They were sitting in a sort of partly unroofed outer court of the house, such as often forms the entrance to Spanish houses. It was dusk turning to dark; and as all that mountain air sharpens suddenly after sunset, a small stove stood on the flagstones, glowing with red eyes like a goblin, and painting a red pattern on the pavement; but scarcely a ray of it reached the lower bricks of the great bare, brown brick wall that went soaring up above them into the deep blue night. Flambeau’s big broad-shouldered figure and great moustaches, like sabres, could be traced dimly in the twilight, as he moved about, drawing dark wine from a great cask and handing it round. In his shadow, the priest looked very shrunken and small, as if huddled over the stove; but the American visitor leaned forward elegantly with his elbow on his knee and his fine pointed features in the full light; his eyes shone with inquisitive intelligence.
"I can assure you, sir," he was saying, "we consider your achievement in the matter of the Moonshine Murder the most remarkable triumph in the history of detective science."
Father Brown murmured something; some might have imagined that the murmur was a little like a moan.
"We are well acquainted," went on the stranger firmly, "with the alleged achievements of Dupin and others; and with those of Lecocq, Sherlock Holmes, Nicholas Carter, and other imaginative incarnations of the craft. But we observe there is in many ways, a marked difference between your own method, of approach and that of these other thinkers, whether fictitious or actual. Some have spec’lated, sir, as to whether the difference of method may perhaps involve rather the absence of method."
Father Brown was silent; then he started a little, almost as if he had been nodding over the stove, and said: "I beg your pardon. Yes… Absence of method… Absence of mind, too, I’m afraid."
"I should say of strictly tabulated scientific method," went on the inquirer. "Edgar Poe throws off several little essays in a conversational form, explaining Dupin’s method, with its fine links of logic. Dr. Watson had to listen to some pretty exact expositions of Holmes’s method with its observation of material details. But nobody seems to have got on to any full account of your method. Father Brown, and I was informed you declined the offer to give a series of lectures in the States on the matter."
"Yes," said the priest, frowning at the stove; "I declined."
"Your refusal gave rise to a remarkable lot of interesting talk," remarked Chace. "I may say that some of our people are saying your science can’t be expounded, because it’s something more than just natural science. They say your secret’s not to be divulged, as being occult in its character."
"Being what?" asked Father Brown, rather sharply.
"Why, kind of esoteric," replied the other. "I can tell you, people got considerably worked up about Gallup’s murder, and Stein’s murder, and then old man Merton’s murder, and now Judge Gwynne’s murder, and a double murder by Dalmon, who was well known in the States. And there were you, on the spot every time, slap in the middle of it; telling everybody how it was done and never telling anybody how you knew. So some people got to think you knew without looking, so to speak. And Carlotta Brownson gave a lecture on Thought-Forms with illustrations from these cases of yours. The Second Sight Sisterhood of Indianapolis——"
Father Brown, was still staring at the stove; then he said quite loud yet as if hardly aware that anyone heard him: "Oh, I say. This will never do."
"I don’t exactly know how it’s to be helped," said Mr. Chace humorously. "The Second Sight Sisterhood want a lot of holding down. The only way I can think of stopping it is for you to tell us the secret after all."
Father Brown groaned. He put his head on his hands and remained a moment, as if full of a silent convulsion of thought. Then he lifted his head and said in a dull voice:
"Very well. I must tell the secret."
His eyes rolled darkly over the whole darkling scene, from the red eyes of the little stove to the stark expanse of the ancient wall, over which were standing out, more and more brightly, the strong stars of the south.
"The secret is," he said; and then stopped as if unable to go on. Then he began again and said:
"You see, it was I who killed all those people."
"What?" repeated the other, in a small voice out of a vast silence.
"You see, I had murdered them all myself," explained Father Brown patiently. "So, of course, I knew how it was done."
Grandison Chace had risen to his great height like a man lifted to the ceiling by a sort of slow explosion. Staring down at the other he repeated his incredulous question.
"I had planned out each of the crimes very carefully," went on Father Brown, "I had thought out exactly how a thing like that could be done, and in what style or state of mind a man could really do it. And when I was quite sure that I felt exactly like the murderer myself, of course I knew who he was."
Chace gradually released a sort of broken sigh.
"You frightened me all right," he said. "For the minute I really did think you meant you were the murderer. Just for the minute I kind of saw it splashed over all the papers in the States: "Saintly Sleuth Exposed as Killer: Hundred Crimes of Father Brown.’ Why, of course, if it’s just a figure of speech and means you tried to reconstruct the psychogy—"
Father Brown rapped sharply on the stove with the short pipe he was about to fill; one or his very rare spasms of annoyance contracted his face.
"No, no, no," he said, almost angrily; "I don’t mean just a figure of speech. This is what comes of trying to talk about deep things… What’s the good of words…? If you try to talk about a truth that’s merely moral, people always think it’s merely metaphorical. A real live man with two legs once said to me: ‘I only believe in the Holy Ghost in a spiritual sense.’ Naturally, I said: ‘In what other sense could you believe it?’ And then he thought I meant he needn’t believe in anything except evolution, or ethical fellowship, or some bilge… I mean that I really did see myself, and my real self, committing the murders. I didn’t actually kill the men by material means; but that’s not the point. Any brick or bit of machinery might have killed them by material means. I mean that I thought and thought about how a man might come to be like that, until I realized that I really was like that, in everything except actual final consent to the action. It was once suggested to me by a friend of mine, as a sort of religious exercise. I believe he got it from Pope Leo XIII, who was always rather a hero of mine."
"I’m afraid," said the American, in tones that were still doubtful, and keeping his eye on the priest rather as if he were a wild animal, "that you’d have to explain a lot to me before I knew what you were talking about. The science of detection——"
Father Brown snapped his fingers with the same animated annoyance. "That’s it," he cried; "that’s just where we part company. Science is a grand thing when you can get it; in its real sense one of the grandest words in the world. But what do these men mean, nine times out often, when they use it nowadays? When they say detection is a science? When they say criminology is a science? They mean getting outside a man and studying him as if he were a gigantic insect: in what they would call a dry impartial light, in what I should call a dead and dehumanized light. They mean getting a long way off him, as if he were a distant prehistoric monster; staring at the shape of his ‘criminal skull’ as if it were a sort of eerie growth, like the horn on a rhinoceros’s nose. When the scientist talks about a type, he never means himself, but always his neighbour; probably his poorer neighbour. I don’t deny the dry light may sometimes do good; though in one sense it’s the very reverse of science. So far from being knowledge, it’s actually suppression of what we know. It’s treating a friend as a stranger, and pretending that something familiar is really remote and mysterious. It’s like saying that a man has a proboscis between the eyes, or that he falls down in a fit of insensibility once every twenty-four hours. Well, what you call ‘the secret’ is exactly the opposite. I don’t try to get outside the man. I try to get inside the murderer… Indeed i
t’s much more than that, don’t you see? I am inside a man. I am always inside a man, moving his arms and legs; but I wait till I know I am inside a murderer, thinking his thoughts, wrestling with his passions; till I have bent myself into the posture of his hunched and peering hatred; till I see the world with his bloodshot and squinting eyes, looking between the blinkers of his half-witted concentration; looking up the short and sharp perspective of a straight road to a pool of blood. Till I am really a murderer."
"Oh," said Mr. Chace, regarding him with a long, grim face, and added: "And that is what you call a religious exercise."
"Yes," said Father Brown; "that is what I call a religious exercise."
After an instant’s silence he resumed: "It’s so real a religious exercise that I’d rather not have said anything about it. But I simply couldn’t have you going off and telling all your countrymen that I had a secret magic connected with Thought-Forms, could I? I’ve put it badly, but it’s true. No man’s really any good till he knows how bad he is, or might be; till he’s realized exactly how much right he has to all this snobbery, and sneering, and talking about ‘criminals,’ as if they were apes in a forest ten thousand miles away; till he’s got rid of all the dirty self-deception of talking about low types and deficient skulls; till he’s squeezed out of his soul the last drop of the oil of the Pharisees; till his only hope is somehow or other to have captured one criminal, and kept him safe and sane under his own hat."
Flambeau came forward and filled a great goblet with Spanish wine and set it before his friend, as he had already set one before his fellow guest. Then he himself spoke for the first time:
"I believe Father Brown has had a new batch of mysteries. We were talking about them the other day, I fancy. He has been dealing with some queer people since we last met."
"Yes; I know the stories more or less—but not the application," said Chace, lifting his glass thoughtfully. "Can you give me any examples, I wonder… I mean, did you deal with this last batch in that introspective style?"
Father Brown also lifted his glass, and the glow of the fire turned the red wine transparent, like the glorious blood-red glass of a martyr’s window. The red flame seemed to hold his eyes and absorb his gaze that sank deeper and deeper into it, as if that single cup held a red sea of the blood of all men, and his soul were a diver, ever plunging in dark humility and inverted imagination, lower than its lowest monsters and its most ancient slime. In that cup, as in a red mirror, he saw many things; the doings of his last days moved in crimson shadows; the examples that his companions demanded danced in symbolic shapes; and there passed before him all the stories that are told here. Now, the luminous wine was like a vast red sunset upon dark red sands, where stood dark figures of men; one was fallen and another running towards him. Then the sunset seemed to break up into patches: red lanterns swinging from garden trees and a pond gleaming red with reflection; and then all the colour seemed to cluster again into a great rose of red crystal, a jewel that irradiated the world like a red sun, save for the shadow of a tall figure with a high head-dress as of some prehistoric priest; and then faded again till nothing was left but a flame of wild red beard blowing in the wind upon a wild grey moor. All these things, which may be seen later from other angles and in other moods than his own, rose up in his memory at the challenge and began to form themselves into anecdotes and arguments.
"Yes," he said, as he raised the wine cup slowly to his lips, "I can remember pretty well——"
I. The Mirror of the Magistrate
JAMES BAGSHAW and Wilfred Underhill were old friends, and were fond of rambling through the streets at night, talking interminably as they turned corner after corner in the silent and seemingly lifeless labyrinth of the large suburb in which they lived. The former, a big, dark, good-humoured man with a strip of black moustache, was a professional police detective; the latter, a sharp-faced, sensitive-looking gentleman with light hair, was an amateur interested in detection. It will come as a shock to the readers of the best scientific romance to learn that it was the policeman who was talking and the amateur who was listening, even with a certain respect.
"Ours is the only trade," said Bagshaw, "in which the professional is always supposed to be wrong. After all, people don’t write stories in which hairdressers can’t cut hair and have to be helped by a customer; or in which a cabman can’t drive a cab until his fare explains to him the philosophy of cab-driving. For all that, I’d never deny that we often tend to get into a rut: or, in other words, have the disadvantages of going by a rule. Where the romancers are wrong is, that they don’t allow us even the advantages of going by a rule."
"Surely," said Underhill, "Sherlock Holmes would say that he went by a logical rule."
"He may be right," answered the other; "but I mean a collective rule. It’s like the staff work of an army. We pool our information."
"And you don’t think detective stories allow for that?" asked his friend.
"Well, let’s take any imaginary case of Sherlock Holmes, and Lestrade, the official detective. Sherlock Holmes, let us say, can guess that a total stranger crossing the street is a foreigner, merely because he seems to look for the traffic to go to the right instead of the left. I’m quite ready to admit Holmes might guess that. I’m quite sure Lestrade wouldn’t guess anything of the kind. But what they leave out is the fact that the policeman, who couldn’t guess, might very probably know. Lestrade might know the man was a foreigner merely because his department has to keep an eye on all foreigners; some would say on all natives, too. As a policeman I’m glad the police know so much; for every man wants to do his own job well. But as a citizen, I sometimes wonder whether they don’t know too much."
"You don’t seriously mean to say," cried Underhill incredulously, "that you know anything about strange people in a strange street. That if a man walked out of that house over there, you would know anything about him?"
"I should if he was the householder," answered Bagshaw. "That house is rented by a literary man of Anglo-Roumanian extraction, who generally lives in Paris, but is over here in connexion with some poetical play of his. His name’s Osric Orm, one of the new poets, and pretty steep to read, I believe."
"But I mean all the people down the road," said his companion. "I was thinking how strange and new and nameless everything looks, with these high blank walls and these houses lost in large gardens. You can’t know all of them."
"I know a few," answered Bagshaw. "This garden wall we’re walking under is at the end of the grounds of Sir Humphrey Gwynne, better known as Mr. Justice Gwynne, the old judge who made such a row about spying during the war. The house next door to it belongs to a wealthy cigar merchant. He comes from Spanish-America and looks very swarthy and Spanish himself; but he bears the very English name of Buller. The house beyond that—did you hear that noise?"
"I heard something," said Underhill, "but I really don’t know what it was."
"I know what it was," replied the detective, "it was a rather heavy revolver, fired twice, followed by a cry for help. And it came straight out of the back garden of Mr. Justice Gwynne, that paradise of peace and legality."
He looked up and down the street sharply and then added:
"And the only gate of the back garden is half a mile round on the other side. I wish this wall were a little lower, or I were a little lighter; but it’s got to be tried."
"It is lower a little farther on," said Underhill, "and there seems to be a tree that looks helpful."
They moved hastily along and found a place where the wall seemed to stoop abruptly, almost as if it had half-sunk into the earth; and a garden tree, flamboyant with the gayest garden blossom, straggled out of the dark enclosure and was gilded by the gleam of a solitary street-lamp. Bagshaw caught the crooked branch and threw one leg over the low wall; and the next moment they stood knee-deep amid the snapping plants of a garden border.
The garden of Mr. Justice Gwynne by night was rather a singular spectacle. It was large and lay on
the empty edge of the suburb, in the shadow of a tall, dark house that was the last in its line of houses. The house was literally dark, being shuttered and unlighted, at least on the side overlooking the garden. But the garden itself, which lay in its shadow: and should have been a tract of absolute darkness, showed a random glitter, like that of fading fireworks; as if a giant rocket had fallen in fire among the trees. As they advanced they were able to locate it as the light of several coloured lamps, entangled in the trees like the jewel fruits of Aladdin, and especially as the light from a small, round lake or pond, which gleamed, with pale colours as if a lamp were kindled under it.
"Is he having a party?" asked Underhill. "The garden seems to be illuminated."
"No," answered Bagshaw. "It’s a hobby of his, and I believe he prefers to do it when he’s alone. He likes playing with a little plant of electricity that he works from that bungalow or hut over there, where he does his work and keeps his papers. Buller, who knows him very well, says the coloured lamps are rather more often a sign he’s not to be disturbed."
"Sort of red danger signals," suggested the other.
"Good Lord! I’m afraid they are danger signals!" and he began suddenly to run.
A moment after Underhill saw what he had seen. The opalescent ring of light, like the halo of the moon, round the sloping sides of the pond, was broken by two black stripes or streaks which soon proved themselves to be the long, black legs of a figure fallen head downwards into the hollow, with the head in the pond.
"Come on," cried the detective sharply, "that looks to me like——"
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