One by one, his memory revived with laborious minuteness every incident that had attended his different interviews with the Roman girl, from the first night when she had strayed into his tent to the last happy evening that he had spent with her at the deserted farm-house. Then tracing further backwards the course of his existence, he figured to himself his meeting with Goisvintha among the Italian Alps; his presence at the death of her last child, and his solemn engagement, on hearing her recital of the massacre at Aquileia, to avenge her on the Romans with his own hands. Roused by these opposite pictures of the past, his imagination peopled the future with images of Antonina again endangered, afflicted, and forsaken; with visions of the impatient army, spurred at length into ferocious action, making universal havoc among the people of Rome, and forcing him back for ever into their avenging ranks. No decision for resistance or resignation to flight presented itself to his judgment. Doubt, despair, and apprehension held unimpeded sway over his impressible but inactive faculties. The night itself, as he looked forth on it, was not more dark; the wild thunder, as he listened to it, not more gloomy; the name of Goisvintha, as he thought on it, not more ominous of evil, than the sinister visions that now startled his imagination and oppressed his weary mind.
There was something indescribably simple, touching, and eloquent in the very positions of Hermanric and Antonina as they now sat together—the only members of their respective nations who were united in affection and peace—in the lonely farm-house. Both the girl's hands were clasped over Hermanric's shoulder, and her head rested on them, turned from the door towards the interior of the room, and so displaying her rich, black hair in all its luxuriance. The head of the Goth was still sunk on his breast, as though he were wrapped in a deep sleep, and his hands hung listlessly side by side over the scabbard of his sheathed sword, which lay across his knees. The fire flamed only at intervals, the fresh log that had been placed on it not having been thoroughly kindled as yet. Sometimes the light played on the white folds of Antonina's dress; sometimes over the bright surface of Hermanric's cuirass, which he had removed and laid by his side on the ground; sometimes over his sword, and his hands, as they rested on it; but it was not sufficiently powerful or lasting to illuminate the room, the walls and corners of which it left in almost complete darkness.
The thunder still pealed from without, but the rain and wind had partially lulled. The night hours had moved on more swiftly than our narrative of the events that marked them. It was now midnight.
No sound within the room reached Antonina's ear but the quick rattling of the door-latch, shaken in its socket by the wind. As one by one the moments journeyed slowly onward, it made its harsh music with as monotonous a regularity as though it were moved by their progress, and kept pace with their eternal march. Gradually the girl found herself listening to this sharp, discordant sound, with all the attention she could have bestowed at other times on the ripple of a distant rivulet or the soothing harmony of a lute, when, just as it seemed adapting itself most easily to her senses, it suddenly ceased, and the next instant a gust of wind, like that which had rushed through the open door on the breaking of the rotten bar, waved her hair about her face and fluttered the folds of her light, loose dress. She raised her head and whispered tremulously to Hermanric—
'The door is open again—the latch has given way!'
The Goth started from his reverie and looked up hastily. At that instant the rattling of the latch recommenced as suddenly as it had ceased, and the air of the room recovered its former tranquillity.
'Calm yourself, beloved one,' said Hermanric gently; 'your fancy has misled you—the door is safe.'
He parted back her dishevelled hair caressingly as he spoke. Incapable of doubting the lightest word that fell from his lips, and hearing no suspicious or unwonted sound in the room, she never attempted to justify her suspicions. As she again rested her head on his shoulder, a vague misgiving oppressed her heart, and drew from her an irrepressible sigh; but she gave her apprehensions no expression in words. After listening for a moment more to assure himself of the security of the latch, the Goth resumed insensibly the contemplations from which he had been disturbed; once more his head drooped, and again his hands returned mechanically to their old listless position, side by side, on the scabbard of his sword.
The faint, fickle flames still rose and fell, gleaming here and sinking there, the latch sounded sharply in its socket, the thunder yet uttered its surly peal, but the wind was now subsiding into fainter moans, and the rain began to splash faintly and more faintly against the shutters without. To the watchers in the farm-house nothing was altered to the eye, and little to the ear. Fatal security! The last few minutes had darkly determined their future destinies—in the loved and cherished retreat they were now no longer alone.
They heard no stealthy footsteps pacing round their dwelling, they saw no fierce eyes peering into the interior of the farm-house through a chink in the shutters, they marked no dusky figure passing through the softly and quickly opened door, and gliding into the darkest corner of the room. Yet, now as they sat together, communing in silence with their young, sad hearts, the threatening figure of Goisvintha stood, shrouded in congenial darkness, under their protecting roof and in their beloved chamber, rising still and silent almost at their very sides.
Though the fire of her past fever had raged again through her veins, and though startling visions of the murders at Aquileia had flashed before her mind as the wild lightning before her eyes, she had traced her way through the suburbs and along the high-road, and down the little path to the farm-house gate, without straying, without hesitating. Regardless of the darkness and the storm, she had prowled about the house, had raised the latch, had waited for a loud peal of thunder ere she passed the door, and had stolen shadow-like into the darkest corner of the room, with a patience and a determination that nothing could disturb. And now, when she stood at the goal of her worst wishes, even now, when she looked down upon the two beings by whom she had been thwarted and deceived, her fierce self-possession did not desert her; her lips quivered over her locked teeth, her bosom heaved beneath her drenched garments, but neither sighs nor curses, not even a smile of triumph or a movement of anger escaped her.
She never looked at Antonina; her eyes wandered not for a moment from Hermanric's form. The quickest, faintest gleam of firelight that gleamed over it was followed through its fitful course by her eager glance, rapid and momentary as itself. Soon her attention was fixed wholly upon his hands, as they lay over the scabbard of his sword; and then, slowly and obscurely, a new and fatal resolution sprung up within her. The various emotions pictured in her face became resolved into one sinister expression, and, without removing her eyes from the Goth, she slowly drew from the bosom-folds of her garment a long sharp knife.
The flames alternately trembled into light and subsided into darkness as at first; Hermanric and Antonina yet continued in their old positions, absorbed in their thoughts and in themselves; and still Goisvintha remained unmoved as ever, knife in hand, watchful, steady, silent as before.
But beneath the concealment of her outward tranquillity raged a contention under which her mind darkened and her heart writhed. Twice she returned the knife to its former hiding-place, and twice she drew it forth again; her cheeks grew paler and paler, she pressed her clenched hand convulsively over her bosom, and leant back languidly against the wall behind her. No thought of Antonina had part in this great strife of secret emotions; her wrath had too much of anguish in it to be spent against a stranger and an enemy.
After the lapse of a few moments more, her strength returned—her firmness was aroused. The last traces of grief and despair that had hitherto appeared in her eyes vanished from them in an instant. Rage, vengeance, ferocity, lowered over them as she crept stealthily forward to the very side of the Goth, and, when the next gleam of the fire played upon him, drew the knife fiercely across the back of his hands. The cut was true, strong, and rapid—it divided the tendons fr
om first to last—he was crippled for life.
At that instant the fire touched the very heart of the log that had been laid on it. It crackled gaily; it blazed out brilliantly. The whole room was as brightly illuminated as if a Christmas festival of ancient England had been preparing within its walls!
The warm, cheerful light showed the Goth the figure of his assassin, ere the first cry of anguish had died away on his lips, or the first start of irrepressible horror ceased to vibrate through his frame. The cries of his hapless companion, as the whole scene of vengeance, treachery, and mutilation flashed in one terrible instant before her eyes, seemed not even to reach his ears. Once he looked down upon his helpless hands, when the sword rolled heavily from them to the floor. Then his gaze directed itself immovably upon Goisvintha, as she stood at a little distance from him, with her blood-stained knife, silent as himself.
There was no fury—no defiance—not even the passing distortion of physical suffering in his features, as he now looked on her. Blank, rigid horror—tearless, voiceless, helpless despair, seemed to have petrified the expression of his face into an everlasting form, unyouthful and unhopeful—as if he had been imprisoned from his childhood, and a voice was now taunting him with the pleasures of liberty, from a grating in his dungeon walls. Not even when Antonina, recovering from her first agony of terror, pressed her convulsive kisses on his cold cheek, entreating him to look on her, did he turn his head, or remove his eyes from Goisvintha's form.
At length the deep steady accents of the woman's voice were heard through the desolate silence.
'Traitor in word and thought you may be yet, but traitor in deed you never more shall be!' she began, pointing to his hands with her knife. 'Those hands, that have protected a Roman life, shall never grasp a Roman sword, shall never pollute again by their touch a Gothic weapon! I remembered, as I watched you in the darkness, how the women of my race once punished their recreant warriors when they fled to them from a defeat. So have I punished you! The arm that served not the cause of sister and sister's children—of king and king's nation—shall serve no other! I am half avenged of the murders at Aquileia, now that I am avenged on you! Go, fly with the Roman you have chosen to the city of her people! Your life as a warrior is at an end!'
He made her no answer. There are emotions, the last of a life, which tear back from nature the strongest barriers that custom raises to repress her, which betray the lurking existence of the first rude social feeling of the primeval days of a great nation, in the breasts of their most distant descendants, however widely their acquirements, their prosperities, or their changes may seem to have morally separated them from their ancestors of old. Such were the emotions now awakened in the heart of the Goth. His Christianity, his love, his knowledge of high aims, and his experience of new ideas, sank and deserted him, as though he had never known them. He thought on his mutilated hands, and no other spirit moved within him, but the ancient Gothic spirit of centuries back; the inspiration of his nation's early Northern songs and early Northern achievements—the renown of courage and the supremacy of strength.
Vainly did Antonina, in the midst of the despair that still possessed her, yearn for a word from his lips or a glance from his eyes; vainly did her trembling fingers, tearing the bandages from her robe, stanch the blood on his wounded hands; vainly did her voice call on him to fly and summon help from his companions in the camp! His mind was far away, brooding over the legends of the battle-fields of his ancestors, remembering how, even in the day of victory, they slew themselves if they were crippled in the fray, how they scorned to exist for other interests than the interests of strife, how they mutilated traitors as Goisvintha had mutilated him! Such were the objects that enchained his inward faculties, while his outward senses were still enthralled by the horrible fascination that existed for him in the presence of the assassin by his side. His very consciousness of his existence, though he moved and breathed, seemed to have ceased.
'You thought to deceive me in my sickness, you hoped to profit by my death,' resumed Goisvintha, returning contemptuously her victim's glance. 'You trusted in the night, and the darkness, and the storm; you were secure in your boldness, in your strength, in the secrecy of this lurking-place that you have chosen for your treachery, but your stratagems and your expectations have failed you! At Aquileia I learnt to be wily and watchful as you! I discovered your desertion of the warriors and the camp; I penetrated the paths to your hiding-place; I entered it as softly as I once departed from the dwelling where my children were slain! In my just vengeance I have treated you as treacherously as you would have treated me! Remember your murdered brother; remember the child I put into your arms wounded and received from them dead; remember your broken oaths and forgotten promises, and make to your nation, to your duties, and to me, the atonement—the last and the only one—that in my mercy I have left in your power—the atonement of death.'
Again she paused, and again no reply awaited her. Still the Goth neither moved nor spoke, and still Antonina—kneeling unconsciously upon the sword, now useless to him for ever—continued to stanch the blood on his hands with a mechanical earnestness that seemed to shut out the contemplation of every other object from her eyes. The tears streamed incessantly down her cheeks, but she never turned towards Goisvintha, never suspended her occupation.
Meanwhile, the fire still blazed noisily on the cheerful hearth; but the storm, as if disdaining the office of heightening the human horror of the farm-house scene, was rapidly subsiding. The thunder pealed less frequently and less loudly, the wind fell into intervals of noiseless calm, and occasionally the moonlight streamed, in momentary brightness, through the ragged edges of the fast breaking clouds. The breath of the still morning was already moving upon the firmament of the stormy night.
'Has life its old magic for you yet?' continued Goisvintha, in tones of pitiless reproach. 'Have you forgotten, with the spirit of your people, the end for which your ancestors lived? Is not your sword at your feet? Is not the knife in my hand? Do not the waters of the Tiber, rolling yonder to the sea, offer to you the grave of oblivion that all may seek? Die then! In your last hour be a Goth; even to the Romans you are worthless now! Already your comrades have discovered your desertion; will you wait till you are hung for a rebel? Will you live to implore the mercy of your enemies, or, dishonoured and defenceless, will you endeavour to escape? You are of the blood of my family, but again I say it to you—die!'
His pale lips trembled; he looked round for the first time at Antonina, but his utterance struggled ineffectually, even yet, against unyielding despair. He was still silent.
Goisvintha turned from him disdainfully, and approaching the fire sat down before it, bending her haggard features over the brilliant flames. For a few minutes she remained absorbed in her evil thoughts, but no articulate word escaped her; and when at length she again abruptly broke the silence, it was not to address the Goth or to fix her eyes on him as before.
Still cowering over the fire, apparently as regardless of the presence of the two beings whose happiness she had just crushed for ever as if they had never existed, she began to recite, in solemn, measured, chanting tones, a legend of the darkest and earliest age of Gothic history, keeping time to herself with the knife that she still held in her hand. The malignity in her expression, as she pursued her employment, betrayed the heartless motive that animated it, almost as palpably as the words of the composition she was repeating: thus she now spoke:—
'The tempest-god's pinions o'ershadow the sky,
The waves leap to welcome the storm that is nigh,
Through the hall of old Odin re-echo the shocks
That the fierce ocean hurls at his rampart of rocks,
As, alone on the crags that soar up from the sands,
With his virgin SIONA the young AGNAR stands;
Tears sprinkle their dew on the sad maiden's cheeks,
And the voice of the chieftain sinks low while he speaks:
"Crippled in the fight
for ever,
Number'd with the worse than slain;
Weak, deform'd, disabled!—never
Can I join the hosts again!
With the battle that is won
AGNAR'S earthly course is run!
"When thy shatter'd frame must yield,
If thou seek'st a future field;
When thy arm, that sway'd the strife,
Fails to shield thy worthless life;
When thy hands no more afford
Full employment to the sword;
Then, preserve—respect thy name;
Meet thy death—to live is shame!
Such is Odin's mighty will;
Such commands I now fulfil!"'
At this point in the legend, she paused and turned suddenly to observe its effect on Hermanric. All its horrible application to himself thrilled through his heart. His head drooped, and a low groan burst from his lips. But even this evidence of the suffering she was inflicting failed to melt the iron malignity of Goisvintha's determination.
'Do you remember the death of Agnar?' she cried. 'When you were a child, I sung it to you ere you slept, and you vowed as you heard it, that when you were a man, if you suffered his wounds you would die his death! He was crippled in a victory, yet he slew himself on the day of his triumph; you are crippled in your treachery, and have forgotten your boy's honour, and will live in the darkness of your shame! Have you lost remembrance of that ancient song? You heard it from me in the morning of your years; listen, and you shall hear it to the end; it is the dirge for your approaching death!'
Antonina Page 31
