He exhales heavily and begins to read again. “He is a merchant now and has offered me a place on one of his ships that will go through the south seas to take shipments of sugar. I know it is hard of me to leave you but truly the excitement of seeing such places is more than I can bear. I cannot say how many years I will be away and will not ask you to wait for me to come back. You will find a new husband quickly I am sure and you may feel free to never mention me or our marriage. I am sorry again and wish—”
“That’s enough,” she says. “Stop there.”
The boy puts the letter on the floor and sits looking at his stocking feet. “I’m sorry. I didn’t know what it was.”
“ ’Course you didn’t,” she says. Zachary would have known, though, must have known that someone would have to read it to her, that his message would not reach her alone. She pulls the quilt up to her neck and lies very still in the bed. She feels like something is crushing all the breath from her chest. Outside it is almost dark and the wind is picking up. For her, the whole world might be empty except for this one little house. At last she says, “You have a horse, don’t you? In the stall out back.”
“I do.”
“I’ll make you a deal, Jesse. You let me use that horse tomorrow to ride to the trading post and get some supplies. And you help me carry them to a place a little ways out into the prairie. And in return you can have this house and everything left in it. Stay here awhile and head on to California in the spring, if you want. Winter’s no time for traveling.”
“Are you teasing me?” he says.
“Not a bit. That’s a fair bargain, isn’t it?”
“More than fair.”
“And one other thing. You let me sleep in peace tonight.”
“Don’t even have to say that,” he replies sulkily. “I’m not that kind of man.”
“I didn’t know it was a kind.” She hauls the gun back up from the floor into the crook of her arm and lets the black exhaustion that has been tugging at her pull her under.
* * *
—
She is back in the cave, at the edge of that dark chasm where she saw the blue lights dance, and she holds in her hand a rope that is wondrously long and light. She ties one end fast around a rock and tosses the other into the darkness; it drifts down like a falling leaf. She begins to climb down slowly, hand under hand. Her arms are strong and her descent is steady. The deeper she goes, the lighter it becomes, but the light is strange. It is bright white but it does not hurt her eyes, and in fact she can see better than before. The rock wall in front of her is a whole world of facets and grooves, a lacy mapwork of stone. Her own hands are covered in a tracery of lines; her clothes are a collection of small, careful stitches. Below her, faintly, she can hear music and the swell of voices, and the voices multiply until she is sure there must be hundreds of people. She tries to look down but can see only the light growing brighter, the walls beginning to glow white.
Then a man’s voice calls to her from below: “Sadie.”
He sounds closer than she expected, close enough almost to touch, but, though she continues her descent, she does not find the bottom.
A moment later another voice, a woman’s, calls out again, “Sadie!” and then another woman, and a man, and a child. The air grows warm with voices, layered upon one another, bouncing against the rock. Sadie stops climbing and feels the bite of the rope against her hands, the nearness of the rock at her face.
She is not afraid. She will reach them soon.
“I’m coming,” she calls, “I’m almost there,” and she lets go of the rope to fall into their waiting arms.
Henrick Van Jorgen fled Denmark when he was sixteen years old, not because of a crime or a debt or a broken heart, but because he was determined to leave behind the endless memory of his homeland and find a place where he could live with abandon. He landed in New York and, after several years of carousing, consented to marry a solid-looking Danish woman who did not ask too many questions and cooked excellent fiskeboller, only to lose her in childbirth a year later when she bore him a daughter.
Some men would have been unnerved by the responsibilities of raising a little girl alone, but Van Jorgen soon learned that the New World, in addition to having plenty of jobs and whiskey and card games he had never heard of, had an abundance of young widows to whom a handsome man with a sad story and a sweet, gray-eyed baby were irresistible. Effie never lacked for babysitters, and Van Jorgen never lacked for a good meal.
By his twenty-seventh birthday, Van Jorgen had migrated westward and was living in Pennsylvania, working in a steel mill. It was the best employment he could have imagined. His days were composed of hefting steel beams and tipping pots of molten metal into open-hearth furnaces. He loved the roaring of the mills and the constant glow of the fires that had replaced sunlight in his world. If the work was tough it was also simple and dependable, and he relished the feel of his body functioning as smoothly as any of the machines he used, muscle and bone working together like pistons, making the steel beams that would build the castles of the modern world. He spent his Saturday nights putting those same muscles to work boxing at the athletic club, where he pummeled an assortment of challengers as men in suits gobbled steak, drank porter, and watched him spatter blood on the canvas floor of the ring. At the end of each night he was given two dollars, which he always took home and put directly into a powdered milk tin that he kept under his floorboards.
* * *
—
Effie, his daughter, spent her days in the care of a woman named Mrs. Graf, whose own children had died of Russian flu several years earlier, along with her husband. From the ages of two to eight, Effie learned the skills Mrs. Graf considered most essential, namely how to scrub floors and wash shirts, which was how she earned her own living. But as Effie did these things, or even while she ran through the tenement alleys with the other children, she was always thinking ahead to the hour when her father would come up the steps to Mrs. Graf’s apartment, clapping his hands and calling Effie’s name from two flights down, smelling of Biechele’s Banner soap and spotted here and there with traces of soot that he had not managed to wash away in the basement shower. He would throw open the door without knocking, sweep her from her feet, and shake her all around like a squirming puppy. When she had finished laughing, he would set her down and pass the time with Mrs. Graf for a few minutes, asking her how the day had gone and whether his daughter wasn’t a perfect angel. Mrs. Graf would hand him a dish with whatever she had prepared for supper, and he would set his hands on her shoulders and thank her in a way that never failed to make her blush. Then he would take the dish in one hand and lay the other on Effie’s head like a heavy hat, and they would go back to their apartment and eat. Afterward, Effie would wash the dishes and sit in her father’s lap, and the two of them would look through the newspaper to see if they could discern what was going on in the world from the pictures.
* * *
—
There came a week when the normal pattern of work in the mill was disrupted because one of the furnaces was being shut down for alterations. The fires had to be extinguished days in advance so the furnace would have time to cool. Production was not often stopped—Mr. Carnegie did not abide it except in cases of absolute necessity—but it was rumored that the great man was experimenting with a new product, the patent for which had been sold to him by a Spanish scientist. The process would fuse steel and glass to create a new material that was as strong as steel at one-quarter the weight.
Van Jorgen and a few others were recruited to make alterations to the furnace, under the direction of a small man in wire spectacles. This man wore a fine suit that was already smeared with slag dust, and gave all his instructions in terse, heavily accented English. More often than not, he carried out his orders himself, impatiently wresting tools from the workers’ hands and making his own adjustments. Soon the entire gro
up of men was coated in soot; Van Jorgen and the other mill workers climbed in and out of the mouth of the furnace fetching tools and piping, spitting wads of gray phlegm on the floor. There was something fascinating about stepping inside the beast that any other day would have seared the flesh from their bones before they had the time to scream. They strained to lift the heavy pieces of machinery into place, grunting and swearing.
At six o’clock the shift whistle blew and the rest of the men left, but Van Jorgen remained, curious to see what the scientist would do next. The two men sat side by side on a crate catching their breath, and Van Jorgen took a small tin of snuff from his pocket, which he offered to his companion. They relaxed in silence for a few moments, heads spinning pleasantly, and then the scientist led Van Jorgen toward a large box in the corner of the room. With a conspiratorial air, he drew off a heavy canvas cover. The box was as big as a coffin, with a clear glass lid. The scientist, with some effort, lifted one end, and a wave of smoke appeared within.
“Glass,” said the scientist, watching Van Jorgen. He shook the box more forcefully, and the smokelike substance swirled into view again. “Very small, very thin pieces of glass.” Van Jorgen, bending to look closer, saw that this was so; what had appeared to be smoke was in fact glass fibers as fine as thistledown and light enough to be disturbed by the slightest motion.
“You are building miracles,” said Van Jorgen.
The scientist gave a laugh at once shy and giddy as he set the box down and sunk his hands into the pockets of his soot-encrusted suit. “Yes,” he said, “that is me.”
* * *
—
The following day the apparatus was completed, and the furnace restarted. Before the doors were shut, the Spanish scientist tested a set of bellows almost as large as he was that pumped the smokelike glass into the furnace. Glittering in the heat, the glass filaments alighted on the melting steel like a cloud of flies. The scientist nodded and motioned some of the men to swing shut the riveted metal door through which they had been watching the steel, and to turn the handwheel that would seal it closed. All around the furnace the workers stood with their hands at their sides, jostling for a better look. Even the shift bosses had given up their posturing authority and gathered to watch.
Van Jorgen balanced his weight on the outer edges of his work boots. He had the sense that if he stood still too long the boots might melt to the floor; the room had surpassed even its usual hellish temperature. He backed away from the furnace and resumed his vigil closer to the door, where the flow of air created a cooling draft.
The scientist constantly checked gauges and thermometers, and eventually began heaving at the bellows. He was sweating, red-faced, but he moved with the single-minded zeal of possession. Soon a high-pitched squealing noise like that of twisting metal pierced the air. The men all looked up, startled, but the equipment appeared to be fine. The scientist checked the valves and took a couple more pumps at the bellows, but the noise only grew louder, and he started to move more frantically.
The shift bosses saw his agitation and began questioning him, all of them at once, their voices an unintelligible squabble. The scientist shouted, words beyond the men’s understanding, rummaging through a toolbox and waving his hands at them to warn them back. They understood him all in the same moment, and in that moment the furnace blew apart. The scientist and the box of glass filaments were shattered; bricks and chunks of sizzling metal flew; churning heat filled the room. As Van Jorgen turned to run, the glass cloud hit his skin like a mist of fire, searing him across his arms and neck, burning a spray of holes through the back of his shirt until the fabric gave way, and then biting into his skin. He fell to the floor screaming, with the sensation of hot needles piercing his lungs, still reaching for the door.
* * *
—
Effie sat by her father’s hospital bed for most of the next five days, waiting for him to wake up. The nurses told her repeatedly that the hospital was no place for a little girl, and Mrs. Graf, who had a terror of hospitals and could not stay in one for longer than a few minutes, begged her to wait for news at home. But Effie only twined her legs around the legs of the chair she sat in and refused to move. When the nurses changed her father’s bandages, they insisted that she cover her eyes, but as soon as they turned away she peered from between her fingers. His back was blistered and raw, and all the hair from the nape of his neck to the crown of his head had been singed away; from the front he looked like the same papa she had always known, and from the back like a red-skinned, boiling monster. The nurses replaced the bandages and left to attend to the next patient, and he lay motionless on his side, his breath hissing weakly from the corners of his mouth, his eyes unmoving beneath their lids.
When he finally came to, it was early evening and Effie was the only one in the room, aside from the other patients. Her father blinked as though waking from a long dream and gazed up at her from his bed. As soon as his eyes were open he looked like himself again, and Effie reached out and put her hand on his face, though she had not touched him since he entered the hospital. “Papa,” she said. He drew a breath as if to reply, but winced and clutched at his chest. Effie picked up a small brass bell that the nurses had placed on his bedside table and rang it.
A nurse appeared and took Van Jorgen’s pulse. Then she sat in Effie’s chair and explained to him, slowly and using a variety of metaphors, that in the explosion he had breathed in atomized glass; that it had coated the insides of his lungs, which now suffered minute cracks with every breath. He was lucky to be alive at all, she said, and if he intended to stay alive he must take shallow, slow breaths—inhaling too deeply would cause his lungs to bleed, and doing this too much over time would slowly suffocate him. If he was careful, and stopped when his lungs began to ache, he would be able to summon enough wind to whisper a few words at a time. Then she stood up, as though that settled the matter, and said she would be back in the morning with the doctor. Effie noticed that she did not repeat what the doctor had said on the first day, when he thought Effie could not hear him—that he was sure her father was beyond the aid of science, and would die.
In the dim silence that followed the nurse’s departure, Effie stood with her hand on her father’s forehead and looked at him. She bent closer, so that her nose was almost touching his, and said, “Can you hear me?” He nodded, and Effie sank back into her chair.
“Mrs. Graf cried all day yesterday,” she said, “and she made me wear a dress that used to be her daughter’s and go to a funeral. And she gave me dinner and kept calling me ‘poor chick.’ But the other children were the poor chicks, because all their papas were dead from the fire and you were only just burned. And she put all our things in a box, and she forgot that I don’t like barley soup and she made a whole pot of it, just for me, she said.”
Van Jorgen parted his fingers and took between them one of her dark, silky curls.
“I ate it,” Effie said, “as much as I could.”
She pulled her chair closer and bent almost in half so that she could lay her head beside her father’s and feel his thready breath on her cheek. The light outside had faded, leaving only a pale blue square of twilight from the window to show them each other’s faces, but she could see that his eyes were still open, and he let his hand rest on her head. Inside a minute, she was asleep.
* * *
—
It was four months before Van Jorgen could leave the hospital. He clutched Effie’s hand as he walked through the atrium and into the world again; in his other hand he held a small valise with her clothes. The muscles that had once stretched Van Jorgen’s skin taut had slackened and wasted during his time in the hospital; even walking without leaning on his daughter’s shoulder was an effort. When they reached the street he stopped at the edge of the curb, unable to take the next step. Unsuspected threats seemed to fill every shadow and rut in the road. Effie stepped into the street, p
ulling him behind her.
They returned to their tenement to find that it had been given to someone else, the mill bosses having assumed Van Jorgen would die. The new man gaped at him as though he were indeed a ghost. Van Jorgen took the powdered milk tin full of his savings from under the floorboard, said his goodbyes to Mrs. Graf, and departed.
They went to Philadelphia, where a distant cousin of Van Jorgen’s had set up a boardinghouse, and took a set of rooms on the top floor of her building. For a while they lived off of Van Jorgen’s savings. He searched for employment but found himself unable to work, a useless man, almost unable to move. He spent hours at night standing before the mirror after Effie went to sleep, holding a candle at his shoulder and craning his neck to look at the mottled red-and-white skin on his back. He wondered if his lungs looked the same; he imagined them hanging like clouds in his chest, swollen with glass instead of rain.
At last he found a job as an assistant to a tailor who was willing to train him. It was slow, boring work, hemming the pants and suit cuffs of the city’s wealthy citizens, but it did not require speaking or hard labor, and Van Jorgen learned it quickly. He took the energy that had once been put into the muscle of his work and transformed it into care and precision, for now he was a man whose every breath had to be taken with prudence.
The income he earned from this work slowed the depletion of his hoarded money, but could not stop it. In another two years, the savings were gone. Effie’s clothes were shabby and faded, but, despite their poverty, she thrived in her new home. Greta, the cousin in whose building they lived, had taken it upon herself to teach the girl to read and write, and soon Effie brought home stacks of borrowed books, always shuttling them quickly to her bedroom, where she read them by candlelight. Van Jorgen wondered what she was reading and once, when she was off at the market, stole into her room and tried to decipher the stamped titles on the bindings, as if he could intuit from the shape and arrangement of the letters their meaning. But he was unable to make any sense of them, and, furthermore, had the feeling that he was trespassing, that although Effie would never tell him not to enter her room and look at her books, he should not. He straightened the neat stack on her bedside table and left again, no wiser for his pains, and troubled.
All the Names They Used for God Page 3
