by Roger Angell
Something else—a sense of unreality, some persistent note of recognition of difference—stayed with me after all my visits to the Mets’ clubhouse this year. Only in the end did I realize what it was. Instead of resembling a real ball team, the new Mets reminded me most of a Hollywood cast assembled to play in still another unlikely baseball movie. They seemed smaller and younger and more theatrical than a real team, and their drama was hopelessly overwritten. Certainly the cast was right—Harrelson and Boswell (Bud and Ken), the eager, sharp-faced infielders; Wayne Garrett, the freckle-faced rookie with the sweet smile; Jerry Grote, the broken-nosed, scrappy catcher; Agee and Jones, the silent, brooding big busters; Jerry Koosman, the cheerful hayseed; Ed Charles, the philosophical black elder; Art Shamsky, the Jewish character actor with persistent back pains; Hodges and Berra, the seamy-faced, famous old-timers (neither, unfortunately, called Pop); and Tom Seaver, of course, the hero. And who can say that the Mets didn’t sense this, too—that they didn’t know all along that this year at Shea life was imitating not just art but a United Artists production?
The only bad luck suffered by the Mets this year was the collapse of their opposition. A few cynics will insist (I have heard them already) that the Mets did not win their divisional title but had it handed to them. They somehow overlook the fact that the Mets won thirty-eight of their last forty-nine regular-season games (twenty-nine of thirty-six when it really mattered), and point instead to the Cubs’ loss of ten out of eleven games in early September, to the Cubs’ blowing a nine-and-a-half-game lead in less than a month, and to the failure of the powerful Pirates and the pennant-holding Cardinals ever to mount a consistent assault on the leaders. We all wanted that culminating explosion of open warfare similar to the famous Trafalgar staged by the American League in 1967, but the major fleets seemed only to glide past each other in the night. One brief skirmish—a pair of evening games at Shea on September 8 and 9—sufficed to convince me, however, that the Mets would have won just as surely if the issue had come down to the last afternoon of the season. The Cubs by then were a badly rattled club, exhausted by the silences and rages of their manager, Leo Durocher, and apprehensive about the impending loss of their lead, which they had held too long (a hundred and forty-two days) and too easily. Cub pitcher Bill Hands opened the first game by decking Tommie Agee with an inside fast ball—a mistake against the Suggestibles. Jerry Koosman responded classically by hitting the next Cub batter, Ron Santo, on the wrist, and an inning later Agee banged a two-run homer. The Cubs tied it in the sixth, but Agee scored the winning run in the bottom half, sliding in ahead of a sweeping tag by catcher Randy Hundley, who then suggested that the umpire had blown the call. (I was watching at home, and Hundley’s enraged leap took him right off the top of my TV screen, leaving only his shoes in view, like Santa’s boots disappearing up the chimney.) The next night, Seaver threw a five-hitter, the Mets racked up ten hits and seven runs, and Durocher was treated to several dozen touching renditions of the new anthem, “Good-by, Leo!” The Mets took over first place the next day.
They went on winning—sometimes implacably, sometimes improbably. They won a doubleheader from Pittsburgh in which the only run in each game was driven in by the Met pitcher. They won again from the Pirates the next day, when Ron Swoboda hit the first grand-slam home run of his career. Against the Cardinals, they set an all-time mark by striking out nineteen times in one game, but beat the brand-new record-holder, Steve Carlton, on two two-run homers by Swoboda. Against the Pirates, a Pittsburgh pop single was converted into a sudden out when Swoboda scooped up the ball and fired it to catcher Jerry Grote, who had raced up the line to take the throw at first base just as the base-runner turned the corner. Had we but seen them, these games contained all the market indications of a brilliant investment coup in the coming playoff and Series.
Fittingly, the game that clinched the Mets’ half-pennant was against the old league champs, the Cardinals. Thoughtfully, the Cubs had won that afternoon, thus keeping the Mets from backing in. Appropriately, it was the last home game at Shea, and 54,928 of us had turned out. Undramatically, the Mets won it in the very first inning, bombing out Steve Carlton with two homers—a three-run shot by a new favorite, Donn Clendenon, and a two-run poke by an old favorite, Ed Charles, who clapped his hands delightedly as he circled the bases. It was a slow, humid, comical evening, presided over by a festive orange moon. Plenty of time to read the fans’ banners (“QUEENS LITHO LOVES THE METS,” “YOU GUYS ARE TOO MUCH!”), to read the scoreboard (“METS WELCOME THE GOODTIME CHARLIE PHYSICAL FITNESS GROUP”; “METS WELCOME THE PASSIONIST RETREATISTS”), to fly paper airplanes, to grin idiotically at each other, to tear programs into confetti, and to join in a last, loud “Good-by, Leo!” rendered a cappella, with the right-field tenors in especially good voice. Then, in a rush, came the game-ending double play, the hero-hugging (Gary Gentry had pitched a 6–0 shutout), the sprint for life (Met fans are not the most excited pennant locusts I have ever seen, but they are the quickest off the mark and the most thorough), and the clubhouse water sports (Great Western, Yoo-Hoo, Rise lather, beer, cameras, interviews, music, platitudes, disbelief). Ed Charles sat in front of his locker, away from the television lights and the screeching, and said, “Beautiful, baby. Nine years in the minors for me, then nine more with the Athletics and Mets. Never, never thought I’d make it. These kids will be back next year, but I’m thirty-six and time is running out. It’s better for me than for them.”
A few minutes later, I saw George Weiss, the Mets’ first general manager, trying to push his way through the mob outside Gil Hodges’ office. He got to the door at last and then peered in and waved to Hodges, who had played for the Mets in their terrible first season.
“Nineteen sixty-two!” Weiss called.
“Nineteen sixty-two!” Hodges replied.
Rod Kanehl and Craig Anderson, two other Original Mets, met in the middle of the clubhouse, cried “Hey!” in unison, and fell into each other’s arms. Soon they became silent, however, and stood there watching the party—two heavy men in business suits, smoking cigars.
The playoffs—the television-enriching new autumn adjunct known officially as the Championship Series—matched up the Orioles and the Minnesota Twins, and the Mets and the Atlanta Braves, who had barely escaped the horrid possibility of three-way or four-way pre-playoff with the Dodgers, Giants, and Cincinnati Reds in the National League West. Atlanta filled its handsome white stadium to capacity for its two weekend games against New York, but to judge from the local headlines, the transistor-holders in the stands, the television interviews with Georgia coaches, and the high-school band and majorettes that performed each morning in the lobby of the Regency Hyatt House hotel, autumn baseball was merely a side attraction to another good old Deep South football weekend. Georgia beat South Carolina, 41–16; Clemson beat Georgia Tech, 21–10; the Colts beat the Falcons, 21–14; and the Mets beat the Braves, 9–5 and 11–6. The cover of the official program for the baseball games displayed a photograph of the uniformed leg of an Atlanta Brave descending from a LEM onto a home plate resting on the moon, with the legend “One Step for the Braves, One Giant Leap for the Southeast,” but Manager Hodges saw to it that the astronaut never got his other foot off the ladder. Not wanting to lose his ace in the significant first game, he kept Tom Seaver on the mound for seven innings, while Seaver absorbed an uncharacteristic eight-hit, five-run pounding. Tom plugged away, giving up homers and doubles, and resolutely insisting in the dugout that the Mets were going to win it. The lead changed hands three times before this finally happened, in the eighth, when the Mets scored five times off Phil Niekro on three successive hits, a gift stolen base, a fearful throwing error by Orlando Cepeda, and a three-run pinch single by J.C. Martin. The next day’s match was just as sloppy. The Braves scored five runs with two out in the fifth, all off Koosman and all too late, since the Mets had already run up a 9–1 lead. Hank Aaron hit his second homer in two days, Agee and Jones and Boswell hit homers
for the Mets, and the Braves left for Shea Stadium with the almost occult accomplishment of having scored eleven runs off Seaver and Koosman without winning either game.
Hodges, having demonstrated slow managing in the first game, showed how to manage fast in the last one. His starter, Gary Gentry, who had given up a two-run homer to the unquenchable Aaron in the first inning, surrendered a single and a double (this also by Aaron) in the third, and then threw a pitch to Rico Carty that the Atlanta outfielder bombed off the left-field wall on a line but about two feet foul. Hodges, instantly taking the new ball away from Gentry, gave it to Nolan Ryan, in from the bullpen, who thereupon struck out Carty with one pitch, walked Cepeda intentionally, fanned Clete Boyer, and retired Bob Didier on a fly. Agee responded in obligatory fashion, smashing the first pitch to him in the same inning for a homer, and Ken Boswell came through with a two-run job in the fourth, to give the Mets the lead. Cepeda, who so far had spent the series lunging slowly and unhappily at Met singles and doubles buzzing past him at first, then hit a home run well beyond the temporary stands behind the left-center-field fence, making it 4–3, Braves. Even he must have sensed by then what would happen next: Ryan, a .103 hitter, singled to lead off the home half; Garrett, who had hit but one home run all year, hit another into the right-field loges, for two runs; Jones and Boswell and Grote and Harrelson and Agee combined to fashion two insurance runs; Ryan fanned seven Braves in all, and won by 7–4. Just about everybody got into the act in the end—the turf-moles onto the field again, Nolan Ryan and Garrett under the kliegs, and Mayor Lindsay under the champagne. Forehandedly, he had worn a drip-dry.
After a season of such length and so many surprises, reason suggested that we would now be given a flat and perhaps one-sided World Series, won by the Orioles, who had swept their three playoff games with the Minnesota Twins, and whom reporters were calling the finest club of the decade. There would be honor enough for the Mets if they managed only to keep it close. None of this happened, of course, and the best news—the one true miracle—was not the Mets’ victory but the quality of those five games—an assemblage of brilliant parables illustrating every varied aspect of the beautiful game.
The Baltimore fans expected neither of these possibilities, for there were still plenty of tickets on sale before the opener at Memorial Stadium, and the first two Series games were played to less than capacity crowds. This is explicable only when one recalls that two other league champions from Baltimore—the football Colts and the basketball Bullets—had been humiliated by New York teams in postseason championships this year. Baltimore, in fact, is a city that no longer expects any good news. In the press box, however, the announcement of the opening lineups was received in predictable fashion (“Just no way …”), and I could only agree. The Orioles, who had won a hundred and nine games in the regular season, finishing nineteen games ahead of the next team and clinching their divisional title on September 13, were a poised and powerful veteran team that topped the Mets in every statistic and, man for man, at almost every position. Their three sluggers—Frank Robinson, Boog Powell, and Paul Blair—had hit a total of ninety-five homers, as against the Mets’ team total of a hundred and nine. Their pitching staff owned a lower earned-run average than the Mets’ sterling corps. Their ace, screwballer Mike Cuellar, had won twenty-three games and led the staff in strikeouts; their second starter, Dave McNally, had won fifteen games in a row this year; the third man, Jim Palmer, had a record of 16–4, including a no-hitter. Since Cuellar and McNally are lefthanders, Hodges was forced to start his righty specialists (Clendenon, Charles, Swoboda, and Weis) and bench the hot left-handed hitters (Kranepool, Garrett, Shamsky, and Boswell) who had so badly damaged the Braves. Just no way.
Confirmation seemed instantaneous when Don Buford, the miniature Baltimore left fielder, hit Seaver’s second pitch of the game over the right-field fence, just above Swoboda’s leap. (Swoboda said later that his glove just ticked the ball “at my apogee.”) For a while after that, Seaver did better—pitched much more strongly than he had in Atlanta, in fact—but with two out in the Baltimore fourth the steam suddenly went out of his fast ball, and the Orioles racked up three more runs. The game, however, belonged not to Buford, or to the other Oriole hitters, or to Cuellar, but to Brooks Robinson, the perennial All Star Baltimore third baseman, who was giving us all a continuous lesson in how the position can be played. Almost from the beginning, I became aware of the pressure he puts on a right-handed batter with his aggressive stance (the hands are cocked up almost under his chin), his closeness to the plate, his eager appetite for the ball. His almost supernaturally quick reactions are helped by the fact that he is ambidextrous; he bats and throws right-handed, but eats, writes, plays ping-pong, and fields blue darters with his left. In the fifth, he retired Al Weis on a tough, deep chance that leaped up and into his ribs. In the seventh, after the Mets had scored once on a pair of singles and a fly, he crushed the rally when he sprinted in toward Rod Gaspar’s topped roller, snatched it up barehanded, and got off the throw, overhand, that retired Gaspar by yards. The Orioles won, 4–1, and Brooks had made it look easy for them.
The Mets were grim the next day (Frank Robinson had baited them after their loss, commenting on the silence in their dugout), and they played a grim, taut, riveting game. Brooks Robinson went on making fine plays, but he had plenty of company—an extraordinary catch and falling throw to second by Baltimore shortstop Mark Belanger, a base-robbing grab by gaunt little Bud Harrelson. (The tensions of the season had burned Harrelson down from a hundred and sixty-eight to a hundred and forty-five pounds.) The Mets led, 1–0, on Donn Clendenon’s wrong-field homer off McNally in the fourth, and Baltimore had no hits at all off Koosman until the bottom of the seventh, when Paul Blair led off with a single. Two outs later, Blair stole second on a change-up curve, and Brooks Robinson scored him with a single up the middle. The tie seemed only to make the crowd more apprehensive, and the Baltimore partisans seemed unamused when a large “LETS GO, METS!” banner appeared in the aisle behind home plate; it was carried by four Met wives—Mesdames Pfeil, Dyer, Ryan, and Seaver, smashers all, who had made it the night before out of a Sheraton bedsheet. There were two out in the top of the ninth before the Mets could act on this RSVP, winning the game on successive singles by Charles and Grote and a first-pitch hit to left by the .215 terror, Al Weis. Koosman, throwing mostly curves in the late going, walked two Orioles in the bottom half, but Ron Taylor came in to get the last out and save Jerry’s two-hit, 2–1, essential victory. It was a game that would have delighted John McGraw.
Back at Shea Stadium, before an uncharacteristically elegant but absolutely jam-packed audience, Tommie Agee rocked Jim Palmer with a lead-off first-inning homer—Agee’s fifth such discouragement this year. Gary Gentry, who had taken such a pounding from the Braves, was in fine form this time, challenging the big Baltimore sluggers with his hummer and comforted by a 3–0 lead after the second inning. He was further comforted in the fourth, when Tommie Agee, with two Orioles aboard, ran for several minutes toward deep left and finally, cross-handed, pulled down Elrod Hendricks’ drive just before colliding with the fence. Agee held on to the ball, though, and carried it all the way back to the infield like a trophy, still stuck in the topmost webbing of his glove. It was 4–0 for the home side by the seventh, when Gentry walked the bases full with two out and was succeeded by Nolan Ryan. Paul Blair hit his 0–2 pitch on a line to distant right. Three Orioles took wing for the plate, but Agee, running to his left this time, made a skidding dive just at the warning track and again came up with the ball. The entire crowd—all 56,335 of us—jumped to its feet in astonished, shouting tribute as he trotted off the field. The final score was 5–0, or, more accurately, 5–5—five runs for the Mets, five runs saved by Tommie Agee. Almost incidentally, it seemed, the Orioles were suddenly in deep trouble in the Series.
It was Cuellar and Seaver again the next day, and this time the early homer was provided by Donn Clendenon—a lead-off shot to t
he visitors’ bullpen in the second. Seaver, who had not pitched well in two weeks, was at last back in form, and Baltimore manager Earl Weaver, trying to rattle him and to arouse his own dormant warriors, who had scored only one run in the past twenty-four innings, got himself ejected from the game in the third for coming onto the field to protest a called strike. Weaver had a longish wait in his office before his sacrifice took effect, but in the top of the ninth, with the score still 1–0 and the tension at Shea nearly insupportable, Frank Robinson and Boog Powell singled in succession. Brooks Robinson then lined into an out that tied the game but simultaneously won the World Series for the Mets. It was a low, sinking drive, apparently hit cleanly through between Agee and right fielder Ron Swoboda. Ron, who was playing in close, hoping for a play at the plate, took three or four lunging steps to his right, dived onto his chest, stuck out his glove, caught the ball, and then skidded on his face and rolled completely over; Robinson scored, but that was all. This marvel settled a lengthy discussion held in Gil Hodges’ office the day before, when Gil and several writers had tried to decide whether Agee’s first or second feat was the finest Series catch of all time. Swoboda’s was. Oh, yes—the Mets won the game in the tenth, 2–1, when Grote doubled and his runner, Rod Gaspar, scored all the way from second on J.C. Martin’s perfect pinch bunt, which relief pitcher Pete Richert picked up and threw on a collision course with Martin’s left wrist. My wife, sitting in the upper left-field stands, could not see the ball roll free in the glazy late-afternoon dimness and thought that Martin’s leaping dance of joy on the base path meant that he had suddenly lost his mind.
