no more. Sometimes authors say, "The present writer has often remarked;" or "The undersigned has observed;" or "Mr. Roundabout presents his compliments to the gentle reader, and begs to state," &c.: but "I" is better and straighter than all these grimaces of modesty: and although these are Roundabout Papers, and may wander who knows whither, I shall ask leave to maintain the upright and simple perpendicular. When this bundle of egotisms is bound up together, as they may be one day, if no accident prevents this tongue from wagging, or this ink from running, they will bore you very likely; so it would to read through "Howel's Letters" from beginning to end, or to eat up the whole of a ham; but a slice on occasion may have a relish: a dip into the volume at random and so on for a page or two: and now and then a smile; and presently a gape; and the book drops out of your hand; and so, bon soir, and pleasant dreams to you. I have frequently seen men at clubs asleep over their humble servant's works, and am always pleased. Even at a lecture I don't mind, if they don't snore. Only the other day when my friend A. said, "You've left off that Roundabout business, I see; very glad you have," I joined in the general roar of laughter at the table. I don't care a fig whether Archilochus likes the papers or no. You don't like partridge, Archilochus, or porridge, or what not? Try some other dish. I am not going to force mine down your throat, or quarrel with you if you refuse it. Once in America a clever and candid woman said to me, at the close of a dinner, during which I had been sitting beside her, "Mr. Roundabout, I was told I should not like you; and I don't." "Well, ma'am," says I, in a tone of the most unfeigned simplicity, "I don't care." And we became good friends immediately, and esteemed each other ever after.

  So, my dear Archilochus, if you come upon this paper, and say, "Fudge!" and pass on to another, I for one shall not be in the least mortified. If you say, "What does he mean by calling this paper On Two Children in Black, when there's nothing about people in black at all, unless the ladies he met (and evidently bored) at dinner, were black women? What is all this egotistical pother? A plague on his I's!" My dear fellow, if you read "Montaigne's Essays," you must own that he might call almost any one by the name of any other, and that an essay on the Moon or an essay on Green Cheese would be as appropriate a title as one of his on Coaches, on the Art of Discoursing, or Experience, or what you will. Besides, if I HAVE a subject (and I have) I claim to approach it in a roundabout manner.

  You remember Balzac's tale of the Peau de Chagrin, and how every time the possessor used it for the accomplishment of some wish the fairy Peau shrank a little and the owner's life correspondingly shortened? I have such a desire to be well with my public that I am actually giving up my favorite story. I am killing my goose, I know I am. I can't tell my story of the children in black after this; after printing it, and sending it through the country. When they are gone to the printer's these little things become public property. I take their hands. I bless them. I say, "Good-by, my little dears." I am quite sorry to part with them: but the fact is, I have told all my friends about them already, and don't dare to take them about with me any more.

  Now every word is true of this little anecdote, and I submit that there lies in it a most curious and exciting little mystery. I am like a man who gives you the last bottle of his '25 claret. It is the pride of his cellar; he knows it, and he has a right to praise it. He takes up the bottle, fashioned so slenderly—takes it up tenderly, cants it with care, places it before his friends, declares how good it is, with honest pride, and wishes he had a hundred dozen bottles more of the same wine in his cellar. Si quid novisti, &c., I shall be very glad to hear from you. I protest and vow I am giving you the best I have.

  Well, who those little boys in black were, I shall never probably know to my dying day. They were very pretty little men, with pale faces, and large, melancholy eyes; and they had beautiful little hands, and little boots, and the finest little shirts, and black paletots lined with the richest silk; and they had picture-books in several languages, English, and French, and German, I remember. Two more aristocratic-looking little men I never set eyes on. They were travelling with a very handsome, pale lady in mourning, and a maid-servant dressed in black, too; and on the lady's face there was the deepest grief. The little boys clambered and played about the carriage, and she sat watching. It was a railway-carriage from Frankfort to Heidelberg.

  I saw at once that she was the mother of those children, and going to part from them. Perhaps I have tried parting with my own, and not found the business very pleasant. Perhaps I recollect driving down (with a certain trunk and carpet-bag on the box) with my own mother to the end of the avenue, where we waited—only a few minutes—until the whirring wheels of that "Defiance" coach were heard rolling towards us as certain as death. Twang goes the horn; up goes the trunk; down come the steps. Bah! I see the autumn evening: I hear the wheels now: I smart the cruel smart again: and, boy or man, have never been able to bear the sight of people parting from their children.

  I thought these little men might be going to school for the first time in their lives; and mamma might be taking them to the doctor, and would leave them with many fond charges, and little wistful secrets of love, bidding the elder to protect his younger brother, and the younger to be gentle, and to remember to pray to God always for his mother, who would pray for her boy too. Our party made friends with these young ones during the little journey; but the poor lady was too sad to talk except to the boys now and again, and sat in her corner, pale, and silently looking at them.

  The next day, we saw the lady and her maid driving in the direction of the railway-station, WITHOUT THE BOYS. The parting had taken place, then. That night they would sleep among strangers. The little beds at home were vacant, and poor mother might go and look at them. Well, tears flow, and friends part, and mothers pray every night all over the world. I dare say we went to see Heidelberg Castle, and admired the vast shattered walls and quaint gables; and the Neckar running its bright course through that charming scene of peace and beauty; and ate our dinner, and drank our wine with relish. The poor mother would eat but little Abendessen that night; and, as for the children—that first night at school—hard bed, hard words, strange boys bullying, and laughing, and jarring you with their hateful merriment—as for the first night at a strange school, we most of us remember what THAT is. And the first is not the WORST, my boys, there's the rub. But each man has his share of troubles, and, I suppose, you must have yours.

  From Heidelberg we went to Baden-Baden: and, I dare say, saw Madame de Schlangenbad and Madame de la Cruchecassee, and Count Punter, and honest Captain Blackball. And whom should we see in the evening, but our two little boys, walking on each side of a fierce, yellow-faced, bearded man! We wanted to renew our acquaintance with them, and they were coming forward quite pleased to greet us. But the fathe
r pulled back one of the little men by his paletot, gave a grim scowl, and walked away. I can see the children now looking rather frightened away from us and up into the father's face, or the cruel uncle's—which was he? I think he was the father. So this was the end of them. Not school, as I at first had imagined. The mother was gone, who had given them the heaps of pretty books, and the pretty studs in the shirts, and the pretty silken clothes, and the tender—tender cares; and they were handed to this scowling practitioner of Trente et Quarante. Ah! this is worse than school. Poor little men! poor mother sitting by the vacant little beds! We saw the children once or twice after, always in Scowler's company; but we did not dare to give each other any marks of recognition.

  From Baden we went to Basle, and thence to Lucerne, and so over the St. Gothard into Italy. From Milan we went to Venice; and now comes the singular part of my story. In Venice there is a little court of which I forget the name: but in it is an apothecary's shop, whither I went to buy some remedy for the bites of certain animals which abound in Venice. Crawling animals, skipping animals, and humming, flying animals; all three will have at you at once; and one night nearly drove me into a strait-waistcoat. Well, as I was coming out of the apothecary's with the bottle of spirits of hartshorn in my hand (it really does do the bites a great deal of good), whom should I light upon but one of my little Heidelberg-Baden boys!

  I have said how handsomely they were dressed as long as they were with their mother. When I saw the boy at Venice, who perfectly recognized me, his only garb was a wretched yellow cotton gown. His little feet, on which I had admired the little shiny boots, were WITHOUT SHOE OR STOCKING. He looked at me, ran to an old hag of a woman, who seized his hand; and with her he disappeared down one of the thronged lanes of the city.

  From Venice we went to Trieste (the Vienna railway at that time was only opened as far as Laybach, and the magnificent Semmering Pass was not quite completed). At a station between Laybach and Graetz, one of my companions alighted for refreshment, and came back to the carriage saying:—

  "There's that horrible man from Baden, with the two little boys."

  Of course, we had talked about the appearance of the little boy at Venice, and his strange altered garb. My companion said they were pale, wretched-looking and DRESSED QUITE SHABBILY.

  I got out at several stations, and looked at all the carriages. I could not see my little men. From that day to this I have never set eyes on them. That is all my story. Who were they? What could they be? How can you explain that mystery of the mother giving them up; of the remarkable splendor and elegance of their appearance while under her care; of their barefooted squalor in Venice, a month afterwards; of their shabby habiliments at Laybach? Had the father gambled away his money, and sold their clothes? How came they to have passed out of the hands of a refined lady (as she evidently was, with whom I first saw them) into the charge of quite a common woman like her with whom I saw one of the boys at Venice? Here is but one chapter of the story. Can any man write the next, or that preceding the strange one on which I happened to light? Who knows? the mystery may have some quite simple solution. I saw two children, attired like little princes, taken from their mother and consigned to other care; and a fortnight afterwards, one of them barefooted and like a beggar. Who will read this riddle of The Two Children in Black?

  ON RIBBONS.

  The uncle of the present Sir Louis N. Bonaparte, K.G., &c., inaugurated his reign as Emperor over the neighboring nation by establishing an Order, to which all citizens of his country, military, naval, and civil—all men most distinguished in science, letters, arts, and commerce—were admitted. The emblem of the Order was but a piece of ribbon, more or less long or broad, with a toy at the end of it. The Bourbons had toys and ribbons of their own, blue, black, and all-colored; and on their return to dominion such good old Tories would naturally have preferred to restore their good old orders of Saint Louis, Saint Esprit, and Saint Michel; but France had taken the ribbon of the Legion of Honor so to her heart that no Bourbon sovereign dared to pluck it thence.

  In England, until very late days, we have been accustomed rather to pooh-pooh national Orders, to vote ribbons and crosses tinsel gewgaws, foolish foreign ornaments, and so forth. It is known how the Great Duke (the breast of whose own coat was plastered with some half-hundred decorations) was averse to the wearing of ribbons, medals, clasps, and the like, by his army. We have all of us read how uncommonly distinguished Lord Castlereagh looked at Vienna, where he was the only gentleman present without any decoration whatever. And the Great Duke's theory was, that clasps and ribbons, stars and garters, were good and proper ornaments for himself, for the chief officers of his distinguished army, and for gentlemen of high birth, who might naturally claim to wear a band of garter blue across their waistcoats; but that for common people your plain coat, without stars and ribbons, was the most sensible wear.

  And no doubt you and I are as happy, as free, as comfortable; we can walk and dine as well; we can keep the winter's cold out as well, without a star on our coats, as without a feather in our hats. How often we have laughed at the absurd mania of the Americans for dubbing their senators, members of Congress, and States' representatives, Honorable. We have a right to call OUR Privy Councillors Right Honorable, our Lords' sons Honorable, and so forth; but for a nation as numerous, well educated, strong, rich, civilized, free as our own, to dare to give its distinguished citizens titles of honor—monstrous assumption of low-bred arrogance and parvenu vanity! Our titles are respectable, but theirs absurd. Mr. Jones, of London, a Chancellor's son, and a tailor's grandson, is justly Honorable, and entitled to be Lord Jones at his noble father's decease: but Mr. Brown, the senator from New York, is a silly upstart for tacking Honorable to his name, and our sturdy British good sense laughs at him. Who has not laughed (I have myself) at Honorable Nahum Dodge, Honorable Zeno Scudder, Honorable Hiram Boake, and the rest? A score of such queer names and titles I have smiled at in America. And, mutato nomine? I meet a born idiot, who is a peer and born legislator. This drivelling noodle and his descendants through life are your natural superiors and mine—your and my children's superiors. I read of an alderman kneeling and knighted at court: I see a gold-stick waddling backwards before Majesty in a procession, and if we laugh, don't you suppose the Americans laugh too?

  Yes, stars, garters, orders, knighthoods, and the like, are folly. Yes, Bobus, citizen and soap-boiler, is a good man, and no one laughs at him or good Mrs. Bobus, as they have their dinner at one o'clock. But who will not jeer at Sir Thomas on a melting day, and Lady Bobus, at Margate, eating shrimps in a donkey-chaise? Yes, knighthood is absurd: and chivalry an idiotic superstition: and Sir Walter Manny was a zany: and Nelson, with his flaming stars and cordons, splendent upon a day of battle, was a madman: and Murat, with his crosses and orders, at the head of his squadrons charging victorious, was only a crazy mountebank, who had been a tavern-waiter, and was puffed up with absurd vanity about his dress and legs. And the men of the French line at Fontenoy, who told Messieurs de la Garde to fire first, were smirking French dancing-masters; and the Black Prince, waiting upon his royal prisoner, was acting an inane masquerade: and Chivalry is naught; and honor is humbug; and Gentlemanhood is an extinct folly; and Ambition is madness; and desire of distinction is criminal vanity; and glory is bosh; and fair fame is idleness; and nothing is true but two and two; and the color of all the world is drab; and all men are equal; and one man is as tall as another; and one man is as good as another—and a great dale betther, as the Irish philosopher said.

  Is this so? Titles and badges of honor are vanity; and in the American Revolution you have his Excellency General Washington sending back, and with proper spirit sending back, a letter in which he is not addressed as Excellency and General. Titles are abolished; and the American Republic swarms with men claiming and bearing them. You have the French soldier cheered and happy in his dying agony, and kissing with frantic joy the chief's hand who lays the little cross on the bleeding bosom. At
home you have the Dukes and Earls jobbing and intriguing for the Garter; the Military Knights grumbling at the Civil Knights of the bath; the little ribbon eager for the collar; the soldiers and seamen from India and the Crimea marching in procession before the Queen, and receiving from her hands the cross bearing her royal name. And, remember, there are not only the cross wearers, but all the fathers and friends; all the women who have prayed for their absent heroes; Harry's wife, and Tom's mother, and Jack's daughter, and Frank's sweetheart, each of whom wears in her heart of hearts afterwards the badge which son, father, lover, has won by his merit; each of whom is made happy and proud, and is bound to the country by that little bit of ribbon.

  I have heard, in a lecture about George the Third, that, at his accession, the King had a mind to establish an order for literary men. It was to have been called the Order of Minerva—I suppose with an Owl for a badge. The knights were to have worn a star of sixteen points, and a yellow ribbon; and good old Samuel Johnson was talked of as President, or Grand Cross, or Grand Owl, of the society. Now about such an order as this there certainly may be doubts. Consider the claimants, the difficulty of settling their claims, the rows and squabbles amongst the candidates, and the subsequent decision of posterity! Dr. Beattie would have ranked as first poet, and twenty years after the sublime Mr. Hayley would, no doubt, have claimed the Grand Cross. Mr. Gibbon would not have been eligible, on account of his dangerous freethinking opinions; and her sex, as well as her republican sentiments, might have interfered with the knighthood of the immortal Mrs. Catharine Macaulay. How Goldsmith would have paraded the ribbon at Madame Cornelys's, or the Academy dinner! How Peter Pindar would have railed at it! Fifty years later, the noble Scott would have worn the Grand Cross and deserved it; but Gifford would have had it; and Byron, and Shelley, and Hazlitt, and Hunt would have been without it; and had Keats been proposed as officer, how the Tory prints would have yelled with rage and scorn! Had the star of Minerva lasted to our present time—but I pause, not because the idea is dazzling, but too awful. Fancy the claimants, and the row about their precedence! Which philosopher shall have the grand cordon?—which the collar?—which the little scrap no bigger than a buttercup? Of the historians—A, say,—and C, and F, and G, and S, and T,—which shall be Companion and which Grand Owl? Of the poets, who wears, or claims, the largest and brightest star? Of the novelists, there is A, and B and C D; and E (star of first magnitude, newly discovered), and F (a magazine of wit), and fair G, and H, and I, and brave old J, and charming K, and L, and M, and N, and O (fair twinklers), and I am puzzled between three P's—Peacock, Miss Pardoe, and Paul Pry—and Queechy, and R, and S, and T, mere et fils, and very likely U, O gentle reader, for who has not written his novel now-a-days?—who has not a claim to the star and straw-colored ribbon?—and who shall have the biggest and largest? Fancy the struggle! Fancy the squabble! Fancy the distribution of prizes!

 

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